{"slug":"editing-contest-4","title":"摄影后期要先整体、后局部、有取舍 – 修图小赛第4期点评","author":"Thomas看看世界","date":"2018-09-27","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247487328&idx=1&sn=b09fd1009bd7c9ed76ca82cffdf77278&chksm=eb81f104dcf678122af63ceb72143de23997de486d59eb596f3da02601f8870c494295542e08&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"每周一篇教程，让摄影不再难学","b":false,"xe":"A tutorial every week, making photography no longer hard to learn"},{"t":"p","x":"摄影后期没有万能公式，也没有标准答案。同一张原图，摄影师想表达、想突出、想展现的东西不同，摄影师的情绪性格、风格特点和个人偏好不同，都会让后期的结果大相径庭。","b":false,"xe":"There is no universal formula or standard answer in photography post-processing. From the same original, different things photographers want to express, highlight, and present, as well as their different emotions, personalities, stylistic traits, and personal preferences, all make the results vastly different."},{"t":"p","x":"看到多种多样的后期手法和展现形式，相互切磋，是托马斯举办修图小赛的初衷。","b":false,"xe":"Seeing diverse post-processing approaches and forms of presentation, and learning from one another, is Thomas's original intention in holding the photo-editing mini-contest."},{"t":"p","x":"让我们再来回顾一下第4期活动的11张原图，包含了蓝调时刻的两张包围曝光城市图片，以及同机位入夜后的烟花图片：","b":false,"xe":"Let's review the 11 originals from the 4th contest, which include two bracketed exposure city images from blue hour, and a fireworks image from the same position after nightfall:"},{"t":"img","f":"img-02","w":901,"h":608},{"t":"p","x":"原图下载地址，可以在文章《修图小赛第4期 - 城市烟花夜景（索尼A7R3+老蛙10-18mm原图）》找到。","b":false,"xe":"The original download address can be found in the article \"Photo-Editing Mini-Contest, Episode 4 - City Fireworks Night Scene (Sony A7R3 + Laowa 10-18mm Originals)\" (《修图小赛第4期 - 城市烟花夜景（索尼A7R3+老蛙10-18mm原图）》)."},{"t":"p","x":"这次小赛的投稿作品超过1000张。同样的一张新加坡夜景原图，有修的梦幻的，有修的辉煌的，有修的庄严的，有修的压抑的，有修的黑白的，有修的多彩的，可以说是非常的精彩！","b":false,"xe":"This contest received more than 1,000 submissions. From the same Singapore night scene original, some edited it to be dreamy, some brilliant, some solemn, some oppressive, some black-and-white, and some colorful - truly spectacular!"},{"t":"p","x":"小赛最后选出来的优秀作品，只是反映了托马斯个人的喜好，而且同一类风格只会选择1幅照片上榜。因此还有很多精彩的作品，因为各种原因无法在此全部列举。","b":false,"xe":"The excellent works finally selected by the contest only reflect Thomas's personal preferences, and only 1 photo per style is chosen for the list. Therefore, many brilliant works cannot all be listed here for various reasons."},{"t":"h","x":"托马斯精选奖 No.1","xe":"Thomas's Selection Award No.1"},{"t":"h","x":"后期作者：蔡少白alphabeta","xe":"Editor: 蔡少白alphabeta"},{"t":"img","f":"img-03","w":1000,"h":667},{"t":"h","x":"托马斯点评：","xe":"Thomas's review:"},{"t":"p","x":"这张照片在整体色彩的调整上非常出色。城市灯光金碧辉煌且不显杂乱，烟花的色彩也调成了金色，和整体色彩统一，强化了金碧辉煌的氛围。背景天空的蓝色淡雅安静，起到了很好的衬托作用。","b":false,"xe":"This photo is outstanding in its overall color adjustment. The city lights are resplendent without appearing messy, and the fireworks have also been graded to gold, unifying with the overall colors and reinforcing the resplendent atmosphere. The blue of the background sky is elegant and calm, serving as an excellent backdrop."},{"t":"p","x":"城市夜景风光照片后期，大片的绿地和树木是一大难点，处理不好很容易破坏照片的整体色彩和影调。作者对前景的树木做了压暗、减饱和度和统一色相到金色的处理，较好的处理了本片中的一大难点。","b":false,"xe":"In post-processing city nightscape photos, large areas of green space and trees are a major challenge; if handled poorly, they easily ruin the overall color and tonality. The author darkened the foreground trees, reduced their saturation, and unified their hue to gold, handling this major difficulty in the image quite well."},{"t":"p","x":"当然这张照片我认为在4个细节部分还可以提高。","b":false,"xe":"Of course, I think there are 4 detail areas in this photo that could be improved."},{"t":"p","x":"一是下面的树木整体明度压得太黑，和整个画面的明度反差太强，就会反而显得比较突出。建议只压暗树木的高光和中间调，阴影部分适当提升，让树木“暗而不黑”。","b":false,"xe":"First, the luminance of the trees below is darkened too much overall, creating too strong a contrast with the whole frame, which ironically makes them stand out. I suggest only darkening the highlights and midtones of the trees while appropriately lifting the shadows, so the trees are \"dark but not black.\""},{"t":"img","f":"img-04","w":1000,"h":667},{"t":"p","x":"另外一个问题是画面暖色部分色相有些不统一。作者整体暖色色相是金色，来突出现代大都市的辉煌。但是画面中面积占得相当大的议会大厦却是偏黄色，有点破坏暖色的整体氛围，建议局部使用“色相/饱和度”工具，或者“可选颜色”工具，统一成金色。","b":false,"xe":"Another problem is that the hue of the warm-colored areas is somewhat inconsistent. The author's overall warm hue is gold, to highlight the glory of a modern metropolis. However, the Parliament House, which occupies a considerable area, leans yellow, somewhat breaking the overall warm atmosphere. I suggest using the \"Hue/Saturation\" tool or the \"Selective Color\" tool locally to unify it to gold."},{"t":"p","x":"画面的边角部分，个人不太喜欢有太杂乱的元素，或者太抢眼的物体。因为这些边角的“亮点”，容易把读者的视线引出画面之外。","b":false,"xe":"As for the corners of the frame, I personally don't like elements that are too cluttered or objects that are too eye-catching, because these \"highlights\" in the corners tend to draw the viewer's gaze out of the frame."},{"t":"p","x":"本片左下角黑暗的树木中，边缘突然出现了一团红光，红光照亮的部分也有点杂乱，可以局部减饱和度、并让其色相偏绿。画面右下角部分，饱和度太高，有点太抢眼，建议局部降低饱和度。以下是我简单修改了一下的结果。","b":false,"xe":"In the dark trees at the lower-left corner of this image, a patch of red light suddenly appears at the edge, and the area it illuminates is also a bit cluttered. You could locally reduce its saturation and shift its hue toward green. As for the lower-right corner, the saturation is too high and a bit too eye-catching; I suggest locally reducing the saturation. Below is the result after my simple modifications."},{"t":"img","f":"img-05","w":1000,"h":667},{"t":"p","x":"托马斯在新书《风光摄影后期基础》中强调过，摄影后期要“先整体，后局部”。先让画面整体比较舒服，再去考虑局部的瑕疵和细节。因为本片整体调整已经非常出色，仍然获得了托马斯精选奖。","b":false,"xe":"As Thomas emphasized in his new book \"The Fundamentals of Landscape Photography Post-Processing\" (《风光摄影后期基础》), post-processing should go \"from the whole to the parts\" (先整体，后局部). First make the overall image comfortable, then consider local flaws and details. Because the overall adjustment of this image is already outstanding, it still won Thomas's Selection Award."},{"t":"h","x":"托马斯精选奖 No.2","xe":"Thomas's Selection Award No.2"},{"t":"h","x":"后期作者：Stephen_N","xe":"Editor: Stephen_N"},{"t":"img","f":"img-06","w":1000,"h":557},{"t":"h","x":"托马斯点评：","xe":"Thomas's review:"},{"t":"p","x":"城市夜景不光可以很辉煌，也可以很多彩。本片是众多投稿作品中，在表现新加坡城市夜晚的五光十色方面，做的非常不错的。","b":false,"xe":"A city night scene can not only be resplendent but also colorful. Among the many submissions, this work does an excellent job of presenting the colorful lights of Singapore's city night."},{"t":"p","x":"画面中有蓝色，橙红色，橙黄色，绿色和紫色，色相非常的丰富，但是整体看起来又不显得杂乱。","b":false,"xe":"The frame contains blue, orange-red, orange-yellow, green, and purple - very rich in hue - yet the overall look doesn't seem messy."},{"t":"p","x":"作者很好的搭配了各种色彩的面积，而且让同种色彩在区域分布上尽量集中，避免了同样色彩东一大块，西一小块的杂乱感，作者的后期功力让人印象深刻。","b":false,"xe":"The author balanced the areas of the various colors well and kept the same colors as concentrated as possible in regional distribution, avoiding the messiness of the same color scattered in patches here and there. The author's post-processing skill is impressive."},{"t":"h","x":"托马斯精选奖 No.3","xe":"Thomas's Selection Award No.3"},{"t":"h","x":"后期作者：Panfofo_Fanto","xe":"Editor: Panfofo_Fanto"},{"t":"img","f":"img-07","w":1000,"h":563},{"t":"h","x":"托马斯点评：","xe":"Thomas's review:"},{"t":"p","x":"托马斯在《风光摄影后期基础》一书中强调过：“技术服从于形式，形式服从于内容”。一张照片要表达的内容、突出的氛围不同，不仅在影调和色彩上会有所不同，在构图和元素的选择上也应该有所取舍。","b":false,"xe":"As Thomas emphasized in the book \"The Fundamentals of Landscape Photography Post-Processing\" (《风光摄影后期基础》): \"Technique serves form, and form serves content.\" Depending on the content a photo is meant to express and the atmosphere it wants to highlight, not only do tonality and color differ, but composition and the choice of elements should also involve selection and omission."},{"t":"p","x":"一幅画面中的元素并不是越多越好。我们经常会看到一些拙劣的后期作品，银河、烟花、月亮、车轨、魔云、热气球各种东西一股脑的全P上去，为了PS而PS，搞的让人摸不清头脑。","b":false,"xe":"More elements in a frame is not always better. We often see some poorly done edited works where the Milky Way, fireworks, the moon, car trails, magical clouds, hot air balloons - all sorts of things - are Photoshopped in all at once, PS for the sake of PS, leaving people baffled."},{"t":"p","x":"虽然本次比赛，托马斯提供了烟花的素材，但是到底要不要修入烟花，取决于作者想表达的东西。前面两幅优秀作品，一幅表现辉煌，一幅表现多彩，取入烟花素材是非常合理的。","b":false,"xe":"Although Thomas provided fireworks material for this contest, whether to edit in the fireworks depends on what the author wants to express. The two excellent works earlier - one expressing glory, the other expressing colorfulness - made it very reasonable to include the fireworks material."},{"t":"p","x":"但是如果要表现一座钢筋都市的庄严感，魔幻感或者是压抑感呢？对于这些情绪，修入代表着欢庆的烟花素材就显得不太搭调了。","b":false,"xe":"But what if you want to express the solemnity, the magical feeling, or the oppression of a steel-and-concrete metropolis? For these emotions, adding fireworks material, which represents celebration, would seem out of place."},{"t":"p","x":"本片作者的整体色彩比较肃穆，天空是大片的暗青色，暖色色彩也统一成了金色，同时建筑横平竖直，让城市显得非常有秩序感和庄严感。所以本片再取入烟花素材就不太搭调了。","b":false,"xe":"The author of this work uses a rather solemn overall color scheme: the sky is large areas of dark cyan, the warm colors are unified to gold, and the buildings are perfectly horizontal and vertical, giving the city a strong sense of order and solemnity. So adding fireworks material to this image would be out of place."},{"t":"p","x":"这样一张作品，难的不仅仅是不选择烟花的想法，更重要的是如何渲染照片的氛围，让不取入烟花的理由站得住脚。这幅作品，作者给出了很好的答案。","b":false,"xe":"For a work like this, the difficulty is not just the idea of not choosing fireworks; more importantly, it's how to render the photo's atmosphere so that the reason for not including fireworks holds up. For this image, the author gave a great answer."},{"t":"h","x":"精选奖奖品：价值999元的","xe":"Selection Award prize: the 999-yuan"},{"t":"h","x":"飞宇SPG2手机摄影稳定器","xe":"Feiyu SPG2 smartphone gimbal"},{"t":"img","f":"img-08","w":640,"h":1008},{"t":"p","x":"请获奖者留言联系托马斯领取奖品。","b":false,"xe":"Winners, please leave a message to contact Thomas to claim your prize."},{"t":"p","x":"特别奖励：本次获奖的三幅作品，将在经过同意后，署上后期作者的名字，作为修图案例发表在托马斯未来的网络教程和出版书籍中。","b":false,"xe":"Special bonus: after obtaining consent, the three winning works will be credited with the editors' names and published as editing case studies in Thomas's future online tutorials and published books."},{"t":"h","x":"欢迎关注@Thomas看看世界，","xe":"Follow @Thomas Chu Photo,"},{"t":"h","x":"每周学会一个摄影技能。","xe":"and learn one photography skill every week."},{"t":"p","x":"点击文末“阅读原文”，可以参加课程《让后期无比简单 - Nik Collection智能工作流系列课》","b":false,"xe":"Click \"Read the Original\" at the end of the article to join the course \"Making Post-Processing Effortless - The Nik Collection Smart Workflow Series\" (《让后期无比简单 - Nik Collection智能工作流系列课》)"}],"titleEn":"Post-Processing Should Go from the Whole to the Parts, with Selection and Omission - Photo-Editing Mini-Contest, Episode 4 Review"}