{"slug":"bird-photo-teal-grading","title":"打鸟照还能这么调色？Ins流行青色调仿色！","author":"Thomas看看世界","date":"2023-10-29","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247498575&idx=1&sn=8aab3621c4819ee83ca9cca9a92c4b0e&chksm=eb82052bdcf58c3dfe8c9a1992487f0befb3a31e3d17fca905be140a3be09aaf157f668c114e&scene=21#wechat_redirect","blocks":[{"t":"p","x":"鸟类摄影陶冶耐心和情操，是摄影爱好者们很喜欢的一个拍摄题材。","b":false,"xe":"Bird photography cultivates patience and sensibility — a beloved subject among photography enthusiasts."},{"t":"p","x":"不过这类照片看多了之后，也不免有些审美疲劳，如何才能调出更有个性的野生动物照片呢？","b":false,"xe":"But after seeing enough of these photos, aesthetic fatigue sets in. How can we grade wildlife photos with more personality?"},{"t":"p","x":"在今天的摄影教程中，Thomas会以佳能R5俱乐部用户杨珂在三江源国家公园拍摄的照片为例。","b":false,"xe":"In today's tutorial, Thomas works from a photo taken by Canon R5 Club member Yang Ke in Sanjiangyuan National Park."},{"t":"img","f":"img-01","w":1080,"h":720},{"t":"p","x":"机身：佳能EOS R5 RF100-500mm","b":false,"xe":"Camera: Canon EOS R5"},{"t":"p","x":"镜头：佳能RF100-500mm F4.5-7.1 L IS USM","b":false,"xe":"Lens: Canon RF100-500mm F4.5-7.1 L IS USM"},{"t":"p","x":"参数：ISO500 f7.1 1/500s 500mm","b":false,"xe":"Settings: ISO500 f/7.1 1/500s 500mm"},{"t":"p","x":"参考Instagram上非常火的摄影师Fursty和mankeyfoto的风格，把这张照片调成更具风格的流行暗青色调，赋予鸟类照片不同的情绪和性格。","b":false,"xe":"Referencing the styles of Instagram-favorite photographers Fursty and mankeyfoto, we'll grade this photo into a more stylized, popular dark-teal tone, giving the bird photo a different mood and character."},{"t":"img","f":"img-02","w":1080,"h":1440},{"t":"p","x":"也欢迎大家在“佳能俱乐部”小程序中投稿你的野生动物照片！","b":false,"xe":"You're also welcome to submit your wildlife photos in the \"Canon Club\" mini-program!"},{"t":"img","f":"img-03","w":450,"h":336},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1dc411R77B","bpic":"bili-1","bt":"鸟类摄影还能这么调色？Ins青色风格打鸟照仿色！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 以佳能 R5 俱乐部用户杨珂在三江源国家公园拍摄的一张鸟片为例，演示如何把它调成 Instagram 上流行的暗青色调——从参考风格、裁图定调，到 Camera Raw 里的局部强化与分离色调，每一步都配了视频关键帧截图。想先建立框架就往下读，想听细节再回到视频。","xe":"This is the fully illustrated companion to the video above. Working from a bird frame shot by Yang Ke, a Canon R5 Club member, in Sanjiangyuan National Park, Thomas shows how to turn it into the moody teal look trending on Instagram — from reference styles and crop/tone setup to local refinements and split toning in Camera Raw, each step paired with keyframe screenshots. Skim it here for the framework, then head back to the video for the details.","b":false},{"t":"p","x":"先看总览。下面这帧截自视频 10:52 处，正是视频里「这是之前、这是之后」的对比时刻：画面里的鸟已经从杂乱发黄的记录照，变成了低长调、青蓝深邃的风格化成片。整篇教程，就是走完这中间的距离。","xe":"Start with the overview. This frame, captured at 10:52 in the video, lands right on the \"this is before, this is after\" moment: the bird has gone from a cluttered, yellowish record shot to a low-key, deeply teal stylized image. The whole tutorial is the walk between those two points.","b":false},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 参考风格：两位暗调野生动物摄影师","xe":"01 The References: Two Dark-Tone Wildlife Photographers"},{"t":"p","x":"这种暗青色调并不是 Thomas 的原创。他推荐的两位参考摄影师，都来自《给摄影爱好者的色彩课》第四课「色彩与风格」：一位是 Fursty，他用冷峻的蓝青色调拍老鹰等鸟类，还会因鸟而异——更翠绿的鸟就调得没那么冷、更自然和谐；狐狸这样可爱的主体，则在冷色基调上加入大量橙色暖色，去凸显它的另一面（视频 1:19 处）。","xe":"This dark teal look is not Thomas's invention. Both photographers he references come from Lesson 4, \"Color and Style,\" of his color course for photography lovers. The first is Fursty, who shoots eagles and other birds in a cold blue-teal register and adapts it per subject: greener birds get a warmer, more harmonious treatment, while a cute subject like a fox gets plenty of orange warmth layered over the cool base to reveal its other side (at 1:19 in the video).","b":false},{"t":"img","f":"v02","w":768,"h":480},{"t":"p","x":"第二位是 Mankeyfoto，同样是青蓝色调、非常风格化。猫头鹰、老鹰这类我们很多摄影爱好者都拍过的题材，经过这样个性化的调色就能一下子脱颖而出（视频 1:50 处）。而且暗色调本身也展示了鸟的另一面：我们觉得鸟可爱是人类的主观感受，作为生态链上的掠食者，它必然有冷静、冷酷的一面，这种色调恰好能把这一面体现出来。","xe":"The second is Mankeyfoto, also teal-blue and highly stylized. Subjects many of us have photographed countless times — owls, eagles — instantly stand out after this kind of personal grading (at 1:50 in the video). The dark tone also reveals the bird's other side: finding it cute is a human projection, but as a predator in the food chain it has a calm, cold-blooded streak that this palette captures perfectly.","b":false},{"t":"img","f":"v03","w":768,"h":480},{"t":"p","x":"动手之前，Thomas 在 Camera Raw 里打开了四个文件：前两张是 Fursty 作品的截图，作为待会儿仿色的参考图；然后是原图和最终要调成的感觉，前后差别非常大（视频 2:08 处）。接下来所有的调整，都是朝着参考图的方向一步步靠近。","xe":"Before touching a slider, Thomas opens four files in Camera Raw: the first two are screenshots of Fursty's work to use as grading references, followed by the original and the target look — the before/after gap is huge (at 2:08 in the video). Every adjustment from here on is a step toward those references.","b":false},{"t":"img","f":"v04","w":768,"h":480},{"t":"h","x":"02 裁图与定调：先做出低长调","xe":"02 Crop and Base Tone: Building the Low-Key Scale"},{"t":"p","x":"第一步是裁图。得益于 R5 的 4500 万像素，Thomas 做了非常夸张的裁剪——最终成片裁掉了约 90% 的像素，依然是可用的照片（视频 2:38 处）。主体安放在三分线交点、稍微偏右一点的位置，鸟在画面里立刻更突出（视频 2:46 处）。","xe":"Step one is the crop. Thanks to the R5's 45 megapixels, Thomas crops dramatically — the final image discards roughly 90% of the pixels and still holds up (at 2:38 in the video). The subject sits near a rule-of-thirds intersection, just right of center, and the bird immediately stands out (at 2:46 in the video).","b":false},{"t":"img","f":"v05","w":768,"h":480},{"t":"p","x":"定调的核心，是把参考图和成片都理解成「低长调」：整体低调，但保有丰富的影调层次。所以先把曝光整体压下来；压暗后画面太暗，白色就要恢复回去一些（视频 3:05 处）。接着在曲线工具里把暗场提上来、整体压下来、亮部稍稍突起，一个拉伸对比度的曲线就完成了（视频 3:11 处）。","xe":"The tonal key: read both the references and the target as \"low-key with a long scale\" — dark overall, yet rich in tonal gradation. Pull the global exposure down first; once it gets too dark, restore some Whites (at 3:05 in the video). Then, in the curve tool, lift the shadow point, keep the mids down and let the highlights rise a touch — a contrast-stretching curve in one move (at 3:11 in the video).","b":false},{"t":"img","f":"v06","w":768,"h":480},{"t":"p","x":"色彩上，这张照片的背景大面积是黄色，所以直接在 HSL 里压黄色的明亮度；黄色暗下去之后橙色会显得突兀，橙色明亮度也稍稍减少（视频 3:28 处）。为了让后续调色更好下手，整体先降 50 点饱和度（视频 3:53 处）；再用色相工具把黄色往青色方向偏，让画面先靠向青调（视频 4:06 处）。鸟本身此刻显得暗淡没关系，等会儿用局部工具提亮就行。","xe":"For color: the background is largely yellow, so drop Yellow luminance straight in the HSL panel; as yellow darkens, orange starts to shout, so nudge Orange luminance down a little too (at 3:28 in the video). To make further grading easier, pull global saturation down 50 first (at 3:53 in the video), then use the Hue sliders to push yellow toward cyan and steer the frame toward teal (at 4:06 in the video). The bird looks dim at this stage — local tools will lift it later.","b":false},{"t":"img","f":"v07","w":768,"h":480},{"t":"h","x":"03 局部强化：主体、眼睛与渐变","xe":"03 Local Refinements: Subject, Eye and Gradients"},{"t":"p","x":"影调确定后进入局部。先用暗角把视线收进来：中点拉到中间、羽化值稍稍调高，鸟的周边暗下去，主体立刻被衬托出来（视频 4:45 处）。接着用「选择主体」把鸟和周边植被一键选中；为了确认选区范围，先把这个蒙版的曝光降低 4，选了哪块一目了然（视频 5:15 处）。AI 选主体的边缘过渡不够精准、鸟周边容易出光晕，所以还要用勾上「自动蒙版」的减去画笔，把溢出来的部分收回去（视频 5:24 处）。","xe":"With the base tone set, move to local work. First a vignette to pull the eye inward: midpoint at center, feather slightly raised, and the bird's surroundings fall off to frame the subject (at 4:45 in the video). Then Select Subject grabs the bird and the surrounding vegetation in one click; to verify the selection, drop that mask's exposure by 4 and the coverage is unmistakable (at 5:15 in the video). Since the AI edge transition is not surgical and halos lurk around the bird, run a Subtract brush with Auto Mask enabled to pull the spill back in (at 5:24 in the video).","b":false},{"t":"img","f":"v08","w":768,"h":480},{"t":"p","x":"把蒙版参数重置归零后正式调整：把植被的高光提上来、白色色阶和纹理也各提一点，主体一下子清晰起来（视频 6:07 处）。还不够——复制这份蒙版、参数归零，再「减去」一个径向渐变，只保留鸟的部分，鸟的下半身也少受些影响；然后在这层上提高光、提白色，鸟就有了那种独特的意味（视频 6:27 处）。","xe":"Reset that mask's sliders and adjust for real: raise the plants' highlights, with a touch of Whites and Texture, and the subject snaps into clarity (at 6:07 in the video). Still not enough — duplicate the mask, zero its parameters, then Subtract a radial gradient so only the bird remains, its lower body affected even less; on this layer lift Highlights and Whites, and the bird takes on that distinctive glow (at 6:27 in the video).","b":false},{"t":"img","f":"v09","w":768,"h":480},{"t":"p","x":"一张照片不能上下一样亮。用线性渐变拉几个 -0.3 曝光的渐变，让画面下半部分稍稍暗一点，明暗有了变化，味道就出来了（视频 6:57 处）。","xe":"A photo should not be evenly lit top to bottom. Pull a few linear gradients at -0.3 exposure so the lower part of the frame sits slightly darker — with that tonal variation, the image gains mood (at 6:57 in the video).","b":false},{"t":"img","f":"v10","w":768,"h":480},{"t":"p","x":"接下来是点睛。用径向滤镜把画面放大到 300%，单独选出鸟的眼睛，加高光、加白色、再加些纹理，眼睛立刻变得非常有神（视频 7:47 处）；翅膀的纹理也用一个径向渐变强化。鸟嘴要用画笔小心地涂，提些曝光（视频 8:14 处）。最后复制最初的鸟蒙版、减去径向渐变只留鸟头——鸟头是最关键的兴趣点，把它的亮度提回来，整只鸟就更清楚、更立体了（视频 8:46 处）。","xe":"Now the eye. Zoom the radial filter to 300%, select just the eye, add Highlights, Whites and some Texture, and it instantly sparks with life (at 7:47 in the video); another radial gradient sharpens the wing texture. The beak needs a carefully painted brush stroke with a touch of exposure (at 8:14 in the video). Finally, duplicate the original bird mask and subtract a radial gradient to keep only the head — the key point of interest — and lift its brightness back up, making the whole bird read clearer and more three-dimensional (at 8:46 in the video).","b":false},{"t":"img","f":"v11","w":768,"h":480},{"t":"h","x":"04 分离色调：点睛的青蓝","xe":"04 Split Toning: The Final Layer of Teal-Blue"},{"t":"p","x":"到这里画面已经是舒服的青绿色调，但离 Fursty 那种深邃还差最后一层。打开分离色调：高光加一些青色，阴影加一些青蓝，那种感觉立马就出来了（视频 9:35 处）。黄色明亮度再降低一些，整体亮度也压低一点，深邃的暗青色调就此完成（视频 9:46 处）。","xe":"At this point the image is already a pleasant teal-green, but it lacks the depth of Fursty's look. Open Split Toning: add cyan to the highlights and teal-blue to the shadows, and the vibe lands immediately (at 9:35 in the video). Drop Yellow luminance a bit more and lower overall brightness slightly, and the deep, dark teal look is complete (at 9:46 in the video).","b":false},{"t":"img","f":"v12","w":768,"h":480},{"t":"p","x":"收尾前再全局提一点白色，并对鸟和植被区域追加点清晰度，让它们从背景里脱颖而出（视频 10:28 处）。Thomas 把这版和自己提前调好的另一版放在一起比较：今天这版深绿更偏绿一些、更自然，色彩也更冷静，是他更喜欢的一版（视频 10:03 处）。","xe":"Before wrapping up, lift global Whites slightly and add a touch of Clarity to the bird and vegetation so they leap off the background (at 10:28 in the video). Thomas then compares this version with one he graded earlier: today's version leans greener and more natural, with calmer color — the one he prefers (at 10:03 in the video).","b":false},{"t":"h","x":"05 前后对比：从原图到成片","xe":"05 Before and After: From Record Shot to Final Frame"},{"t":"p","x":"最后看整体对比：调色前是一张发黄杂乱的记录照，调色后是低长调、青蓝深邃的风格化成片（视频 10:48 处）。而且这中间还不止调色——前后之间还夹着一次裁掉约 90% 像素的大幅二次构图，全部得益于 R5 的高像素底子（视频 10:58 处）。","xe":"The final comparison: from a yellowish, cluttered record shot to a low-key, deeply teal stylized image (at 10:48 in the video). And grading is not the whole story — between the two sits a drastic re-crop that discarded roughly 90% of the pixels, feasible only on the R5's high-resolution sensor (at 10:58 in the video).","b":false},{"t":"img","f":"v13","w":768,"h":480},{"t":"img","f":"v14","w":768,"h":480},{"t":"p","x":"投稿摄影师的另外一张作品，Thomas 也用同样的思路把它调成了更有意境的风格（视频 11:06 处）。这类仿色并不难复制：找到参考、压出低长调、局部层层强化主体、最后叠上一层青蓝——你的鸟片也能一下子换一种气质。","xe":"The photographer's second submission got the same treatment, regraded into a more evocative style (at 11:06 in the video). The recipe is easy to replicate: find a reference, build the low-key scale, reinforce the subject layer by layer locally, then glaze a final layer of teal-blue over everything — and your bird photos take on a whole new character.","b":false},{"t":"quote","x":"1. 仿色先找参考：Fursty 与 Mankeyfoto 的暗青色调，核心是「低长调 + 青蓝偏色」，暗调也正好呈现鸟类掠食者的一面；2. 定调三板斧：压曝光、曲线提暗场，HSL 把黄色往青偏、整体先降饱和；3. 局部用足：暗角收视线，选择主体后用复制蒙版减径向渐变，层层放大鸟身、眼睛与鸟头；4. 分离色调高光加青、阴影加青蓝，是最后一层点睛。","xe":"1. Start from references: the dark-teal looks of Fursty and Mankeyfoto rest on a low-key long scale plus a teal-blue cast — a palette that also suits the predator side of birds; 2. Set the tone in three moves: pull exposure down, lift the black point with a curve, and push yellow toward cyan in HSL after cutting global saturation; 3. Go all-in on locals: a vignette to focus the eye, then duplicated masks minus radial gradients to spotlight the body, the eye and the head; 4. Split toning — cyan in highlights, teal-blue in shadows — is the final touch."},{"t":"p","x":"个性化的调色可以赋予鸟类照片不同的情绪和性格，而记录和传播生活中遇到的野生动物，其实也是一种唤起人们保护生态想法的重要手段。","b":false,"xe":"Personalized grading gives bird photos a distinct mood and character — and recording and sharing the wildlife we encounter is itself a powerful way to awaken people's desire to protect nature."}],"titleEn":"Bird Photos Can Be Graded Like This? Recreating the Instagram Teal Look"}