{"slug":"game-virtual-landscape","title":"足不出户拍摄雪山大片？风光摄影师又到游戏里拍照啦！","author":"Thomas看看世界","date":"2022-07-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247495779&idx=1&sn=3cc813d49252fe98aa7296b76365a58d&chksm=eb820e07dcf587115fd6b58915f522532c8a43362bac168b4c75a900a215ff628c67a71b2017&scene=21#wechat_redirect","blocks":[{"t":"p","x":"雪山照片应该如何拍？","b":false,"xe":"How should snow mountain photos be shot?"},{"t":"p","x":"为什么湖泊不如溪流更加出片？","b":false,"xe":"Why do lakes photograph less well than streams?"},{"t":"p","x":"风景照片怎么构图更有层次？","b":false,"xe":"How can landscape photos be composed with more depth?"},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"p","x":"今天的摄影教程中，我会带大家云游游戏里的稻城亚丁地图，现场与大家分享拍摄技巧。","b":false,"xe":"In today's photography tutorial, I'll take you on a virtual tour of the Daocheng Yading map in a game, sharing shooting techniques live."},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV19d4y1S78e","bpic":"bili-1","bt":"足不出户拍摄雪山大片！国家地理摄影师带你云游稻城亚丁！"},{"t":"p","x":"这一篇是上面视频的图文整理。Thomas 在 2014 年去过真实的稻城亚丁，可惜天公不作美留下遗憾；这次网易《逆水寒》游戏以高品质还原了稻城亚丁的风景，他便带着风光摄影的思路「云游」这张地图，现场演示雪山场景怎么选前景、怎么利用溪流引导线、日照金山怎么拍，以及进阶的登高鸟瞰机位。下面配上视频关键帧截图，逐一展开。","xe":"This is the illustrated companion to the video above. Thomas visited the real Daocheng Yading in 2014 but left with regrets as the weather turned; this time, NetEase's game Justice (Nishuihan) recreated Yading's landscapes in high fidelity, so he tours the map with a landscape photographer's eye — choosing foregrounds for snow-mountain scenes, using streams as leading lines, shooting alpenglow on the peaks, and finding elevated bird's-eye viewpoints. Keyframe screenshots throughout, unpacked below.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"先看一张总览。下面这帧截自视频 3:48 处：日照金山打亮雪峰，前景是河边的鲜花，广角把整座雪山收入画面——游戏摄影模式里的这一张，几乎浓缩了本期所有技巧：引导线、前景、层次与时机。","xe":"Start with an overview. This frame from 3:48 in the video: alpenglow gilding the summit, riverside flowers as the foreground, and a wide angle taking in the whole mountain — this single in-game photo-mode shot condenses nearly every technique in the episode: leading lines, foreground, layering and timing.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 湖泊还是溪流：雪山场景的前景选择","xe":"01 Lake or Stream: Choosing a Foreground for Snow-Mountain Scenes"},{"t":"p","x":"打开地图选到亚丁，很多人旅行时喜欢直奔牛奶海、珍珠海这样的高原湖泊。但 Thomas 的摄影经验是：这类湖泊周边基本都是冰川和乱石，前景相当杂乱，并不好拍（视频 1:04 处）。","xe":"Open the map and pick Yading. Most travelers head straight for the high-altitude lakes like Milk Lake and Pearl Lake. But from a photographer's perspective, their shores are all glacier debris and jumbled rocks — messy, uncooperative foregrounds (at 1:04 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"对于雪山场景，他更推荐小溪：溪流本身是一条极好的引导线，而且小溪两边一般都有草甸、森林甚至鲜花，前景选择一下子就丰富了（视频 1:28 处）。话不多说，直接去现场。","xe":"For snow-mountain scenes he recommends a stream instead: the stream itself is a superb leading line, and its banks usually carry meadows, forest and even wildflowers — suddenly the foreground options multiply (at 1:28 in the video). Enough theory; let's head into the field.","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"02 现场第一站：溪流的 S 形引导线","xe":"02 First Stop: The S-Curve of a Stream"},{"t":"p","x":"现场正好有一条溪流对着远处的雪山和藏式寺庙。拍摄时把三脚架尽量往溪流中间放，甚至一只脚插到水里——溪流便在画面里形成 S 型引导线，导向森林与寺庙的中景，再到远处的雪山，一个非常好的构图就成立了（视频 2:06 处）。","xe":"On site, a stream runs straight toward distant snow mountains and a Tibetan temple. Set the tripod as far into the stream as possible — even with one leg in the water — and the stream draws an S-curve through the frame, leading to the forest and temple midground and up to the distant peaks: a classic composition (at 2:06 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"探索的路上别忘了时刻回头——后面的雪山可能同样漂亮。途中有一座桥梁也非常适合拍摄：溪流作引导线，导向远方的双子雪山双峰；换到桥的另一侧，溪流尽头是雪山下的村庄和小房子，别有一番味道（视频 2:38 处）。","xe":"While exploring, remember to turn around now and then — the mountains behind you may be just as beautiful. A bridge along the way is also perfect: the stream leads the eye to twin snow summits; from the other side of the bridge, the stream ends at a village with small houses beneath the mountain, a different mood entirely (at 2:38 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"03 日照金山：花的前景与广角长焦","xe":"03 Alpenglow: Flower Foregrounds, Wide and Telephoto"},{"t":"p","x":"日落时分，雪山被染成金色——日照金山正是出片的时刻。这时可以找河边的一些鲜花作为前景：镜头再广一些，把整座雪山都拍下来，构图非常漂亮（视频 3:35 处）。","xe":"At sunset the peaks turn gold — alpenglow is the moment to shoot. Look for flowers along the river as a foreground, go even wider to take in the entire mountain, and the composition sings (at 3:35 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"另一侧的鲜花、亮着灯光的小房子和远处的雪山，则适合取一个长焦构图：因为后面那座雪山比较远，换上长焦镜头，前景小村庄、远景雪峰，是非常经典的画面（视频 3:57 处）。","xe":"On the other side, flowers, small houses with their lights on and distant peaks call for a telephoto: the farther mountain is compressed by the longer lens, giving the classic layering of village in front, summit behind (at 3:57 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"换一座山试试：这座雪山山下云雾缭绕、山头还是金光，前景取紫色的花朵——稍稍收窄一点、聚焦一些，就能拍出非常有美感、非常有层次感的构图（视频 4:26 处）。按下快门，天已经满天红云了。","xe":"Try another mountain: this one wears clouds at its base while the summit still glows, with purple flowers up front — tighten the framing slightly and you get a composition full of beauty and depth (at 4:26 in the video). One click, and the sky has turned a riot of red clouds.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"h","x":"04 登高拍摄：层次感与鸟瞰机位","xe":"04 Climb Higher: Layering and Bird's-Eye Viewpoints"},{"t":"p","x":"进一步的爬到更高处，好处立竿见影：站在高处，除了前景的花朵，还能看到河流与草场的远景，整体视角更加开阔，层次感非常棒。平时拍摄也可以找这样的斜坡，从稍稍有一定高度的地方拍下去（视频 4:54 处）。","xe":"Climb a little higher and the payoff is immediate: from up here you keep the flower foreground but gain the distant river and grasslands, an open vista with superb layering. In the field, look for slopes like this and shoot down from a modest elevation (at 4:54 in the video).","b":false},{"t":"p","x":"机位细节也要讲究：前面的角度会拍到一条光秃秃的路，不太好，那就往前走一点，机位稍稍压低，让路面在画面里不那么明显（视频 5:31 处）。这时正好可以拍到银河星空、晚霞的乌云和雪山同框；沿溪探索出的经典长焦构图，还有佛塔加远处雪山的组合，都非常经典（视频 5:52 处）。","xe":"Refine the position too: the first angle catches a bare dirt road — move slightly forward and drop the camera lower so the road fades from the frame (at 5:31 in the video). At this hour the Milky Way, evening storm clouds and the snow mountain share one frame; and the classic telephoto pairing of a Buddhist stupa against distant peaks is not to be missed (at 5:52 in the video).","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"对于进阶的徒步和爬山爱好者，还可以在地图上找高地做鸟瞰机位：比如站在 U 型河谷的高处，可以拍到 U 型河湾、中间的田野与远处雪山；或者沿着河流引导线看向远处的湖泊与雪山；湖边佛塔的高地，也能把湖面作为中景、远处雪山层次分明（视频 6:13 处）。","xe":"For advanced hikers and climbers, the map hides elevated bird's-eye viewpoints: from a high point over the U-shaped valley you can capture the river bend, the fields inside it and the peaks beyond; follow a river's leading line toward a distant lake and mountains; or from the stupa hill above the lake, use the water as midground against layered summits (at 6:13 in the video).","b":false},{"t":"img","f":"v14","w":852,"h":480},{"t":"h","x":"05 更多地图：中国风虚拟风光","xe":"05 More Maps: Chinese-Style Virtual Landscapes"},{"t":"p","x":"以上就是这张稻城亚丁地图的风光摄影思路分享。逆水寒除了稻城亚丁之外，杭州、大理、三清山等其他地图也做得非常漂亮、非常有中国的风格，欢迎大家去游戏里自行探索（视频 7:19 处）。虚拟世界正在成为风光摄影的新舞台——不一样的取景方式，一样的摄影逻辑。","xe":"That wraps the landscape-photography tour of the Yading map. Beyond Yading, Justice's other maps — Hangzhou, Dali, Sanqingshan — are beautifully and distinctively Chinese, and worth exploring on your own (at 7:19 in the video). Virtual worlds are becoming a new stage for landscape photography: different vantage points, the same photographic logic.","b":false},{"t":"quote","x":"1. 雪山场景慎选高原湖泊当主体——冰川乱石让前景杂乱，优先找溪流：引导线天然、两岸自带草甸森林鲜花；2. 机位往水里放：三脚架一只脚插进溪流，S 形引导线通往中景与雪山；3. 日照金山分广角与长焦两种拍法：广角收整座山，长焦压缩村庄与雪峰，全程记得找花做前景；4. 进阶登高找鸟瞰机位：U 型河谷、河流引导线、佛塔与湖面中景，层次感翻倍。","xe":"1. Think twice before making a plateau lake your main subject — glacier rubble makes messy foregrounds; find a stream instead, with its natural leading line and meadows, forest and flowers along the banks; 2. Put the camera in the water: one tripod leg in the stream turns the current into an S-curve aimed at the midground and the peaks; 3. Alpenglow offers two takes — wide for the whole mountain, telephoto to compress village and summit — with flowers as foreground throughout; 4. For advanced shots, climb to bird's-eye viewpoints: U-shaped valleys, river leading lines, and stupa-plus-lake midgrounds double the layering."},{"t":"img","f":"img-02","w":1080,"h":608},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608}],"titleEn":"Shooting Snow Mountains Without Leaving Home? A Landscape Photographer Shoots in Games Again"}