{"slug":"hasselblad-masters-2022","title":"哈苏大师赛结果出炉，两位中国摄影师获奖！学习解读来了！","author":"Thomas看看世界","date":"2021-12-12","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247494324&idx=1&sn=55175714547b92ec4385ddc6a7314a02&chksm=eb8214d0dcf59dc6b69ae15e50c8c8e926e8c92692f0ee9e28cbbfb506c9fc7fe5a68ec20139&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"通过摄影比赛，学习获奖摄影师的作品，是一种非常好的摄影学习方式。","b":false,"xe":"Learning from winning photographers' work through photography competitions is an excellent way to study photography."},{"t":"p","x":"在教程《关于摄影比赛，这里有一份最详细的入门指南》中，Thomas就和大家推荐过哈苏大师赛。","b":false,"xe":"In the tutorial \"About Photography Competitions: Here's the Most Detailed Beginner's Guide\", Thomas recommended the Hasselblad Masters competition."},{"t":"p","x":"在今天的视频教程中，Thomas就会和大家一起欣赏学习2021年的哈苏大师赛获奖作品，包括两位中国摄影师的照片。","b":false,"xe":"In today's video tutorial, Thomas will appreciate and learn from the 2021 Hasselblad Masters winning works together with everyone, including the photos of two Chinese photographers."},{"t":"h","x":"视频教程","xe":"Video tutorial"},{"t":"bili","bv":"BV18g411w7Ao","bpic":"bili-1","bt":"哈苏大师赛结果出炉，两位中国摄影师获奖！学习解读来了！"},{"t":"p","x":"这一篇是上面视频的图文整理。2021 哈苏大师赛结果出炉，施红华与王以豪两位中国摄影师分获风光与 Project//21 类别大奖。Thomas 带着大家逐行浏览获奖页面，从这些作品的排列方式里读出了两个关键词——风格与个性，最后还聊了聊后期与真实性的边界。全部获奖作品在本文中均有收录，下面按视频顺序整理解读要点。","xe":"This is the illustrated companion to the video above. The 2021 Hasselblad Masters results are out, with two Chinese photographers — Shi Honghua and Wang Yihao — taking Landscape and Project//21. Thomas reads the winners' page row by row and pulls out two keywords, style and individuality, before closing on the boundary between post-processing and truth. All winning works appear in this article; the commentary follows below.","b":false},{"t":"p","x":"先看一个有意思的规律：从上往下浏览哈苏大师赛官网，每一横排的影调、色彩、构图与题材高度统一，而纵向比较，每一行又像完全不同的摄影师拍的（视频 1:05 处）。这引出第一个关键词——风格。","xe":"First, a striking pattern: scroll down the Masters website and each row is highly unified in tone, color, composition and subject, yet compared vertically every row looks like a different photographer entirely (at 1:05 in the video). Hence the first keyword — style.","b":false},{"t":"img","f":"v01","w":718,"h":480},{"t":"h","x":"01 关键词一：风格","xe":"01 Keyword One: Style"},{"t":"p","x":"风格绝不只是狭义的调色，而是摄影师的长期经历、拍摄对象、拍摄时间与后期手法共同打造的。同一套北极风格的航拍，放到草原上就完全不是那个味道；那组星空下的建筑，如果混进一张正午或日落的作品，就会格格不入——风格与你选择的天气、时间深度绑定（视频 2:33 处）。风格也是进阶的必经之路：照片过剩的时代，没有风格就像山寨手机；形成风格，才等于在摄影圈注册了自己的品牌。","xe":"Style is far more than grading: it is forged from a photographer's long experience, chosen subjects, chosen hours and post-processing together. Fly the same Arctic aerial treatment over grassland and it stops working; slip a midday frame into that starlit architecture series and it clashes — style is bound to your weather and timing (at 2:33 in the video). It is also the rite of passage: in an age of image surplus, stylelessness is a knockoff phone; a formed style registers your brand in the photography world.","b":false},{"t":"h","x":"02 关键词二：个性与独特呈现","xe":"02 Keyword Two: Individuality"},{"t":"p","x":"决赛圈的作品技术上都不会差，评委最终选谁，看的是谁足够与众不同。北极航拍之所以脱颖而出，一是因为去的人少，二是题材与环保议题深度绑定——把小众目的地与当代议题结合，更容易被看见（视频 4:21 处）。建筑组的获奖作品则与星空、自然环境形成了动人互动，展现人与自然的关系。","xe":"Nothing in the finals is technically weak; the jury picks whoever stands apart. The Arctic aerials won partly because few go there, and partly because the subject binds deeply to environmental concerns — pairing a less-visited destination with a contemporary issue makes you visible (at 4:21 in the video). The architecture laureate, meanwhile, lets buildings converse with stars and weather, staging the human-nature relationship.","b":false},{"t":"img","f":"v02","w":718,"h":480},{"t":"p","x":"施红华的黄山组是风格化的教科书：细看每张作品，都遵循中国传统山水的透视——几乎看不到西方风光常见的广角几何透视，所有景物带着压缩感「叠」在画面中；再借前期天气与后期云雾，做出由近到远的层次，连尺幅都遵循国画的形制。对中国画式的风格化呈现，在西方评委眼中极具吸引力（视频 5:19 处）。","xe":"Shi Honghua's Huangshan series is a textbook of stylization: every frame follows Chinese landscape-painting perspective — none of the wide-angle geometry of Western landscapes, everything compressed and stacked in layers, mist graded from near to far, even the aspect ratio echoing a scroll. To Western judges this painterly Chinese idiom is magnetic (at 5:19 in the video).","b":false},{"t":"img","f":"v03","w":718,"h":480},{"t":"img","f":"v04","w":718,"h":480},{"t":"p","x":"青年组王以豪拍的是一座美术馆的内部：除了高超的明度建筑后期光影，更出彩的是地点本身——常见的博物馆照片多是重复元素与对称结构，而这座建筑既有完美的曲线，又有利落的直线与大色块，罕见而吸引人。这也提醒我们：选题本身就是竞争力——拍人要选模特、服装与场景，拍风光更要选地点与议题；去不了北极，就选城市周边有当地特色、有独特性的对象，或者像黄山组那样，用前后期把它做出独特呈现。街头组的获奖作则是另一条路：漂亮的光影加上巧合的决定性瞬间（视频 6:35 与 8:11 处）。","xe":"Project//21 winner Wang Yihao photographed a museum's interior: beyond superb brightness-mask lighting, the location itself is the triumph — most museum shots lean on repetition and symmetry, while this building mixes a flawless curve with crisp lines and bold color blocks, rare and arresting. The lesson: the subject is competitiveness itself — models, wardrobe and sets for people; places and issues for landscapes. No Arctic? Choose characterful nearby subjects, or stylize them through craft, as the Huangshan series did. The street winner took the other road: beautiful light plus coincidental decisive moments (at 6:35 and 8:11 in the video).","b":false},{"t":"img","f":"v05","w":718,"h":480},{"t":"img","f":"v06","w":718,"h":480},{"t":"h","x":"03 风格按项目区分","xe":"03 Style, Project by Project"},{"t":"p","x":"风格与个性需要慢慢积累，但并不意味着所有作品都要一个模子——可以按项目区分：Thomas 的自然风光作品与火车上的作品就是完全不同的两套风格。哈苏大师赛页面上有每位获奖者的名字、社交媒体与个人主页，值得点进去深度学习：北极摄影师 Florian Ledoux 拍遍冰岛、南极与北极的极地风光；德国的 Albrecht Voss 是职业酒店建筑摄影师；施红华的主页里除了水墨风的黑白，还有大量有情绪感的风景创作（视频 9:47 与 10:09 处）。","xe":"Style accumulates slowly, but no rule forces every body of work into one mold — differentiate by project: Thomas's nature landscapes and his train-window series are two distinct styles. The Masters site lists every winner's name, socials and homepage, all worth deep study: Florian Ledoux shoots polar lands from Iceland to Antarctica; Germany's Albrecht Voss is a professional hotel-architecture photographer; and Shi Honghua's homepage pairs ink-style monochromes with moody color landscapes (at 9:47 and 10:09 in the video).","b":false},{"t":"img","f":"v07","w":718,"h":480},{"t":"img","f":"v08","w":718,"h":480},{"t":"h","x":"04 后期的意义与真实","xe":"04 Post-Processing and Truth"},{"t":"p","x":"常有人问「摄影为什么要后期」——因为交通太发达，南极北极、珍稀濒危的动物都有无数人拍过，一张大妈拍得与你一模一样的照片，凭什么称为作品？答案是你注入的想法与呈现。野生动物组的 Alice Zilberberg 用大量后期置换了背景，这还算野生动物作品吗？Thomas 认为算：背景极其干净，动物带着人类肖像般的庄严与神圣，让人感到它们与我们平等、同样是生命——比随手抓拍的一张构图混乱、调色糟糕的珍稀动物照，震撼力反而更强（视频 10:51 处）。","xe":"Why post-process at all, some ask — because everywhere is reachable now, and countless lenses have met the polar bears and endangered species before yours; if anyone can shoot your exact frame, what makes it a work? The answer is the ideas you pour in. Wildlife winner Alice Zilberberg replaces backgrounds wholesale — still wildlife? Thomas says yes: the immaculate backdrops lend the animals the solemn dignity of portraiture, creatures equal to us in the frame — more moving than a random, cluttered, poorly graded snapshot of a rare animal (at 10:51 in the video).","b":false},{"t":"img","f":"v09","w":718,"h":480},{"t":"quote","x":"1. 风格是经历、选题、时间与后期的总和——先找到自己的风格，再谈进阶；2. 个性就是别人给不了的角度：小众目的地加当代议题，或者把 familiar 的题材做出陌生的呈现；3. 深挖获奖者的个人主页，比只看获奖图收获大十倍；4. 后期不改变「真实拍下」的底色，它放大的是你的想法与态度——这正是一件摄影作品的价值所在。","xe":"1. Style is the sum of experience, subject, timing and post — find yours before chasing advancement; 2. Individuality is the angle others cannot offer: a less-visited place plus a contemporary issue, or a familiar subject presented in an unfamiliar way; 3. Digging into a winner's homepage teaches ten times more than the winning frames alone; 4. Post-processing never erases the fact of the capture — it amplifies your ideas and attitude, which is exactly where a photograph's value lives.","b":false},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV18g411w7Ao/","b":false,"xe":"https://www.bilibili.com/video/BV18g411w7Ao/"},{"t":"p","x":"哈苏大师赛2021主页：","b":false,"xe":"Hasselblad Masters 2021 homepage:"},{"t":"p","x":"https://www.hasselblad.com/inspiration/masters/2021/","b":false,"xe":"https://www.hasselblad.com/inspiration/masters/2021/"},{"t":"p","x":"STREET/URBAN","b":false,"xe":"STREET/URBAN"},{"t":"p","x":"NIKOLAY SCHEGOLEV","b":false,"xe":"NIKOLAY SCHEGOLEV"},{"t":"p","x":"RUSSIA","b":false,"xe":"RUSSIA"},{"t":"p","x":"www.eyeshotstreetphotography.com/nikolay-schegolev | @schegolev_n","b":false,"xe":"www.eyeshotstreetphotography.com/nikolay-schegolev | @schegolev_n"},{"t":"img","f":"img-02","w":1080,"h":718},{"t":"img","f":"img-03","w":1080,"h":716},{"t":"img","f":"img-04","w":1080,"h":720},{"t":"p","x":"WILDLIFE","b":false,"xe":"WILDLIFE"},{"t":"p","x":"ALICE ZILBERBERG","b":false,"xe":"ALICE ZILBERBERG"},{"t":"p","x":"ISRAEL","b":false,"xe":"ISRAEL"},{"t":"p","x":"alicezilberberg.com | @alicezilberberg","b":false,"xe":"alicezilberberg.com | @alicezilberberg"},{"t":"img","f":"img-05","w":1080,"h":1267},{"t":"img","f":"img-06","w":1080,"h":1036},{"t":"img","f":"img-07","w":1080,"h":1028},{"t":"p","x":"LANDSCAPE/NATURE","b":false,"xe":"LANDSCAPE/NATURE"},{"t":"p","x":"HONGHUA SHI / 施红华","b":false,"xe":"HONGHUA SHI / Shi Honghua (施红华)"},{"t":"p","x":"CHINA","b":false,"xe":"CHINA"},{"t":"p","x":"xiaoxiaophoto.lofter.com | weibo","b":false,"xe":"xiaoxiaophoto.lofter.com | weibo"},{"t":"p","x":"AERIAL","b":false,"xe":"AERIAL"},{"t":"p","x":"FLORIAN LEDOUX","b":false,"xe":"FLORIAN LEDOUX"},{"t":"p","x":"NORWAY","b":false,"xe":"NORWAY"},{"t":"p","x":"www.florian-ledoux.com | @florian_ledoux_photographer","b":false,"xe":"www.florian-ledoux.com | @florian_ledoux_photographer"},{"t":"img","f":"img-11","w":1080,"h":721},{"t":"img","f":"img-12","w":1080,"h":720},{"t":"img","f":"img-13","w":1080,"h":721},{"t":"p","x":"ARCHITECTURE","b":false,"xe":"ARCHITECTURE"},{"t":"p","x":"ALBRECHT VOSS","b":false,"xe":"ALBRECHT VOSS"},{"t":"p","x":"GERMANY","b":false,"xe":"GERMANY"},{"t":"p","x":"www.albrechtvoss.com | @albrechtvoss","b":false,"xe":"www.albrechtvoss.com | @albrechtvoss"},{"t":"img","f":"img-14","w":1080,"h":1623},{"t":"img","f":"img-15","w":1080,"h":1625},{"t":"img","f":"img-16","w":1080,"h":1621},{"t":"p","x":"PROJECT//21","b":false,"xe":"PROJECT//21"},{"t":"p","x":"YIHAO WANG / 王以豪","b":false,"xe":"YIHAO WANG / Wang Yihao (王以豪)"},{"t":"p","x":"CHINA","b":false,"xe":"CHINA"},{"t":"p","x":"https://weibo.com/u/7391340079","b":false,"xe":"https://weibo.com/u/7391340079"},{"t":"img","f":"img-17","w":1080,"h":1547},{"t":"img","f":"img-18","w":1080,"h":719},{"t":"img","f":"img-19","w":1080,"h":1620},{"t":"h","x":"相关教程：","xe":"Related Tutorials:"},{"t":"p","x":"《如何分析和模仿一位摄影师的前后期风格》","b":false,"xe":"\"How to Analyze and Imitate a Photographer's Pre- and Post-Processing Style\""},{"t":"p","x":"《关于Adobe Camera Raw，你想学习的都在这儿啦！》","b":false,"xe":"\"About Adobe Camera Raw: Everything You Want to Learn Is Here!\""},{"t":"p","x":"《不懂直方图，还谈什么数码摄影》","b":false,"xe":"\"If You Don't Understand the Histogram, How Can You Talk About Digital Photography?\""},{"t":"p","x":"《一篇文章讲明白，摄影后期中的曲线到底怎么用》","b":false,"xe":"\"One Article to Clearly Explain How Curves Really Work in Photo Post-Processing\""},{"t":"p","x":"《这12个Nik Collection滤镜，帮你快速调出漂亮照片》","b":false,"xe":"\"These 12 Nik Collection Filters Help You Quickly Create Beautiful Photos\""},{"t":"p","x":"《怎样调色才好看？我从热门摄影大片中总结出3大规律！》","b":false,"xe":"\"How to Grade Colors Beautifully? 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These Three Points Will Transform Your Photography!\""},{"t":"p","x":"《前后期全揭秘-梦幻风光摄影实战系列课》","b":false,"xe":"\"Full Reveal of Pre- and Post-Processing - Dreamy Landscape Photography Practical Series Course\""},{"t":"p","x":"《风光摄影后期进阶系列课》","b":false,"xe":"\"Advanced Landscape Photography Post-Processing Series Course\""},{"t":"p","x":"《摄影自学经验、审美拓展与思路分析课》","b":false,"xe":"\"Self-Study Experience, Aesthetic Expansion, and Thinking Analysis Course\""},{"t":"img","f":"img-20","w":790,"h":1256},{"t":"img","f":"img-21","w":790,"h":1276}],"titleEn":"Hasselblad Masters Results Are Out, and Two Chinese Photographers Won! Here's the Learning Analysis!"}