{"slug":"ins-street-photography-light","title":"这些街拍光影真绝! Ins街头摄影佳作欣赏~","author":"Thomas看看世界","date":"2023-04-22","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247497351&idx=1&sn=cfb8806875b545cebcb753d5eb612138&chksm=eb8208e3dcf581f595f060b312fe4639b6d193e1e391a52d7bfbef76e76a78f18074a600743e&scene=21#wechat_redirect","blocks":[{"t":"p","x":"从诞生之初，瞬间与光影就是街头摄影重要的关键词之一。","b":false,"xe":"Since its very birth, the decisive moment and the play of light and shadow have been among the key words of street photography."},{"t":"p","x":"今天的审美拓展教程中，Thomas从Ins上精选了30多张街头摄影作品，让我们一起来欣赏吧~","b":false,"xe":"In today's aesthetic-expansion tutorial, Thomas has selected more than 30 street photography works from Instagram — let's enjoy them together."},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1os4y1d7dH","bpic":"bili-1","bt":"这些街拍光影真绝! Ins街头摄影大片欣赏~"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 把这期 8 分钟的审美拓展课落成了文字，并配上视频关键帧截图——他从 Ins 上精选的 30 多张街头摄影作品，按日出日落、雨天、雾天与正午、夜景与反光四类光线场景逐一点评，讲清每张照片好在哪里、可以借鉴什么。适合先看图建立框架，再回到视频里逐张细看。","xe":"This is the fully illustrated companion to the video above. Thomas turned the 8-minute visual-literacy session into text and paired it with keyframe screenshots — thirty-odd street photographs hand-picked from Instagram, reviewed one by one across four lighting situations: sunrise and sunset, rain, fog and midday, and night with reflections — explaining what makes each frame work and what you can borrow. Skim it here for the framework, then go back to the video to study each image.","b":false},{"t":"p","x":"先看总览。下面这张要点页截自视频 0:24 处，列出了街头摄影的几个关键词：瞬间、光影、巧合、生活、情感、表情、怪诞。这期视频着重讲前两个——瞬间与光影，它们从街头摄影诞生之初就是最核心的关键词。","xe":"Start with the overview. This slide, captured at 0:24 in the video, lists the keywords of street photography: the moment, light and shadow, coincidence, everyday life, emotion, expression, and the surreal. The episode focuses on the first two — the moment and light — which have been the genre's defining ideas since its birth.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 日出日落：朝着太阳的街道与长影","xe":"01 Sunrise and Sunset: Streets Facing the Sun and Long Shadows"},{"t":"p","x":"第一张照片应该拍摄于日出时分。无论日出还是日落，朝着太阳、东西走向的街道都能拍出很好的效果。摄影师采用低机位，让看报纸的人和他的摩托车成为前景，形成一个很好的三角形结构，透视效应也让照片非常出彩（视频 0:49 处）。","xe":"The first photo was likely taken at sunrise. Whether at dawn or dusk, east-west streets that face the sun deliver strong results. The photographer chose a low angle so that the man reading a newspaper and his motorcycle form the foreground, building a satisfying triangular structure, and the perspective makes the frame sing (at 0:49 in the video).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"下一张用长焦拍摄。Thomas 特别指出：街头摄影不是说一定不能过曝或欠曝——这张的天空和地面被照亮的部分（应该是有积水）完全过曝了，但并不影响整张照片氛围的呈现（视频 1:19 处）。类似的思路还有一条非常狭窄的街道，用一扇门作前景框住一个人；也可以站到较高的位置，日出日落时阳光打在人或自行车身上，会拖出非常长的影子（视频 1:49 处）。","xe":"The next one is a telephoto shot. Thomas makes a point here: street photography does not forbid clipping — the sky and the lit patch of ground (probably standing water) are completely blown out, yet the atmosphere is untouched (at 1:19 in the video). In the same spirit: a very narrow street with a doorway framing a passer-by, or a higher vantage point where low sun drags very long shadows from people and bicycles (at 1:49 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"这几张照片的共同处理是：加强高光区的暖色调，阴影区则保持黑色调或冷色调，都是可行的效果。街道越窄，两边的挤压感越强，那种一束光从缝里射出来的感觉就更震撼（视频 2:20 处）。当然也可以用长焦抓拍街头运动的人；还有人找到了天桥和灯柱，用灯柱的影子继续强化明暗对比（视频 2:41 处）。","xe":"What these frames share: warm up the highlights, while keeping the shadows either black or cool — both work. The narrower the street, the stronger the squeeze from both sides, and the more striking that shaft of light bursting through a gap becomes (at 2:20 in the video). You can also use a telephoto to catch people in motion, or, as one photographer did, find an overpass and lamp posts and use their shadows to push the contrast further (at 2:41 in the video).","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"02 雨天：地面反光、逆光雨丝与玻璃道具","xe":"02 Rain: Reflective Ground, Backlit Raindrops and Glass as a Prop"},{"t":"p","x":"看多了日出日落，其实雨天的街头光影也非常特别。想一想：晴天干净的石头地面没办法反射这么丰富的色彩；而雨天无论是调整白平衡调出的蓝色，还是灯光在地面打出的五颜六色，都让照片色彩非常丰富、光影非常特别（视频 2:56 处）。雨景本身氛围感很强，比如摄影师抓到一个人和列车同框的瞬间。","xe":"After all the golden-hour frames, rainy streets offer a very different kind of light. Think about it: dry stone paving on a sunny day cannot reflect such rich colour, but in rain — whether it is the blue you dial in with white balance or the multicoloured lights spilling across the ground — colour and light both become extraordinary (at 2:56 in the video). Rain brings mood on its own, as in the frame where a person and a passing train share the moment.","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"Thomas 常说的一点：如果正在下比较大的雨，可以找一些强光、而且是逆光的光源，比如有一盏逆光的灯打在雨地上，就能把雨密密麻麻的感觉拍出来，非常震撼（视频 3:35 处）。雨雾中拍摄时通透度没那么高，远景会隐在迷雾之中，前景和远景的通透程度差别，让照片的氛围感和层次感都很丰富。","xe":"A point Thomas often makes: when the rain is heavy, look for a strong light source that is backlit — a lamp shining toward you across the wet ground will render the dense curtain of raindrops with real impact (at 3:35 in the video). In rain and mist clarity drops, the distance dissolves into haze, and that gap in transparency between foreground and background gives the picture both atmosphere and depth.","b":false},{"t":"p","x":"雨天还经常用玻璃作道具：玻璃上有水珠水滴，非常带感；可以用玻璃形成框架结构，也可以隔着车窗玻璃拍里面的人（视频 4:11 处）。其中一位摄影师的色彩很值得学习：他没有营造过于复杂的色彩，而是把整体背景调成带一点蓝色色相的暗黑色调，这样橙色、红色就非常醒目突出，又不会觉得调色过度（视频 4:29 处）。","xe":"Glass is a favourite rainy-day prop: beaded with water it adds instant texture, it can serve as a frame within the frame, and you can shoot people through a car window (at 4:11 in the video). One photographer's colour is worth studying: rather than building complex palettes, he pushed the whole background into a dark tone with a hint of blue, so the oranges and reds pop vividly without ever looking over-graded (at 4:29 in the video).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"03 雾天与正午：压抑、清新与剪影","xe":"03 Fog and Midday: Oppression, Freshness and Silhouettes"},{"t":"p","x":"雾天同样可以出彩。雾整体带来一种压抑的效果，这位摄影师找到一座桥梁仰拍，庞然大物透过雾气显现出来，压抑感非常强（视频 4:56 处）。","xe":"Fog can shine too. It brings an inherent sense of oppression, and this photographer found a bridge to shoot from below — the colossal structure looming through the haze makes that heaviness palpable (at 4:56 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"大中午也能拍片：一位摄影师调成清新的色调，背景非常简洁；另一位则利用剪影，正好让人跳起来时碰到太阳，太阳好像变成了一个篮球，非常独特（视频 5:20 处）。还有人利用火车站复杂的结构，阳光打在上面，影子、暗部和阳光形成了非常多的明暗间隔；也有人用前面提到的高机位，在日出日落时的东西走向街道上抓拍行人和自行车（视频 5:44 处）。","xe":"High noon works as well: one photographer went for a fresh, airy palette against a spotless background; another used silhouettes, timing the jump so the figure touches the sun, which turns into a basketball — wonderfully original (at 5:20 in the video). Someone else exploited the intricate structure of a railway station, where sunlight breaks into countless alternating bands of light and shadow; and another took the high vantage point mentioned earlier to catch pedestrians and bikes on an east-west street at golden hour (at 5:44 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"04 夜景与反光：青橙色调、对比色与玻璃层次","xe":"04 Night and Reflections: Teal-Orange, Complementary Colours and Layered Glass"},{"t":"p","x":"晚上的夜景可以调成青色调：青色调一般搭配雨雪雾的场景，蓝色调一般搭配晴天的夜景，然后再去找灯光这样的暖色调形成对比（视频 5:58 处）。像这张，背景是非常暗的低饱和度青色调，有一盏灯，前面还有一个戴帽子的人，非常带感；另一张是蓝橙色调，人的影子由后面的车灯打出来，电线杆配合青色调有点压抑的氛围，Thomas 觉得蛮不错（视频 6:26 处）。","xe":"Night scenes can lean teal: teal generally pairs with rain, snow and fog, while blue suits clear night skies, and you then look for warm lamps to set up the contrast (at 5:58 in the video). Here the background is a very dark, desaturated teal with a single lamp and a figure in a hat in front — strong stuff; another frame is teal-and-orange, the person's shadow thrown by headlights from behind, utility poles adding to the slightly oppressive mood, which Thomas rather likes (at 6:26 in the video).","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"一张老爷车的照片，车里是红色光线，有点诡异；旁边是蓝色的背景和橙色的花朵——画面里有两组对比色，红与绿、橙与蓝，非常迷人（视频 6:44 处）。城市拍摄中也常利用玻璃的反光去营造非常丰富的层次结构；日出日落时抓拍剪影，尤其是把人影投射在玻璃或亮色衣服上，也是很多街头摄影师常用的技巧（视频 7:13 处）。","xe":"A classic car glows red inside — slightly eerie — against a blue background with orange flowers: two complementary pairs, red with green and orange with blue, and utterly captivating (at 6:44 in the video). In cities, glass reflections are a common way to build rich layers; catching silhouettes at golden hour, especially a person's shadow thrown onto glass or bright clothing, is another trick many street photographers rely on (at 7:13 in the video).","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"最后两张：一张拍的是火车，但摄影师把整个车厢压暗了，只突出人脸部的光影和窗外的氛围，很值得学习（视频 7:36 处）；另一张采取对视的视角，抓到老奶奶非常专注的神情，车窗外正好有海鸥飞过——瞬间与光影，在这一张里同时成立（视频 7:49 处）。","xe":"The last two: one is shot on a train, but the photographer darkened the entire carriage so that only the light on the face and the mood outside the window remain — well worth learning from (at 7:36 in the video). The other meets its subject at eye level, catching an elderly woman's intense concentration just as a seagull sweeps past the window — the moment and the light, both landing in a single frame (at 7:49 in the video).","b":false},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 日出日落找朝着太阳的东西走向街道：低机位三角结构、高机位长影、窄街缝隙光，高光暖、阴影黑或冷，局部过曝不必怕；2. 雨天靠地面反光和白平衡出色彩，用逆光强光拍出密密麻麻的雨丝，借玻璃与车窗做框架，背景压暗偏蓝让橙红醒目；3. 雾天仰拍庞然大物制造压抑感，正午用清新色调、剪影与复杂结构的明暗间隔；4. 夜景走青色或蓝色调配暖灯，善用红绿、橙蓝对比色与玻璃反光的层次，压暗环境只留人脸光影——瞬间与光影是街头摄影的根。","xe":"1. At sunrise and sunset find east-west streets facing the sun: low-angle triangles, high-vantage long shadows, shafts of light through narrow gaps, warm highlights with black or cool shadows — and don't fear local clipping; 2. In rain, mine reflections and white balance for colour, shoot dense raindrops against strong backlight, frame with glass and car windows, and darken a bluish background so oranges and reds pop; 3. In fog, shoot massive structures from below for oppressive weight; at midday go for fresh tones, silhouettes and the alternating bands of complex architecture; 4. At night lean teal or blue against warm lamps, exploit red-green and orange-blue complements and layered glass reflections, and darken everything but the light on a face — the moment and the light remain the roots of street photography."},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"img","f":"img-02","w":1080,"h":608},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":607},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":676}],"titleEn":"Street Light and Shadow at Its Best: Instagram Street Photography Highlights"}