{"slug":"critique-little-tree","title":"托马斯给你评片啦 | 小小一颗树, 拍好不容易！","author":"Thomas看看世界","date":"2018-05-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247486875&idx=1&sn=19232d6d8669b99856bc0a7109140822&chksm=eb81f3ffdcf67ae98ed555f8cbd5b6a8fa07fc236a20f8ee41a4a3d92db6a8f1a682301e0364&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"每周一篇干货，让摄影不再难学","b":false,"xe":"A substantive article every week, making photography no longer hard to learn"},{"t":"p","x":"图虫 X 极影评片第一季启动以来，已经收到了 2000 多张投稿。其中不少作品中，都出现了树木的身影。","b":false,"xe":"Since the launch of Season 1 of the Tuchong X Jiying Photo Review, we have received more than 2,000 submissions. In quite a few of them, trees have appeared."},{"t":"p","x":"今天极影AX 摄影师托马斯，就会和大家分享一下如何拍好树木。","b":false,"xe":"Today, Jiying photographer Thomas will share with everyone how to shoot trees well."},{"t":"img","f":"img-03","w":640,"h":360},{"t":"h","x":"读 者 投 稿","xe":"Reader Submission"},{"t":"img","f":"img-04","w":1000,"h":667},{"t":"h","x":"托 马 斯 点 评","xe":"Thomas's Review"},{"t":"p","x":"这张作品体现了作者不俗的观察力，敏锐的发现了雪中的一颗孤树。冬天树木的叶子掉光，干枯而弯曲的树枝，很有线条感。","b":false,"xe":"This work reflects the author's keen observation, sharply spotting a lone tree in the snow. In winter, when the leaves have fallen off, the dry and gnarled branches have a strong sense of line."},{"t":"p","x":"像这类单颗树的片子，一般有两种拍摄套路。一种是采用大量留白，把树木拍的很小，体现整个环境的空灵感。","b":false,"xe":"For shots of a single tree like this, there are generally two shooting approaches. One is to use a lot of negative space, shooting the tree very small to convey the ethereal emptiness of the whole environment."},{"t":"img","f":"img-05","w":1000,"h":661},{"t":"h","x":"△ 摄影师 Marc Adamus","xe":"△ Photographer Marc Adamus"},{"t":"p","x":"另外一种就是像作者一样，聚焦在树木上，表现树木的纹理结构。不过个人感觉，作者这张构图还不够聚焦，取入的周围环境还是多了一点，树木的特征被削弱了。","b":false,"xe":"The other approach, like the author's, is to focus on the tree and express its texture and structure. However, in my personal opinion, the composition of this shot is not focused enough - too much of the surrounding environment is included, weakening the tree's character."},{"t":"p","x":"不信的话，我们来看一组大师作品，看看高手们是如何构图的。","b":false,"xe":"If you don't believe it, let's look at a set of master works to see how the pros compose their shots."},{"t":"img","f":"img-06","w":970,"h":1000},{"t":"h","x":"△ 迈克尔肯纳","xe":"△ Michael Kenna"},{"t":"img","f":"img-07","w":963,"h":1000},{"t":"h","x":"△ Harry Callahan","xe":"△ Harry Callahan"},{"t":"img","f":"img-08","w":868,"h":1000},{"t":"h","x":"△ 迈克尔肯纳","xe":"△ Michael Kenna"},{"t":"img","f":"img-09","w":1000,"h":810},{"t":"h","x":"△ 安塞尔亚当斯","xe":"△ Ansel Adams"},{"t":"p","x":"仔细看的话你会发现，大师们的构图都是比较满的，这样树木才会更加突出。而且大师们善于利用雾气、雪、蓝天等等，让整个树木的背景非常干净。","b":false,"xe":"If you look closely, you'll find that the masters' compositions are quite full, which makes the tree stand out more. Moreover, the masters are adept at using fog, snow, blue sky, and so on to keep the background behind the tree very clean."},{"t":"p","x":"作者的这张投稿，天空云层细节过多，地面的杂草更是非常乱，会抢夺读者的视线，对主体的表达形成干扰。因此建议后期用图章等工具，去掉这些杂物。","b":false,"xe":"In the author's submission, the sky has too much cloud detail and the weeds on the ground are quite messy, which will steal the viewer's attention and interfere with the expression of the subject. Therefore, I suggest using tools like the clone stamp in post to remove these distractions."},{"t":"p","x":"最后作者使用了居中构图，虽然视觉效果还可以，不过稍稍显得不够灵动。观察大师们的作品，你会发现一般主枝干比较竖直的树木，更加适合居中构图。","b":false,"xe":"Finally, the author used centered composition. Although the visual effect is acceptable, it seems a bit lacking in dynamism. Observing the masters' works, you'll find that trees with relatively upright main trunks are generally more suited to centered composition."},{"t":"p","x":"而像作者这样，树木枝干弯曲复杂的，把树木放在画面一侧，整个构图的流动性更好。","b":false,"xe":"For trees with complex, twisting branches like the author's, placing the tree on one side of the frame gives the whole composition better flow."},{"t":"p","x":"下面我把作者的投稿照片导入 PS，按照自己的想法处理一下。","b":false,"xe":"Below, I'll import the author's submitted photo into Photoshop and process it according to my own ideas."},{"t":"img","f":"img-10","w":1000,"h":685},{"t":"p","x":"这里我用PS中的裁剪工具，按照自己的喜好裁剪了一下。个人觉得这样构图，画面更加聚焦，而且大地的曲线和树木弯曲的曲线，比较好的衔接在一起，画面的节奏感更强。","b":false,"xe":"Here I used the crop tool in Photoshop and cropped it according to my own taste. I personally feel this composition makes the frame more focused, and the curve of the land connects nicely with the curved branches of the tree, giving the frame a stronger sense of rhythm."},{"t":"img","f":"img-11","w":1000,"h":743},{"t":"p","x":"这幅图片，基本只有蓝色和黄色两种颜色，而且在大白天光线下，色彩并不突出，所以我们可以尝试一下转换为黑白，这里我使用的是Nik Sliver Efex黑白滤镜插件。","b":false,"xe":"This image basically has only two colors - blue and yellow - and under bright daylight the colors aren't striking, so we can try converting it to black and white. Here I used the Nik Silver Efex black-and-white filter plug-in."},{"t":"img","f":"img-12","w":1000,"h":756},{"t":"p","x":"Nik黑白插件中，我选择默认的“中性”模式，然后适当提高对比度，让树木更黑，天空更白。","b":false,"xe":"In the Nik black-and-white plug-in, I chose the default \"Neutral\" mode, then appropriately increased the contrast to make the tree darker and the sky whiter."},{"t":"img","f":"img-13","w":925,"h":1000},{"t":"p","x":"更黑的树木，更加有剪影感，能够凸显其线条结构。更白的天空，能隐藏更多的细节，但是现在细节还是太多了。","b":false,"xe":"A darker tree has more of a silhouette feel and can highlight its linear structure. A whiter sky can hide more detail, but there is still too much detail now."},{"t":"img","f":"img-14","w":1000,"h":747},{"t":"p","x":"因此我给照片添加一个蓝色滤镜，这样原来蓝色的天空，一下子就变成了亮灰色。","b":false,"xe":"Therefore, I added a blue filter to the photo, which instantly turned the originally blue sky into a light gray."},{"t":"img","f":"img-15","w":1000,"h":883},{"t":"p","x":"添加蓝色滤镜之后，天空干净了很多。","b":false,"xe":"After adding the blue filter, the sky became much cleaner."},{"t":"img","f":"img-16","w":1000,"h":752},{"t":"p","x":"接着再使用灵敏度工具（类似 HSL 工具），降低原来画面中黄色和绿色的明度，增加青色和蓝色的明度。","b":false,"xe":"Next, I used the Sensitivity tool (similar to the HSL tool) to lower the luminance of the yellows and greens in the frame and increase the luminance of the cyans and blues."},{"t":"img","f":"img-17","w":1000,"h":569},{"t":"p","x":"之后我们就可以单击“确认”，回到 PS。最后在 PS 中，我再使用修复画笔工具和画笔工具，擦掉地面不好看的杂物，让地面更干净（注意保留地面的曲线）。","b":false,"xe":"After that, we can click \"OK\" and return to Photoshop. Finally in Photoshop, I used the healing brush tool and the brush tool to erase the unattractive clutter on the ground and make it cleaner (being careful to keep the curve of the ground)."},{"t":"p","x":"简单调整之后，照片已经大变样了。当然这只是我按照个人喜好，简单后期之后的结果。","b":false,"xe":"After simple adjustments, the photo has already been transformed. Of course, this is just the result of simple post-processing done according to my personal taste."},{"t":"h","x":"欢迎大家在留言区讨论，谈谈你会怎样对这张照片进行处理。","xe":"Everyone is welcome to discuss in the comments how you would process this photo."},{"t":"img","f":"img-18","w":1000,"h":749},{"t":"h","x":"更多Nik课程：扫描下面二维码","xe":"More Nik courses: scan the QR code below"},{"t":"img","f":"img-19","w":500,"h":500},{"t":"h","x":"或点击文末“阅读原文”","xe":"or click \"Read the Original\" at the end of the article"},{"t":"h","x":"评片参与方式","xe":"How to Participate in the Photo Review"},{"t":"p","x":"扫描二维码，","b":false,"xe":"Scan the QR code,"},{"t":"p","x":"或进入图虫网“极影评片”活动","b":false,"xe":"or enter the \"Jiying Photo Review\" event on Tuchong"},{"t":"h","x":"点击文末“阅读原文”，参加Nik系列课","xe":"Click \"Read the Original\" at the end of the article to join the Nik course series"}],"titleEn":"Thomas Reviews Your Photos | Such a Little Tree, but So Hard to Shoot Well!"}