{"slug":"ipa-2023-review","title":"IPA摄影大赛获奖赏析！2023年摄影师都在怎么拍？","author":"Thomas看看世界","date":"2023-09-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247498404&idx=1&sn=0c8361a087feeab00c06a40632bf81a3&chksm=eb8204c0dcf58dd64a8595e0dc9bf24cad5255802ce187e62921bb92cec83fc5d81fdfdf80f8&scene=21#wechat_redirect","blocks":[{"t":"p","x":"前几天2023年IPA摄影大赛获奖结果出炉啦。","b":false,"xe":"A few days ago, the results of the 2023 IPA Photography Awards were released."},{"t":"p","x":"作为一个分类齐全且水准在线的摄影比赛，这些获奖作品非常适合摄影爱好者开拓思路。","b":false,"xe":"As a competition with comprehensive categories and a consistently high standard, these winning works are perfect for photography enthusiasts to broaden their thinking."},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"p","x":"今天的视频中，Thomas精选了一些获奖照片进行赏析学习。","b":false,"xe":"In today's video, Thomas has selected some winning photos for appreciation and study."},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1e34y1A7cY","bpic":"bili-1","bt":"IPA摄影大赛获奖赏析！2023年摄影师都在怎么拍？"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 把这期 12 分钟的 IPA 2023 获奖作品赏析落成了文字，并配上视频关键帧截图——先看单张获奖为什么需要「天时地利人和」，再看小行星视角、龙血树与互补色这类视角与呼应的功夫，然后是组图的想象力（冰纹、跳水者、影子与芯片），最后落到身边的类型学与组图的力量。适合先看图建立框架，再回到视频里逐张欣赏。","xe":"This is the fully illustrated companion to the video above. Thomas turned the 12-minute review of the IPA 2023 winners into text and paired it with keyframe screenshots — why single images need everything to line up at once, the craft of vantage point and echo (a tiny-planet view, a dragon blood tree, complementary colours), the imagination behind series (ice textures, divers, shadows and a microchip), and finally typology close to home and the power of a set. Skim it here for the framework, then go back to the video to study each image.","b":false},{"t":"p","x":"先看总览。下面这张截自视频 12:30 处，是 IPA 官网的获奖作品页面。IPA 是一个种类非常多的比赛——从商业到艺术，到风光、旅行、纪实等等，又分专业组与非专业组、按国家分——作品量很大，整体基调也不错，非常适合了解世界各地的摄影师现在都在怎么拍。这期 Thomas 分别挑了单张与组图的获奖作品做赏析。","xe":"Start with the overview. Captured at 12:30 in the video, this is the winners page on the IPA website. The International Photography Awards spans an unusually wide range of categories — from commercial to fine art, landscape, travel and documentary — split again into professional and non-professional and by country, so the pool is large and the overall standard is high, making it an ideal survey of how photographers around the world are shooting right now. Thomas picks both single images and series to discuss.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 单张获奖：需要天时地利人和","xe":"01 Winning with a Single Image: Everything Has to Line Up"},{"t":"p","x":"IPA 是单张和组图混合投稿的，但 Thomas 观察下来，单张获奖的难度非常大——它需要一个非常精彩的瞬间：比如 Ryan Fitzsimons 拍到的火山喷发，那是非常难得的时刻；或者常人极难拍到的场景，比如洞穴里的层次与光影；再或者是一种极简的观察（视频 1:13 处）。全景照片里河流蜿蜒向两边铺开的纹理非常和谐舒服，雪景照片里树木上每一处雪的细节都极有冲击力。","xe":"IPA accepts singles and series in the same pool, but in Thomas's observation a single image has a much harder road to a prize — it needs a truly exceptional moment: Ryan Fitzsimons's erupting volcano, a rare instant few ever witness; or a scene almost impossible to reach, such as the layered light inside a cave; or an extremely minimal way of seeing (at 1:13 in the video). A panorama of a river meandering out to both edges reads as harmonious and calm, while a snow scene where every detail of frost on the trees lands with real force.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"Scott Portelli 的水下照片也非常绝：一束光从上面打下来，鲸鱼与下方的影子形成层次，很崇高的一张照片（视频 1:59 处）。还有一张创意构图加极简黑白，很有中国画的感觉。星空类今年前两名都是组图，第三名是戴建峰老师的单张：既有气辉，又有银河拱桥，中间还有一个拍照的人，人与景呼应，两边形成双弧线，整张接片非常震撼（视频 2:25 处）。单张获奖，真的需要天时地利人和。","xe":"Scott Portelli's underwater frame is remarkable too: a shaft of light falls from above, the whale and its shadow below build depth, and the whole image feels solemn and grand (at 1:59 in the video). Another single pairs a creative composition with minimal black and white for a feel close to Chinese ink painting. In astrophotography the top two places went to series; third went to a single by Dai Jianfeng — airglow, a Milky Way arch and a photographer standing beneath it, figure and landscape echoing each other, twin arcs framing both sides, a stunning stitched panorama (at 2:25 in the video). For a single to win, the timing, the place and the person all have to align.","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"h","x":"02 视角与呼应：小行星、龙血树与互补色","xe":"02 Vantage Point and Echo: Tiny Planet, Dragon Blood Tree and Complementary Colours"},{"t":"p","x":"Thomas 觉得非常好的一张，是 Gang Wang 用「小行星」视角拍的建筑：这栋建筑里有一艘船，是个公园或景点，周边全是高楼大厦。用普通广角拍不出这种震撼力，而小行星视角让周边高楼呈现出凌厉、奇特、夸张的感觉，冲击力很强，也让他拿下了今年的年度建筑摄影师（视频 2:50 处）。创意、手法和场景高度匹配，很值得学习。","xe":"One Thomas particularly admires is Gang Wang's tiny-planet view of a building: inside sits a ship — a park or attraction — hemmed in by skyscrapers. An ordinary wide-angle could never deliver this impact, but the tiny-planet projection makes the surrounding towers loom sharp, strange and exaggerated, and it earned him Architecture Photographer of the Year (at 2:50 in the video). Idea, technique and subject fit each other perfectly — a model worth studying.","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"氛围感很强的一张来自也门的索科特拉岛：Guillaume Petermann 让那里的龙血树和树下穿当地服装的人形成呼应，拿到了旅行组冠军（视频 3:36 处）。另一张金色与淡蓝色搭配的城市照片也很精彩；还有一张用极简的黑白背景，配上非常饱和的橙色与蓝色这对互补色，色彩极具冲击力（视频 3:55 处）。","xe":"A frame heavy with atmosphere comes from Socotra, Yemen: Guillaume Petermann sets a dragon blood tree against a figure in local dress beneath it, the two echoing each other, and it won the Travel category (at 3:36 in the video). A city image pairing gold with pale blue is equally strong, and another sets highly saturated orange and blue — a complementary pair — against a minimal black-and-white background for colour with real punch (at 3:55 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 组图的想象力：冰纹、跳水者、影子与芯片","xe":"03 The Imagination of a Series: Ice, Divers, Shadows and a Microchip"},{"t":"p","x":"接下来看组图。今年的年度自然摄影师被 Maciej Noskowski 这组航拍的冬季冰雪纹理拿下：取景非常简洁，用震撼的航拍视角抓冬季的极简构图，记录自然界那些天马行空、神奇的纹理局部（视频 4:14 处）。另一组极简构图在各类比赛里见得比较多，需要大量后期——不过木桩上那只鸟带一点点动态模糊，虚实结合处理得很好；当然这类作品可能要大量后期去除杂物，连倒影都是后期做出来的（视频 4:49 处）。","xe":"On to series. Nature Photographer of the Year went to Maciej Noskowski's aerial textures of winter ice and snow: spare framing, a dramatic aerial vantage point, minimal compositions that record the wild, almost fantastical patterns nature draws (at 4:14 in the video). Another minimal set is the kind seen often in competitions and relies heavily on post — though the bird on a post with a touch of motion blur, sharp against soft, is handled beautifully; work like this may involve extensive clean-up, with even the reflections built in post (at 4:49 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"Andy Lo Po 这组极有想象力：平时拍人，我们不会想到去拍正在跳水的人。它一方面让背景非常干净，另一方面把人置于特定的环境之中，体现出度假时快乐的气氛，和普通人像很不一样（视频 5:16 处）。今年索尼世界摄影大赛静物组的大奖，拍的是吊在空中的园林盆栽，两组在想法上非常相似。还有一组把船提取出来放在白色背景上，好像在影棚里拍的一样，是纪实摄影与商业摄影的融合，效果很独特（视频 6:02 处）。","xe":"Andy Lo Po's set is wonderfully imaginative: when we photograph people, few of us think of catching them mid-dive. It keeps the background immaculate while placing the figure in a specific setting, conveying the joy of a holiday — nothing like conventional portraiture (at 5:16 in the video). This year's Sony World Photography Awards still-life winner, potted garden plants suspended in mid-air, springs from a very similar idea. Another series lifts boats onto a white background as if shot in a studio, fusing documentary with commercial photography for a singular effect (at 6:02 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"手机组今年的大奖是 Tony Hertz 的一组自拍影子：戴着帽子，很有复古感，而且不断寻找不同视角——用玻璃营造复杂的空间结构，用超市的手推车找到独特场景，把影子投在各种表面、投进小巷里的车上（视频 6:31 处）。它是一个很好的案例：组图需要既有相似性又有不同性，能看出作者统一的视觉统筹能力，同时有丰富的观察力和想象力（视频 7:12 处）。","xe":"The Smartphone grand prize went to Tony Hertz's series of his own shadow: a hat lends it a vintage air, and he keeps hunting for new angles — glass to build complex spatial structures, a supermarket trolley for an unexpected setting, the shadow thrown across all kinds of surfaces and onto cars in alleyways (at 6:31 in the video). It is a textbook case: a series needs both consistency and variation, revealing a unified visual sensibility along with rich observation and imagination (at 7:12 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"Xiangsheng Zhang 这组同样极具想象力：把城市建筑的航拍抠出来，放到芯片的背景上。评委说，它找到了两个非常相似的物体——大规模的城市建筑和智能芯片，都代表人类工业社会的最高结晶，形式上也非常呼应。当然背景的芯片稍稍有点粗糙、重复略多，但整体想象力非常丰富（视频 7:27 处）。","xe":"Xiangsheng Zhang's series is just as inventive: aerial views of city blocks cut out and laid onto a microchip background. The jury noted that it pairs two remarkably similar objects — vast urban architecture and the smart chip, each a pinnacle of industrial civilisation, and formally they rhyme. The chip background is a little rough and repetitive, but the imagination on show is abundant (at 7:27 in the video).","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"04 身边的类型学与组图的力量","xe":"04 Typology Close to Home and the Power of a Set"},{"t":"p","x":"Dmitry Gudkov 这组给了很多启示：我们不一定非得去很远、很震撼的地方。他在一座普通小城拍街角即将消失的小便利店，用类似类型学的方式拍摄——这种拍法必须用组图，单张你可能觉得没什么意思，但一组看下来，无论主题还是形式感都很有启发（视频 8:06 处）。另一组拍很有历史感、基本废弃、杂草丛生的苏联建筑，用 HDR 的独特视觉效果，成组之后主题得到了升华。","xe":"Dmitry Gudkov's set is full of lessons: you do not have to travel far or chase the spectacular. In an ordinary small town he photographed the corner convenience stores that are about to disappear, in a near-typological manner — an approach that demands a series, because a single frame may seem unremarkable, yet as a set both the subject and the formal rhythm become inspiring (at 8:06 in the video). Another series documents largely abandoned, overgrown Soviet-era buildings with a distinctive HDR look, and the set elevates the theme.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"Filippo Papa 拍的是教堂穹顶之类的建筑，通过黑白后期处理出一种神性、很有灵魂的感觉。我们参观教堂时都会抬头看一眼，但把它拍成一组，再找到合适的后期方法，把你对这种建筑的独特理解和精髓提取出来，就非常好（视频 8:57 处）。类似的还有极简色块加极限构图的组图，非常统一、有震撼力；以及一组废弃医院——有秩序地留下的物品、废墟一般的墙面，让人感叹时间独特的力量。","xe":"Filippo Papa photographs church domes and similar architecture, and his black-and-white treatment draws out a sense of the sacred, something almost soulful. We all glance upward when visiting a church, but photographing it as a series and finding the right post-processing to distil your own understanding of the architecture — its essence — is what makes it work (at 8:57 in the video). In a similar spirit: a set of minimal colour blocks in extreme compositions, unified and striking; and a series on abandoned hospitals, with neatly left-behind objects and ruined walls that speak of the peculiar force of time.","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"今年星空类的冠军 Jakob Arthur Andersen 这组非常牛：统一点是画面中间都有一个小点——国际空间站，背景则是月球、太阳和各种星系。它把人类的渺小与太阳的宏大、月亮的广阔拍出了一种崇高感（视频 10:13 处）。之后还有极简的冬季组图，很简洁有韵味；典型类型学方式的黑白极简，黑白的调校值得学习；一组胶片作品利用化学药水处理，模糊和斑点都成了有秩序感和美感的纹理，处理非常老道（视频 11:14 处）。","xe":"This year's astrophotography winner, Jakob Arthur Andersen, is superb: the unifying device is a tiny dot at the centre of every frame — the International Space Station — against the Moon, the Sun and assorted galaxies, setting human smallness against the grandeur of the Sun and the vastness of the Moon for a genuine sense of the sublime (at 10:13 in the video). Then come a spare winter series, restrained and evocative; classic black-and-white typology whose tonal handling is worth studying; and a film series that uses darkroom chemistry so that blur and blotches become ordered, beautiful texture — very assured work (at 11:14 in the video).","b":false},{"t":"img","f":"v14","w":852,"h":480},{"t":"p","x":"最后几组都在说同一件事：工业建筑用组图呈现依然震撼，而且就在我们身边就能拍到；一组呈现自然界不同云的构图，单张投稿可能拿不到很高的名次，做成组图带来的感受完全不一样；萤火虫很多人都拍过，归为一组之后震撼力完全不同；星空作品集合起来，力量感以及对技术与审美的体现也非常棒（视频 11:45 处）。组图，是爱好者可以努力拓展的一个方向。","xe":"The closing sets all make the same point: industrial architecture presented as a series still hits hard, and it can be shot right where we live; a series of cloud formations that might not place highly as singles feels entirely different as a set; plenty of people have photographed fireflies, but gathered into a series the impact changes completely; and an astrophotography set, brought together, carries real force and shows both technique and taste (at 11:45 in the video). Series work is a direction every enthusiast can push into.","b":false},{"t":"quote","x":"1. 单张获奖要天时地利人和：火山喷发、洞穴光影、鲸鱼光束、气辉加银河拱桥——精彩瞬间加极简观察；2. 视角与呼应决定冲击力：小行星视角配高楼环抱的船，龙血树呼应当地服装，极简黑白衬饱和的橙蓝互补色；3. 组图靠想象力立住：航拍冰纹、跳水者置于干净背景、影子在玻璃与手推车间变换、城市航拍落在芯片上——既相似又不同，看得出统一的视觉统筹；4. 不必去远方：街角便利店、教堂穹顶、废弃医院、云、萤火虫、国际空间站的小点，成组之后主题才升华，组图是爱好者最值得拓展的方向。","xe":"1. A single image wins only when everything aligns — an eruption, cave light, a whale in a light shaft, airglow beneath a Milky Way arch — a rare moment paired with minimal observation; 2. Vantage point and echo create impact: a tiny-planet view of a ship ringed by towers, a dragon blood tree answering local dress, saturated orange-and-blue complements on minimal black and white; 3. Series stand on imagination: aerial ice, divers on clean backgrounds, a shadow shifting between glass and a shopping trolley, city aerials laid on a microchip — alike yet varied, revealing a unified visual sensibility; 4. No need to travel far: corner shops, church domes, abandoned hospitals, clouds, fireflies, the tiny dot of the ISS — themes are elevated only as a set, and series work is the direction most worth pursuing."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1e34y1A7cY/","b":false,"xe":"https://www.bilibili.com/video/BV1e34y1A7cY/"},{"t":"h","x":"获奖作品节选","xe":"Selected Winning 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