{"slug":"ipa-2022-review","title":"2022国际摄影奖揭晓，摄影师学习解读来了！","author":"Thomas看看世界","date":"2022-09-18","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247496174&idx=1&sn=70314c89721fdf33a2eeef36a51377a6&chksm=eb820f8adcf5869c3020bccb24286449a0af7eea342d49c911b1dc20fb4428b85400d813d6f6&scene=21#wechat_redirect","blocks":[{"t":"p","x":"最近2022年IPA国际摄影奖揭晓了。","b":false,"xe":"The 2022 IPA International Photography Awards were recently announced."},{"t":"p","x":"这个摄影比赛是我长期关注的比赛之一，因为整体水平很不错，而且分类比较详尽，无论我们是拍摄人像、风光、建筑、时尚、新闻等，都可以从中获得启发。","b":false,"xe":"This is one of the competitions I follow long-term, because its overall standard is excellent and its categories are quite detailed. Whether we shoot portraits, landscapes, architecture, fashion, or news, we can all gain inspiration from it."},{"t":"p","x":"今天的摄影教程中，我就会分享90张我自己比较喜欢，或者受到启发的一些作品。","b":false,"xe":"In today's photography tutorial, I'll share 90 works that I particularly like or that inspired me."},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1TW4y1q7fy","bpic":"bili-1","bt":"2022国际摄影奖揭晓，摄影师学习解读来了！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 把这期 12 分钟的 IPA 2022 获奖作品解读落成了文字，并配上视频关键帧截图——从工业厂房拍出童话感、把城市屋顶拍成芯片，到夜晚的屏幕光与雨夜、阴雨天的慢门减法、算好月亮的超长焦，再到组照思维与「有前景的航拍」。适合先看图建立框架，再回到视频里逐张欣赏。","xe":"This is the fully illustrated companion to the video above. Thomas turned the 12-minute review of the IPA 2022 winners into text and paired it with keyframe screenshots — from industrial plants rendered as fairy tales and rooftops photographed like microchips, to screen-lit nights and rainy streets, long-exposure subtraction on overcast days, a super-telephoto moon planned to the minute, and finally series thinking and \"aerials with a foreground\". Skim it here for the framework, then go back to the video to study each image.","b":false},{"t":"p","x":"先看总览。下面这张截自视频 12:05 处，是整期教程的 PPT 封面「IPA 2022 获奖作品学习欣赏」。IPA（国际摄影奖）是 Thomas 长期关注的比赛，特点是分类特别多——广告、时尚、新闻、风景、人像等门类，又分专业组与非专业组、按国家分——所以获奖作品多，能看到大量优秀摄影师，对开拓思路很有帮助。这期他挑了约 90 张自己受到启发或比较喜欢的作品。","xe":"Start with the overview. Captured at 12:05 in the video, this is the title slide of the deck, \"IPA 2022 Winners: Study and Appreciation\". The International Photography Awards is a competition Thomas has followed for years, notable for its sheer number of categories — advertising, fashion, editorial, landscape, portrait and more, split again into professional and non-professional and by country — which means many winners and a huge pool of strong photographers to learn from. Here he picks roughly ninety images that inspired him or that he simply likes.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 从工业厂房到城市之芯：找主题，换视角","xe":"01 From Industrial Plants to the City Chip: Find a Theme, Change the Angle"},{"t":"p","x":"Thomas 最喜欢的一组是 Serena Dzenis 拍的工业建筑——厂房、天线塔等等。它不是那种冷峭的类型学摄影，而是拍出了一种非常童话、非常梦幻的感觉，和我们平时看到工业建筑觉得杂乱、破坏风景的印象形成强烈反差（视频 1:15 处）。手法上：选日落日出时分拍摄，太阳很低，地面基本处于阴影之中、很干净，天空则是微紫色，后期再调一调就成了漂亮的橙紫色。","xe":"Thomas's favourite set is Serena Dzenis's industrial architecture — plants, antenna towers and the like. It is not cool, deadpan typology; it renders these structures as something fairy-tale and dreamlike, in sharp contrast to our usual impression of industrial sites as messy blights on the landscape (at 1:15 in the video). The method: shoot at sunset or sunrise when the sun is low, so the ground sits in clean shadow while the sky turns lilac, which a little grading pushes into a gorgeous orange-purple.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"她还利用景深处理：这张把前景做了虚化——本来前景是比较乱的灌木丛，左边还有乱七八糟的建筑垃圾，我们路过时都会觉得是很难看的场景，但摄影师通过拍摄和后期调色把它做成了非常美丽的状态（视频 2:04 处）。这给 Thomas 印象很深：他自己经过西北、比如兰州时，也见过很多厂房，后面就是山峰和天空，在国内完全可以模仿着拍。","xe":"She also works with depth of field: in this frame the foreground is thrown out of focus — originally a scruffy patch of shrubs with construction debris to the left, the kind of scene we would all walk past as ugly, yet through shooting choices and colour grading it becomes genuinely beautiful (at 2:04 in the video). It struck Thomas because he has seen plenty of similar plants backed by mountains and sky in north-west China, around Lanzhou for instance — something entirely possible to emulate at home.","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"第二组是中国摄影师吴一凡的《城市之芯》——「芯」是芯片的芯。要拍城市怎么拍出新意？他抓住一个主题，用类型学的方式拍建筑的最上一面，尤其是空调新风机组组成的奇妙几何结构（视频 3:05 处）。后期把建筑单独隔离出来、放在一种纹理背景上，你会发现建筑的上表面真的像芯片：有很多连接的线路，一块一块的机组就像芯片上的元件。评委对这个主题也非常认可——这给了我们拍城市的一个新方向：能不能找到这样有意思的主题去拍。","xe":"The second set is City Chip by Chinese photographer Wu Yifan — chip as in microchip. How do you photograph a city with fresh eyes? He seized on one theme and shot it as typology: the very top surfaces of buildings, especially the extraordinary geometry formed by rooftop air-conditioning and ventilation units (at 3:05 in the video). In post the buildings are isolated and set on a textured background, and suddenly the rooftops really do read as chips — networks of connecting lines, blocks of machinery like components. The jury clearly agreed, and it points to a new direction for city work: can you find a theme this interesting to shoot?","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"h","x":"02 夜晚的光：屏幕、雨夜、打光与长焦","xe":"02 Light After Dark: Screens, Rainy Nights, Artificial Lighting and Telephoto"},{"t":"p","x":"有一组是用手机拍的，内容极简单：夜里关了灯，人们盯着电脑、电视、手机屏幕（视频 4:13 处）。它靠的是观察和身边的视角，拍到了现代人的交流方式——暗夜里人造的光，反映了一种生活方式。另一组则专挑下雨天拍夜景：光线照在雨滴上产生特殊效果，前景也做了处理——不知是前期近处打光还是后期叠加素材——非常梦幻，雨天夜景确实值得去拍（视频 4:44 处）。","xe":"One series was shot on a phone and could not be simpler: lights off at night, people staring at computer, TV and phone screens (at 4:13 in the video). It relies on observation and an everyday vantage point to capture how we communicate now — artificial light in the dark as a portrait of modern life. Another set deliberately shoots city nights in the rain: light catching the raindrops creates a special effect, and the foreground is worked too — whether lit up close on location or overlaid in post — for a dreamy result. Rainy nights are well worth shooting (at 4:44 in the video).","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"还有摄影师晚上去本来没有光的小森林，自己打光去拍树木的质感，营造一种恐怖或者说神秘的氛围（视频 5:12 处）——晚上的户外场景能不能靠打光来拍，是个很大的启发。另有一张用高速快门在夜里定格水流，同时收进极光和灯光，也非常梦幻。","xe":"Another photographer went into a small, unlit forest at night and lit it himself to bring out the texture of the trees and a horror-film, mysterious mood (at 5:12 in the video) — a real prompt to think about lighting outdoor scenes after dark. One more frame froze flowing water at night with a fast shutter while taking in aurora and lamps at the same time, equally dreamlike.","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"中国摄影师 Jihang Jiang 的作品，用长焦抓拍城市密集的灯光，压缩感让它们像星星点点的满天繁星，中间一个高楼上的公交车站成了画龙点睛之笔（视频 5:46 处）。这几张都是用夜景灯光带来的氛围。还有一张非常精彩的单幅：Takeshi Kameyama 在雪天拍到一辆列车正好经过被大雪覆盖的小城，童话般的场景（视频 6:14 处）。","xe":"Chinese photographer Jihang Jiang used a telephoto to compress the dense lights of a city until they read like a sky full of stars, with a bus stop perched on a high-rise in the middle as the finishing touch (at 5:46 in the video). All of these draw their mood from lights at night. And one superb single frame: Takeshi Kameyama caught a train passing through a small town buried in snow — a scene straight out of a fairy tale (at 6:14 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"03 天气与减法：阴雨天慢门、压暗窗户、算好月亮","xe":"03 Weather and Subtraction: Overcast Long Exposures, Darkened Windows, a Planned Moon"},{"t":"p","x":"这几张给了另一种思路：阴雨天本来没什么光线，但如果找到单调的天空和单调的水面，用 ND1000 减光镜拍慢门，后期再做一下，就能把水上的房屋、建筑或者树抽象地隔离出来，效果非常好（视频 6:36 处）。这是阴雨天值得借鉴的思路。","xe":"These frames offer a different approach: overcast, rainy days have little light to speak of, but find a featureless sky and a featureless stretch of water, shoot a long exposure through an ND1000 filter, finish it in post, and houses, buildings or trees standing in the water are abstracted and isolated beautifully (at 6:36 in the video). A strategy worth borrowing for grey days.","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"城市后期也有值得借鉴的一张：David Fonda 拍了一栋很有设计感的建筑，后期把中间那些原本比较乱的阳台或窗户压暗，再把最有特色的曲线立面提亮、做明度上的处理，几何感就被强调得更好（视频 7:08 处）。另一张拍托斯卡纳的树木，利用逆光、侧逆光拍剪影，也很值得学习。","xe":"There is also a lesson in city post-processing: David Fonda photographed a strikingly designed building, then darkened the originally cluttered balconies and windows in the middle and brightened the signature curved facade, working the luminosity so the geometry comes through far more strongly (at 7:08 in the video). Another frame of Tuscan trees uses backlight and rim light for silhouettes — again well worth studying.","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"这张正好接上周教程讲的拍月亮：Eduardo Marcos Quevedo 通过软件算好月亮正好经过建筑物——这里是一座古堡——再用超长焦拍下来，非常精彩、让人印象深刻（视频 7:47 处）。此外还有无人机拍的火山岩浆，以及中国摄影师 Hao Zhang 拍的夕阳逆光下的大桥。","xe":"This one ties in with last week's tutorial on the moon: Eduardo Marcos Quevedo used software to calculate the moment the moon would pass exactly behind a building — here a castle — and captured it with a super-telephoto, spectacular and memorable (at 7:47 in the video). Also in this stretch: drone footage of a volcano's lava, and a bridge against a backlit sunset by Chinese photographer Hao Zhang.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"04 组照与航拍：极简成组、密集有序、有前景的航拍","xe":"04 Series and Aerials: Minimalism in Sets, Ordered Density, Aerials with a Foreground"},{"t":"p","x":"一组极简风格的白沙丘作品说明了组照的价值：单张看其实比较单调，但作者选择成组呈现，一组看下来就成立了（视频 8:20 处）。Alexej Sachov 的一组是在浮潜时拍的：水面的浪花分成上下两个层次，从没见过这样的场景，印象极深；David Swindler 则用组照记录大地的纹理。","xe":"A minimalist series of white sand dunes shows why sets matter: each frame alone is rather plain, but presented as a group they hold together (at 8:20 in the video). Alexej Sachov's set was shot while snorkelling — the breaking wave splits into two layers, above and below the surface, something Thomas had never seen before; David Swindler, meanwhile, uses a series to record the textures of the land.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"Jeffrey Milstein 利用晴天航拍海滩上密密麻麻的人群和游乐场：晴天、海滩、游乐场、人们打的太阳伞本身就五颜六色，照片色彩非常丰富鲜艳，既密集凌乱，又有一种秩序的美感（视频 9:24 处）。另一组则利用阴雨天拍「发展」主题——一个发展中国家人们的生活状态，对天气的利用同样值得学习。还有一张无人机航拍立交桥，用稍长一点的曝光把车流拍出动感（视频 10:10 处）。","xe":"Jeffrey Milstein shot crowded beaches and amusement parks from the air on sunny days: the beach, the rides and the parasols are riotously colourful to begin with, so the images are rich and vivid — dense and chaotic, yet with an underlying order that makes them beautiful (at 9:24 in the video). Another series turned overcast weather to its advantage for a theme of development, portraying daily life in a developing country. And a drone shot of a highway interchange used a slightly longer exposure to give the traffic a sense of motion (at 10:10 in the video).","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"Marek Hajkovsky 非常擅长全景照片，而且都利用日落日出时分低角度的太阳：低太阳结合横幅广阔的全景，画面里就有明暗层次——下方暗、中间亮，左右也有明暗区别，接片特别有层次（视频 10:22 处）。比如这张用古堡作前景，中间是梦幻的村庄，远处是湖光山色和太阳，层次非常棒。Thomas 特别强调：航拍不是飞到 500 米高俯瞰一个场景，而是也要找层次、找前中后景——他可能只飞 200 米，找到城堡作前景，拍中间的乡村和远处的湖光山色。有前景的航拍，才是真正好的航拍（视频 11:11 处）。最后几张都以树木为主体，配闪电或者星空，平时也可以模仿和思考。","xe":"Marek Hajkovsky excels at panoramas, and every one uses the low sun of sunset or sunrise: a low sun across a wide, horizontal panorama gives the frame tonal structure — dark below, bright in the middle, light and shade varying left to right — so the stitched image has real depth (at 10:22 in the video). In this one a castle serves as foreground, a dreamlike village fills the middle, and lake, mountains and sun close the distance. Thomas stresses the point: an aerial is not about climbing to 500 metres and looking straight down; it still needs layers and a foreground, middle and background — here perhaps only 200 metres up, finding the castle as a foreground for the village and the lake beyond. An aerial with a foreground is what makes a truly good aerial (at 11:11 in the video). The closing images all take a tree as the subject, paired with lightning or a starry sky — ideas to emulate and think about.","b":false},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 找主题、换视角：工业厂房在低太阳下拍出童话感（地面入影、天空橙紫、前景虚化），城市屋顶用类型学拍成「城市之芯」；2. 夜晚的光是素材——屏幕光、雨夜雨滴、给森林打光、长焦压缩万家灯火、雪天列车；3. 天气做减法：阴雨天单调天水配 ND1000 慢门抽象主体，后期压暗杂乱窗户提亮曲线，用软件算好月亮过古堡；4. 组照与航拍：极简靠成组成立，密集要有秩序，航拍别只飞高俯瞰——找前中后景，有前景的航拍才是好航拍。","xe":"1. Find a theme and change the angle: industrial plants turn fairy-tale under a low sun (ground in shadow, orange-purple sky, blurred foreground), and rooftops shot as typology become a City Chip; 2. Night light is raw material — screen glow, raindrops in the rain, lighting a forest yourself, telephoto compression of a million windows, a train in the snow; 3. Let weather do the subtracting: featureless sky and water plus an ND1000 long exposure abstract the subject, darken cluttered windows and brighten the curve in post, and plan the moon behind a castle with software; 4. Series and aerials: minimalism works as a set, density needs order, and aerials should not just climb and look down — find foreground, middle ground and distance, because an aerial with a foreground is a good aerial."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1TW4y1q7fy/","b":false,"xe":"https://www.bilibili.com/video/BV1TW4y1q7fy/"},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"img","f":"img-02","w":1080,"h":608},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"img","f":"img-40","w":1080,"h":608},{"t":"img","f":"img-41","w":1080,"h":608},{"t":"img","f":"img-42","w":1080,"h":608},{"t":"img","f":"img-43","w":1080,"h":608},{"t":"img","f":"img-44","w":1080,"h":608},{"t":"img","f":"img-45","w":1080,"h":608},{"t":"img","f":"img-46","w":1080,"h":608},{"t":"img","f":"img-47","w":1080,"h":608},{"t":"img","f":"img-48","w":1080,"h":608},{"t":"img","f":"img-49","w":1080,"h":608},{"t":"img","f":"img-50","w":1080,"h":608},{"t":"img","f":"img-51","w":1080,"h":608},{"t":"img","f":"img-52","w":1080,"h":608},{"t":"img","f":"img-53","w":1080,"h":608},{"t":"img","f":"img-54","w":1080,"h":608},{"t":"img","f":"img-55","w":1080,"h":608},{"t":"img","f":"img-56","w":1080,"h":608},{"t":"img","f":"img-57","w":1080,"h":608},{"t":"img","f":"img-58","w":1080,"h":608},{"t":"img","f":"img-59","w":1080,"h":608},{"t":"img","f":"img-60","w":1080,"h":608},{"t":"img","f":"img-61","w":1080,"h":608},{"t":"img","f":"img-62","w":1080,"h":608},{"t":"img","f":"img-63","w":1080,"h":608},{"t":"img","f":"img-64","w":1080,"h":608},{"t":"img","f":"img-65","w":1080,"h":608},{"t":"img","f":"img-66","w":1080,"h":608},{"t":"img","f":"img-67","w":1080,"h":608},{"t":"img","f":"img-68","w":1080,"h":608},{"t":"img","f":"img-69","w":1080,"h":608},{"t":"img","f":"img-70","w":1080,"h":608},{"t":"img","f":"img-71","w":1080,"h":608},{"t":"img","f":"img-72","w":1080,"h":608},{"t":"img","f":"img-73","w":1080,"h":608},{"t":"img","f":"img-74","w":1080,"h":608},{"t":"img","f":"img-75","w":1080,"h":608},{"t":"img","f":"img-76","w":1080,"h":608},{"t":"img","f":"img-77","w":1080,"h":608},{"t":"img","f":"img-78","w":1080,"h":608},{"t":"img","f":"img-79","w":1080,"h":608},{"t":"img","f":"img-80","w":1080,"h":608},{"t":"img","f":"img-81","w":1080,"h":608},{"t":"img","f":"img-82","w":1080,"h":608},{"t":"img","f":"img-83","w":1080,"h":608},{"t":"img","f":"img-84","w":1080,"h":608},{"t":"img","f":"img-85","w":1080,"h":608},{"t":"img","f":"img-86","w":1080,"h":608},{"t":"img","f":"img-87","w":1080,"h":608},{"t":"img","f":"img-88","w":1080,"h":608},{"t":"img","f":"img-89","w":1080,"h":608},{"t":"img","f":"img-90","w":1080,"h":608},{"t":"img","f":"img-91","w":1080,"h":608},{"t":"img","f":"img-92","w":1080,"h":608},{"t":"h","x":"其他相关教程：","xe":"Other Related Tutorials:"},{"t":"p","x":"《揭秘IPA摄影大赛获奖作品的拍摄思路与后期过程》","b":false,"xe":"\"Revealing the Shooting Ideas and Post-Processing of IPA Photography Award Winners\""},{"t":"p","x":"《那些极致的风光大片都是怎么来的？揭秘照片背后的拍摄与后期》","b":false,"xe":"\"How Do Those Extreme Landscape Masterpieces Come to Be? 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