{"slug":"hasselblad-xcd25v-greenland","title":"在格陵兰拍到了绝美极光与蓝调 | 哈苏 XCD 25V镜头实测","author":"Thomas看看世界","date":"2024-05-07","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247499775&idx=1&sn=eb7da421c0e8fd3fd9e992f63ca068a8&chksm=eb82019bdcf5888db5e686980f6352747af2cd3bdafdabbd901ce8952d5496a7a159cfbc9472&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在今天的摄影分享中，Thomas会和大家分享广角大光圈镜头在城市夜景、星空极光、建筑室内、日落逆光等环境下的拍摄技巧，比如夜景条件下如何对焦？","b":false,"xe":"In today's photography sharing, Thomas talks about shooting techniques for a wide-angle large-aperture lens in scenarios like city night scenes, starry skies and auroras, architecture interiors, and backlit sunsets — for example, how to focus in night conditions?"},{"t":"p","x":"Thomas也会在格陵兰岛进行实战，给大家带来哈苏最新款XCD 25V镜头，搭配哈苏X2D相机的使用体验。","b":false,"xe":"Thomas also does field testing in Greenland, bringing you hands-on experience with Hasselblad's latest XCD 25V lens paired with the X2D camera."},{"t":"img","f":"img-01","w":1080,"h":810},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1ht421F7yr","bpic":"bili-1","bt":"在格陵兰拍到了绝美的极光与蓝调 | 哈苏 XCD 25V镜头实测"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 把这期 11 分钟的格陵兰实战 Vlog 拆成了文字，并配上视频关键帧截图——从中画幅 25mm 的定位，到最北村庄 Siorapaluk 的蓝调小屋、塔西拉克的极光之夜，再到夜景对焦、建筑与星芒的日常表现。适合先看图建立框架，再回到视频里感受现场。","xe":"This is the fully illustrated companion to the video above. Thomas turned the 11-minute Greenland field vlog into text and paired it with keyframe screenshots — from where a medium-format 25mm fits, to the blue-hour cabins of Siorapaluk, the northernmost village, the aurora night in Tasiilaq, and the lens's everyday behaviour for night focusing, architecture and sunstars. Skim it here for the framework, then go back to the video for the atmosphere.","b":false},{"t":"p","x":"先看一张成片。下面这张截自视频 7:37 处，是哈苏 X2D 搭配 XCD 25V 在塔西拉克拍到的极光——整期视频想说的四件事都在里面：广角大光圈的弱光能力、蓝调与极光的曝光策略、机位与构图的取舍，以及这支镜头在夜里到底能不能扛住。下文逐一展开。","xe":"Start with a finished frame. Captured at 7:37 in the video, this is the aurora over Tasiilaq shot with the Hasselblad X2D and XCD 25V — and it holds the four threads of the whole episode: the low-light reach of a fast wide-angle, exposure strategy for blue hour and aurora, choosing a vantage point and composition, and whether this lens really holds up at night. Each is unpacked below.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 器材与焦段：中画幅 25mm 为什么值得带去北极","xe":"01 Gear and Focal Length: Why a Medium-Format 25mm Earned a Trip to the Arctic"},{"t":"p","x":"这次格陵兰的大部分照片，只用了两台器材：左手的大疆 Mavic 3 Pro 无人机，右手的哈苏 X2D 配 XCD 25V 镜头（视频 1:22 处）。经常有人问 Thomas，作为一名追求画质的职业风光摄影师，为什么很少用中画幅？答案是镜头群——相对全画幅，中画幅在风光摄影师最看重的长焦和广角两端覆盖一直不算多。","xe":"Most of the Greenland photos came from just two tools: a DJI Mavic 3 Pro drone in the left hand and a Hasselblad X2D with the XCD 25V in the right (at 1:22 in the video). People often ask Thomas why a professional landscape photographer obsessed with image quality rarely shoots medium format. The answer is the lens lineup — compared with full frame, medium format has long been thin at the two ends landscape shooters care about most: telephoto and wide-angle.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"而这支中画幅 25mm，等效全画幅 20mm 的常用广角焦段，最重要的是它有 F2.5 的大光圈。正是这样的大光圈，才能保证在城市夜景、弱光人像、弱光街拍与人文，以及风光摄影师最爱的夜景星空、银河、极光这些弱光环境下，拍出高画质、高解析力的照片（视频 2:00 处）。接下来 Thomas 就按场景拆解这支镜头在格陵兰的用法。","xe":"This medium-format 25mm covers the familiar 20mm full-frame-equivalent wide angle, and crucially it opens to f/2.5. That fast aperture is what makes high-quality, high-resolution results possible in low light — city nights, dim portraits, low-light street and documentary work, and the landscape shooter's favourites: night skies, the Milky Way and the aurora (at 2:00 in the video). Below, Thomas walks through how he used it in Greenland, scene by scene.","b":false},{"t":"h","x":"02 蓝调小屋：格陵兰最北村庄的清晨","xe":"02 Blue-Hour Cabins: Dawn in Greenland's Northernmost Village"},{"t":"p","x":"第一组是城市夜景与夜景人文照片，全部拍摄于格陵兰岛最北的小村庄 Siorapaluk。到达这里极其费力：要在零下 30 度的户外坐 10 个小时的狗拉雪橇，Thomas 穿了连体羽绒服再套上好几件，仍然冷得受不了（视频 2:53 处）。村里不是旅游城镇，没有酒店，两人就在当地猎人的小屋里打地铺——Thomas 睡厨房，朋友睡客厅。第二天一早，蓝调时刻就出门拍摄。","xe":"The first set is city-night and night-documentary work, all shot in Siorapaluk, the northernmost village in Greenland. Getting there is brutal: ten hours by dog sled in minus 30 degrees, and even in a down onesie with several layers on top Thomas was freezing (at 2:53 in the video). It is not a tourist town, so there are no hotels — the two of them slept on the floor of a local hunter's house, Thomas in the kitchen and his friend in the living room. Next morning they were out shooting at the blue hour.","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"在村里转了一圈，Thomas 找到一个很好的角度：几栋房子后面正好是山峰，随着蓝调时刻慢慢亮起来就可以开拍（视频 4:07 处）。最后最好看的还是他们借住的那栋蓝色小房子——后面山峰的形状和蓝房子的形状形成了组合呼应，前面有一盏路灯，屋里所有的灯都亮着，画面非常温暖。","xe":"After a loop around the village, Thomas found a strong angle: a cluster of houses with a mountain peak directly behind them, ready to shoot as the blue hour slowly brightened (at 4:07 in the video). The best subject turned out to be the blue house they had slept in — the shape of the peak behind echoes the shape of the house, a street lamp stands in front, and every light inside was on, making the scene wonderfully warm.","b":false},{"t":"p","x":"曝光上，蓝调时刻其实很安静，但试拍发现：即便压到 -0.3 档曝光补偿直接拍一张，门口两盏灯这类高光仍然稍稍过曝。于是 Thomas 把曝光补偿设成 -2 档，再开三张、两档间隔的包围曝光——也就是 -4、-2、0 三张（视频 4:37 处），这样高光就完全保住了。","xe":"On exposure, the blue hour is a quiet, gentle light, but test frames showed that even a single shot at -0.3 EV still clipped the highlights — the two lamps by the door. So Thomas set the exposure compensation to -2 EV and added a three-frame bracket at two-stop intervals, giving -4, -2 and 0 (at 4:37 in the video); that locked down the highlights completely.","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"这时他把光圈开到 F2.5、ISO 提到 800（视频 5:17 处）——因为旁边有只狗一直动来动去，而狗、偶尔经过的路人，正是格陵兰当地生活人文里非常重要的部分，Thomas 想把它们也收进这张照片里。大光圈配合高 ISO，才能抓拍下人和狗的动感。","xe":"Here he opened the lens to f/2.5 and raised ISO to 800 (at 5:17 in the video) — a dog kept moving around nearby, and dogs and the occasional passer-by are exactly the human element that defines daily life in Greenland, so Thomas wanted them in the frame too. The fast aperture paired with a high ISO is what lets you catch the motion of people and dogs.","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"03 极光之夜：塔西拉克的机位与曝光","xe":"03 Aurora Night: Vantage Point and Exposure in Tasiilaq"},{"t":"p","x":"冬天到了北极，极光当然是这次拍摄的重点项目。Thomas 在首都努克和东部的塔西拉克都拍了极光，视频里以塔西拉克这一晚为例：那几天有非常强的地磁风暴，预报 10 点开始，9 点 50 分他就到了预设机位——这个位置是白天用无人机搜索附近山头找出来的（视频 6:22 处）。","xe":"Going to the Arctic in winter, the aurora was naturally the headline project. Thomas photographed it both in the capital Nuuk and in Tasiilaq on the east coast, and the video follows one night in Tasiilaq: a very strong geomagnetic storm was forecast to begin at 10 pm, and by 9:50 he was already at a pre-chosen spot — a vantage point scouted in daylight by flying the drone over the nearby hilltops (at 6:22 in the video).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"这个机位好在哪里：身后能看到整个小镇的全景，最前面有一段蜿蜒道路的拐弯，更远处还有雪山；而地景占的比例并不多，大概三分之一到四分之一，留出大量天空给极光和星空（视频 6:28 处）。10 点刚过，极光真的来了——左边一道、右边一道，中间那道正好落在最高的山峰上。","xe":"Why this spot works: the whole town spreads out as a panorama below, a winding bend of road sits in the immediate foreground, and snow mountains rise further back; the land takes only about a quarter to a third of the frame, leaving plenty of sky for aurora and stars (at 6:28 in the video). Just after ten the aurora arrived — one band on the left, one on the right, and the middle one landing right on the highest peak.","b":false},{"t":"p","x":"参数上，因为地面有城市灯光，正常曝光一张仍然会过曝，Thomas 用 X2D 加 25V 设置了三张、三档间隔的包围曝光（视频 7:17 处）；对焦则直接用 25V 的自动对焦，对到远处的城市建筑上，光圈开到最大（视频 7:44 处）。相机屏幕里极光已经非常明显，连华为手机拍的视频里都清清楚楚。","xe":"For settings, the town lights on the ground would still clip in a single normal exposure, so Thomas ran a three-frame bracket at three-stop intervals on the X2D with the 25V (at 7:17 in the video); for focus he simply used the 25V's autofocus on the distant town buildings, wide open (at 7:44 in the video). The aurora was already vivid on the camera's screen — clear even in the video shot on a Huawei phone.","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"随后他们又爬到了教堂后面的山上——前景正好是教堂的屋顶，果然效果非常绝：极光形成了一个巨大的弧线，相机根本拍不过来。换个角度，极光好像是从房子的烟囱里冒出来的一样（视频 8:43 处）。","xe":"They then climbed the hill behind the church — with the church roof as the foreground it turned out spectacular: the aurora formed a huge arc and the camera could barely keep up. From another angle, the aurora looked as if it were pouring out of a house chimney (at 8:43 in the video).","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"04 夜景对焦、建筑与星芒：镜头的日常表现","xe":"04 Night Focus, Architecture and Sunstars: How the Lens Behaves Day to Day"},{"t":"p","x":"夜景对焦怎么办？Thomas 分两种情况：有月光、或者城市灯光很亮，可以直接用自动对焦对准远处的灯光，完全没问题；光线非常暗，就建议手动对焦。这支 25mm 搭配 X2D 还有一个非常好用的功能——可以一键把对焦设到无穷远，夜景拍摄时特别实用（视频 8:49 处）。","xe":"What about focusing at night? Thomas splits it into two cases: with moonlight or bright city lights, just autofocus on a distant light and it works fine; when it is truly dark, switch to manual focus. This 25mm on the X2D also has one very handy feature — a one-touch jump to infinity focus, which is especially useful for night work (at 8:49 in the video).","b":false},{"t":"p","x":"除了银河、极光和城市夜景，白天 Thomas 发现这支等效 20mm 的镜头特别适合拍建筑，室内室外都行：广角能取到很宽的环境，解析力又非常高，搭配 X2D 的一亿像素，建筑的每一个细节都分毫毕现（视频 9:25 处）。这次他拍了很多室内照片，特别是透过室内的窗户拍室外的雪山或小房子，非常有意思。","xe":"Beyond the Milky Way, aurora and city nights, Thomas found in daylight that this 20mm-equivalent is excellent for architecture, indoors and out: the wide angle takes in a generous environment, and the resolving power is so high that with the X2D's 100 megapixels every detail of a building is rendered crisply (at 9:25 in the video). He shot many interiors on this trip, especially framing snow mountains or small houses through a window — a lot of fun.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"他也试了风光摄影师常用广角的其他场景，比如日出日落，画质完全没有问题；逆光时经常遇到的眩光和鬼影，这支镜头也处理得很好。还有一个加分项：直接对着太阳、月亮或路灯拍，把光圈稍微收小一点（F 值调大），星芒非常好看（视频 10:16 处）。","xe":"He also tried the other situations where landscape shooters reach for a wide-angle, such as sunrise and sunset, and image quality was never an issue; the flare and ghosting that so often plague backlit scenes are well controlled too. One more bonus: point it straight at the sun, the moon or a street lamp, stop down slightly (a higher f-number), and the sunstars are gorgeous (at 10:16 in the video).","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"quote","x":"1. 中画幅 XCD 25V 等效全画幅 20mm、F2.5 大光圈，补上了风光摄影师最需要的弱光广角；2. 蓝调小屋：单张 -0.3 档仍会过曝门灯，改用 -2 档补偿加三张两档包围（-4/-2/0），F2.5 配 ISO 800 抓拍人和狗；3. 极光：白天用无人机搜山头选机位，地景只占 1/4-1/3，三张三档包围保住城市灯光，自动对焦对远处建筑；4. 夜景对焦看光线——亮就自动对灯光，暗就手动或一键无穷远；白天拍建筑靠一亿像素解析力，收小光圈还有漂亮星芒。","xe":"1. The medium-format XCD 25V (20mm full-frame equivalent, f/2.5) fills the fast wide-angle gap landscape shooters need most; 2. Blue-hour cabins: a single frame at -0.3 EV still clipped the door lamps, so switch to -2 EV compensation plus a three-frame two-stop bracket (-4/-2/0), and use f/2.5 with ISO 800 to catch people and dogs; 3. Aurora: scout the hilltops by drone in daylight, keep the land to a quarter or a third of the frame, protect the town lights with a three-frame three-stop bracket, and autofocus on distant buildings; 4. Night focus depends on the light — autofocus on lights when bright, manual or one-touch infinity when dark; in daylight the 100-megapixel resolving power suits architecture, and stopping down rewards you with beautiful sunstars."}],"titleEn":"Stunning Aurora and Blue Hour in Greenland: Hasselblad XCD 25V Field Test"}