{"slug":"ilulissat-fog-street-pov","title":"雾天扫街太绝了！第一人称街头摄影教学 | 格陵兰岛伊卢利萨特","author":"Thomas看看世界","date":"2024-07-07","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247500078&idx=1&sn=43c6e9ca89fae6c130cd37d94e3415e3&chksm=eb823f4adcf5b65c3251ea2316ab997a773343909b4897861f61d097ba5ac2c4636d6ffc8df4&scene=21#wechat_redirect","blocks":[{"t":"p","x":"雾天的夜晚扫街有多绝？","b":false,"xe":"How amazing is street photography on a foggy night?"},{"t":"img","f":"img-01","w":1080,"h":720},{"t":"p","x":"在今天的摄影教程中，Thomas会以第一人称视角，带大家前往格陵兰岛伊卢利萨特街头，尝试拍出不一样的街头氛围。","b":false,"xe":"In today's photography tutorial, Thomas takes you in first-person view to the streets of Ilulissat, Greenland, trying to capture a different kind of street atmosphere."},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1Jm421g7fv","bpic":"bili-1","bt":"雾天扫街太绝了！第一人称街头摄影教学 | 格陵兰岛伊卢利萨特"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 把这期 8 分钟的第一人称扫街 Vlog 落成了文字，并配上视频关键帧截图——雾天为什么要等到蓝调时刻、如何用雾把主体从背景里「隔离」出来、边走边拍的参数与取舍，以及亮与黑对比营造的神秘感。适合先看图建立框架，再回到视频里跟着镜头走一遍伊卢利萨特的街道。","xe":"This is the fully illustrated companion to the video above. Thomas turned the 8-minute first-person street-photography vlog into text and paired it with keyframe screenshots — why fog needs the blue hour, how fog \"isolates\" a subject from its background, settings and trade-offs while shooting on the move, and the mystery created by bright-against-dark contrast. Skim it here for the framework, then go back to the video and walk the streets of Ilulissat through the lens.","b":false},{"t":"p","x":"先看一张成片。下面这张截自视频 0:07 处，是这次雾夜扫街的代表画面：漆黑的建筑、一块发光的 SPAR 超市招牌、一个走进雾里的人——整期视频想传达的「雾天街头氛围」都在这里。下文按 Thomas 走过的路线逐段展开。","xe":"Start with a finished frame. Captured at 0:07 in the video, this image sums up the foggy night walk: a pitch-dark building, a glowing SPAR supermarket sign, and a lone figure walking into the fog — the whole \"foggy street atmosphere\" the video is about. Below, the walk unfolds section by section along Thomas's route.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 雾天为什么要等蓝调时刻","xe":"01 Why Fog Needs the Blue Hour"},{"t":"p","x":"这一天是格陵兰岛伊卢利萨特的雾天。Thomas 的经验是：雾天白天拍出来往往一般，但一到蓝调时刻就非常出效果——因为这时候所有的灯都会亮起来，路灯、车灯在雾里散射，让整个场景呈现出一种雾化的、怪异的元素（视频 0:25 处）。这样的雾天，正是最适合扫街的时候，所以他决定沿着街道走一路，看看能不能拍到一些不一样的场景。","xe":"It was a foggy day in Ilulissat, Greenland. Thomas's experience: fog in daylight usually photographs flat, but at the blue hour it becomes remarkable — every light comes on, and streetlights and headlights scatter through the fog, giving the whole scene a hazy, uncanny quality (at 0:25 in the video). Fog like this is ideal for street photography, so he decided to walk the streets and look for scenes that felt different.","b":false},{"t":"p","x":"雾的第一个作用是拉开距离感。远处的那盏路灯、远处房子里明亮的灯光，在雾气里都变得格外特别，成了他一路上反复寻找的拍摄对象（视频 0:45 处）。","xe":"Fog's first gift is a sense of distance. A far-off streetlight, the bright windows of a distant house — in the haze they become strikingly special, and they were the subjects Thomas kept looking for along the way (at 0:45 in the video).","b":false},{"t":"h","x":"02 孤独的小房子：用雾隔离背景","xe":"02 The Lonely House: Using Fog to Isolate the Background"},{"t":"p","x":"第一处停留是一栋小房子。如果不是雾天，它后面其实是一片石头山，非常不好看；但现在雾把它和背景完全隔离开了，房子变成一个非常孤独的主体，氛围感一下就出来了（视频 1:17 处）。这也是雾天扫街最核心的一条思路：借雾去掉杂乱的背景，让主体独立。","xe":"The first stop was a small house. On a clear day there is a rocky hillside behind it — quite ugly; but now the fog had completely cut it off from that background, turning the house into a solitary subject and instantly creating atmosphere (at 1:17 in the video). This is the core idea of foggy street work: let the fog erase the clutter behind so the subject stands alone.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"参数上，Thomas 手持拍摄，用的是 ISO 800、F3.2、1/80 秒，再压了 -1.7 档曝光补偿，保住灯光的高光并让画面保持蓝调的低沉（视频 1:26 处）。拍的时候屋顶烟囱正好冒出一些烟，又多了一层，效果非常好。走出来他感叹：雾天真的是随便一拍都有电影感（视频 2:05 处）。","xe":"For settings, Thomas shot handheld at ISO 800, f/3.2 and 1/80 s, with exposure compensation pulled down to -1.7 EV to hold the highlights of the lamps and keep the moody blue tone (at 1:26 in the video). Just as he shot, smoke drifted from the chimney and added another layer — a great result. Walking on, he marvelled that in fog almost every frame has a cinematic feel (at 2:05 in the video).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"03 边走边拍：街角、行人与雪地摩托","xe":"03 Shooting on the Move: Corners, Passers-by and a Snowmobile"},{"t":"p","x":"到了路口，Thomas 本来也可以把三脚架架在这里，用 ISO 100 慢慢拍一张更干净的照片，但他觉得今天的拍摄机会实在太多，还是沿着街道先走一走，多拍一些不同的场景更重要（视频 2:39 处）。为了手持效率，他把参数开到 ISO 800、F2.8 继续拍（视频 2:58 处）。","xe":"At the junction Thomas could have set up the tripod and shot a cleaner frame at ISO 100, but with so many opportunities that evening he judged it more important to keep walking and cover more scenes (at 2:39 in the video). For handheld efficiency he opened up to ISO 800 and f/2.8 and carried on (at 2:58 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"这边一条路延伸向远方，路灯和房子里的灯层层递远，后面还有人走来走去，非常有味道；他在这个街角拍了很多照片（视频 3:08 处）。","xe":"Here a road stretched into the distance, streetlights and lit windows receding layer by layer, with people coming and going behind — full of character. He shot a lot at this corner (at 3:08 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"再往前，后面那些瘦瘦高高的公寓式建筑，是格陵兰岛新建的房子，Thomas 觉得它们比较能反映这里的变化（视频 4:04 处）。在这样的街景里，他等到了一些当地人走过，正好还有一辆雪地摩托停在那里——雪地摩托是格陵兰冬季非常独特的交通方式，把这些元素等进画面，街景才有了当地的生活感。","xe":"Further along, the tall, narrow apartment blocks behind are new construction in Greenland, and Thomas felt they say something about how the place is changing (at 4:04 in the video). In this street scene he waited for locals to walk through, and a snowmobile happened to pull up — snowmobiles are a distinctive form of winter transport in Greenland, and waiting for such elements is what gives the scene a sense of local life.","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 亮与黑的对比：SPAR 招牌、70 端局部与收工","xe":"04 Bright Against Dark: the SPAR Sign, a 70mm Detail and Calling It a Night"},{"t":"p","x":"回到 SPAR 超市这一段：右边整栋建筑都是黑的，突然有一块亮着的 SPAR 招牌；左边可以等车灯经过时按下快门；中间道路两侧都黑压压的，突然冒出一盏灯——Thomas 觉得这是一种非常神秘、怪异又梦幻的场景（视频 4:55 处）。建筑很亮、周边很黑，在雾气里就形成了一条神秘的街道（视频 6:13 处）。","xe":"Back to the SPAR supermarket: the whole building on the right is dark except for the sudden glow of the SPAR sign; on the left he could wait for headlights to pass before pressing the shutter; in the middle the road is black on both sides with a single lamp emerging — a scene Thomas found mysterious, uncanny and dreamlike (at 4:55 in the video). A bright building in dark surroundings, wrapped in fog, makes a street feel enigmatic (at 6:13 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"再往前是另一个社区，同样有一盏路灯。看到有人走过去，他赶紧把相机举起来抓了一张，雾气里的人影真的有点神秘（视频 6:45 处）。手上的镜头是 24-70mm F2.8，所以在这里他用 70mm 端只取了建筑的一小块局部，同样是很有感觉的照片（视频 7:22 处）；山上的路灯很重，雾气把光线的形状勾勒得非常清楚。","xe":"Next came another neighbourhood, again with a streetlight. Seeing someone walk past, he quickly raised the camera and grabbed a frame — a figure in the fog carries real mystery (at 6:45 in the video). The lens was a 24-70mm f/2.8, so here he used the 70mm end to isolate just a small section of a building, another frame with strong feeling (at 7:22 in the video); the streetlights on the hill are heavy, and the fog traces the shape of their beams beautifully.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"最后是一栋有大落地窗的建筑，里面好像在讲课，Thomas 也拍了一张。这时天色越来越暗，光比开始变大，雾天扫街的最佳窗口就过去了，今天的拍摄到此结束（视频 7:56 处）。他的结论是：雾天拍城市街景，真的非常非常有氛围感。","xe":"The last stop was a building with a large floor-to-ceiling window, apparently a lecture going on inside, which Thomas also photographed. By then the sky was getting darker and contrast was growing — the best window for foggy street work had closed, and the shoot ended there (at 7:56 in the video). His verdict: city streets in fog are extraordinarily atmospheric.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 雾天扫街要等蓝调时刻：灯全亮之后，路灯车灯在雾里散射，才有那种雾化怪异的电影感；2. 借雾隔离背景——难看的石头山被雾抹掉，小房子变成孤独的主体；3. 手持边走边拍：ISO 800、F2.8-F3.2、1/80 秒左右，曝光补偿压到 -1.7 档保住灯光，机会多时别为三脚架停下；4. 找亮与黑的对比（发光招牌、单盏路灯），等行人、雪地摩托入画，用 70mm 端截取局部；天全黑光比变大就收工。","xe":"1. Foggy street work needs the blue hour: only once every light is on do streetlights and headlights scatter into that hazy, uncanny, cinematic look; 2. Let the fog isolate the background — an ugly rocky hill vanishes and a small house becomes a solitary subject; 3. Shoot handheld on the move: ISO 800, f/2.8-3.2, around 1/80 s, with -1.7 EV compensation to protect the lamps, and don't stop for a tripod when opportunities are plentiful; 4. Look for bright-against-dark contrast (a glowing sign, a single streetlight), wait for passers-by and snowmobiles, isolate details at the 70mm end, and wrap up once full dark pushes the contrast too far."},{"t":"img","f":"img-04","w":1080,"h":2426},{"t":"img","f":"img-05","w":1080,"h":2426},{"t":"img","f":"img-06","w":1080,"h":2426},{"t":"img","f":"img-07","w":1080,"h":2427},{"t":"img","f":"img-08","w":1080,"h":2426},{"t":"img","f":"img-09","w":1080,"h":2426},{"t":"img","f":"img-10","w":1080,"h":2426},{"t":"img","f":"img-11","w":1080,"h":2426}],"titleEn":"Street Photography in Fog Is Amazing: First-Person POV in Ilulissat, Greenland"}