{"slug":"geoff-lowe-olympics-style","title":"巴黎奥运爆火照！Geoff Lowe风格的摄影如何拍摄和后期？","author":"Thomas看看世界","date":"2024-08-13","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247500283&idx=1&sn=7e95ff8112b3d17e6748dd9b46b35d3d&chksm=eb823f9fdcf5b689b7dc1b7f8a412d2c7737f49ab85a5dc56c936ae87b5b5f50eb6412e85dcb&scene=21#wechat_redirect","blocks":[{"t":"p","x":"最近巴黎奥运会，摄影师Geoff Lowe利用时间合成技术，创作的一系列体育照片火了。","b":false,"xe":"During the recent Paris Olympics, photographer Geoff Lowe went viral with a series of sports photos created using time-compositing technology."},{"t":"img","f":"img-01","w":1080,"h":1350},{"t":"p","x":"其实“时间合成”技术在体育摄影、风光摄影、街头摄影中应用广泛，今天的摄影教程中，Thomas会和大家分享这种技术的实现手段和后期技巧，大家以后拍学校运动会、街头运动场、旅游景点等等的时候，也可以尝试这种创作手法。","b":false,"xe":"In fact, \"time compositing\" is widely used in sports, landscape, and street photography. In today's photography tutorial, Thomas will share how this technique is achieved and the post-processing skills involved, so you can try this creative approach when shooting school sports meets, street sports venues, tourist attractions, and so on."},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1qT42167KH","bpic":"bili-1","bt":"巴黎奥运爆火照！Geoff Lowe风格的摄影如何拍摄和后期？"},{"t":"p","x":"这一篇是上面视频的图文整理。巴黎奥运会期间，摄影师 Geoff Lowe 的时间合成体育照片刷屏全网，而更早把这种玩法推向极致的是美国的 Pelle Cass。Thomas 在这支视频里既解读了两位摄影师的风格，也用自己在北京首钢体育园的实拍，完整演示了这类照片的前期拍摄与 Photoshop 后期流程。","xe":"This is the illustrated companion to the video above. During the Paris Olympics, Geoff Lowe's time-blend sports photos went viral, while American photographer Pelle Cass had long pushed the genre furthest. In this video Thomas decodes both styles, then uses his own shoot at Beijing's Shougang Sports Park to demonstrate the complete capture-and-Photoshop workflow behind such images.","b":false},{"t":"p","x":"先看这种风格的代表画面：同一个运动员的连续动作被凝固在一帧里，像逐格动画一样展示一个追逐、一个动态的过程（视频 0:17 处）。","xe":"Start with the signature image: one athlete's consecutive movements frozen into a single frame, like stop-motion animation tracing a chase, a burst of motion (at 0:17 in the video).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 两种风格：单人与全场","xe":"01 Two Styles: One Athlete, Whole Field"},{"t":"p","x":"Geoff Lowe 的镜头常对准同一个人：拍下他不同的运动瞬间，或整段连续的动态过程，让人感受到体育独特的人类美感——跨栏的分解动作、手球的一次鱼跃都在他镜头里变成了视觉研究（视频 0:44 处）。Pelle Cass 则更夸张：他把长时间的赛场压缩成一帧，你能看到运动场上人流最密集的状态、篮球在哪些位置聚集、人们会走到球场的哪些角落，非常有趣（视频 0:13、0:05 与 0:07 处）。","xe":"Geoff Lowe keeps returning to a single athlete, collecting different moments or a full continuous movement so the uniquely human beauty of sport reads like a visual study — hurdle cycles, a handball dive (at 0:44 in the video). Pelle Cass compresses far longer spans into one frame: the densest state of a playing field, where basketballs cluster, where people wander on the court — endlessly amusing (at 0:13, 0:05 and 0:07).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"02 前期：机位、连拍与素材量","xe":"02 Capture: Position, Burst, Volume"},{"t":"p","x":"Thomas 在首钢体育园拍过类似的一组：当时没带三脚架，只能把相机架在栏杆上，画面因此有轻微位移——想做这类题材，务必上三脚架，然后连续抓拍。场上精彩瞬间很多：有人差点摔倒、有人做出怪异姿势，都值得收进素材库（视频 1:55 处为现场视频帧）。他自己只拍了五分钟、素材量不够；建议拍满一小时，遇到阴天甚至可以盯同一场地拍一整天。","xe":"Thomas shot a similar series at Shougang Sports Park: tripod-less, he braced the camera on a railing, which left slight shifts — for this genre, use a tripod, then burst away. Good moments abound: a near-fall, an odd posture, all worth banking (source frames at 1:55 in the video). He himself shot only five minutes and ran short; aim for an hour, and under overcast sky you can happily camp on one ground all day.","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"03 后期：堆栈、对齐与蒙版","xe":"03 Post: Stack, Align, Mask"},{"t":"p","x":"导入前先做筛选：五十多张里只留下十几张打了五星的，再通过文件 → 脚本 → 将文件载入堆栈全部导入 Photoshop（视频 2:35 处）。合并前必须全选图层执行编辑 → 自动对齐图层——没用三脚架时这一步尤其不可省（视频 2:45 处）。然后选一张做基底，给想要合成的图层建立黑色蒙版，用白色画笔、不透明度与流量 100% 把人刷进来：对齐得准，硬度可以低一点；对不齐就调高硬度。刷人时别忘了把影子一起刷进来，真实感立刻不同；靠近其他人时改用小笔刷，或先建选区保护（视频 4:00 处）。","xe":"Filter first: from fifty-odd frames keep only the dozen five-star picks, then load them via File → Scripts → Load Files into Stack (at 2:35 in the video). Before blending, select all layers and run Edit → Auto-Align Layers — indispensable if you skipped the tripod (at 2:45). Choose a base image, give each donor layer a black mask, and paint people in with a white brush at 100% opacity and flow: lower hardness when alignment is perfect, higher when it is not. Always paint the shadow in with the person — it transforms realism — and near existing people switch to a tiny brush or protect them with a selection first (at 4:00).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"现在的 PS 选区能力已经非常强：对象选择工具移到人身上就自动建立精准选区，配合快速选择与套索足以应付各种边缘；建立蒙版后把羽化适当提到 0.4 像素左右，影子用稍大的白色画笔补上。他甚至还把画面上方单轨列车驶过的瞬间也合成进来——这就是时间合成的魅力：同一空间、不同时间汇聚到一起。技术难度其实不高，难的是想法与耐心；最后转成智能对象做些滤镜与调色，作品就完成了（视频 4:24 处为蒙版视图，6:53 处为合成完成）。","xe":"Selection in today's Photoshop is remarkably strong: hover the Object Selection tool over a person and a precise mask appears, with Quick Selection and Lasso covering the rest; after masking, feather about 0.4 pixels and paint the shadow back with a slightly larger white brush. Thomas even blended the monorail train crossing the top of the frame — the charm of the time blend: one space, many moments. Technically it is easy; ideas and patience are the real cost. Finish as a Smart Object with filters and grading (the mask view at 4:24, the final composite at 6:53).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"h","x":"04 思路迁移","xe":"04 Transferring the Idea"},{"t":"p","x":"这套方法还能反过来用：把长时间的人流做减法，就能拍出空无一人的景点。也别把思维局限在体育场——商店、景点、公共建筑、街头，任何固定机位的时间合成都有发挥空间。技术早已不是门槛，值得多花的，是观察和创意的时间。","xe":"The method also runs in reverse: subtract the crowd instead of adding it and you get an empty, timeless landmark. And do not fence the idea inside stadiums — shops, attractions, public buildings and street corners all reward a fixed-camera time blend. Technique is no longer the barrier; the real investment is observation and ideas.","b":false},{"t":"quote","x":"1. 时间合成的公式很简单：固定机位＋大量连拍或长视频＋蒙版把人和影子逐个刷进来；2. 三脚架决定上限——对齐越准，刷蒙版越轻松；3. 素材量决定下限：拍五分钟不如拍一小时，阴天可以拍一整天；4. 技术从来不是难点，多观察哪些瞬间值得同框，才是这类作品的灵魂。","xe":"1. The time-blend formula is simple: a locked-off camera, bursts or long video, then paint people and their shadows in through masks; 2. The tripod sets your ceiling — the truer the alignment, the easier the brushing; 3. Volume sets your floor: an hour beats five minutes, and an overcast day can fill a whole day; 4. Technique is never the hard part — noticing which moments deserve to share a frame is the soul of the genre.","b":false},{"t":"h","x":"全部教程列表：","xe":"Full Tutorial List:"},{"t":"h","x":"全部摄影教程目录 (2024.4.16更新)","xe":"Full Photography Tutorial Directory (updated 2024.4.16)"},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1qT42167KH/","b":false,"xe":"https://www.bilibili.com/video/BV1qT42167KH/"},{"t":"h","x":"Pelle Cass作品欣赏","xe":"Appreciating the Work of Pelle Cass"},{"t":"img","f":"img-03","w":1080,"h":1620},{"t":"img","f":"img-04","w":1080,"h":720},{"t":"img","f":"img-05","w":1080,"h":720},{"t":"img","f":"img-06","w":1080,"h":720},{"t":"img","f":"img-07","w":1080,"h":720},{"t":"img","f":"img-08","w":1080,"h":720},{"t":"img","f":"img-09","w":1080,"h":720},{"t":"img","f":"img-10","w":1080,"h":720},{"t":"img","f":"img-11","w":1080,"h":720},{"t":"img","f":"img-12","w":1080,"h":720},{"t":"img","f":"img-13","w":1080,"h":720},{"t":"img","f":"img-14","w":1080,"h":720},{"t":"img","f":"img-15","w":1080,"h":720},{"t":"img","f":"img-16","w":1080,"h":720},{"t":"img","f":"img-17","w":1080,"h":720},{"t":"img","f":"img-18","w":1080,"h":720},{"t":"img","f":"img-19","w":1080,"h":720},{"t":"img","f":"img-20","w":1080,"h":720},{"t":"img","f":"img-21","w":1080,"h":720},{"t":"img","f":"img-22","w":1080,"h":720},{"t":"img","f":"img-23","w":1080,"h":720},{"t":"img","f":"img-24","w":1080,"h":720},{"t":"img","f":"img-25","w":1080,"h":720},{"t":"img","f":"img-26","w":1080,"h":720},{"t":"img","f":"img-27","w":1080,"h":720},{"t":"img","f":"img-28","w":1080,"h":720},{"t":"img","f":"img-29","w":1080,"h":720},{"t":"img","f":"img-30","w":1080,"h":720},{"t":"img","f":"img-31","w":1080,"h":720},{"t":"img","f":"img-32","w":1080,"h":1620},{"t":"img","f":"img-33","w":1080,"h":720},{"t":"img","f":"img-34","w":1080,"h":720},{"t":"img","f":"img-35","w":1080,"h":720},{"t":"img","f":"img-36","w":1080,"h":720},{"t":"img","f":"img-37","w":1080,"h":1620},{"t":"img","f":"img-38","w":1080,"h":720},{"t":"img","f":"img-39","w":1080,"h":720},{"t":"img","f":"img-40","w":1080,"h":1620},{"t":"img","f":"img-41","w":1080,"h":720},{"t":"img","f":"img-42","w":1080,"h":720},{"t":"img","f":"img-43","w":1080,"h":720},{"t":"img","f":"img-44","w":1080,"h":1620},{"t":"img","f":"img-45","w":1080,"h":720},{"t":"img","f":"img-46","w":1080,"h":720},{"t":"img","f":"img-47","w":1080,"h":720},{"t":"img","f":"img-48","w":1080,"h":720},{"t":"h","x":"Geoff Lowe作品欣赏","xe":"Appreciating the Work of Geoff Lowe"},{"t":"img","f":"img-49","w":1080,"h":1350},{"t":"img","f":"img-50","w":1080,"h":1346},{"t":"img","f":"img-51","w":1080,"h":1350},{"t":"img","f":"img-52","w":1080,"h":1350},{"t":"img","f":"img-53","w":1080,"h":1350},{"t":"img","f":"img-54","w":1080,"h":1346},{"t":"img","f":"img-55","w":1080,"h":1350},{"t":"img","f":"img-56","w":1080,"h":864},{"t":"img","f":"img-57","w":1080,"h":1350},{"t":"img","f":"img-58","w":1080,"h":719},{"t":"img","f":"img-59","w":1080,"h":1350},{"t":"img","f":"img-60","w":1080,"h":608},{"t":"img","f":"img-61","w":1080,"h":720},{"t":"img","f":"img-62","w":1080,"h":1349},{"t":"img","f":"img-63","w":1080,"h":1350},{"t":"img","f":"img-64","w":1080,"h":752},{"t":"img","f":"img-65","w":1080,"h":1350},{"t":"img","f":"img-66","w":1080,"h":864}],"titleEn":"The Viral Paris Olympics Photos! How to Shoot and Edit Photography in the Style of Geoff Lowe?"}