{"slug":"hasselblad-masters-2023-finalists","title":"2023哈苏大师赛入围作品鉴赏！专业摄影师们都是怎么拍照的？","author":"Thomas看看世界","date":"2024-05-26","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247499876&idx=1&sn=f348befdc95cd717766b66767bbf5b69&chksm=eb823e00dcf5b71621d987b76d659b85eb67c454dca3968cf291c90fb3a954728321a20bcaba&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在今天的摄影教程中，Thomas会和大家一起赏析2023年哈苏大师赛的入围作品。","b":false,"xe":"In today's photography tutorial, Thomas will appreciate and analyze the finalist works of the 2023 Hasselblad Masters."},{"t":"p","x":"作为一个大量专业摄影师参与的摄影赛事，哈苏大师赛的入围作品也是精彩纷呈，非常值得学习和参考。","b":false,"xe":"As a competition joined by a large number of professional photographers, the Hasselblad Masters finalist works are also wonderfully diverse and well worth studying and referencing."},{"t":"p","x":"其中有一些不同摄影师创作的构图和思路相似的作品，专业评委又是如何评判他们的细微水准差异呢，今天的视频中也有案例分享！","b":false,"xe":"Among them are works by different photographers with similar compositions and ideas. How do professional judges evaluate their subtle differences in skill? Today's video also shares case studies!"},{"t":"img","f":"img-01","w":1080,"h":864},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV13f42197h3","bpic":"bili-1","bt":"2023哈苏大师赛入围作品鉴赏！专业摄影师们都是怎么拍照的？"},{"t":"p","b":false,"x":"这一篇是上面视频的图文整理。这期视频 Thomas 在贵州兴义万峰林的田间录制：哈苏大师赛公布了入围结果，从八万多张投稿中，六个类别各十组、共六十组作品进入决赛。他带大家逐个类别看这六十组入围作品，聊聊哪些值得学习，也顺手给自己的建筑组投稿打了个分。","xe":"This is the illustrated companion to the video above, recorded by Thomas in the fields of Wanfenglin, Xingyi, Guizhou: the Hasselblad Masters has announced its finalists — from more than 80,000 entries, ten sets in each of six categories, sixty sets in all, advanced to the final round. He walks through them category by category, and also grades his own architecture submission."},{"t":"p","b":false,"x":"先看一眼哈苏官网的入围作品页：每个类别十组、每组三张的阵型一字排开。下文按建筑、人像、风光、街道、艺术、青年的顺序，记录每组里最值得琢磨的细节。","xe":"Start with the finalists' page on Hasselblad's site: ten sets per category, three images per set, all in a row. The notes below follow the order of architecture, portrait, landscape, street, fine art and youth, noting the details most worth studying."},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 建筑组：把人放进几何里","xe":"01 Architecture: Placing People Inside Geometry"},{"t":"p","b":false,"x":"建筑组的十组里，托马斯着重分享了四组共同点鲜明的作品：都在建筑中放入了人这个元素，让人与建筑形成互动，视觉效果非常棒——放在普通比赛里都是顶尖水平。但放进哈苏大师赛这样的高水准赛场，四组放在一起看，高下立刻显现（视频 1:26 处）。好的组照讲究整体性：光线效果、明暗分布、人物大小基本统一，又在统一中保留变化；即便场景、颜色、质感差异很大，也守住「景大人小」的基本比例（视频 1:44 处）。","xe":"Of the ten architecture sets, Thomas focuses on four with a shared idea: each places a human inside the architecture, setting up an interaction — visually superb, top-tier in any ordinary contest. But in a field as strong as the Hasselblad Masters, putting the four side by side separates them at once (at 1:26). Strong sets pursue coherence: lighting, tonal distribution and figure scale basically unified, with variation inside that unity; even where scenes, colors and textures differ wildly, the 'small figure, big scene' proportion holds (at 1:44)."},{"t":"img","f":"v02","w":768,"h":480},{"t":"p","b":false,"x":"相对弱的一组，人物全是极小的剪影——它们只承担了增加故事感和体现建筑尺度两个作用，人与建筑没有形成良性互动（视频 2:23 处）。怎么才算良性互动？更好的那几组：人物站位顺着建筑本身的斜线结构；衣服明显经过构思，红黄蓝三色正好与建筑呼应（视频 3:01 处）；一张照片里剪影是负空间，往后是正空间的景物，再接建筑阴影的负空间、建筑本体、最外的背景——正负正负，层次丰富；人物的肤色与建筑同色，黑衣服又与建筑阴影呼应（视频 3:34 处）。","xe":"The weaker set uses tiny silhouettes throughout — the figures only add story and a sense of scale, with no real interaction between person and building (at 2:23). What counts as real interaction? In the better sets, figures stand along the architecture's own diagonal structure; clothes are clearly art-directed, red-yellow-blue echoing the building (at 3:01); within one frame the silhouette is negative space, then positive space of scenery, then the negative of shadow, the building itself, and the background beyond — positive, negative, positive, negative, richly layered; skin tone matches the building while black clothing answers its shadow (at 3:34)."},{"t":"img","f":"v03","w":768,"h":480},{"t":"p","b":false,"x":"托马斯最喜欢的一组走得更远：人物的服装与建筑搭配，动作也和建筑呼应——阳光在建筑上打出光亮与阴影，人就举起帽子，身上同样分成光暗两面；建筑形态像一顶尖帽，旁边又像一顶被压掉的帽子，举起帽子的动作与建筑外表形成隐秘的呼应（视频 4:01 处）。你说这是过度解读？恰恰相反——三张照片里都有这样的设计，就证明摄影师是有意为之。这正是专业比赛比拼组图的原因：单张可能被误读，也可能只是灵光一现；但一套组图里每张都经得起解读，那一定是深思熟虑（视频 4:42 处）。","xe":"Thomas's favorite set goes further: clothing matches the architecture, and gestures answer it — where sunlight splits the building into light and shadow, the figure lifts a hat, splitting themselves the same way; the building's form resembles a pointed hat, its neighbor a crushed one, so the raised hat secretly rhymes with the structure (at 4:01). Over-reading? Quite the opposite — the same design across all three images proves intention. This is why professional contests judge sets: a single frame can be misread or be a happy accident, but if every image in a set sustains interpretation, the thinking was deliberate (at 4:42)."},{"t":"img","f":"v04","w":768,"h":480},{"t":"h","x":"02 人像组：把人拍成光","xe":"02 Portrait: Shooting People as Light"},{"t":"p","b":false,"x":"人像组竞争同样激烈，整体是大片质感，主题也非常多样（视频 7:35 处）。第一组拍非洲土著的面部装饰：人物神态和谐，最惊人的是全部用当地的植物、颜色与花纹来装饰，既新奇独特，又让人感受到人与自然的紧密关系（视频 7:48 处）。第二组是一组特殊人群肖像——唐氏综合症儿童：用肖像摄影的方法拍得非常美丽，同时发掘每个孩子的特长，一位拿过音乐比赛奖牌、一位在球类运动上有天赋、一位擅长体操——把患者当普通人，去发现他们的优点，非常打动人（视频 8:16 处）。","xe":"Portrait is just as competitive, all big-screen polish and remarkably varied themes (at 7:35). The first set shows African tribespeople's facial decoration: harmonious expressions, and astonishingly, adornments made entirely of local plants, colors and patterns — fresh and unique, and a vivid bond between people and nature (at 7:48). The second is a portrait series of children with Down syndrome: shot with full portrait beauty, while uncovering each child's gift — a music medal, talent for ball games, a knack for gymnastics — treating them as ordinary people and finding their strengths, which is deeply moving (at 8:16)."},{"t":"img","f":"v05","w":768,"h":480},{"t":"p","b":false,"x":"还有两组同样精彩：一组拍印尼小贩，把他们的自行车和货品一并拍下，故事感十足，又在人物背后搭了一块幕布，制造出仿佛现场就有舞台的错觉（视频 8:57 处）；另一组表现双胞胎的互相依存，却又各有不同——那种复杂的关系、情绪与整体服装质感的把握都非常到位（视频 9:20 处）。","xe":"Two more sets shine: one photographs Indonesian street vendors with their bicycles and wares, rich with story, a canvas backdrop raised behind them creating the illusion of a stage on the street (at 8:57); the other portrays twins — interdependent yet different, with the tangled relationship, emotions and overall wardrobe texture all masterfully controlled (at 9:20)."},{"t":"img","f":"v06","w":768,"h":480},{"t":"h","x":"03 风光组：火车看中国入围记","xe":"03 Landscape: Seeing China from Trains Makes the Cut"},{"t":"p","b":false,"x":"风光组的十组里，托马斯自己的《火车看中国》系列也入围了，而且他觉得获奖有一定概率——因为这组在十组里会特别脱颖而出，明显和其他照片不一样（视频 9:53 处）。但脱颖而出是双刃剑：评委关注度更高，可如果某位评委觉得细节处理欠妥、或认为它不算传统风光摄影，也会带来隐患（视频 10:02 处）。这组作品的看点在于层次丰富：既有国家地理式的漂亮人文元素，又有决定性瞬间，同时还有新地形摄影关于人与自然关系的思考（视频 10:18 处）。","xe":"In landscape, Thomas's own 'Seeing China from Trains' also made the cut, and he thinks it has a real chance — it stands out among the ten, clearly unlike anything beside it (at 9:53). But standing out cuts both ways: it draws the jury's attention, while any juror who finds the details wanting, or deems it not quite traditional landscape, becomes a risk (at 10:02). The set's appeal is its layers: National Geographic-style human detail, decisive moments, and the new-topographic reflection on our relationship with nature (at 10:18)."},{"t":"img","f":"v07","w":768,"h":480},{"t":"p","b":false,"x":"风光组里最有竞争力的另一组，几乎全是二分法构图：上面是精彩的云层，下面是被人工改造过的地形，对地貌做了非常有意思的改造呈现（视频 10:38 处）。还有一组用洞与镜去表现树的形态，非常像肖像摄影，有古典绘画的艺术感——但劣势是变化不多，像同一个场景、同一天拍的；如果三张能分别是树与浮萍的动感、景区一棵树与动来动去的人流、一棵孤树与流动的云，主题就会延伸，组照在统一的同时含义与视觉变化都会丰富得多（视频 11:14 处）。其余作品视觉都很棒，只是故事性和组图感稍欠（视频 11:59 处）。","xe":"The strongest rival set is built on near-dichotomous compositions: brilliant cloudscapes above, human-altered terrain below, a fascinating reworking of the land (at 10:38). Another uses holes and mirrors to portray trees like portrait sitters with a classical-painting air — but varies too little, looking shot in one place on one day; had the three frames been tree and duckweed motion, a park tree with passing crowds, a lone tree against moving clouds, the theme would extend, unified yet far richer in meaning and vision (at 11:14). The rest are visually superb, a touch short on story and set-making (at 11:59)."},{"t":"img","f":"v08","w":768,"h":480},{"t":"img","f":"v09","w":768,"h":480},{"t":"h","x":"04 街道与艺术：氛围的较量","xe":"04 Street and Fine Art: A Contest of Atmosphere"},{"t":"p","b":false,"x":"街道类有不少精彩作品。有一组色彩可圈可点，但场景与人物的选择稍显随意（视频 12:10 处）；托马斯更喜欢的是用复杂车窗形成多重空间结构的那组——玻璃内外的人物既错位又互相连接（视频 12:21 处）。另一组则带来安逸、舒适、宁静的气息，每张的几何结构、取景、透视、人物动态和光影都经过精心选择，功力可见（视频 12:35 处）。","xe":"Street holds many fine sets. One has admirable color but its scenes and figures feel slightly arbitrary (at 12:10); Thomas prefers the set that turns layered car windows into a complex spatial structure, the people inside and outside the glass displaced yet connected (at 12:21). Another radiates ease, comfort and calm — geometry, framing, perspective, gesture and light all carefully chosen, craftsmanship evident (at 12:35)."},{"t":"img","f":"v10","w":768,"h":480},{"t":"p","b":false,"x":"艺术组值得关注的大片：一组电影感十足，孤独的氛围拉满（视频 13:00 处）；一组探讨人的追求，三部曲分别是匆匆经过、找到目标与信仰、再到放飞自然的状态（视频 13:07 处）；还有三组很像 Gregory Crewdson 的风格，人物摆拍加上电影级灯光——有人与自然的好奇，有仿佛被禁锢的压抑，也有人和动物在看台前踢足球般的冲突感（视频 13:22 处）。托马斯最喜欢的一组最有意思：把晾晒的衣服拍出动物的形态——考拉、独角兽、狐狸，而且分别处在雪山、大海与森林的环境中，创意十足（视频 13:51 处）。","xe":"Fine art rewards attention: one set is pure cinema, drenched in loneliness (at 13:00); one ponders human pursuit in three acts — hurrying past, finding a goal or faith, then a state of unfettered freedom (at 13:07); three sets channel Gregory Crewdson, staged figures under film-set lighting — curiosity between people and nature, the oppression of confinement, even a human-and-animal soccer match in front of bleachers, conflict rendered playful (at 13:22). Thomas's favorite is the wittiest: laundry hung out to dry that takes animal shapes — a koala, a unicorn, a fox — each against snow mountains, sea and forest (at 13:51)."},{"t":"img","f":"v11","w":768,"h":480},{"t":"img","f":"v12","w":768,"h":480},{"t":"h","x":"05 青年组与你的那一票","xe":"05 The Youth Category, and Your Vote"},{"t":"p","b":false,"x":"青年项目组里他最喜欢中间那组「错位」：人物的头仿佛缺失了，又被别的东西补偿——第一张的头被云取代，自由而灵动；第二张被五彩气球取代，满是亲情的温暖与快乐；第三张广告牌人物的头发被真实的树枝树冠取代，人与自然的界限被轻轻抹掉（视频 14:17 处）。本届评委阵容相当重磅：马格南、国家地理、Foam、哈苏基金会、美术学院、Getty 图片社都有坐镇，共八位专业评委——而第九席，就是在座的各位：公众投票最终会折算成一票（视频 15:03 处）。","xe":"In the youth project category his favorite is the middle set of displacements: each figure's head seems missing, replaced by something else — a cloud in the first frame, free and weightless; colorful balloons in the second, warm with family joy; in the third, a billboard figure's hair swapped for real branches and canopy, the line between person and nature gently erased (at 14:17). This year's jury is heavyweight — Magnum, National Geographic, Foam, the Hasselblad Foundation, an art academy, and Getty Images among eight professional voters — and the ninth seat belongs to the audience: public voting counts as one vote (at 15:03)."},{"t":"img","f":"v13","w":768,"h":480},{"t":"img","f":"v14","w":768,"h":480},{"t":"p","b":false,"x":"所以不妨去哈苏官网的哈苏大师赛 2023 页面投出自己的一票，像评委一样给每组作品打分，表达自己的观点与态度。更重要的是，通过这些照片的互相比较——比如建筑组同样有人的四组，差别在哪里——这种观察对摄影学习的帮助是实打实的（视频 15:31 处）。","xe":"So visit the Hasselblad Masters 2023 page and cast your own vote, scoring each set like a juror and voicing your attitude. More importantly, compare: the four architecture sets all contain people, yet differ in telling ways — and that kind of side-by-side observation is what genuinely moves your photography forward (at 15:31)."},{"t":"quote","x":"1. 组图比单张更有说服力：同一设计在三张里重复出现，才能证明摄影师是有意为之；2. 人与建筑要良性互动：站位顺结构、服装有构思、动作相呼应，只当比例尺的剪影是不够的；3. 脱颖而出是双刃剑：个性带来关注，也带来「不像传统」的争议，看点丰富才是底气；4. 学习的最佳方式是比较：同题作品放在一起读，高下与差异一目了然。","xe":"1. Sets persuade more than single frames: a design repeated across three images proves intention; 2. People and buildings should truly interact — position follows structure, wardrobe is art-directed, gestures answer forms; silhouettes as mere scale bars fall short; 3. Standing out is double-edged: individuality draws attention and 'not traditional' criticism alike — rich layers of interest are your insurance; 4. The best way to learn is comparison: read same-theme works side by side and the differences in quality reveal themselves."},{"t":"h","x":"哈苏大师赛入围作品网址：","xe":"Hasselblad Masters finalist works website:"},{"t":"p","x":"https://www.hasselblad.com/zh-cn/inspiration/masters/2023/","b":false,"xe":"https://www.hasselblad.com/zh-cn/inspiration/masters/2023/"},{"t":"h","x":"全部教程列表：","xe":"Full Tutorial List:"},{"t":"h","x":"全部摄影教程目录 (2024.4.16更新)","xe":"Full Photography Tutorial Directory (updated 2024.4.16)"},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV13f42197h3/","b":false,"xe":"https://www.bilibili.com/video/BV13f42197h3/"}],"titleEn":"Appreciating the 2023 Hasselblad Masters Finalists! How Do Professional Photographers Shoot?"}