{"slug":"drone-awards-2023-fly-low","title":"航拍飞低点反而更好？无人机摄影大赛获奖作品赏析！","author":"Thomas看看世界","date":"2023-03-19","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247497170&idx=1&sn=5aa73198205b8c519a2f854da23452f3&chksm=eb820bb6dcf582a0326c471166802a72f06a8552dfef5ad0f67d2503a3f452f9b3805224c813&scene=21#wechat_redirect","blocks":[{"t":"p","x":"今年的大疆天空之城摄影大赛最近公布了结果。","b":false,"xe":"This year's DJI SkyPixel Photography Contest recently announced its results."},{"t":"p","x":"作为最知名的航拍摄影赛事，其中的获奖作品会给我们很多启示，比如：无人机机位是越高越好吗？","b":false,"xe":"As the most renowned aerial photography contest, its winning works can teach us a lot - for example: is a higher drone position always better?"},{"t":"p","x":"在今天的视频中，Thomas就会和大家一起去赏析今年的获奖作品。","b":false,"xe":"In today's video, Thomas will join everyone in appreciating this year's winning works."},{"t":"img","f":"img-01","w":1080,"h":1512},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1L84y1w7Px","bpic":"bili-1","bt":"航拍飞低点反而更好？无人机摄影大赛获奖作品赏析！"},{"t":"p","x":"这一篇是上面视频的图文整理。2023 天空之城航拍摄影大赛公布结果，Thomas 逐张点评了今年的大奖与十佳作品，并回答了一个很多人好奇的问题：无人机机位真的是越高越好吗？今年的全场大奖恰恰给出了相反的答案——一张越南女摄影师「收获睡莲」的低机位作品。下面按视频顺序整理成图文。","xe":"This is the illustrated companion to the video above. The 2023 SkyPixel drone contest has announced its winners, and Thomas reviews the grand prize and top-ten images one by one while answering a question many drone pilots ask: is higher always better? This year's grand prize argues the opposite — a low-altitude image of a water-lily harvest by a Vietnamese photographer. It all unfolds below in video order.","b":false},{"t":"p","x":"先看全场大奖：越南女摄影师拍摄的花农收获睡莲的场景。整张照片柔和、平静又漂亮，从画面来说几乎无可挑剔（视频 0:21 处）。","xe":"Start with the grand prize: a Vietnamese photographer's scene of flower farmers harvesting water lilies. Soft, calm and beautiful, the image is nearly impeccable on pure picture quality (at 0:21 in the video).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 大奖作品：收获睡莲","xe":"01 The Grand Prize: The Water-Lily Harvest"},{"t":"p","x":"画面本身值得细读：成片的睡莲沿对角线分布，慢慢散开形成一个扇形，仿佛一朵正在盛开的花；两侧各有一位花农，劳动场景与花朵的图形形成呼应。拍摄上利用阴天或偏振镜把水面反光基本消除，后期再把水面压黑一点，花瓣于是格外突出（视频 1:12 处）。","xe":"The frame rewards close reading: the spread lilies run along a diagonal, fanning out like a flower in bloom, with a farmer on each side so the labor and the floral shape answer each other. Shot under overcast light — or with a polarizer — the surface glare is nearly eliminated, and darkening the water in post makes the petals stand out sharply (at 1:12 in the video).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"唯一可能引发质疑的是它的表演性质——这更像一个民俗演艺场景。不过以往的越南题材航拍多是水上市场、撒网捕鱼之类的特写，收获睡莲的场景确实少见，足够新鲜。","xe":"The one possible objection is its staged quality — this looks closer to a folk-performance scene. Then again, Vietnamese aerials usually show floating markets or net-casting close-ups, and a water-lily harvest is genuinely rare — fresh enough to justify itself.","b":false},{"t":"h","x":"02 机位并非越高越好","xe":"02 Higher Is Not Necessarily Better"},{"t":"p","x":"这张照片最值得学的，是对拍摄高度的选择。Thomas 找到了同一位摄影师在同一场景的其他照片：都很美，但高度稍微偏高——想多取蓝天白云的倒影、小船和周边环境（视频 1:59 处），结果元素一多，画面反而显得杂乱。","xe":"The most instructive thing about the winner is its choice of altitude. Thomas pulled up the same photographer's other frames of the same scene: all lovely, but flown a touch too high — reaching for the sky's reflection, the boats and the surroundings (at 1:59 in the video). With so many elements the frames turn busy.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"与大奖作品一对比，差距就出来了。航拍并不是飞得越高越好：越高取到的景物越多，也越容易杂乱；对于平静干净的场景，有时反而要飞低一些，聚焦到画面最精彩的局部（视频 2:07 处）。构图上它也是范本——对角线打破了死板的平衡，左右人物的对称与花束图形的对称又让整体非常平稳。","xe":"Put beside the grand prize, the difference is obvious. Drones should not simply fly higher: more altitude means more elements and more clutter; in a calm, clean scene, flying lower and focusing on the most striking corner often wins (at 2:07 in the video). The composition is a textbook too — the diagonal breaks any rigid balance, while the mirrored farmers and the fan of flowers keep the whole image stable.","b":false},{"t":"h","x":"03 十佳作品：影子的魔法","xe":"03 The Top Ten: The Magic of Shadows"},{"t":"p","x":"十佳里最经典的一类技巧是拍影子：在早晚光线把人的影子拉得很长时，影子本身就是画面的主角。比如这张斑马线般的黑白条纹作品，后期把周边杂乱元素去除压黑，只保留中间类似监狱栅栏的框架，一个红色身影点睛（视频 2:58 处）；跑步的人群掠过浅色地面，被拉长的影子充满动感（视频 3:25 处）——抓拍运动场景时，不必总盯着运动员本身。","xe":"The most classic trick among the top ten is photographing shadows: at dawn or dusk, stretched long, shadows become the protagonist. One winner keeps only a prison-bar lattice of stripes with a red figure for accent after darkening and decluttering the edges (at 2:58 in the video); another catches runners crossing pale ground, their elongated shadows full of motion (at 3:25) — a reminder that sports shots need not stare at the athletes themselves.","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"另一张佳作把 Thomas 常说的「重复与呼应」用足了：迷宫般重复的结构彼此呼应，而一个打伞的人突然打破重复、打破平静；配色上又是橙色与青色这对经典的对比色、互补色（视频 5:00 处）。冲突、重复与呼应，正是构图里最经典的技巧。","xe":"Another winner puts Thomas's favorite pair — repetition and echo — to full use: a maze of repeating structures answers itself until a lone figure with an umbrella breaks the pattern and the calm, all set in the classic contrast of orange against cyan, complementary colors (at 5:00 in the video). Contrast, repetition and echo remain the most dependable tools of composition.","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"04 色彩与取舍：留白才突出","xe":"04 Color and Restraint: Negative Space Highlights"},{"t":"p","x":"拍熔岩的思路很多人是反的：总想飞得越低越好、抓拍熔岩爆发的瞬间，但要突出熔岩的温度与亮度，有时反而要取入一些留白——旁边已经黑下来的场景就是天然的暗背景，熔岩的形状甚至像一只壁虎，非常有意思（视频 5:54 处）。拍秋色、拍丰收的喜悦同理：通过前期拍摄时间让旁边不受光，或后期压暗，只突出你想突出的颜色，其他地方做弱化，才能主次分明。","xe":"Most people shoot lava backwards: flying as low as possible for eruption close-ups, when highlighting its heat and glow sometimes calls for negative space — the already-darkened surroundings form a natural black backdrop, and the lava's shape even resembles a gecko (at 5:54 in the video). The same goes for autumn color and harvest joy: choose a shooting time that leaves the edges unlit, or darken them in post, so only the colors you want carry the frame and the hierarchy stays clear.","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"城市与工业场景同样是航拍富矿：停车场、建筑群里的几何线条与特别色彩随手可得（视频 5:40 处）；越南的斗笠和五颜六色的衣服也天生出片，收割时干净的背景让人印象深刻。Thomas 最后总结：今年很多获奖作品都用了影子技术，而且不少机位并不高——低机位突出最具冲突性的画面反而是更好的取景策略，高度要根据现场决定，不要一上来就飞 500 米。随着无人机长焦的发展，未来更多画面可以用长焦拍出压缩感，这一趋势也许很快就会出现在天空之城的赛场上。","xe":"Cities and industry are aerial goldmines too: parking lots and building clusters offer geometric lines and bold colors for free (at 5:40 in the video), and Vietnam's conical hats and colorful clothes are naturally photogenic against the clean backdrop of harvest fields. Thomas closes with two takeaways: many winners this year leaned on shadows, and many were not flown high — a low position that spotlights the most charged contrast is often the better strategy, so decide height on site rather than climbing to 500 meters by habit. And as telephoto drones mature, compressed-perspective frames may soon shape future SkyPixel contests.","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"quote","x":"1. 航拍不是飞得越高越好——越高元素越多越杂乱，平静干净的场景反而要飞低、聚焦最精彩的局部；2. 高度要根据现场场景决定，不要一上来就飞 500 米；3. 早晚的长影子是航拍的点睛之笔，运动场景抓拍影子比抓拍人更有动感；4. 想突出颜色和亮部，先给画面安排暗背景与留白——对比出主次，压暗出重点。","xe":"1. Higher is not better in aerial work — more altitude brings more clutter, and calm scenes reward flying low to focus on the best corner; 2. Decide height on site instead of climbing to 500 meters out of habit; 3. Long dawn-and-dusk shadows are an aerial accent — for motion, shooting shadows beats shooting the athletes; 4. To make color and light pop, first arrange a dark backdrop and negative space — contrast builds hierarchy, darkening builds emphasis.","b":false},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1L84y1w7Px/","b":false,"xe":"https://www.bilibili.com/video/BV1L84y1w7Px/"},{"t":"h","x":"相关教程：","xe":"Related tutorials:"},{"t":"p","x":"《摄影组照可以怎么拍？2023索尼世界摄影大赛获奖作品赏析（专业组）》","b":false,"xe":"\"How to Shoot a Photo Series? Appreciating the Winning Works of the 2023 Sony World Photography Awards (Professional Category)\""},{"t":"p","x":"《2022年最美风景照片！年度风光摄影师大赛获奖作品赏析~》","b":false,"xe":"\"The Most Beautiful Landscape Photos of 2022! Appreciating the Winning Works of the Landscape Photographer of the Year Contest~\""},{"t":"p","x":"《2022全景摄影大赛学习赏析，中国青年摄影师获大奖！》","b":false,"xe":"\"Learning from the 2022 Panoramic Photography Contest - A Young Chinese Photographer Won the Grand Prize!\""},{"t":"p","x":"《2022IPA国际摄影奖揭晓，摄影师学习解读来了！》","b":false,"xe":"\"The 2022 IPA International Photography Awards Revealed - A Learning Interpretation for Photographers Is Here!\""},{"t":"p","x":"《历届国家地理摄影比赛大奖作品赏析！好的自然风景照片有共性吗？》","b":false,"xe":"\"Appreciating Past National Geographic Photo Contest Grand Prize Works! Do Great Nature Photos Share Common Traits?\""},{"t":"p","x":"《2022索尼世界摄影大赛大奖公布！摄影师能从中学到哪些？》","b":false,"xe":"\"The 2022 Sony World Photography Awards Grand Prize Announced! What Can Photographers Learn from It?\""},{"t":"p","x":"《哈苏大师赛2022结果出炉，两位中国摄影师获奖！学习解读来了！》","b":false,"xe":"\"The 2022 Hasselblad Masters Results Are Out, with Two Chinese Photographers Winning! A Learning Interpretation Is Here!\""},{"t":"p","x":"《富士街头摄影大赛，哗众取宠还是天神下凡？详细解读与点评来了！》","b":false,"xe":"\"The Fujifilm Street Photography Contest: Grandstanding or Divine Inspiration? A Detailed Interpretation and Review Is Here!\""},{"t":"p","x":"《2021世界风光摄影师大赛大奖作品竟成反面教材！这些后期错误你犯过吗？》","b":false,"xe":"\"The 2021 International Landscape Photographer of the Year Grand Prize Work Became a Cautionary Tale! Have You Made These Post-Processing Mistakes?\""},{"t":"p","x":"《张张精彩！这些2021索尼世界摄影赛风光/旅行类摄影获奖作品太强了吧！》","b":false,"xe":"\"Every Single One Is Stunning! These 2021 Sony World Photography Awards Landscape/Travel Winning Works Are Incredible!\""},{"t":"p","x":"《无人机照片如何拍？2021天空之城航拍摄影大赛获奖作品分析~》","b":false,"xe":"\"How to Shoot Drone Photos? Analyzing the Winning Works of the 2021 SkyPixel Aerial Photography Contest~\""},{"t":"p","x":"《顶级黑白照片长啥样？2020世界黑白摄影大赛获奖作品欣赏分析》","b":false,"xe":"\"What Do Top Black-and-White Photos Look Like? Appreciating and Analyzing the Winning Works of the 2020 International Monochrome Photography Awards\""},{"t":"p","x":"《2020年IPA摄影奖公布，这些获奖作品都太强了吧！》","b":false,"xe":"\"The 2020 IPA Photography Awards Announced - These Winning Works Are All Incredible!\""},{"t":"p","x":"《全景照片怎么拍才好看？2020年最具视觉冲击力的全景照片都在这里啦！》","b":false,"xe":"\"How to Shoot a Beautiful Panorama? The Most Visually Striking Panoramic Photos of 2020 Are All Here!\""},{"t":"p","x":"《最好看的风光照片，2020世界风光摄影师大赛的获奖作品太震撼了！》","b":false,"xe":"\"The Most Beautiful Landscape Photos - The Winning Works of the 2020 International Landscape Photographer of the Year Are Astonishing!\""},{"t":"p","x":"《国际摄影奖2019奖项公布，这些获奖作品都太棒了吧！》","b":false,"xe":"\"The 2019 International Photography Awards Announced - These Winning Works Are All Amazing!\""},{"t":"p","x":"《颜值超高的2019世界风光摄影师比赛获奖作品欣赏》","b":false,"xe":"\"Appreciating the Stunning 2019 International Landscape Photographer of the Year Winning Works\""},{"t":"p","x":"《手机也能出大片？看看这些万里挑一的照片都是怎么拍的吧（华为新影像2019）》","b":false,"xe":"\"Can a Phone Produce Masterpieces? See How These One-in-a-Million Photos Were Shot (Huawei Next Image 2019)\""},{"t":"p","x":"《这些全景接片也太壮观了吧!2019 Pano Awards》","b":false,"xe":"\"These Panoramic Stitches Are So Spectacular! 2019 Pano Awards\""},{"t":"p","x":"《视觉盛宴，2018年世界风光摄影师大赛》","b":false,"xe":"\"A Visual Feast - The 2018 International Landscape Photographer of the Year Contest\""},{"t":"p","x":"《这些照片为什么能拿到2018国家地理摄影大奖？》","b":false,"xe":"\"Why Did These Photos Win the 2018 National Geographic Photo Grand Prize?\""}],"titleEn":"Is Flying Lower Actually Better for Aerial Photography? Appreciating Award-Winning Works from the Drone Photography Contest!"}