{"slug":"critique-over-saturation","title":"饱和度太高，大片变废片！","author":"Thomas看看世界","date":"2017-06-15","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247485684&idx=2&sn=8a45f239cbc4b46bd6850596a16d4a90&chksm=eb81f690dcf67f86c8d7541d2ab1900491145d1680b91a3fc553769b6b74c5ab258673d0b6f1&scene=21#wechat_redirect","blocks":[{"t":"p","x":"《高山草甸》 作者：小柯皓","b":false,"xe":"\"Alpine Meadow\" (《高山草甸》). Photographer: 小柯皓"},{"t":"img","f":"img-01","w":640,"h":427},{"t":"h","x":"作者描述：","xe":"The photographer's description:"},{"t":"p","x":"从拍摄思路上，选择以有线条感的高山草甸为主题，用高山上的白色房子和人物点缀高山的壮阔，蓝天白云衬托氛围。其中学习了Thomas构图的 “取舍”和“聚焦主体”理念，不过感觉还是领悟不到精髓。","b":false,"xe":"In terms of shooting approach, I chose the alpine meadow with its sense of line as the subject, using the white house and people on the mountain to accent its vastness, with blue sky and white clouds to set off the atmosphere. I learned Thomas's concepts of \"selection and omission\" (取舍) and \"focusing on the subject\" (聚焦主体) from his composition lessons, but I still feel I haven't grasped the essence."},{"t":"p","x":"拍完的照片整体发灰，所以将色彩真实还原，全局重点突出草甸的色彩，高光凸显线条，阴影提升质感。学习了姚明来 帅姚 教程的加深减淡，明暗处理，然后尝试控制色调和明暗表达。","b":false,"xe":"The photos came out gray overall, so I restored the colors faithfully, emphasizing the meadow's colors globally, highlighting the lines in the highlights, and enhancing texture in the shadows. I learned dodging and burning and light-and-dark treatment from the tutorials of 姚明来 and 帅姚, then tried to control the tone and the expression of light and dark."},{"t":"h","x":"托马斯点评：","xe":"Thomas's review:"},{"t":"p","x":"这张照片构图上非常不错，聚焦到草甸的层次和光影上，并以房屋作为兴趣点点缀。不过个人感觉房屋太靠近边缘，造成构图上有些不平衡，山体压迫感过强。","b":false,"xe":"The composition of this photo is very good, focusing on the layering and light-and-shadow of the meadow, with the house as a point of interest. However, I personally feel the house is too close to the edge, creating some imbalance in the composition, and the mountain feels too oppressive."},{"t":"p","x":"作者后期能学以致用，应用极影各位老师传授的技术，非常难得！","b":false,"xe":"It's commendable that the author applied what he learned in post-processing, using the techniques taught by the various teachers of Jiying. Truly rare!"},{"t":"p","x":"不过本片后期上犯了一个典型的错误，就是整体饱和度较高。整张图片都充满了吸引人的亮点，最后的结果只能是互相冲突，反而显得没有亮点。","b":false,"xe":"However, this photo makes a typical post-processing mistake: the overall saturation is too high. When the entire image is filled with eye-catching highlights, the result can only be mutual conflict, making it seem to have no highlight at all."},{"t":"p","x":"托马斯以前讲到过，好照片的秘诀就是对比。我们要突出一个物体，不光可以增加他的亮度饱和度，还可以减少其他物体的亮度饱和度，用对比来突出。","b":false,"xe":"Thomas has said before that the secret to a great photo is contrast. To make an object stand out, you can not only increase its brightness and saturation, but also decrease the brightness and saturation of other objects, using contrast to highlight it."},{"t":"h","x":"下面托马斯会简要的对这张照片进行一下加工，看看最后的效果：","xe":"Below, Thomas will briefly process this photo to show the final effect:"},{"t":"img","f":"img-02","w":640,"h":438},{"t":"p","x":"1） 第一步使用裁剪工具，裁掉一些底部，增加一些天空的空间。","b":false,"xe":"1) The first step is to use the crop tool to cut off some of the bottom and add some space for the sky."},{"t":"img","f":"img-03","w":640,"h":387},{"t":"p","x":"2）裁剪之后照片上面出现了一些空白，我用选区选择空白部分，使用“编辑-填充-内容识别”来自动填充天空。","b":false,"xe":"2) After cropping, some blank space appeared at the top of the photo. I selected the blank area and used \"Edit - Fill - Content-Aware\" to automatically fill in the sky."},{"t":"img","f":"img-04","w":640,"h":549},{"t":"p","x":"3）接下来可以进入“滤镜-Camera Raw滤镜”进一步处理。","b":false,"xe":"3) Next, enter \"Filter - Camera Raw Filter\" for further processing."},{"t":"img","f":"img-05","w":640,"h":627},{"t":"p","x":"4）在ACR基本面板中，直接曝光-2.5，对比度-20，清晰度-14，饱和度-39。","b":false,"xe":"4) In the ACR Basic panel, directly set exposure to -2.5, contrast to -20, clarity to -14, and saturation to -39."},{"t":"p","x":"这一步可能比较反直觉。但是还是那句话，好照片的秘诀是对比和冲突。我们要凸显一个物体的饱和度，很多时候并不需要增加他的饱和度，也可以降低周围物体的饱和度。","b":false,"xe":"This step may be counterintuitive. But as always, the secret to a great photo is contrast and conflict. To make an object's saturation stand out, many times you don't need to increase its saturation - you can also reduce the saturation of the surrounding objects."},{"t":"img","f":"img-06","w":640,"h":344},{"t":"p","x":"5）使用“效果-裁剪后晕影”，给照片加个暗角，压暗周边来突出中间的草地光影。","b":false,"xe":"5) Use \"Effects - Post-Crop Vignetting\" to add a vignette to the photo, darkening the edges to highlight the light-and-shadow of the meadow in the center."},{"t":"img","f":"img-07","w":640,"h":346},{"t":"p","x":"6）作者原来进行了一些加深减淡，但还是不够，托马斯继续强化一下。这里我使用了径向滤镜而不是画笔，主要是为了节约时间。要精细处理的话，推荐使用画笔。","b":false,"xe":"6) The author had already done some dodging and burning, but it's still not enough, so Thomas will strengthen it further. Here I used a radial filter instead of a brush, mainly to save time. For finer work, I recommend using a brush."},{"t":"p","x":"径向滤镜设置参数为色温+20，曝光+0.5，高光+21，清晰度+10，饱和度+10，用来恢复被照亮的草地细节。","b":false,"xe":"The radial filter parameters are set to temperature +20, exposure +0.5, highlights +21, clarity +10, and saturation +10, to restore the details of the illuminated meadow."},{"t":"img","f":"img-08","w":581,"h":800},{"t":"p","x":"在草地的被照亮的地方，使用上面径向滤镜进行减淡效果操作。","b":false,"xe":"On the illuminated parts of the meadow, use the radial filter above to perform a dodging effect."},{"t":"img","f":"img-09","w":640,"h":348},{"t":"p","x":"7）再新建径向滤镜，曝光-0.55，用来加深草地的阴影部分。","b":false,"xe":"7) Create another radial filter with exposure -0.55 to darken the shadowed parts of the meadow."},{"t":"img","f":"img-10","w":640,"h":575},{"t":"p","x":"加深减淡强化了草地的光影效果和立体感，托马斯的后期制作到这里就结束了。","b":false,"xe":"The dodging and burning strengthened the light-and-shadow effect and three-dimensionality of the meadow. Thomas's post-processing ends here."},{"t":"img","f":"img-11","w":640,"h":351},{"t":"p","x":"我们来对比一下ACR滤镜处理前后。","b":false,"xe":"Let's compare before and after the ACR filter processing."},{"t":"p","x":"处理前：","b":false,"xe":"Before:"},{"t":"img","f":"img-12","w":640,"h":437},{"t":"p","x":"处理后：","b":false,"xe":"After:"},{"t":"p","x":"是不是整体降低饱和度和亮度之后，亮点反而更加突出了呢？","b":false,"xe":"Isn't it true that after reducing saturation and brightness overall, the highlights stand out even more?"},{"t":"h","x":"#极影评片#投稿方式：","xe":"#极影评片# How to submit:"},{"t":"p","x":"方式1：在新浪微博发布图片，描述中写上你的拍摄思路，或者遇到的困惑，打上#极影评片#的标签。最好也 @Thomas看看世界 和 @Joyous周游 哦。","b":false,"xe":"Method 1: Post the image on Sina Weibo, write your shooting approach or the confusion you encountered in the description, and add the #极影评片# hashtag. It's best to also @Thomas看看世界 and @Joyous周游."},{"t":"p","x":"方式2：将图片发送到 jiyingx@qq.com，邮件标题“评片”，注意在邮件正文中，写上你的拍摄思路，或者遇到的困惑。","b":false,"xe":"Method 2: Send the image to jiyingx@qq.com with \"评片\" as the email subject. Remember to write your shooting approach or the confusion you encountered in the email body."},{"t":"p","x":"这期没有被点评的朋友不需要重复投稿哦，我们会持续为大家提供建议的！","b":false,"xe":"Friends who weren't reviewed this time don't need to resubmit - we will continue to provide suggestions for everyone!"},{"t":"img","f":"img-14","w":640,"h":1136}],"titleEn":"Too Much Saturation Turns a Great Shot into a Waste!"}