{"slug":"composition-repeat-echo","title":"从万张照片中总结的重要构图概念，摄影大师都爱用的“重复与呼应”","author":"Thomas看看世界","date":"2022-04-10","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247495138&idx=1&sn=a3da0179db5a05b0fef47c967bc07f16&chksm=eb821386dcf59a90fa34326d79eae29aad8acca17cdb4a54ef7e3f08ac976502159f588fc9b7&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"在今天的摄影教程中，Thomas会和大家分享一个非常重要的构图概念 - 重复与呼应。","b":false,"xe":"In today's photography tutorial, Thomas shares a very important compositional concept — repetition and echo."},{"t":"p","x":"这个技巧可是远远比“三分法”、“对称构图”等等常见的构图技法更加好用。","b":false,"xe":"This technique is far more useful than common compositional methods like the \"rule of thirds\" or \"symmetrical composition\"."},{"t":"p","x":"“重复与呼应”不仅让布列松、萨尔加多、斯蒂芬肖尔等经典摄影师爱不释手，当今炙手可热的Benjamin Everett、Alex Noriega、Max Rive等摄影师也在作品中大量应用~","b":false,"xe":"\"Repetition and echo\" is not only beloved by classic photographers like Cartier-Bresson, Salgado, and Stephen Shore — today's hottest photographers such as Benjamin Everett, Alex Noriega, and Max Rive also apply it extensively in their work~"},{"t":"img","f":"img-02","w":960,"h":600},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1dr4y1p75i","bpic":"bili-1","bt":"从数万张照片中总结的重要构图概念，摄影大师都爱用的“重复与呼应”"},{"t":"p","x":"这一篇是上面视频的图文整理。「重复与呼应」是比三分法更底层的构图概念——从布列松、萨尔加多、斯蒂芬·肖尔到 Benjamin Everett、Alex Noriega 都爱不释手。Thomas 从两个词的定义讲起，结合摄影史名作与自己获国家地理全球大奖的照片，本文整理成四个章节。","xe":"This is the illustrated companion to the video above. 'Repetition and echo' is a compositional concept deeper than the rule of thirds — beloved by Cartier-Bresson, Salgado and Stephen Shore as much as by today's Benjamin Everett and Alex Noriega. Starting from the two definitions and moving through photographic history to his own National Geographic grand-prize image, Thomas's talk is reorganized into four chapters.","b":false},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 元素呼应：让画面产生心灵感应","xe":"01 Echo: Making Elements Resonate"},{"t":"p","x":"元素呼应指多个视觉元素在类型、几何形态或色彩特征上具有共同点，从而增强视觉表现力。Thomas 站上那块石头，正是因为它的三角形与背后的雪峰彼此呼应——形态上的相似像心灵感应一样让画面舒服；前人的山峰与后面的雪山，山形与木屋，都是同样的道理（视频 0:38 处）。","xe":"Echo means several visual elements share features of type, geometry or color, strengthening the image. Thomas stood on that boulder precisely because its triangle echoed the peak behind — such similarity feels telepathic and right; a foreground summit against the snow mountain behind, hut roofs answering mountain shapes — the same principle throughout (at 0:38 in the video).","b":false},{"t":"img","f":"v02","w":768,"h":480},{"t":"img","f":"v03","w":768,"h":480},{"t":"img","f":"v04","w":768,"h":480},{"t":"h","x":"02 元素重复：美感、节奏与震撼","xe":"02 Repetition: Beauty, Rhythm and Impact"},{"t":"p","x":"元素重复则是大量元素共享类型或形态——数量一多，美感、节奏与震撼力就出来了，还能强化透视与情绪。安德烈·古尔斯基拍的酒店，同心圆楼层层层叠叠；Alex Noriega 的密集冰柱天生具有美感；斯蒂芬·肖尔镜头里密密麻麻、色彩各异却不断延伸的车辆，像乐曲一样带来节奏（视频 1:42 处）。","xe":"Repetition means many elements sharing type or form — and once the number grows, beauty, rhythm and impact emerge, strengthening perspective and emotion. Andreas Gursky's hotel stacks concentric floors; Alex Noriega's dense icicles are beautiful by nature; Stephen Shore's packed lot of different-colored cars stretching away reads like a musical score (at 1:42 in the video).","b":false},{"t":"img","f":"v05","w":768,"h":480},{"t":"img","f":"v06","w":768,"h":480},{"t":"img","f":"v07","w":768,"h":480},{"t":"h","x":"03 实战：国家地理大奖照片的秘密","xe":"03 In Practice: The Secret of a Grand-Prize Image"},{"t":"p","x":"Thomas 获国家地理全球大奖的格陵兰村庄照片之所以耐看，构图上的重复功不可没：他找到的角度让所有房子呈现「三角顶加长方形」的类似形态，重复之中又有五颜六色的变化；选择的这条路自带延伸感，一盏盏路灯像音符一样排布出节奏；夜晚星星点点的灯光则如满天繁星，带来情绪与视觉的双重享受（视频 3:38 处）。","xe":"His National Geographic grand-prize Greenland village endures thanks to repetition: the angle he found renders every house as a similar 'triangle-over-rectangle' form, varied by riotous color; the chosen road stretches away, its lampposts spaced like musical notes; at night the scattered lights read as a starry sky, a feast for eye and mood at once (at 3:38 in the video).","b":false},{"t":"img","f":"v08","w":768,"h":480},{"t":"img","f":"v09","w":768,"h":480},{"t":"img","f":"v10","w":768,"h":480},{"t":"h","x":"04 从摄影史到日常生活","xe":"04 From Photographic History to Daily Life"},{"t":"p","x":"重复不必去格陵兰或喜马拉雅找。萨尔加多的南极照片里密密麻麻的企鹅与海象带来不言而喻的冲击，回头海象的肌肉褶皱本身也是一种视觉重复；布列松那张旋转楼梯，楼梯与栏杆形成的节奏令人愉悦；爱德华·伯汀斯基用重复一百遍、一千遍的同一物体展现工业文明的震撼——生活中的高楼窗户、桥梁墩柱、行道树、晾晒的灯泡，全是重复（视频 6:00 处）。","xe":"Repetition needs neither Greenland nor the Himalayas. Salgado's Antarctic masses of penguins and walruses strike self-evidently, and the skin folds of two turning walruses are themselves visual repetition; Cartier-Bresson's spiral staircase delights through the rhythm of steps and railings; Edward Burtynsky repeats one object a hundred, a thousand times to stage industrial shock — and daily life repeats everywhere: tower windows, bridge piers, avenue trees, lightbulbs hung out to sell (at 6:00 in the video).","b":false},{"t":"img","f":"v11","w":768,"h":480},{"t":"img","f":"v12","w":768,"h":480},{"t":"img","f":"v13","w":768,"h":480},{"t":"quote","x":"1. 呼应是几个元素之间的共同点，重复是大量元素的同类堆积——前者求和谐，后者求节奏与震撼；2. 重复不必一模一样，形态或色彩类似即可，在重复中求变化；3. 长焦压缩是提炼重复的利器：远山、沙漠、楼窗、桥墩皆可成曲；4. 先训练眼睛，公园的树林、街边的橱窗，重复无处不在。","xe":"1. Echo is commonality between a few elements; repetition is the mass piling of many — the first seeks harmony, the second rhythm and impact; 2. Repetition need not be identical — similar forms or colors suffice, with variation inside the pattern; 3. Telephoto compression is the tool that distills repetition: ranges, dunes, windows and piers all become music; 4. Train the eye first — woods in a park, shop windows down the street, repetition is everywhere."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1dr4y1p75i/","b":false,"xe":"https://www.bilibili.com/video/BV1dr4y1p75i/"},{"t":"h","x":"点此查看其他400篇摄影教程目录","xe":"Click to view the index of 400+ other photography tutorials"},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-03","w":960,"h":600},{"t":"img","f":"img-04","w":960,"h":600},{"t":"img","f":"img-05","w":960,"h":600},{"t":"img","f":"img-06","w":960,"h":600},{"t":"img","f":"img-07","w":960,"h":600},{"t":"img","f":"img-08","w":960,"h":600},{"t":"img","f":"img-09","w":960,"h":600},{"t":"img","f":"img-10","w":960,"h":600},{"t":"img","f":"img-11","w":960,"h":600},{"t":"img","f":"img-12","w":960,"h":600},{"t":"img","f":"img-13","w":960,"h":600},{"t":"img","f":"img-14","w":960,"h":600},{"t":"img","f":"img-15","w":960,"h":600},{"t":"img","f":"img-16","w":960,"h":600},{"t":"img","f":"img-17","w":960,"h":600},{"t":"img","f":"img-18","w":960,"h":600},{"t":"img","f":"img-19","w":960,"h":600},{"t":"img","f":"img-20","w":960,"h":600},{"t":"img","f":"img-21","w":960,"h":600},{"t":"img","f":"img-22","w":960,"h":600},{"t":"img","f":"img-23","w":960,"h":600},{"t":"img","f":"img-24","w":960,"h":600},{"t":"img","f":"img-25","w":960,"h":600},{"t":"img","f":"img-26","w":960,"h":600},{"t":"img","f":"img-27","w":960,"h":600},{"t":"img","f":"img-28","w":960,"h":600},{"t":"img","f":"img-29","w":960,"h":600},{"t":"img","f":"img-30","w":960,"h":600},{"t":"img","f":"img-31","w":960,"h":600},{"t":"img","f":"img-32","w":960,"h":600},{"t":"img","f":"img-33","w":960,"h":600},{"t":"img","f":"img-34","w":960,"h":600},{"t":"img","f":"img-35","w":960,"h":600},{"t":"img","f":"img-36","w":960,"h":600},{"t":"img","f":"img-37","w":960,"h":600},{"t":"img","f":"img-38","w":960,"h":600},{"t":"img","f":"img-39","w":960,"h":600},{"t":"img","f":"img-40","w":960,"h":600},{"t":"img","f":"img-41","w":960,"h":600},{"t":"img","f":"img-42","w":960,"h":600},{"t":"img","f":"img-43","w":960,"h":600},{"t":"img","f":"img-44","w":960,"h":600}],"titleEn":"Repetition and Echo: A Key Composition Concept from 10,000 Photos"}