{"slug":"avoid-sameness-landscape","title":"风光摄影如何避免千篇一律？我的一些思考","author":"Thomas看看世界","date":"2022-11-27","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247496492&idx=1&sn=a5fd0005bd72e07270ab943e70456550&chksm=eb820d48dcf5845e6cd57d651cc20811a98fd6303211eaf39c745b01fb571c9b20bcc29fc24a&scene=21#wechat_redirect","blocks":[{"t":"p","x":"风光摄影如何避免千篇一律的同质化呈现？","b":false,"xe":"How can landscape photography avoid homogeneous, cookie-cutter presentation?"},{"t":"p","x":"这是一个对于摄影师和进阶爱好者非常值得思考的问题。","b":false,"xe":"This is a question well worth pondering for photographers and advanced enthusiasts."},{"t":"p","x":"在今天的视频中，我会和大家分享3位让我获得启发的国外风景摄影师，以及我自己在长期拍摄中总结出来的3点经验。","b":false,"xe":"In today's video, I will share three foreign landscape photographers who have inspired me, along with three lessons I have distilled from my long-term shooting."},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV19M411z7qu","bpic":"bili-1","bt":"风光摄影如何避免千篇一律？十年经验总结的三点思考"},{"t":"p","x":"这一篇是上面视频的图文整理。在搜索引擎搜「风光摄影」，跳出来的大多是看过就忘的明信片式照片——如何避免千篇一律的同质化？Thomas 用自己 2011 到 2023 年的四张照片作为线索，结合三位国外摄影师的启发，总结出三条破局思路。本文按视频顺序整理成四个章节，全部例片截图收录如下。","xe":"This is the illustrated companion to the video above. Search 'landscape photography' and most results are postcard shots you forget in seconds — how do you avoid that sameness? Using four of his own photographs from 2011 to 2023 as the thread, plus the inspiration of three foreign photographers, Thomas distills three ways out. The four chapters below follow the video's order, with all example frames included.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 我的四个阶段：从荷花到拉林铁路","xe":"01 My Four Stages: From Lotus to the Lhasa–Nyingchi Railway"},{"t":"p","x":"2011 年刚拿起相机时，Thomas 拍的是公园里的荷花——练的是构图基本功，题材自然同质化。2017 年在格陵兰，他拍下垂直岩壁、雪山与峡湾的组合，主体本身就足够特殊，再配上当时颇为前卫的调色技巧（视频 1:27 处）。","xe":"In 2011, when Thomas first picked up a camera, he photographed lotus flowers in parks — practicing composition basics, on thoroughly homogenized subjects. In 2017 in Greenland he captured vertical cliffs, snow mountains and fjords together — the subject itself was exceptional, enhanced by then cutting-edge grading (at 1:27 in the video).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"2020 年拍家乡重庆，被无数人拍过的城市怎么拍出自己的特色？他想到了借道具——用手机背壳的反光做镜面反射，呈现折叠空间的渝中半岛（视频 1:55 处）。2023 年拉林铁路通车第二年，他坐上火车，透过车窗拍下窗外盛开的桃花。这四张照片，恰好对应了避免同质化的三种方式。","xe":"In 2020, photographing his hometown Chongqing — a city shot by countless people — he reached for a prop: the reflective back of a phone as a mirror, folding the Yuzhong peninsula into one frame (at 1:55 in the video). In 2023, the second year of the Lhasa–Nyingchi railway, he rode the train and framed peach blossoms through the window. These four photos map exactly onto three ways to escape sameness.","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"02 投入时间、精力和金钱","xe":"02 Invest Time, Energy and Money"},{"t":"p","x":"第一种方式最朴素：投入别人不愿投入的成本。比如上期推荐的摄影师专拍城市的雨雾暗调——这样的场景你的城市可能就有，但机位不在小红书的网红清单里，需要自己花时间去找；找到后还要盯天气预报，等雨雾在清晨或傍晚降临的那一刻（视频 3:10 处）。","xe":"The first way is the plainest: invest what others won't. The photographer featured last episode, for instance, shoots dark, foggy cityscapes — scenes your own city may hold, but the vantage points are not on any influencer's list; you have to find them yourself, then watch the forecast and wait for fog to land at dawn or dusk (at 3:10 in the video).","b":false},{"t":"p","x":"精力与体力同样是一种投入。他在巴基斯坦 K2 徒步线上走了三周，才有了乔戈里峰山脚下这张日出——照片摄于早上七点，而前一晚十一点就开始攀爬雪山。金钱亦然：格陵兰交通不便、物价高昂，没有资金支持就拍不到那里的村落与极夜光影（视频 4:27 处）。","xe":"Energy is an investment too: three weeks trekking the K2 route in Pakistan bought him this sunrise at the foot of K2 — shot at 7 a.m. after climbing began at 11 the night before. Money counts as well: Greenland is hard to reach and brutally expensive; without funding, its villages and polar light stay out of reach (at 4:27 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"03 想法、创意与后期风格","xe":"03 Ideas, Creativity and a Grading Style of Your Own"},{"t":"p","x":"第二种方式在身边就能实现。摄影师 Alex Hyner 的素材不过是天空和随处可见的电线杆、路灯，他却把两者组合，用类似时间切片的创意拼接做出极强的视觉效果——仔细学习别人的想法与风格，最终是为了形成自己的（视频 5:32 处）。道具也是创意：手机背壳的反光、一只撑开的百叶窗，都能让平凡场景焕然一新。","xe":"The second way works right where you live. Alex Hyner's raw material is nothing but skies and everyday utility poles, yet by fusing the two — with a time-slice-like collage — he achieves striking visuals; studying others' ideas and styles matters because it feeds your own (at 5:32 in the video). Props are creativity too: a phone's reflective back, a pulled-open venetian blind, each can remake an ordinary scene.","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"拍上海，除了高楼大厦，还可以拍这座城市给你的感觉：精致、摩登、节奏快到焦虑。Thomas 专门选了雨天，拍下摩登白领撑伞看着手机匆匆走过、车灯照亮雨滴的瞬间——把城市的气质拍进去，同样的题材就有了陌生感（视频 6:57 处）。","xe":"Shanghai can be more than skyscrapers: capture what the city feels like — refined, modern, anxious with pace. Thomas picked a rainy day for a modern professional hurrying past under an umbrella, eyes on her phone, headlights lighting up the raindrops — infuse a city's temperament and the same old subject turns strange and new (at 6:57 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"后期风格同样能重塑题材。他那组广受欢迎的桂林山水，用青色调参考山水画的气韵和游戏里的玄幻风格，做了彻底的再呈现——许多人说，从来没有见过这样的桂林（视频 7:53 处）。","xe":"Grading style can transform a subject too. His widely loved Guilin series re-imagines the karst in cyan tones, borrowing the spirit of ink-wash painting and the fantasy aesthetics of video games — many said they had never seen Guilin like this (at 7:53 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"04 结合现实、社会与时代","xe":"04 Connect with Reality, Society and the Times"},{"t":"p","x":"第三种方式是让照片带上时代的印记。爱德华·伯汀斯基（Edward Burtynsky）用航拍揭示人类对自然的影响甚至破坏，把气候与环境的议题注入风景，让照片拥有了远超「打卡」的可读性（视频 8:40 处）。","xe":"The third way is to stamp your photos with their moment. Edward Burtynsky's aerials reveal humanity's impact — even damage — on nature, folding climate and environmental issues into the landscape and giving the pictures a readability far beyond check-in shots (at 8:40 in the video).","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"Thomas 自己的《中国烂尾楼》沿用类似思路：记录一个特定社会阶段的突出矛盾，让风光摄影具备历史价值，并与公众产生共鸣；火车看中国系列同样把风景与现实相连（视频 9:07 处）。","xe":"Thomas's own 'Unfinished Buildings of China' follows a similar logic: documenting a sharply defined social moment gives landscape photography historical value and public resonance; his 'Seeing China by Train' series connects landscape with reality the same way (at 9:07 in the video).","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"时代性还意味着不可复制：车窗外林芝的桃花，十年前拍不到这样的机会；雪山还是那座南迦巴瓦，但山下的高速公路与桥梁、前景的火车、当地人的衣着，都在宣告「此时此刻」。通车前拍下的那扇车窗——外面是西藏现代化的农村——如今已经不可能再拍到，这正是独一无二（视频 11:01 处）。","xe":"Timeliness also means unrepeatable: the window view of Nyingchi's blossoms had no such chance ten years ago; Namcha Barwa stands as ever, but the expressways and bridges below, the train in the foreground, the locals' clothes all proclaim 'right now'. The window frame shot before the railway opened — a modernized Tibetan village outside — can never be taken again. That is what unique means (at 11:01 in the video).","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"quote","x":"1. 投入时间、精力和金钱——找冷门机位、等极端天气、走别人不走的路，本身就是壁垒；2. 先大量阅读和学习别人的创意，再形成自己的想法与后期风格，道具和城市气质都是突破口；3. 让风景与时代对话：社会议题、独特的时刻，会让照片拥有不可复制的历史价值；4. 同质化的反面不是标新立异，而是带上你自己的观察与经历。","xe":"1. Invest time, energy and money — scouting unfashionable spots, waiting for extreme weather, walking where others don't is a moat in itself; 2. Read widely, study others' creativity, then forge your own ideas and grading — props and a city's temperament are both openings; 3. Let landscape converse with the times: social issues and singular moments give photos an unrepeatable historical value; 4. The opposite of sameness is not gimmickry but carrying your own observation and experience."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV19M411z7qu/","b":false,"xe":"https://www.bilibili.com/video/BV19M411z7qu/"},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"img","f":"img-02","w":1080,"h":608},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"h","x":"相关教程：","xe":"Related tutorials:"},{"t":"p","x":"《风光摄影后期进阶系列课》","b":false,"xe":"\"Advanced Landscape Photography Post-Processing Series\""},{"t":"p","x":"《这3位ins摄影师镜头下的中国，也太酷了吧！》","b":false,"xe":"\"China Through the Lenses of These 3 Instagram Photographers Is Just Too Cool!\""},{"t":"p","x":"《500px上最值得关注的5位风光摄影师》","b":false,"xe":"\"The 5 Landscape Photographers Most Worth Following on 500px\""},{"t":"p","x":"《值得持续关注的5位风光摄影师，他们的近作太震撼了吧！》","b":false,"xe":"\"5 Landscape Photographers Worth Following Long-Term - Their Recent Works Are Astonishing!\""},{"t":"p","x":"《你天天看的大片，其实只是风光摄影的冰山一角》","b":false,"xe":"\"The Masterpieces You See Every Day Are Just the Tip of the Iceberg of Landscape Photography\""},{"t":"p","x":"《没有红云就不知道怎么拍？不妨关注一下这3位风光摄影师~》","b":false,"xe":"\"Don't Know How to Shoot Without Red Clouds? 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