{"slug":"hasselblad-master-3-traits","title":"如何成为哈苏大师？我总结出大奖摄影师具有的三大共性！","author":"Thomas看看世界","date":"2024-06-30","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247500057&idx=1&sn=b7b0ae7784566a8dc18c20308e30a196&chksm=eb823f7ddcf5b66b05de2f8b2d924782b251af755404874fd39280910d02c95184e0db8868eb&scene=21#wechat_redirect","blocks":[{"t":"p","x":"如何成为哈苏大师？如何获得世界性的摄影大奖？","b":false,"xe":"How do you become a Hasselblad Master? How do you win an international photography award?"},{"t":"p","x":"在今天的教程中，Thomas会和大家一起分析今年哈苏大师赛的6组获奖作品。","b":false,"xe":"In today's tutorial, Thomas will analyze this year's 6 winning sets from the Hasselblad Masters competition."},{"t":"p","x":"尝试总结出大奖摄影师都具有的三大共性！","b":false,"xe":"And try to summarize the three common traits that all award-winning photographers share!"},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1Rx4y147Gg","bpic":"bili-1","bt":"中国摄影师获奖！2024哈苏大师赛给摄影师什么启发？"},{"t":"p","x":"这一篇是上面视频的图文整理。Thomas 本人就是 2024 哈苏大师赛风光组的获奖者，他逐一分析了今年六大类别的获奖作品，总结出大奖摄影师的三大共性：投入时间思考沉淀、找到与众不同的视角、让照片更有意义。今年的全部获奖作品图集见本文下半部分，下面按视频顺序整理这三点启发。","xe":"This is the illustrated companion to the video above. Thomas himself is a 2024 Hasselblad Masters winner in the Landscape category. Reviewing this year's winning series across all six categories, he distills three traits the masters share: investing time in thought and refinement, finding an uncommon point of view, and making photographs that mean something. The full gallery of winners sits below; the three lessons are unpacked here in video order.","b":false},{"t":"p","x":"先看第一条共性：好的照片真的需要投入时间、思考、沉淀和创作（视频 1:10 处要点卡）。","xe":"First trait: good photographs truly demand invested time, thinking, refinement and craft (the key-point card at 1:10 in the video).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 时间的沉淀","xe":"01 The Sediment of Time"},{"t":"p","x":"专业奖项比的是组照而非单张——单张可能靠天时地利人和，组照却考验选题、审美与长期积累。Thomas 的风光组三张作品，来自四十多趟青藏铁路、拉林铁路的行程，将近十万张底片里反复比较、纠结选出：为保持主图统一全部选横构图，既要决定性瞬间和青藏线上的野生动物，也要三张之间形成差异化。摄影师 Stephen Shore 的《美国表象》与《不寻常之地》分别代表快照感与深思熟虑的构图，而他入选的桃花照片恰好把两种气质结合在了一张图里——绿皮火车变成了复兴号动车组，这个项目他从 2020 年一直拍到现在。","xe":"Professional contests judge series, not singles — one frame may ride on luck, but a series tests subject, taste and long accumulation. Thomas's three Landscape entries came from more than forty journeys on the Qinghai-Tibet and Lhasa-Nyingchi railways, nearly one hundred thousand frames distilled through agonizing comparison: all horizontal for consistency, balancing decisive moments and wildlife against differentiation. Stephen Shore's 'American Surfaces' and 'Uncommon Places' embody snapshot versus constructed composition — Thomas's winning peach-blossom frame merges both, with the old green trains now replaced by Fuxing bullet trains, a project he has shot since 2020.","b":false},{"t":"p","x":"建筑组头奖、芬兰摄影师的作品同样如此：她从 2005 年就扎根格陵兰拍摄，至今近 20 年，获奖三张选自拍了五年的 HOME 项目——同一栋房子，她最终投稿了晴天版本而非阴天版本，两相对比非常值得琢磨。屋顶的陡斜面是为了让积雪滑落，木屋、格陵兰犬与晾衣绳展现了建筑与人和动物的连接；三张照片分别从正面、侧面与斜面三个角度，展示格陵兰海边的孤独木屋。","xe":"The Architecture winner, a Finnish photographer, shows the same patience: based in Greenland since 2005 — nearly twenty years — her three winning frames come from HOME, a five-year project. For one house she ultimately submitted the sunny version rather than the gloomy one, a choice worth studying. The steep roof planes shed snow; the cabins, Greenland dogs and clotheslines reveal how architecture binds people and animals; and the trio views the lonely seaside houses from front, side and slope.","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"02 与众不同的视角","xe":"02 An Uncommon Point of View"},{"t":"p","x":"海量照片时代，脱颖而出的核心是结合自己国家的特色与自身经历，找到只属于自己的视角（视频 6:41 处要点卡）。Thomas 的「车窗外的青藏铁路」起因很简单：中国是世界上高铁里程最长的国家，也是唯一把火车开上高原的国家，车窗外的风景独一无二——于是他把车窗作为画框纳入构图，系列化地表达，形成了自己的特色。","xe":"In an ocean of images, standing out means combining your country's character with your own experience to find a view only you hold (the key-point card at 6:41 in the video). 'The Qinghai-Tibet Railway Through the Train Window' began simply: China has the world's longest high-speed network and is the only nation to run trains onto the plateau, so the scenery outside is unlike any other — Thomas made the window itself a frame within the frame, and a series was born.","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"人像组的印尼商业摄影师则是从爱好出发：他自己热爱骑行，于是把各式各样的自行车——健身的、比赛的、载着小商品谋生的小贩车——拍成系列。获奖的三张都经过构思：人物身后有一块幕布，幕布之外又是更广阔的背景，既在现场又如舞台，非常奇妙。这样的题材各国都能本地化：我们没有自行车小贩，却有摩托车、面包车改的流动乡村超市和流动摊贩（视频 7:45 处）。","xe":"The Portrait winner, an Indonesian commercial photographer, started from hobby: a passionate cyclist himself, he built a series around bicycles of every kind — sporting, racing, or vending carts peddled for a living. The three winners are carefully staged: a canvas backdrop stands behind each rider with the wider world beyond, placing them on-location yet on-stage at once, a wonderfully strange feeling. Localize the idea anywhere: no bicycle vendors where you live? Motorbike supermarkets and mobile stalls will do (at 7:45 in the video).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"03 让照片更有意义","xe":"03 Make the Photograph Mean Something"},{"t":"p","x":"第三点：本届评委会主席说，这些照片不只有视觉之美，更有深刻的内涵与人文关怀（视频 9:27 处要点卡）。很多人好奇 Thomas 获奖照片里那些「杂乱的瓶身」——一张二等座小桌板上摆满可乐、橙汁、矿泉水、保温杯和茶的画面，其实是在提问：铁路的建设到底给当地人带来了什么？从前走 318 国道，物资靠火车与空运运进去，价格昂贵；如今基建与经济发展让人们在小小的桌板上有了这么多便宜的选择——选择的权利，正是这组作品的核心表达。","xe":"Third: this year's jury president said the winners hold not just visual beauty but deep meaning and humanistic care (the key-point card at 9:27 in the video). Many asked about the 'cluttered bottles' in Thomas's winning frame — a second-class tray table crowded with cola, orange juice, mineral water, a thermos and tea. It asks a question: what did the railway actually bring to local people? Goods once hauled in via the 318 highway, costly and scarce, are now cheap and plentiful — the right to choose is the series' core statement.","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"其他获奖者同理：建筑组归根到底与人相关；人像组评委没有选择时尚质感的大片，而是把人放回街头环境——更生动。艺术组竞争激烈、大片云集，最终获奖的一组用了合成手法——哈苏大师赛并不限制后期，但会检查 RAW 文件：确认没有使用 AI 绘画、所有照片都出自你自己之手。这位摄影师需要真正拍到熊等野生动物，再把人与自然的共生、对立与互相凝视表现出来。合成也好、直拍也好，最终目的都是呈现现实、呈现我们与时代和自然的关系（视频 11:33 处）。","xe":"The same thread runs elsewhere: architecture is ultimately about people; in portraiture the jury passed over fashion-polished blockbusters for figures returned to the street — livelier. The Art category was fiercely competitive, and its winner used compositing — the Masters do not limit post-processing, but RAW files are checked: no AI generation, and every frame must be your own. That photographer had to genuinely photograph wild animals like bears to stage the symbiosis, opposition and mutual gaze between humans and nature (at 11:33 in the video). Composite or straight, the goal is the same: present reality, our era, and our relationship with nature.","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"quote","x":"1. 组照拼的是长期积累——十万张里选三张的底气，来自四十趟行程与五年时间；2. 视角从脚下长出来：国家的特色、时代的印记、你自己的爱好与经历，就是与他人差异化的根源；3. 评审在寻找有意义的照片——视觉之美之上，还要有内涵与人文关怀；4. 后期不设限，但真实有底线：RAW 会说话，AI 与买来的素材走不远。","xe":"1. Series are won by long accumulation — the confidence to pick three from a hundred thousand comes from forty journeys and five years; 2. Viewpoints grow from where you stand: your country's character, your era, your hobbies and experience are the roots of difference; 3. Juries look for meaningful photographs — beyond visual beauty, depth and humanistic care; 4. Post-processing is unlimited but truth has a floor: RAW files speak, and AI-generated or stock-bought work will not carry you far.","b":false},{"t":"h","x":"全部教程列表：","xe":"Full Tutorial List:"},{"t":"h","x":"全部摄影教程目录 (2024.4.16更新)","xe":"Full Photography Tutorial Directory (updated 2024.4.16)"},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1Rx4y147Gg/","b":false,"xe":"https://www.bilibili.com/video/BV1Rx4y147Gg/"},{"t":"h","x":"2024哈苏大师赛获奖作品","xe":"2024 Hasselblad Masters Winning Work"},{"t":"img","f":"img-02","w":1080,"h":610},{"t":"img","f":"img-03","w":1080,"h":720},{"t":"img","f":"img-04","w":1080,"h":720},{"t":"img","f":"img-05","w":1080,"h":720},{"t":"img","f":"img-06","w":1080,"h":567},{"t":"img","f":"img-07","w":1080,"h":762},{"t":"img","f":"img-08","w":1080,"h":762},{"t":"img","f":"img-09","w":1080,"h":762},{"t":"img","f":"img-10","w":1080,"h":559},{"t":"img","f":"img-11","w":1080,"h":1080},{"t":"img","f":"img-12","w":1080,"h":1080},{"t":"img","f":"img-13","w":1080,"h":1080},{"t":"img","f":"img-14","w":1080,"h":576},{"t":"img","f":"img-15","w":1080,"h":1350},{"t":"img","f":"img-16","w":1080,"h":1351},{"t":"img","f":"img-17","w":1080,"h":1350},{"t":"img","f":"img-18","w":1080,"h":569},{"t":"img","f":"img-19","w":1080,"h":720},{"t":"img","f":"img-20","w":1080,"h":1208},{"t":"img","f":"img-21","w":1080,"h":776},{"t":"img","f":"img-22","w":1080,"h":577},{"t":"img","f":"img-23","w":1080,"h":810},{"t":"img","f":"img-24","w":1080,"h":1080},{"t":"img","f":"img-25","w":1080,"h":1080}],"titleEn":"How to Become a Hasselblad Master? I've Summarized the Three Common Traits of Award-Winning Photographers!"}