{"slug":"five-hasselblad-masters","title":"哈苏大师摄影赏析！我最喜欢的5位哈苏大师赛获奖摄影师~","author":"Thomas看看世界","date":"2024-01-07","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247499046&idx=3&sn=a3cb6b71afc32dea0937a4f33e8d665c&chksm=eb820342dcf58a542d244716c390e36fd62b93baaf91c989ee0990a4d1cf952d08fad35dcaf3&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在今天的优秀摄影作品赏析中，Thomas会和大家分享5位我最喜欢的哈苏大师赛获奖摄影师。","b":false,"xe":"In today's appreciation of excellent photography works, Thomas will share 5 of my favorite winners of the Hasselblad Masters competition."},{"t":"p","x":"哈苏大师赛历史悠久，评委阵容强大，在业界有很大的影响力。","b":false,"xe":"The Hasselblad Masters has a long history, a strong panel of judges, and great influence in the industry."},{"t":"img","f":"img-01","w":1000,"h":1000},{"t":"p","x":"那么这些获奖的哈苏大师们，他们的摄影创作会给我们什么启发呢？","b":false,"xe":"So what inspiration can these award-winning Hasselblad Masters' photographic creations give us?"},{"t":"p","x":"收录了Thomas近两年作品的2024年画册级周历《看见世界2024》已经上线淘宝，欢迎大家前往人民邮电出版社淘宝店选购！","b":false,"xe":"The 2024 album-grade weekly calendar \"Seeing the World 2024\" (《看见世界2024》), which collects Thomas's works from the past two years, is now available on Taobao. Everyone is welcome to visit the Posts & Telecom Press Taobao store to purchase!"},{"t":"img","f":"img-02","w":1080,"h":698},{"t":"h","x":"赏析视频","xe":"Appreciation video"},{"t":"bili","bv":"BV1EN4y14783","bpic":"bili-1","bt":"哈苏大师摄影赏析！我最喜欢的5位哈苏大师赛获奖摄影师~"},{"t":"p","x":"这一篇是上面视频的图文整理。哈苏大师赛（Hasselblad Masters）是业界最具影响力的摄影比赛之一，Thomas 从历届获奖者中选出了他最喜欢的五位摄影师，逐个拆解他们教会自己的创作思路——从黑白的暗房功夫到中国山水的水墨意境，最后还有一份哈苏大师赛的投稿指南。五位摄影师的代表作品在本文下半部分有完整图集。","xe":"This is the illustrated companion to the video above. The Hasselblad Masters is one of photography's most influential contests, and Thomas picks five laureates across its history whose lessons he values most — from the darkroom craft of black and white to the ink-wash mood of Chinese landscape — closing with a guide to entering the contest yourself. Their representative works appear in full in the gallery below.","b":false},{"t":"p","x":"五位摄影师分别来自印度尼西亚、荷兰、美国（原为风景画家）、澳大利亚和中国，而他们有一个惊人的共同点：都从自己土地的绘画传统里汲取养分（视频 1:02 处为第一位摄影师的介绍页）。","xe":"The five come from Indonesia, the Netherlands, the United States (a former landscape painter), Australia and China — yet they share one striking trait: all draw nourishment from the painting traditions of their own homelands (the first photographer's profile card appears at 1:02 in the video).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 印尼：黑白片的暗房功夫","xe":"01 Indonesia: Darkroom Craft in Black and White"},{"t":"p","x":"第一位是 2014 年风景/自然类哈苏大师、印度尼西亚摄影师 Hengki Koentjoro，以黑白风格见长。一张好看的黑白照片，关键在于该有的细节要有、不该有的细节要藏得住：森林照片两侧的阴影被后期进一步压黑，杂乱的植被完全隐去；瀑布小品里水流被提亮、周边岩石被压暗，主次分明（视频 1:17 处）。","xe":"The first is Hengki Koentjoro, the Indonesian winner of the 2014 Masters in Landscape/Nature, a master of black and white. A fine monochrome demands detail exactly where it matters and darkness where it does not: the forest's side shadows are burned further so the tangled vegetation vanishes, while in a waterfall study the stream is lifted and the surrounding rock darkened until hierarchy is unmistakable (at 1:17 in the video).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"黑白摄影还有一个后期上的独特优势：对黑白照片做大幅度的明暗调整，看起来仍然自然。因为肉眼看不到黑白世界，再夸张的处理也显得真实；同样的手段用在彩色照片上立刻就假了。所以他的照片里天空可以比水面暗——发光体被压、受光面被提——依然毫无违和。黑白世界的「暗房功夫」，空间远比彩色大（视频 2:41 处）。","xe":"Monochrome also enjoys a unique post-processing freedom: push brightness dramatically and it still feels natural, because our eyes have never seen a black-and-white world — apply the same moves to color and it instantly looks fake. That is why in his prints the sky can sit darker than the water, the light source suppressed while the lit surface glows, without a hint of dissonance. The darkroom offers far more room in black and white (at 2:41 in the video).","b":false},{"t":"h","x":"02 荷兰与美国：从画派走出的风光","xe":"02 Netherlands and the United States: Landscapes Born of Painting Schools"},{"t":"p","x":"第二位是 2016 年风光类得主、荷兰摄影师 Lars van de Goor，作品几乎都拍自荷兰的森林。如果你对荷兰画派有印象，会立刻认出霍贝玛式的林间通道——而他对「空气」的处理更精彩：阴天雾气本该是偏灰的白，他却把雾调成黄色、青绿或蓝色，再用 HSL 和选区把植物恢复到正常的色调，于是影调分离之外多了一层冷暖分离（视频 4:18 处）。","xe":"The second is Lars van de Goor, the 2016 Landscape laureate from the Netherlands, who shoots almost exclusively Dutch forests. Anyone familiar with the Dutch painters will spot the Hobbema-like avenues — but his treatment of \"air\" is finer still: against the grey-white that misty overcast should be, he tints fog yellow, teal or blue, then restores the plants to natural color with HSL and selections, adding a warm-cold separation on top of the tonal one (at 4:18 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"第三位 Benjamin Everett 是风景画家转行的摄影师（视频 5:44 处为介绍页）。他的照片用「有画面构造、有层次」形容最贴切：远山与近处冰川能分出十几层，从虚化的前景草到中景、草原、云、天空，像版画一样层层退开。冰岛黑沙滩的海浪更是靠时间合成——连续拍一个小时，把最精华的浪层合到一起，才有那一张照片（视频 5:54 处）。","xe":"The third, Benjamin Everett, came to photography from landscape painting (his profile card at 5:44 in the video). \"Constructed, layered\" describes his frames best: distant peaks and near glaciers resolve into a dozen strata — blurred grass, midground, plains, cloud, sky — receding like a print. His Icelandic black-sand waves rely on time blends too: an hour of continuous shooting, only the finest wave layers kept (at 5:54).","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 澳大利亚：高调青橙的游乐场","xe":"03 Australia: High-Key Funfields in Cyan and Orange"},{"t":"p","x":"第四位是澳大利亚摄影师 Ben Thomas，镜头对准家乡海边的游乐场、城市与建筑。晴朗的天空让他的照片天生高调：阴影全部拉起，画面里几乎没有死黑的部分，饱和度中等偏高，再统一用青蓝对粉橙的对比色搭配，非常舒服（视频 7:34 处）。","xe":"The fourth, Australia's Ben Thomas, points his camera at seaside amusement parks, cities and buildings back home. Under perpetually clear skies his images turn naturally high-key: shadows lifted until nothing dies to black, medium-high saturation, and a consistent pairing of cyan-blue against pink-orange that feels effortlessly pleasant (at 7:34 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"宏大的环境里常常只安排一个小小的人，带一点卡通感——这种风格与画家爱德华·霍普遥相呼应。画意摄影的潮流虽然从 19 世纪就开始了，但如今的摄影师越来越多地从电影、绘画等视觉艺术中吸取灵感，连登机楼里最普通的场景也能拍出味道（视频 8:53 处）。","xe":"Inside vast settings he places a single tiny figure, faintly cartoon-like — a style echoing the painter Edward Hopper. Pictorialism began in the nineteenth century, but today's photographers borrow from film and painting more than ever, finding flavor in the most ordinary departure-hall scenes (at 8:53 in the video).","b":false},{"t":"h","x":"04 中国：山水长卷的水墨意境","xe":"04 China: Ink-Way Scrolls of Mountain and Mist"},{"t":"p","x":"最后一位是受中国传统绘画与郎静山一脉画意摄影影响的中国摄影师。他的获奖作品尺幅像古代长卷一样舒展，奇松翠柏、远山雾气朦胧，满是中国山水画的意蕴（视频 9:12 处为其获奖组照）。拿到哈苏 X2D 100C 中画幅之后，他继续用「亿级像素」的画质延续这种风格——画幅、后期与雾气群山的取景共同成全了这种水墨感（视频 10:11 处）。","xe":"The last is a Chinese photographer shaped by traditional Chinese painting and the pictorial lineage of Lang Jingshan. His winning series unfurls like an ancient handscroll — odd pines, emerald cypress, distant peaks lost in mist, every bit the mood of shan-shui ink painting (the awarded series at 9:12 in the video). Later, with a Hasselblad X2D 100C medium format, he carried the style forward at extreme resolution — format, grading and mist-and-mountain framing all conspiring toward ink-wash (at 10:11).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"05 启示：扎根本土的画意摄影","xe":"05 The Lesson: Root Your Photography at Home"},{"t":"p","x":"五位摄影师给了 Thomas 最重要的启示：在每天上亿张照片产生的时代，风光摄影早已脱离纯粹记录的范畴——真要记录，视频是更好的媒介。风光摄影师不是景区的监控摄像头，而是用艺术修养和审美，呈现自己看到的风景。而这五位无一例外扎根各自的国度与绘画传统：你对自己国家的时代最了解，对本土的艺术也理解最深（视频 10:13 处）。","xe":"The five leave Thomas with one overriding lesson: in an era producing hundreds of millions of images a day, landscape photography has left pure documentation behind — for that, video is the better medium. A landscape photographer is not a surveillance camera at a scenic spot, but someone presenting the world as they see it, through cultivation and taste. And all five are rooted in their own countries and painting traditions: you know your homeland's moment best, and understand its art most deeply (at 10:13 in the video).","b":false},{"t":"p","x":"如果你也有三张满意的相机作品，可以关注新一届哈苏大师赛：比赛分风光、建筑、人像、街道、艺术与青年六个类别，各选一名大师，奖励一台哈苏中画幅无反相机加两支 XCD 镜头，另有 5000 欧元创作基金（视频 12:02 处为部分评委阵容，覆盖哈苏基金会、Foam 摄影博物馆、Getty 与马格南等机构）。注意作品必须是相机拍摄——不限品牌，但手机与无人机作品不能参赛。","xe":"If you have three camera-made images you believe in, watch for the next Hasselblad Masters: six categories — Landscape, Architecture, Portrait, Street, Art and Youth — each crowning one Master with a Hasselblad medium-format mirrorless body, two XCD lenses and a 5,000-euro creative fund (part of the jury at 12:02, spanning the Hasselblad Foundation, Foam Photography Museum, Getty and Magnum). Note the rule: photos must come from a camera — any brand, but no phones or drones.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 黑白片的后期空间最大——大幅明暗调整仍然自然，暗房功夫是黑白摄影的半条命；2. 雾气不必是灰白色——给空气上色、再用选区恢复主体，是画意风光的利器；3. 层次是风光的骨架：前景、中景、远景一层层退开，必要时用时间合成积累素材；4. 扎根本土：拍你最了解的土地，从本土的绘画传统里找自己的语言。","xe":"1. Black and white offers the widest grading freedom — bold tonal moves still read natural, and darkroom craft is half the medium's life; 2. Fog need not be grey — tint the air, then restore your subject with selections, the pictorial landscaper's sharpest tool; 3. Layering is the skeleton of a landscape: foreground to sky receding plane by plane, with time blends amassing material when needed; 4. Stay rooted: photograph the land you know best and find your visual language in your own painting tradition.","b":false},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1EN4y14783/","b":false,"xe":"https://www.bilibili.com/video/BV1EN4y14783/"},{"t":"h","x":"作品赏析","xe":"Works appreciation"},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"img","f":"img-40","w":1080,"h":608},{"t":"img","f":"img-41","w":1080,"h":608},{"t":"img","f":"img-42","w":1080,"h":608},{"t":"img","f":"img-43","w":1080,"h":608},{"t":"img","f":"img-44","w":1080,"h":608},{"t":"img","f":"img-45","w":1080,"h":608},{"t":"img","f":"img-46","w":1080,"h":608},{"t":"img","f":"img-47","w":1080,"h":608},{"t":"img","f":"img-48","w":1080,"h":608},{"t":"img","f":"img-49","w":1080,"h":608},{"t":"img","f":"img-50","w":1080,"h":608},{"t":"img","f":"img-51","w":1080,"h":608},{"t":"img","f":"img-52","w":1080,"h":608},{"t":"img","f":"img-53","w":1080,"h":608},{"t":"img","f":"img-54","w":1080,"h":608},{"t":"img","f":"img-55","w":1080,"h":608},{"t":"img","f":"img-56","w":1080,"h":608},{"t":"img","f":"img-57","w":1080,"h":608},{"t":"img","f":"img-58","w":1080,"h":608},{"t":"p","x":"扫描上面二维码或点击文末“阅读原文”","b":false,"xe":"Scan the QR code above or click \"Read the Original\" at the end of the article"}],"titleEn":"Hasselblad Masters Appreciation! My 5 Favorite Winners of the Hasselblad Masters Competition~"}