{"slug":"iceland-highlands-mavic3","title":"飞坏一台御3Pro，我拍到了外星般的冰岛内陆高地！","author":"Thomas看看世界","date":"2023-09-03","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247498041&idx=4&sn=2ed882b00f3cb25bed7c9d262c3fdbc9&chksm=eb82075ddcf58e4be7b6a0ba0615903041964299d5b32e61cf74a7c68aa6890aa6d9456f8924&scene=21#wechat_redirect","blocks":[{"t":"p","x":"飞坏一台御3Pro，我拍到了魔幻的冰岛内陆高地！","b":false,"xe":"I crashed a Mavic 3 Pro — and captured the magical highlands of inland Iceland!"},{"t":"p","x":"在今天的摄影教程中，我会和大家分享冰岛内陆高地的壮阔风景，以及我前期构图和后期调色的一些思路技巧。","b":false,"xe":"In today's photography tutorial, I'll share the magnificent scenery of Iceland's interior highlands, along with my ideas and techniques for composition and color grading."},{"t":"p","x":"当然，我也会分享我在雨中飞行炸机后总结的经验教训。。。","b":false,"xe":"And of course, I'll share the lessons learned from crashing my drone while flying in the rain..."},{"t":"img","f":"img-01","w":1080,"h":1439},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1dr4y1R73v","bpic":"bili-1","bt":"飞坏一台御3Pro，我拍到了外星般的冰岛内陆高地！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 在北欧自驾途中深入冰岛内陆高地，冒雨放飞御 3 Pro 拍下这张「外星世界」般的河流大片，并完整分享了前期构图与后期调色的全过程——也付出了损失一台无人机的代价。下面按场景构图、雨中飞行教训、ACR 调色、PS 精修四部分展开，关键时刻标注了视频时间点。","xe":"This is the full illustrated write-up of the video above. While road-tripping through Northern Europe, Thomas flew his Mavic 3 Pro in the rain over Iceland's interior highlands and captured this otherworldly river image. The article walks through the whole process — composition, hard lessons about flying in rain, color grading in ACR, and fine-tuning in Photoshop — with video timestamps noted at key moments."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 外星世界般的内陆高地","xe":"01 The Alien-like Interior Highlands"},{"t":"p","x":"这次的目的地是冰岛内陆高地。这里的火山地貌无比丰富，高山与河流壮观得令人叹为观止。要打开这片「不像地球」的新世界大门，需要越野车全程走完非铺装路面，再结合大量徒步，才能真正站在群山之间，领略这片外星世界般的风景（视频 0:24 处）。","xe":"The destination this time is Iceland's interior highlands, where volcanic landforms are incredibly rich and the mountains and rivers are breathtaking. To open the gate to this alien-looking world, you need a 4x4 to cover unpaved roads the whole way, plus a good amount of hiking, before you can finally stand among the mountains and take in the scenery (at 0:24 in the video)."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"无人机就是在这片停车点起飞的——刚刚跨越一条河流之后，Thomas 在车上发现河流与远山层次分明，虽然下着雨还是决定立马停车起飞。画面主体是那座金字塔般的三角形高峰，前景是刚经过的河流与吸饱雨水、闪闪发亮的苔原草地，飞起来之后还意外发现远处藏着一片湖泊，整个场景让人难以置信（视频 1:13 处）。","xe":"The drone took off right from this parking spot. Just after fording a river, Thomas noticed from the car how layered the river and distant mountains were, and decided to stop and launch immediately despite the rain. The main subject is that pyramid-like triangular peak, with the river and glistening, water-soaked moss and grassland in the foreground — and once airborne he discovered a hidden lake in the distance, almost too surreal to believe (at 1:13 in the video)."},{"t":"p","x":"构图很快暴露出两个问题。其一是左右失衡：初始画面明显左重右轻，于是把背景主峰从较高的一座换成较矮的一座，画面重新平衡。其二是河流太细：离得太远时透视效应不明显，解决方法很简单——飞近。随着无人机离河流越来越近，「近大远小」让河流在画面中越来越粗，成为一条很好的引导线（视频 2:08 处）。","xe":"Two composition problems soon surfaced. First, the frame was clearly left-heavy, so the background peak was swapped from a taller one to a shorter one to rebalance the image. Second, the river looked too thin: from far away the perspective effect was weak. The fix was simple — fly closer. As the drone approached, the river grew thicker and thicker thanks to forced perspective, becoming a strong leading line (at 2:08 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 雨中飞行：一次昂贵的教训","xe":"02 Flying in the Rain: A Costly Lesson"},{"t":"p","x":"雨天的拍摄机会稍纵即逝。继续拍了八九分钟之后，一大片雨云涌来，远处的山峰完全隐没在雨雾之中，这次拍摄也就此收场（视频 2:41 处）。","xe":"Shooting opportunities in the rain are fleeting. After another eight or nine minutes of flying, a huge bank of rain clouds rolled in and completely swallowed the distant peaks, ending the shoot (at 2:41 in the video)."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"当时犯了一个严重的错误：想着电量还有 69%，附近的河流道路又实在壮观，干脆跟着车一直飞了差不多 30 分钟，耗完了一整块电池。结果拍摄完一小时后再想打开无人机，它接连报出云台异常、IMU 错误、传动异常等一连串错误代码——主板进水，一台御 3 Pro 就此损失（视频 3:29 处）。","xe":"Then came a serious mistake: with 69% battery left and spectacular rivers and roads all around, he kept following the car for a good 30 minutes until the battery was drained. An hour later, the drone would no longer power on properly, spitting out a chain of error codes — gimbal abnormal, IMU errors, transmission issues. Water had reached the main board, and a Mavic 3 Pro was lost (at 3:29 in the video)."},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"教训一：无人机并不像大家想象的那样防水，中到大雨能不飞就尽量不要飞；实在要飞就快去快回，千万不要像这次一样冒雨持续飞行 30 分钟，那样进水概率会非常大。教训二：雨中飞行降落之后，立即用纸巾擦拭机身上的水滴水珠，特别是顶部的进气口、前部的云台，以及螺旋桨电机附近，这些位置需要重点擦拭（视频 4:00 处）。","xe":"Lesson one: drones are not waterproof the way people imagine. In moderate to heavy rain, don't fly at all if you can help it; if you must, make it quick — never keep flying in the rain for 30 minutes like this, or the odds of water ingress are very high. Lesson two: right after landing, wipe off all water droplets with tissues, paying special attention to the air intake on top, the gimbal at the front, and the areas around the motors (at 4:00 in the video)."},{"t":"p","x":"还有一个反直觉的细节：降落后不要立马关机。无人机开机时会持续散发热量，风扇又不断排气，内部会形成一个正压，反而能有效阻止外部的水珠水汽侵入。条件允许的话，可以把它放到一个挡雨又空旷的空间（比如建筑内部）保持开机，甚至让螺旋桨空转来帮助排水；在车内这样的狭小空间，同样让它保持开机状态，用内部散热系统进一步防止水汽进入（视频 4:29 处）。","xe":"Here's a counterintuitive detail: don't power off immediately after landing. While powered on, the drone keeps radiating heat and its fans keep venting air, creating positive pressure inside that actually helps block outside moisture from getting in. If possible, keep it powered on in a sheltered, open space such as inside a building, and even let the propellers spin (without taking off) to help drain moisture; inside the confined space of a car, the same applies — let the internal cooling system keep working (at 4:29 in the video)."},{"t":"h","x":"03 ACR：降噪与影调打底","xe":"03 ACR: Denoise and Base Grading"},{"t":"p","x":"后期从 ACR（Camera Raw）开始，这张照片大部分调整都能在这里完成。第一步用 AI 降噪做了适当程度的降噪；第二步做裁剪——既然主体是较矮的山峰，就裁掉右侧较高的山峰，不然画面会显得特别奇怪；裁剪后右边还残留的一点点山体，进 PS 后正好利用雾天素材克隆一些雾气过来盖住即可（视频 5:37 处）。","xe":"Post-processing starts in ACR (Camera Raw), where most of the adjustments for this image were made. Step one: apply the AI Denoise at a moderate strength. Step two: crop — since the subject is the shorter peak, the taller mountain on the right is cropped away; otherwise the frame would look very odd. For the small bit of mountain remaining on the right edge, cloning in some fog in Photoshop — easy given the foggy weather — covers it up nicely (at 5:37 in the video)."},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"关键的影调操作有两处。一是提亮阴影、恢复画面细节，同时适当增加对比度；二是曲线：来一个 S 型曲线增加反差的同时，把黑场提上来——原图暗部细节其实很多，但这些并不是想要的细节，反而显得太「脏」。提亮黑场后，暗部对比度降低、呈现出灰色，整张照片没有纯黑的部分，更符合阴天的氛围感（视频 6:18 处）。","xe":"Two key tonal moves here. First, lift the shadows to recover detail while adding some contrast. Second, the curve: an S-curve for contrast, combined with a lifted black point. The raw file has plenty of shadow detail, but it's not the kind of detail he wanted — it just looked muddy. Lifting the blacks lowers contrast in the shadows and turns them gray, so the image has no true black anywhere, which suits the overcast mood much better (at 6:18 in the video)."},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"调色部分：全局饱和度直接减 28；HSL 中把黄绿色往绿色偏移，同时把整张照片蓝色的饱和度大幅降低，让画面统一在一个黄绿色的空间里；颜色分级（Color Grading）则给画面增加了一些青色。这样处理之后，整张照片基本都处在统一的黄绿色调中，阴雨天的「荒原感」就出来了（视频 6:48 处）。","xe":"For color: global saturation is pulled down by 28; in HSL, the yellows-greens are shifted toward green while blue saturation is drastically reduced, keeping the image within a unified yellow-green palette; Color Grading then adds a touch of cyan. With this treatment the whole photo sits in a consistent yellow-green space, bringing out that rainy-wilderness feel (at 6:48 in the video)."},{"t":"h","x":"04 PS 精修：透视、云雾与亮度蒙版","xe":"04 Refining in Photoshop: Perspective, Fog, and Luminosity Masks"},{"t":"p","x":"打开 PSD 进入 PS 时，照片的基本雏形已经出来了。第一步做一个微微的透视变形，强化「近大远小」的透视效应，河流显得更加宽广；同时模拟镜头朝下俯拍，让山峰有一些透视收缩，更加高耸（视频 7:36 处）。","xe":"Opening the PSD in Photoshop, the image already had its basic shape. The first step is a slight perspective warp to strengthen the near-big-far-small effect, making the river look even broader, while simulating a downward-tilted lens so the peaks get a touch of convergence and feel more towering (at 7:36 in the video)."},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"接下来用网上素材的云雾画笔，把云雾画出非常逼真的形态，好像真的有一阵云推过来把山峰挡住了一样。这样的后期「做假」其实并不违和——在那样的雨天，真的可能一阵云吹过来就把这座山峰给挡住。画完云雾后，再用曲线稍稍压暗一点点（视频 7:56 处）。","xe":"Next, cloud and fog brushes made from stock material paint in a very convincing veil of mist, as if a gust of cloud had really swept in front of the peak. This bit of fakery doesn't feel forced at all — in that kind of rain, a cloud really could roll in and swallow the mountain at any moment. After painting the fog, a gentle curve darkens the image slightly (at 7:56 in the video)."},{"t":"p","x":"然后是非常经典的一步。这张照片的核心兴趣点是河流，需要把它从整体暗调的画面中提炼而出：先用亮度蒙版把亮区选出来，再配合「叠加」图层混合模式和白色画笔，把河流一点一点地慢慢提亮（视频 8:39 处）。","xe":"Then comes a classic move. The core point of interest in this image is the river, and it needs to be drawn out of the overall dark scene: a luminosity mask selects the bright areas first, then, combined with the Overlay blending mode and a white brush, the river is gradually brightened, stroke by stroke (at 8:39 in the video)."},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"之后的收尾都是常见的光线渲染技术：曲线做稍稍微调；再做一个由远及近的小渐变，让近处的河流保持清新锐利、远处越来越朦胧，层次感更好。因为山峰也是兴趣点，而它的背景是亮的，所以反而要把山峰稍稍压暗一点点，让它从后面明亮的背景中跳出来；再来一个中间调的 S 型曲线，并微调自然饱和度、稍稍降低饱和度（视频 9:01 处）。","xe":"The finishing moves are all common light-rendering techniques: a slight curve tweak, then a subtle gradient from far to near so the river in front stays crisp while the distance grows hazier, adding depth. Since the peak is also a point of interest set against a bright background, it actually gets darkened slightly so it pops out of the luminous backdrop; a midtone S-curve follows, with a small tweak to vibrance and a slight desaturation (at 9:01 in the video)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"最后一步：新建压暗图层，配合亮度蒙版进行压暗操作，把周边一些比较抢眼、比较杂乱的地方稍稍压暗。这样处理后，画面周围暗一点、中间亮一点，视线自然聚焦到中间的山峰与河流。盖印一个图层，这张照片的后期处理就差不多了（视频 9:47 处）。","xe":"The final step: a darkening layer combined with luminosity masks gently dims the distracting, cluttered areas around the edges. Now the surroundings sit a touch darker while the center stays bright, so the eye lands naturally on the central peak and river. Stamp the layers, and this image is essentially done (at 9:47 in the video)."},{"t":"quote","x":"1. 无人机不是防水设备：中到大雨能不飞就不飞，一定要飞就快去快回；降落后先擦拭进气口、云台与电机，并保持开机利用内部正压排水；2. 航拍构图善用「近大远小」：飞近引导线让它变粗，同时通过更换背景主峰平衡左右画面；3. 阴天调色思路：提黑场去掉「脏」细节、全局降饱和，HSL 黄绿偏绿、大幅压低蓝色并加入青色，统一成黄绿色调；4. PS 精修三板斧：透视变形强化纵深、云雾笔刷渲染氛围、亮度蒙版加叠加模式提亮兴趣点、压暗周边聚焦主体。","xe":"1. Drones are not waterproof: avoid moderate-to-heavy rain, keep flights short if you must, and after landing wipe the air intake, gimbal, and motors, keeping the drone powered on so internal positive pressure helps expel moisture; 2. Use forced perspective in aerial composition: fly closer to thicken your leading line, and rebalance the frame by swapping the background peak; 3. Overcast grading recipe: lift the blacks to remove muddy detail, cut global saturation, shift yellows-greens toward green, drastically reduce blue, and add cyan for a unified yellow-green palette; 4. Three Photoshop finishing moves: perspective warp for depth, fog brushes for atmosphere, and luminosity masks with Overlay to brighten the subject while dimming the edges."}],"titleEn":"I Killed a Mavic 3 Pro and Captured the Alien Highlands of Iceland's Interior"}