{"slug":"cropping-masterpieces","title":"这些摄影大片，竟然都是后期裁出来的？","author":"Thomas看看世界","date":"2019-11-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247489812&idx=1&sn=738a61f4c5b85571aa34f3051d09f9b2&chksm=eb81e770dcf66e66116ec8853fe4540edc66907cc0302813945bb3ac2c9a9b6ef06ded2eeae3&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"在手机照片都有几千万像素的时代，后期裁图其实可以更大胆一些！","b":false,"xe":"In an era when even phone photos have tens of millions of pixels, cropping in post can be much bolder!"},{"t":"p","x":"今天的教程，托马斯就会以自己的一些照片为例，和大家分享后期二次构图的思路和想法。","b":false,"xe":"In today's tutorial, Thomas will use some of his own photos to share the ideas and thinking behind recomposing in post."},{"t":"p","x":"其中的一些案例，竟是裁掉原图80%以上面积之后，就从普通的取景变成了大片！","b":false,"xe":"In some of these cases, cropping away more than 80% of the original frame turned an ordinary shot into a masterpiece!"},{"t":"h","x":"视频教程","xe":"Video Tutorial"},{"t":"bili","bv":"BV19J41197aB","bpic":"bili-1","bt":"这些摄影大片，竟然都是后期裁出来的？"},{"t":"p","x":"这一篇是上面视频的图文整理。有句话叫「好照片是裁出来的」，Thomas 用自己的照片逐一演示：焦段不够、思考不周、杂物入镜的原图，如何通过二次裁剪变成完全不同的大片——有的案例甚至裁掉了 80% 以上的面积。本文按视频顺序整理成四个章节，前后对比图全部收录。","xe":"This is the illustrated companion to the video above. 'Good photos are cropped' goes the saying — with his own files Thomas shows, case by case, how second-pass cropping turns originals hampered by short lenses, hasty framing or stray clutter into entirely different pictures — some cropped by more than 80% of their area. Four chapters below, with all before/after comparisons included.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 焦段不够，裁剪来凑","xe":"01 Not Enough Reach? Crop to the Rescue"},{"t":"p","x":"用 24-105mm 拍云雾中的巨塔状雪山，长焦距不够；等换上 100-400mm，稍纵即逝的最佳光线已经过去，于是只剩这一张——后期把视线聚焦到画面中央最精华的塔状雪峰，裁掉周边无关的部分，成片判若两图（视频 1:15 处）。","xe":"Shooting a tower-like peak in swirling cloud with a 24-105mm, the reach fell short; by the time the 100-400mm was mounted, the fleeting best light had passed and only one frame survived — cropping pulled the eye to the essential tower in the center and cut the rest, and the result looks like a different photograph (at 1:15 in the video).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"无人机同理：御 2 只有定焦镜头，拍港湾时只想要渔船与海鸥，周边的小房子和小山都不要，裁剪之后主题一下清晰；用 A7R4 加 100-400mm 在 400mm 端拍摄的鲸鱼，尾部才是最精华的部分，同样需要裁剪来突出（视频 1:52 处）。","xe":"Drones are the same: the Mavic 2 has a fixed lens, and from the harbor frame only the fishing boat and gulls mattered — crop away the cottages and the hill and the subject snaps into clarity; likewise a whale shot on an A7R4 with the 100-400mm at 400mm — the fluke is the essence, and only a crop gives it the spotlight (at 1:52 in the video).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"02 去除杂物，突出亮点","xe":"02 Remove the Clutter, Reveal the Point"},{"t":"p","x":"一张街头的横构图，树枝、红灯、乱七八糟的广告牌让画面杂乱不堪，但真正的兴趣点是全身蓝色的环卫工人、广告牌上的女性与大面积红色背景——色彩和内容都构成强烈对比。裁掉两侧的树枝、电线杆与无关广告牌后，冲击力完全释放（视频 2:49 处）。","xe":"A horizontal street frame was chaos of branches, red lights and messy billboards — yet the real points of interest were the all-blue sanitation worker, the woman on the billboard and the sweep of red behind them, an intense contrast of color and content. Cropping away the sides set that contrast completely free (at 2:49 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 二次裁剪：重新审视构图","xe":"03 The Second Crop: Re-examining the Frame"},{"t":"p","x":"在格陵兰拍村庄夜景时拿不准构图，先取了带大海的 environment；回电脑前仔细分析才发现最梦幻的是中部——小房子与路灯围成一个环形。裁掉上方的大海与周边高房子，环形与密集小屋立刻成为主角（视频 4:08 处）。","xe":"Shooting a Greenland village at night, unsure of the frame, he kept the sea for context; analyzing it later at the desk he realized the magic was the middle — tiny houses and streetlamps curling into a ring. Cropping away the sea above and the tall buildings around made the ring of lights the hero (at 4:08 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"全景接片的极光满天，甚至左侧有强烈的紫色极光，但中间突然空出一片黑色天空，反而破坏画面——裁掉之后，满目绿光的场景才配得上「整片天空都是极光」的主题；百内的日出红云为了保险取了对称构图，成片时裁掉下方空荡的水域，同样更聚焦（视频 5:10 处）。","xe":"A panoramic aurora filled the sky — violet flares on the left — yet a sudden patch of black sky dead-center undermined it; crop it, and the all-green scene finally says 'aurora everywhere.' The Torres del Paine sunrise, shot symmetric for safety, lost its empty foreground water in the final version for the same reason (at 5:10 in the video).","b":false},{"t":"h","x":"04 变废为宝：发现新构图","xe":"04 Turning Discards into Treasures"},{"t":"p","x":"二次构图最大的作用是变废为宝。雪山云雾的原图身临其境时觉得震撼，落到二维图像上却十分普通；仔细一看，只取其中一座被云上下环绕的山——岩壁与积雪相间、形态极佳——裁掉了约五分之四的画面，只保留 20% 的像素，但索尼 A7R3 底子够大，仍有约一千万像素，成片完全认不出是同一个场景（视频 7:25 处）。","xe":"The greatest gift of the second crop is rescue. A cloud-wrapped mountain felt majestic in person but flat as a flat file; studied closely, one peak wreathed in cloud above and below — ribbed with rock and snow — could stand alone. Cropping away four-fifths of an A7R3 file still leaves around ten megapixels, and the result is unrecognizable as the same scene (at 7:25 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"无人机拍摄留给思考的时间太短，冰海的照片把毫无意思的小岛也拍了进来——画面最有意思的明明是中央露出海面、大部分沉在水下的浮冰，保留小船只是让它作参考系，你才知道这块冰有多大。前期考虑不周，后期裁图就是二次修改的机会（视频 9:43 处）。","xe":"Drone shooting leaves seconds to think, so the ice-sea frame swallowed a pointless islet — when the real subject was the floe at center, mostly hidden underwater; the boat stays only as a scale reference, without which you cannot tell how vast the ice is. When the moment outruns your thinking, the second crop is your second chance (at 9:43 in the video).","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 焦段不够裁剪来凑：广角先保住瞬间，长焦构图回家再裁；2. 裁剪的核心是做减法——去掉不服务主题的杂物，亮点自然浮现；3. 二次裁剪是重新审视构图的机会：突出想表现的，裁掉空白与无关；4. 高像素时代可以大胆裁——但底子是前期认真拍下的每一个瞬间。","xe":"1. Not enough reach? Crop: the wide frame saves the moment, the telephoto composition happens at home; 2. Cropping is subtraction — remove what does not serve the subject and the highlight emerges; 3. The second crop is a second look at composition: amplify what you meant to say, cut the empty and the irrelevant; 4. High-resolution sensors let you crop boldly — but the foundation is every moment you seriously photographed in the field."},{"t":"h","x":"图文大纲","xe":"Illustrated Outline"},{"t":"img","f":"img-02","w":1080,"h":608},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":720},{"t":"img","f":"img-05","w":1080,"h":720},{"t":"img","f":"img-06","w":1080,"h":808},{"t":"img","f":"img-07","w":1066,"h":1600},{"t":"img","f":"img-08","w":1080,"h":719},{"t":"img","f":"img-09","w":1067,"h":1600},{"t":"img","f":"img-10","w":1080,"h":720},{"t":"img","f":"img-11","w":1080,"h":720},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":720},{"t":"img","f":"img-14","w":1063,"h":1600},{"t":"img","f":"img-15","w":1080,"h":720},{"t":"img","f":"img-16","w":1080,"h":720},{"t":"img","f":"img-17","w":1080,"h":808},{"t":"img","f":"img-18","w":1080,"h":720},{"t":"img","f":"img-19","w":1080,"h":720},{"t":"img","f":"img-20","w":1080,"h":720},{"t":"img","f":"img-21","w":1080,"h":466},{"t":"img","f":"img-22","w":1080,"h":606},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":721},{"t":"img","f":"img-25","w":1080,"h":952},{"t":"img","f":"img-26","w":1080,"h":721},{"t":"img","f":"img-27","w":1080,"h":752},{"t":"img","f":"img-28","w":540,"h":960},{"t":"h","x":"欢迎关注托马斯的旅行与摄影攻略","xe":"Follow Thomas for more travel and photography tips"}],"titleEn":"These Masterpieces Were All Created by Cropping in Post"}