{"slug":"3d-lut-night-teal-orange","title":"一步调出夜景青橙/黄蓝色调？这个PS插件太好用了吧！","author":"Thomas看看世界","date":"2020-03-01","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247490233&idx=1&sn=fcecbb0a08bf390692ce467734682040&chksm=eb81e4dddcf66dcbbce0f2c27e1f427b0d4af9a755695988265637240144d3ef000f307ef740&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"青橙/黄蓝色调，是一种非常流行的城市夜景后期调色方向。","b":false,"xe":"Teal-orange / yellow-blue grading is a very popular look for city night photography."},{"t":"p","x":"在以前的教程《这种好看的夜景色调是怎么调出来的？》和《刷爆全网的重庆夜景大片，原来后期这么调色！》中，Thomas和大家分享了如何用PS中的各种工具，调出这种色调。","b":false,"xe":"In the earlier tutorials \"How Is This Beautiful Night Tone Created?\" and \"The Chongqing Night Shots That Went Viral — Graded Like This!\", Thomas shared how to achieve this look with various PS tools."},{"t":"p","x":"在今天的视频教程中，Thomas会和大家分享一种更快速好用的技术，利用3D Lut Creator插件一步调出夜景青橙/黄蓝色调。","b":false,"xe":"In today's video tutorial, Thomas shares a faster, handier technique: one-click night teal-orange grading with the 3D LUT Creator plugin."},{"t":"h","x":"视频教程","xe":"Video Tutorial"},{"t":"bili","bv":"BV18E411E74h","bpic":"bili-1","bt":"一步调出网红夜景青橙色调？这个PS插件太好用了吧！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。以前 Thomas 调夜景青橙色调，要在 Camera RAW 白平衡、HSL、分离色调甚至可选颜色五六个工具之间反复横跳；今天这期教程只靠 3D LUT Creator 里的一个 AB 面板，就能一步定调（这个方法是他在叶洛老师的 3D LUT Creator 课程中学到的）。下文把操作逐帧拆开，配上视频截图和时刻索引，方便对照观看。","xe":"This is the fully illustrated companion to the video above. Thomas used to jump between five or six tools — Camera RAW white balance, HSL, Split Toning, even Selective Color — to grade night shots teal-orange; in this tutorial a single AB panel inside 3D LUT Creator does it in one pass (a technique he learned from Ye Luo's 3D LUT Creator course). Below, every step is broken out with screenshots and timestamps so you can follow along in the video.","b":false},{"t":"p","x":"先看核心：AB 面板本质是一张色相环。方向代表色相——红 0°、橙 30°、黄 60°、绿 120°、青 180°、蓝 240°、紫 270°、品红 300°（视频 1:31 处）；半径代表饱和度——越靠圆心越灰，越靠外缘越艳。看懂这一张图，后面所有操作都只是「把点从 A 拖到 B」。","xe":"The core idea first: the AB panel is essentially a hue wheel. Direction encodes hue — red 0°, orange 30°, yellow 60°, green 120°, cyan 180°, blue 240°, purple 270°, magenta 300° (1:31 in the video); radius encodes saturation — grayer toward the center, more vivid toward the rim. Once this one map clicks, every move that follows is just 'drag a point from A to B'.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 认识 AB 面板：一张色相环管住两件事","xe":"01 Meet the AB Panel: One Hue Wheel, Two Jobs"},{"t":"p","x":"3D LUT Creator 是一款专业级调色软件，比 PS 多出很多做色彩分析和色彩调整的工具。工作流很简单：先在 PS 里打开照片，再选「载入当前 PS 图像」，照片就进入了 3D LUT Creator（视频 1:01 处）。今天的案例是重庆鸿恩阁夜景——原片天空偏紫、灯光橙黄，正是练青橙色调的好底子。","xe":"3D LUT Creator is a professional-grade color grading program with many analysis and adjustment tools PS lacks. The workflow is simple: open the photo in Photoshop first, then choose 'import current PS image' and it lands inside 3D LUT Creator (1:01 in the video). Today's subject is the Hong'en Pavilion in Chongqing at night — a purple sky with orange-yellow lights, perfect raw material for a teal-orange grade.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"AB 面板把整张照片的颜色铺在色相环上：网格线就是画面里的色彩分布，拖动某个点，照片里对应的颜色跟着变。比起 PS 的色相/饱和度工具，它的算法更好，大幅调整也不容易出现色相断层（视频 2:55 处）。","xe":"The AB panel spreads the photo's colors across the wheel: the mesh shows the image's color distribution, and dragging any point shifts the corresponding colors in the picture. Compared with Photoshop's Hue/Saturation, its algorithm is better behaved — even large moves rarely produce hue banding (2:55 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 拖点即变：色相与饱和度的自由","xe":"02 Drag a Point: Free Hue and Saturation"},{"t":"p","x":"色相调整有多直观？原片天空大量偏紫，把紫色那个点拖向红色，天空就变红；拖向绿色，天空立刻变绿（视频 2:14 处）。画面里的灯基本是黄橙色，把黄橙往绿色移，灯光变绿；往蓝色移，灯光又整体变蓝（视频 2:35 处）——整个画面像被一只手拧着颜色走。","xe":"How intuitive is hue shifting? The sky leans heavily purple, so drag the purple point toward red and the sky turns red; drag it toward green and it turns green on the spot (2:14 in the video). The lights are mostly yellow-orange: pull them toward green and they go green, toward blue and the whole row of lamps flips blue (2:35 in the video) — as if the palette of the whole frame were being turned by hand.","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"饱和度调整在半径方向：向圆心拉，饱和度降低；向外缘拉，饱和度增强。夜景经常需要压住暗部植物的杂色——把黄绿、青绿这些点往圆心方向收，树木的绿就灰下去、不再抢戏；反过来，想让哪个颜色跳出来，就把它往外拉（视频 3:20 处）。","xe":"Saturation lives along the radius: pull toward the center to desaturate, toward the rim to intensify. Night frames often need the cluttered color of plants tamed — gather the yellow-green and cyan-green points toward the center and the trees' green recedes into gray, no longer stealing the show; in reverse, push any color outward to make it pop (3:20 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 青橙两步：先偏中性色，再统一色彩","xe":"03 Teal-Orange in Two Moves: Neutrals First, Then Unify"},{"t":"p","x":"青橙色调的调色思路其实只有两条（视频 3:56 处）：第一，白平衡整体偏冷——画面里的中性色要往青色、蓝色方向偏移；第二，统一色彩——暖色调都归拢成橙色，冷色调都归拢成青色。下面就在 AB 面板上把这两步做完。","xe":"The teal-orange idea boils down to two moves (3:56 in the video): first, cool the white balance overall by shifting the image's neutral colors toward cyan and blue; second, unify the palette — all warms gathered into orange, all cools into teal. Let's run both moves on the AB panel.","b":false},{"t":"p","x":"第一步，定白平衡。AB 面板的圆心代表没有饱和度的中性色，把它往蓝色方向一拉，整张照片的白平衡就缓缓偏蓝，夜景的「夜」味立刻出来（视频 4:27 处）。","xe":"Move one, set the white balance. The panel's center point represents neutrals with zero saturation; drag it toward blue and the whole photo's white balance eases into blue — the 'night' in the night shot appears immediately (4:27 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"第二步，统一色彩。紫色调拖向蓝色统一，画面里的青色也往青蓝方向收（视频 4:45 处）；暖色这边，黄色稍稍往橙偏，红色往左轻推就能归入橙黄——但 Thomas 特意只拉一点点，保留红与黄的层次变化，不让暖部糊成一团（视频 5:16 处）。","xe":"Move two, unify the colors. Drag the purples toward blue, and gather the cyans into the teal-blue family as well (4:45 in the video). On the warm side, nudge yellow slightly toward orange and ease red leftward so it folds into orange-yellow — but Thomas deliberately pulls only a little, keeping the layered variation of red and yellow so the warm areas don't smear into one blob (5:16 in the video).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"绿色的处理思路很多：可以像刚才那样向圆心降饱和，也可以直接偏色相——偏黄会显得怪异，Thomas 选择把绿拉成偏青蓝，统一进冷色调，把画面最引人注目的核心位置留给中央鸿恩阁那片暖色的楼顶（视频 5:41 处）。","xe":"Green invites several treatments: desaturate it toward the center as before, or shift its hue outright — toward yellow looks odd, so Thomas pulls green into cyan-blue and folds it into the cool family, saving the frame's focal core for the warm roofline of the Hong'en Pavilion at center (5:41 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"04 一键回 PS：一个 LUT 图层收工","xe":"04 Back to PS in One Click: A Single LUT Layer"},{"t":"p","x":"调完点「回到 PS」，软件会自动新建一个 3D LUT（颜色查找）调整图层来应用效果（视频 6:17 处）。原本要动用白平衡、HSL、分离色调、可选颜色等五六种工具慢慢磨的青橙色调，现在一个工具一步到位——风格化调色从苦活变成了快活。","xe":"When the grade is done, click 'back to PS' and the software applies the look as a brand-new 3D LUT (Color Lookup) adjustment layer (6:17 in the video). A teal-orange grade that used to be ground out across white balance, HSL, Split Toning and Selective Color now lands in one tool, one pass — stylized grading stops being a chore.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"quote","x":"1. 3D LUT Creator 的 AB 面板是一张色相环：方向管色相、半径管饱和度，一张图管住照片所有颜色；2. 它的算法比色相/饱和度工具更好，大幅调色也不易出现色相断层；3. 夜景青橙两步走——中性色（圆心）往蓝偏定白平衡，再把暖色归橙、冷色归青、绿拉向青蓝并保留暖部层次；4. 调完一键回 PS，自动生成 3D LUT 调整图层，一个工具替代五六个。","xe":"1. The AB panel in 3D LUT Creator is a hue wheel: direction controls hue, radius controls saturation — one map that governs every color in the photo; 2. Its algorithm beats the Hue/Saturation tool, so even large shifts avoid hue banding; 3. Night teal-orange in two moves — drag the neutrals (the center) toward blue to set white balance, then unify warms into orange, cools into teal, pulling green toward cyan while keeping warm-side variation; 4. One click back to PS and the look lands as a 3D LUT adjustment layer — one tool replacing five or six."}],"titleEn":"One-Click Night Teal-Orange Grading with 3D LUT Creator"}