{"slug":"color-grading-lr-tool","title":"“分离色调”变身“颜色分级”，Lightroom最强调色工具诞生！","author":"Thomas看看世界","date":"2020-12-06","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247492294&idx=1&sn=19c0a23a1a508888450def862f862059&chksm=eb821ca2dcf595b4f4543d4bc8c5c2c2ad4252c17940da1d1269bd726f4bc07da8f2b1a15e12&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"在新版的Lightroom和Adobe Camera Raw软件中，大家熟悉的调色工具“分离色调”不见了，取而代之的是和Pr、达芬奇、Capture One这些软件中非常相似的“颜色分级”工具。","b":false,"xe":"In the new versions of Lightroom and Adobe Camera Raw, the familiar 'Split Toning' tool is gone — replaced by a 'Color Grading' tool very similar to those in Premiere, DaVinci Resolve and Capture One."},{"t":"p","x":"颜色分级其实是分离色调的加强版，功能更加强大，使用更加直观。","b":false,"xe":"Color Grading is actually an enhanced version of Split Toning — more powerful and more intuitive."},{"t":"p","x":"今天的后期教程，托马斯就会和大家分享，如何使用颜色分级工具给照片调色。","b":false,"xe":"In today's post-processing tutorial, Thomas shares how to use the Color Grading tool to grade your photos."},{"t":"h","x":"视频教程","xe":"Video Tutorial"},{"t":"bili","bv":"BV1si4y157Ke","bpic":"bili-1","bt":"颜色分级替换分离色调，Lightroom最强调色工具诞生！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。新版 Lightroom 和 Adobe Camera Raw 更新后，很多人发现原来顺手的调色神器「分离色调」不见了——其实它改名成了「颜色分级」（Color Grading），而且功能大幅强化。Thomas 会把面板结构、色轮原理、明亮度/混合/平衡/全局四个新能力逐一演示，关键时刻标注了视频时间点。","xe":"This is the full illustrated write-up of the video above. After the latest Lightroom and Adobe Camera Raw updates, many noticed the trusty Split Toning tool was gone — it has been renamed Color Grading, with major upgrades. Thomas walks through the panel layout, how the color wheels work, and the four new capabilities: Luminance, Blending, Balance, and Global — with timestamps for key moments."},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 分离色调去哪了","xe":"01 Where Did Split Toning Go"},{"t":"p","x":"颜色分级位于 Adobe Camera Raw 面板栏的第五个位置。进入后可以看到五个图标：第一个是三色模式，同时显示并调整高光、中间调、阴影三个色轮；中间三个图标分别单独调整阴影、中间调和高光；最后一个是全局，用来调整整个画面的色彩倾向（视频 0:28 处）。","xe":"Color Grading sits in the fifth panel slot in Adobe Camera Raw. Inside you'll find five icons: the first is the 3-way mode showing all three wheels — shadows, midtones, and highlights — together; the middle three adjust shadows, midtones, and highlights individually; and the last one is Global, which shifts the color tendency of the entire image (at 0:28 in the video)."},{"t":"p","x":"习惯旧版也不要紧。色相、饱和度滑块的右边有一个小三角形图标，点开它，原来熟悉的分离色调界面就回来了——你依然可以用滑块的方式选择色相和饱和度，给阴影或高光叠加颜色（视频 1:13 处）。","xe":"If you prefer the old workflow, it's still there: to the right of the Hue and Saturation sliders is a small triangle icon — click it and the familiar Split Toning interface returns, letting you dial in hue and saturation for shadows or highlights with sliders as before (at 1:13 in the video)."},{"t":"img","f":"v02","w":768,"h":480},{"t":"h","x":"02 色轮：角度定色相，半径定饱和度","xe":"02 The Wheels: Angle Sets Hue, Radius Sets Saturation"},{"t":"p","x":"新版默认界面变成了一个色轮，但原理完全可迁移：色轮上的控制点，它的角度决定色相，离圆心的距离决定饱和度——饱和度为零时，点就落在圆心。理解这一点之后，拖动控制点旋转是选色相，沿半径移动是增减饱和度，一个动作同时控制两个变量，快速找到想要的颜色。Thomas 的感受是：这比原来的分离色调还要方便（视频 1:35 处）。","xe":"The new default interface is a color wheel, but the old logic transfers completely: the control point's angle sets the hue, and its distance from the center sets the saturation — at zero saturation the point sits right at the center. Once that clicks, rotating the point picks a hue while moving it along the radius dials saturation in or out, controlling two variables in one gesture to find the color you want fast. Thomas finds it even more convenient than the old Split Toning (at 1:35 in the video)."},{"t":"img","f":"v03","w":768,"h":480},{"t":"p","x":"色相饱和度下面还多了一个明亮度滑块——这是颜色分级的重要新增。比如给阴影加了青蓝色之后，觉得这个蓝色有点亮，把明亮度压低一点，阴影里的蓝色就沉下去了。调色不再只能改颜色，还能控制这个颜色的明暗（视频 2:35 处）。","xe":"Below hue and saturation sits a new Luminance slider — one of the key additions. After adding a cyan-blue to the shadows, say it feels too bright: pull Luminance down a touch and that blue sinks into the shade. You're no longer limited to the color itself — you can control how bright it reads too (at 2:35 in the video)."},{"t":"img","f":"v04","w":768,"h":480},{"t":"p","x":"高光完全同理：给高光增加一个暖色，直接在色环上调整。色环好用在于随时可以微调色相和饱和度，左边的预览窗口又非常直观——发现高光偏紫了，就往黄一点挪、饱和度加减一点，立刻看到变化。另外还有两个快捷键：移动色环时按住 Shift 只控制饱和度，按住 Ctrl（Mac 上是 Command）只控制色相（视频 2:54 处）。","xe":"Highlights work exactly the same way: add a warm tone and adjust directly on the wheel. The wheel's strength is that hue and saturation are always tweakable while the preview window shows changes instantly — if the highlights drift purple, nudge toward yellow, add or trim saturation, and see it immediately. Two shortcuts help precision: hold Shift while dragging to change only saturation, and hold Ctrl (Command on Mac) to change only hue (at 2:54 in the video)."},{"t":"img","f":"v05","w":768,"h":480},{"t":"h","x":"03 中间调、混合与平衡","xe":"03 Midtones, Blending, and Balance"},{"t":"p","x":"除了高光和阴影，新版还能调整中间调的色彩倾向：比如让中间调稍稍偏蓝一点点，选好色相和明亮度，再让中间调整体压暗一点点。原来分离色调碰不到的中间调，现在有了自己的色轮（视频 3:53 处）。","xe":"Beyond highlights and shadows, the new version lets you grade the midtones too: nudge them slightly blue, pick a hue and luminance, then darken the midtones a touch. The midtones that Split Toning could never touch now have their own wheel (at 3:53 in the video)."},{"t":"img","f":"v06","w":768,"h":480},{"t":"p","x":"最开始的第一个图标——三色模式，其实就是把高光、阴影、中间调三个色轮整合到了一个界面里：上面是中间调的色相，饱和度通过色轮控制，下面是明亮度，阴影和高光同理。再往下还有两个滑块：混合与平衡（视频 4:15 处）。","xe":"The very first icon — the 3-way mode — simply integrates the three wheels into one view: the midtone hue on top with saturation on the wheel and luminance below, and the same for shadows and highlights. Underneath are two more sliders: Blending and Balance (at 4:15 in the video)."},{"t":"img","f":"v07","w":768,"h":480},{"t":"p","x":"平衡在分离色调里就见过：平衡值往左移，整体色彩倾向更偏向阴影的颜色；往右移，则整体更偏向高光的颜色。它决定冷暖两色谁占上风（视频 4:41 处）。","xe":"Balance carried over from Split Toning: slide it left and the overall cast leans toward the shadow color; slide it right and it leans toward the highlight color. It decides which of the two tones dominates (at 4:41 in the video)."},{"t":"img","f":"v08","w":768,"h":480},{"t":"p","x":"混合是新选项，决定高光和阴影两种颜色的混合程度。混合为 0 时，高光的暖色和阴影的冷色冷暖分离非常明显；把混合值提升到 100，画面里会突然多出很多紫色——这紫色是哪来的？阴影加了蓝色、高光加了橙色，蓝橙混合就形成紫色。混合值提高后，中间调会出现充分的混合，起到很好的过渡作用，颜色也就更自然。大部分情况下这个混合都很有用；如果不想要，把混合归零，就是完全的高光暖色加阴影冷色、中间调不掺任何混合（视频 4:54 处）。","xe":"Blending is new, and it controls how much the highlight and shadow colors mix. At 0, the warm highlights and cool shadows stay cleanly separated; push it to 100 and lots of purple suddenly appears — where from? The shadows got blue, the highlights orange, and blue plus orange mixes into purple. With blending high, the midtones become a full blend zone that transitions the two beautifully, so the result reads natural. Most of the time blending helps; if you don't want it, zero it out for pure warm-highlight, cool-shadow separation (at 4:54 in the video)."},{"t":"img","f":"v09","w":768,"h":480},{"t":"img","f":"v10","w":768,"h":480},{"t":"h","x":"04 全局：矫正色偏的补救手段","xe":"04 Global: A Remedy for Color Casts"},{"t":"p","x":"最后是全局选项：它对画面所有地方——无论高光、阴影还是中间调——的颜色都施加影响，而且效果会叠加在前面的调整之上，调全局时前面几个滑块数值不会动，相当于另做一层调色。它经常用来矫正色偏：假设照片混合出来之后有点偏紫，就让全局往青色偏一点点，整体就会抵消掉这个偏紫的色调（视频 5:58 处）。","xe":"Finally, the Global option: it influences the entire image — highlights, shadows, and midtones alike — and stacks on top of the adjustments above; when you move Global, the other sliders don't change, acting as one more grading layer on top. That makes it a common remedy for color casts: if the blended result drifts a bit purple, shift Global slightly toward cyan and the purple cast gets neutralized across the whole frame (at 5:58 in the video)."},{"t":"img","f":"v11","w":768,"h":480},{"t":"img","f":"v12","w":768,"h":480},{"t":"p","x":"顺带一个实用小技巧：想让某个色环归零，在色环的任意位置双击鼠标左键就可以了，不用费力把点拖回圆心（视频 6:24 处）。","xe":"One handy trick along the way: to reset any wheel to zero, just double-click anywhere on it with the left mouse button — no need to drag the point all the way back to the center (at 6:24 in the video)."},{"t":"h","x":"05 实战：阴影加蓝，高光加橙","xe":"05 In Practice: Blue Shadows, Orange Highlights"},{"t":"p","x":"最后 Thomas 把所有色环归零，重新演示了一遍经典流程：阴影增加一点点蓝色，中间调不动，高光增加橙色。整个调整过程都在色环上完成，边拖边看预览，非常直观、非常方便——这也是颜色分级比分离色调更强、更好用的地方（视频 7:08 处）。","xe":"To wrap up, Thomas zeroes all the wheels and reruns the classic recipe: a touch of blue in the shadows, midtones untouched, orange in the highlights. The whole grade happens on the wheels while watching the preview — deeply intuitive and fast, which is exactly what makes Color Grading more powerful and more pleasant to use than Split Toning (at 7:08 in the video)."},{"t":"img","f":"v13","w":768,"h":480},{"t":"quote","x":"1. 分离色调没有消失，它改名「颜色分级」并大幅强化：新增中间调色轮、明亮度、混合、平衡、全局五个能力；2. 色轮操作：角度定色相、离圆心距离定饱和度，按 Shift 只调饱和度、按 Ctrl 只调色相，双击色环任意位置归零；3. 混合值决定冷暖两色在中间调的融合程度——归零冷暖分明，拉满则蓝橙混合出自然的紫色过渡；4. 全局叠加在所有分级之上且互不干扰参数，是矫正整体色偏（如偏紫加青）的补救利器。","xe":"1. Split Toning isn't gone — it's now Color Grading, greatly upgraded with a midtone wheel plus Luminance, Blending, Balance, and Global controls; 2. Wheel mechanics: angle sets hue, distance from center sets saturation; hold Shift to adjust saturation only, Ctrl for hue only, and double-click any wheel to reset it; 3. Blending decides how the warm and cool tones fuse in the midtones — at zero they stay separated, at full they mix into a natural purple transition; 4. Global stacks over all grades without disturbing their sliders, making it the go-to fix for overall casts like purple-shifted images (add cyan)."},{"t":"h","x":"欢迎关注托马斯的旅行与摄影攻略","xe":"Follow Thomas for more travel & photography tips"}],"titleEn":"Split Toning Becomes Color Grading: Lightroom's Strongest Color Tool Is Born"}