{"slug":"guizhou-drone-telephoto","title":"从空中拍到不一样的贵州！无人机长焦构图教程~","author":"Thomas看看世界","date":"2023-04-30","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247497399&idx=2&sn=56970a4346e88bf5e1c0138fde3563cb&chksm=eb8208d3dcf581c582ede21648165b82b750e0c8c2cd0fcc94de2774d1c18d5f7c9219d14a52&scene=21#wechat_redirect","blocks":[{"t":"p","x":"无人机长焦如何拍出风光大片？","b":false,"xe":"How do you shoot grand landscape photos with a drone telephoto lens?"},{"t":"p","x":"今天的摄影教程中，Thomas会带大家前往贵州兴义，一起在现场看看如何在空中利用长焦构图，在热门景点拍出不一样的风光大片！","b":false,"xe":"In today's tutorial, Thomas takes you to Xingyi, Guizhou, to show on location how to compose with a telephoto from the air and create distinctive landscape shots at popular spots!"},{"t":"img","f":"img-01","w":1080,"h":1619},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1Ya4y1V7b7","bpic":"bili-1","bt":"我在贵州拍出了中国山水画！大疆御3Pro长焦构图现场教学～"},{"t":"p","x":"这一篇是上面视频的图文整理。Thomas 这次把御 3 Pro 无人机带到了贵州兴义，在连绵的喀斯特峰林上空，实地演示如何用无人机的长焦构图——7 倍的强烈压缩、3 倍的宏大层叠、吉隆堡的实战机位，以及「给远山找一个前景」的长焦意识。文章按视频顺序整理成五个章节，配上遥控器屏幕截图与成片关键帧，地面与空中的视角可以对照着看。","xe":"This is the illustrated companion to the video above. Thomas brought the Mavic 3 Pro to Xingyi, Guizhou, and demonstrated over rolling karst peaks how to compose with a drone's telephoto: the fierce 7x compression, the grand 3x layering, an on-location case at Kilong Castle, and the telephoto mindset of \"finding a foreground for distant mountains.\" The article arranges it all into five chapters, pairing remote-controller screenshots with final frames so ground and aerial views can be read side by side."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 三档长焦：压缩感是第一武器","xe":"01 Three Telephoto Steps: Compression First"},{"t":"p","x":"7 倍长焦下，远近的景物被强烈地压缩在一起。此时无论无人机怎样前进——比如由下往上环绕上升——远处的山峰都会显得特别大，「远景扑面而来」的震撼感就出来了；继续跟拍人物时，长焦还会放大前景的移动，画面张力非常明显（视频 0:46 处）。","xe":"At 7x, near and far are pressed hard together. However the drone advances — spiraling upward from low to high, say — the distant peaks loom especially large, and that \"mountains rushing at you\" impact takes over. Tracking a person at this focal length also amplifies foreground motion, adding obvious tension to the frame (at 0:46 in the video)."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"3 倍长焦则介于 7 倍与 1 倍广角之间：画面既保持宏大，又留住远处山峰的层叠感（视频 1:15 处）。用长焦构图还有一个关键前提——在画面前方找到一个主体，比如刚才演示里 Thomas 自己的人物，又比如这座山顶的寺庙（视频 1:28 处）。","xe":"The 3x setting sits between 7x and the 1x wide angle: the frame stays grand while keeping the stacked layers of distant peaks (at 1:15 in the video). Telephoto composition also has one prerequisite — find a subject in front of the scene, whether that's Thomas himself in the demo, or this temple on a hilltop (at 1:28 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 吉隆堡实战：经典角度与挑剔侧面","xe":"02 Kilong Castle in the Field: Classic and Critical Angles"},{"t":"p","x":"来到兴义吉隆堡，先拍经典角度：只需要把无人机调成 AEB 包围曝光模式，就能记录下城堡灯光的细节，非常震撼（视频 1:41 处）。屏幕截图里可以看到曝光参数与直方图，蓝调时刻的灯光被完整保留。","xe":"At Kilong Castle in Xingyi, start with the classic angle: simply switch the drone to AEB exposure bracketing and it will capture the detail of the castle lights — stunning (at 1:41 in the video). The controller screenshot shows the exposure readouts and histogram; the blue-hour lights are fully preserved."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"经典角度之后，Thomas 继续往前飞、寻找不一样的角度。他提到找角度时都尽量往前飞——远离岸边、朝开阔处飞，这样可以防止意外的发生（视频 1:53 处）。离岸足够远后回头看，就得到一个不一样的视角。","xe":"After the classic shot, Thomas flies onward hunting for different angles. He notes he always flies forward while scouting — away from the shore, toward open space — which prevents accidents (at 1:53 in the video). Far enough from shore, a look back reveals a genuinely different viewpoint."},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"但这个视角有缺点：后面的山峰显得有点杂，而且城堡的侧面不好看（视频 2:05 处）。于是继续换角度，尽量让城堡的侧面、或者斜侧面——一个比较宽的角度——呈现出来，建筑与山体错落有致，画面才立得住。","xe":"But that viewpoint has flaws: the peaks behind feel cluttered, and the castle's side profile is unflattering (at 2:05 in the video). So keep moving: present the castle from its side or a diagonal — a wider reading of the building — so architecture and mountains interlock with rhythm. That's what makes the frame hold up."},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 广角的骗术与三排接片","xe":"03 The Wide-Angle Trick and the Three-Row Panorama"},{"t":"p","x":"广角在此地的短板被屏幕录屏拍得明明白白：近大远小，远处的山峰显得特别小，完全没有威武感（视频 2:23 处）。解决办法不是硬凑——往后退，透视效应减小，远处的山峰就「长大」了；退到位还不够，就该换 3 倍长焦出手。","xe":"The controller recording exposes the wide angle's weakness here: with near things big and far things small, the distant peaks shrink and lose all their majesty (at 2:23 in the video). The fix isn't forcing it — back away, perspective compresses, and the far peaks \"grow.\" And once backing up isn't enough, reach for the 3x telephoto."},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"最终这张接片用了三排的接片方案——上、中、下各一排，每一排都拍了 5 张 AEB 包围曝光，最终拼接在一起，形成一张既宏大、远处山峰又被长焦压缩得非常棒的照片（视频 2:43 处）。竖幅三排结构正好装下近处的城堡与远处的整片峰林。","xe":"The final image is a three-row panorama — top, middle and bottom rows, each row a 5-frame AEB bracket — stitched into one photograph that feels grand while the telephoto compresses the distant peaks beautifully (at 2:43 in the video). The vertical three-row structure exactly fits the castle near and the entire peak forest far."},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 长焦意识：给远山找一个前景","xe":"04 The Telephoto Mindset: A Foreground for Far Mountains"},{"t":"p","x":"航拍有了长焦之后，要经常保持一个意识：去寻找前景，以及远近在长焦视角下的关系（视频 3:01 处）。比如远处有非常多壮观的山峰，近处就找一处小房子、一个村镇，让它们与远山互相呼应，画面立刻显得特别壮观（视频 3:12 处）。","xe":"Once your drone has a telephoto, keep one habit in mind: hunt for a foreground, and for the near-far relationship as the telephoto renders it (at 3:01 in the video). Say countless spectacular peaks stand in the distance — find a small house, a village in the near ground, and let them answer the mountains. The frame turns epic at once (at 3:12 in the video)."},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"同样的思路换个落点：3 倍长焦之下，一片非常干净的房屋，周边都是田地，远处是壮观的山峰（视频 3:30 处）。旁边还有更大的村镇，就再往后推一点，把前景和背景都取进来，整个画面形成一种「天人合一」的奇妙感觉（视频 3:40 处）。","xe":"The same idea, another landing spot: at 3x, a patch of very clean houses ringed by fields, with spectacular peaks behind (at 3:30 in the video). A larger village sits nearby, so pull back a little more and take in foreground and background together — the whole frame settles into a wondrous \"heaven-and-earth-in-one\" feeling (at 3:40 in the video)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"05 从一倍到七倍：空中的山水画","xe":"05 From 1x to 7x: Landscape Painting in the Air"},{"t":"p","x":"一倍镜头下画面比较广、比较平（视频 4:02 处）；调成 3 倍之后，整个远景立刻压缩在一起，扑面而来的层次感就出来了。对中国贵州、桂林这一类峰林地貌，无人机长焦非常好用，能拍到许多前人没有达到过的构图（视频 4:14 处）。","xe":"At 1x the view is broad and somewhat flat (at 4:02 in the video); switch to 3x and the whole distance compresses at once, layers rushing forward. For China's peak-forest terrain — Guizhou, Guilin and the like — a drone telephoto is extraordinarily effective, unlocking compositions no one has reached before (at 4:14 in the video)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"再往上是 7 倍：远处正好有一座天线塔，就把它作为核心主体；或者两座山峰显得格外高耸，就把它们放到画面中央作为主体拍摄（视频 4:30 处）。7 倍长焦的加持下，这种中国山水画的意境真的非常绝（视频 4:47 处）。","xe":"Then go to 7x: a distant antenna tower becomes the core subject; or when two peaks rise with special grandeur, place them dead center as the motif (at 4:30 in the video). Under the 7x telephoto's spell, the mood of a Chinese landscape painting emerges — truly exquisite (at 4:47 in the video)."},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 无人机长焦分三档用：7 倍求强烈压缩与「远景扑面而来」，3 倍兼顾宏大与层叠，长焦构图先在画面前方找一个主体；2. 经典机位用 AEB 包围曝光保住灯光细节，然后继续飞行换角度，让建筑以侧面或斜侧面的宽角度错落呈现；3. 广角近大远小会「吃掉」远山，后退减小透视、再换长焦，三排接片每排 5 张 AEB 即可兼得宏大与压缩；4. 带着长焦意识航拍：给壮观的远山配一处村镇前景，1 倍到 7 倍之间藏着中国山水画的空中意境。","xe":"1. Use drone telephoto in three steps: 7x for fierce compression and mountains rushing forward, 3x for grandeur with layering — and always find a subject in front of the scene. 2. Shoot the classic viewpoint with AEB bracketing to preserve the lights, then keep flying for new angles, presenting architecture from a wide side or diagonal reading. 3. Wide angles \"eat\" distant mountains via near-big-far-small perspective — back up to flatten perspective, then switch to telephoto; a three-row panorama with 5 AEB frames per row yields both grandeur and compression. 4. Fly with the telephoto mindset: pair spectacular far mountains with a village foreground — between 1x and 7x lies an aerial vision of Chinese landscape painting."},{"t":"img","f":"img-02","w":756,"h":1890}],"titleEn":"Guizhou from Above: Drone Telephoto Composition Tutorial"}