{"slug":"dunhuang-desert-sandstorm","title":"敦煌沙漠怎么拍？现场教学竟遇到沙尘暴雷暴！","author":"Thomas看看世界","date":"2023-08-13","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247497937&idx=1&sn=7b1b385dd96a9426e32d9e917fc491f0&chksm=eb8206b5dcf58fa39b4d1b16024f6f248ac0a288a9c5d1effc8f75ecf6bb8f78851eca57a7b8&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在本周的摄影教程中，Thomas将带大家前往沙漠，教大家相机和无人机沙漠构图的小技巧。","b":false,"xe":"In this week's tutorial, Thomas takes you to the desert to share composition tips for both cameras and drones."},{"t":"p","x":"Thomas在敦煌录制教程的时候，竟然还遇到了难得的哈布风暴，拍到了一张沙尘暴大片！","b":false,"xe":"While filming in Dunhuang, Thomas even ran into a rare haboob — and captured a dramatic sandstorm shot!"},{"t":"img","f":"img-01","w":1080,"h":720},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1E94y1k7mH","bpic":"bili-1","bt":"沙漠可以怎么拍？现场教学竟遇到沙尘暴雷暴！"},{"t":"p","x":"上面这支视频是 Thomas 的敦煌沙漠实拍教程，也是一支小小的「遇险记」：第一天踩点时亲历沙尘暴滚滚压来、十秒撤离，第二天清晨万里无云地拍到了逆光沙丘的层次。本文把视频整理成图文版——找机位、防沙器材、爬沙丘、拍人、构图层次，全部配上现场截图。","xe":"The video above is Thomas's on-location desert tutorial from Dunhuang — also a small survival story: while scouting on day one he watched a sandstorm roll in and escaped with seconds to spare, then woke to a cloudless dawn that revealed every ridge of the dunes in backlight. This article is the illustrated write-up — scouting, dust-proofing gear, climbing dunes, shooting people, and building layers — with screenshots throughout."},{"t":"p","x":"先看成片。清晨低角度的逆光把每道沙脊勾出一条亮线，明与暗把沙丘切成一层一层的——这正是沙漠摄影最迷人的东西，也是这支教程要教你怎么拿到手的东西。","xe":"Start with the final image: low-angle backlight at dawn traces a bright line along every ridge, and light and shadow slice the dunes into layer after layer. That is what makes desert photography so seductive — and what this tutorial teaches you to capture."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 侦察：让无人机替你爬沙丘","xe":"01 Scouting: let the drone climb for you"},{"t":"p","x":"在沙漠里，无人机是最重要的器材——沙丘爬起来真的很累，所以 Thomas 到达后第一件事就是升空侦察（视频 0:32-0:45 处）。升起来后马上把机头调向东方，那是明天日出的方向，逆光位要先在脑子里定下来（0:49-0:57 处）。","xe":"In the desert, the drone is the single most important piece of gear — dunes are exhausting to climb, so Thomas's first move on arrival is to send it up and scout (0:32-0:45). Once airborne he immediately swings the nose east, toward the next morning's sunrise: the backlight position gets locked in your head first (0:49-0:57)."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"侦察时记得在广角和长焦之间来回切换：广角下平平无奇的沙海，切到长焦后层次感完全不一样，沙丘跌宕的纹理非常壮观（视频 0:59-1:09 处）。他还常把无人机压到比较低的位置，模仿人站上丘顶的视角——这样不用爬就知道明天登顶后能看到什么；像当时那个角度，远处层次感不佳，就可以直接放弃（1:13-1:31 处）。","xe":"While scouting, flick constantly between wide and telephoto: a sea of dunes that looks unremarkable wide becomes dramatic once you zoom in, the tumbling textures of the ridges spectacular (0:59-1:09). Thomas also flies the drone low, mimicking the eye height of a person standing on the crest — so he knows exactly what the summit view will look like tomorrow without climbing. If a angle like the one he checked offers poor distant layering, it gets rejected on the spot (1:13-1:31)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 沙尘暴：从发现到十秒撤离","xe":"02 The sandstorm: from sighting to a ten-second escape"},{"t":"p","x":"侦察途中天气突变。风沙越来越大，远处一道沙尘暴正滚滚袭来（视频 1:31-1:39 处）。但 Thomas 先注意到的是一个创作机会：他搜到一条很有几何感的沙丘线条作前景，沙漠环境和远处的沙尘暴可以在照片里互相烘托（1:39-1:48 处）。","xe":"Mid-scout, the weather turns. The wind picks up, and a sandstorm comes rolling in on the horizon (1:31-1:39). Yet Thomas first spots a creative opening: he finds a boldly geometric dune line for a foreground, so the desert and the distant storm set each other off inside one frame (1:39-1:48)."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"他当时还没意识到问题的严重性，慢悠悠又飞了一小段航拍视频（视频 1:52-1:58 处）。直到突然发现，刚刚还在远处的电线杆已经被沙尘暴吞没——速度非常快。他立马调转航线往车的方向狂奔，这也是他第一次遇到沙尘暴这种极端天气（2:01-2:16 处）。回到车上仅仅十秒，窗外已经是末日般的景象，天完全黑了下来（2:18-2:27 处）。沙漠的天气，就是这么变化多端。","xe":"He had not yet grasped how serious it was, and casually flew another short aerial clip (1:52-1:58) — until he noticed the power poles he had just seen in the distance were being swallowed by the storm. It moves fast. He flipped the drone around and raced it back toward the car, his first ever encounter with weather this extreme (2:01-2:16). Just ten seconds after he got inside, the world outside had gone apocalyptic and the sky was fully dark (2:18-2:27). That is how violently desert weather can change."},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"第二天的对比更夸张：昨天还是沙尘暴加暴雨，今天已经万里无云，一轮红日从沙丘背后升起（视频 2:31-2:43 处）。昨天的踩点没有白费，接下来就是正式拍摄日出时分的沙漠。","xe":"The contrast the next morning is even starker: yesterday brought a sandstorm and heavy rain; today is utterly cloudless, the sun rising red behind the dunes (2:31-2:43). Yesterday's scouting pays off — now it is time to shoot the desert at sunrise in earnest."},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 器材：防沙是第一要务","xe":"03 Gear: dust-proofing comes first"},{"t":"p","x":"沙漠拍摄里，摄影包非常关键：要能防水防沙，而且尽量不要打开，防止沙子吹进包里（视频 2:49-3:04 处）。Thomas 这次带了两个机身，分别挂着 24-70 和 100-400 长焦镜头——目的就是到了沙漠之后完全不在沙地里更换镜头，杜绝进沙的可能（3:05-3:18 处）。","xe":"In desert shooting the camera bag is critical: it must seal out water and sand, and you avoid opening it at all so grit cannot blow inside (2:49-3:04). Thomas brought two bodies, one wearing the 24-70 and the other the 100-400 telephoto — precisely so he would never swap lenses in the sand, cutting off every path for dust to get in (3:05-3:18)."},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"无人机和气吹这些清洁、飞行器材同样是沙漠必备（视频 3:22-3:28 处）。存储卡他也特意选了户外属性拉满的三星 PRO Plus SD 卡：防沙、防水、耐高温，就算掉进沙子里也不用担心（3:29-3:41 处）——后面高速连拍抓拍时它也确实派上了用场。","xe":"The drone and a blower are desert essentials too, for flying and cleaning (3:22-3:28). For storage he picked the Samsung PRO Plus SD card, built for the outdoors: sand-proof, waterproof and heat-resistant, so a drop into the sand is no disaster (3:29-3:41) — and it later earns its keep during high-speed bursts."},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 山顶逆光：沙漠的层次","xe":"04 Summit backlight: the layers of the dunes"},{"t":"p","x":"然后就是体力活：爬沙丘。爬上去一步可能会滑下来半步，需要慢慢适应（视频 3:50-3:56 处）。但登顶之后的回报立竿见影——「一览众山小」的视野里，逆光看过去，沙丘有高光、有阴影，层次感十足（4:13-4:20 处），正是开头那张成片的现场。","xe":"Then comes the cardio: climbing the dune, where every step up can slide you half a step back — it takes a while to find the rhythm (3:50-3:56). The payoff at the top is instant: from that king-of-the-hill vantage, the backlit dunes split into highlights and shadows, layer upon layer (4:13-4:20) — the very scene behind the finished photo at the top of this article."},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"Thomas 拍沙漠最喜欢用的还是长焦焦段：利用长焦去抓拍远处的沙漠小景，特别是这种纹理和层次，拍出来非常棒（视频 4:21-4:31 处）。昨天无人机侦察时在长焦里看到的画面，今天用相机长焦如法炮制。","xe":"For desert work Thomas still favors the telephoto: reach out and grab small scenes from far away — especially textures and layers like these, which come out superbly (4:21-4:31). The frames he previewed through the drone's zoom yesterday get recreated with the camera's telephoto today."},{"t":"h","x":"05 拍人：景大人小","xe":"05 People in the desert: tiny figure, vast scene"},{"t":"p","x":"沙漠里把人物拍进画面是非常好的选择，非常出彩（视频 5:20-5:24 处）。方法是先让无人机飞起来找角度，最好用中长焦焦段拍摄（4:33-4:48 处）；人物的背景要比较干净，而且和人的颜色有区分——Thomas 穿白衣，所以专门找黑色的阴影背影来衬托（4:49-4:59 处）。","xe":"Putting a person into the frame is one of the best choices in the desert — it reliably produces standout images (5:20-5:24). The method: fly the drone up to find the angle, ideally shooting at medium-telephoto focal lengths (4:33-4:48); the backdrop behind the person should be clean and tonally distinct from the clothing — wearing white, Thomas specifically hunted for a black shadowed slope to set himself off (4:49-4:59)."},{"t":"p","x":"他用 7 倍长焦发现自己身后的山脊形成了非常好的明暗反差，以及 S 型的线条感（视频 5:02-5:12 处）；再把无人机离远，整个沙漠的环境和小小的人同框，「景大人小」的感觉就拍出来了（5:12-5:19 处）。","xe":"At 7x zoom he notices the ridge behind him forming a superb contrast of light and shadow, traced with an S-curve (5:02-5:12); then, pulling the drone far back, the whole desert and the tiny figure share one frame — the \"vast scene, small person\" effect lands (5:12-5:19)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"06 层次构图与小景","xe":"06 Layered composition and small scenes"},{"t":"p","x":"沙漠取景构图非常讲究层次感（视频 5:34-5:39 处）。Thomas 示范了一个标准结构：远景是一座非常高的沙丘，中景是一片漂亮的灌木丛，前方是一片空旷的沙漠（5:39-5:51 处）。空旷怎么办？让队友到前面的沙漠上走，他的背影和脚印就成了绝佳的前景（5:53-5:58 处）；最后用高速连拍抓拍最精彩的瞬间（6:01-6:07 处）。","xe":"Desert composition lives and dies on layering (5:34-5:39). Thomas demonstrates a classic structure: a very tall dune in the far distance, a stretch of attractive shrubs at midground, open sand in front (5:39-5:51). Too empty? Send a teammate walking across the front — their silhouette and footprints become the foreground (5:53-5:58); then burst-shoot at high speed to catch the single best moment (6:01-6:07)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"沙漠里经常有孤零零的植物，像这样单独一株、周围环境非常干净的，就很值得一拍（视频 6:22-6:31 处）。最后总结沙漠摄影三招：多利用逆光——日出对准东方、日落对准西方，用逆光的层次感拍摄；在照片中取入人物或植物，让画面更有故事感；善用长焦，抓拍远处的光影变化和层次（6:31-7:01 处）。","xe":"Deserts are dotted with lone plants, and one standing by itself in a spotless surrounding like this is well worth a frame (6:22-6:31). The tutorial closes with three rules for desert photography: lean on backlight — face east at sunrise, west at sunset, and let it carve the layers; include people or plants for story and richness; and use the telephoto to catch the shifting light and layers far away (6:31-7:01)."},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 无人机是沙漠第一器材：升空先对准日出日落方向，广角长焦来回切换找层次，低空预演丘顶视角，爬不动的沙丘它替你看；2. 沙漠天气说变就变——这次沙尘暴从「入画」到吞没电线杆只有几分钟，创作冲动再强也要给撤离留出余量；3. 防沙是器材的生命线：双机身免换镜头、摄影包尽量不开、防沙防水 SD 卡兜底；4. 拍摄上记三招：逆光出层次、人物植物加故事、长焦抓远处光影，「景大人小」和前景脚印都是现成的公式。","xe":"1. The drone is the desert's first tool: send it up toward the sunrise or sunset, flick between wide and telephoto hunting for layers, fly low to preview the summit view — it climbs the dunes you cannot. 2. Desert weather flips in minutes — this storm went from photo-op to swallowing power poles almost instantly, so no matter how strong the creative itch, always leave yourself an exit. 3. Dust-proofing keeps gear alive: two bodies so no lens swaps, a bag you barely open, and sand-proof, waterproof SD cards as the last line of defense. 4. Three shooting rules: backlight for layers, people or plants for story, telephoto for distant light and texture — \"tiny figure, vast scene\" and footprints in the foreground are formulas ready to copy."},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"img","f":"img-03","w":1080,"h":720}],"titleEn":"How to Photograph the Dunhuang Desert: A Live Lesson Amid Sandstorms & Thunderstorms"}