{"slug":"jiying-zhouyou-2017-review","title":"极影周游的2017年终总结！风光大冒险与真心话！","author":"Thomas看看世界","date":"2018-01-03","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247486332&idx=2&sn=4e84de8055074f2a8a158379e1b1e749&chksm=eb81f518dcf67c0e4f8a62db8e5ebfe1349a35ab2af90cc284915a1b82e4582bcb7fc0c7ab7a&scene=21#wechat_redirect","blocks":[{"t":"p","x":"Joyous周游","b":false,"xe":"Joyous Zhouyou (Joyous周游)"},{"t":"img","f":"img-01","w":284,"h":52},{"t":"p","x":"2017年摄影总结","b":false,"xe":"2017 Photography Review"},{"t":"h","x":"我就是图虫APP登陆界面摄影师","xe":"I'm the photographer on the Tuchong app login screen"},{"t":"img","f":"img-02","w":750,"h":1334},{"t":"p","x":"时光飞逝，我来图虫已经4个年头了，可以说图虫见证了我的成长，我也见证了图虫的成长。每一年年末我都会写一篇年终总结，除了鞭策自己不断拍摄新作品，让每一年不虚度外，现在已经成为一种习惯，一种仪式感，就像中国人（北方）过年要吃饺子一样。2017可以说是非常的忙，最重要的事就是我成为新晋奶爸，首先要感谢媳妇和家人对我的支持，让我这个时间段有时间去坚持自己的风光摄影。","b":false,"xe":"Time flies — I've been on Tuchong (图虫) for four years now. You could say Tuchong has witnessed my growth, and I've witnessed Tuchong's growth. Every year-end I write a year-in-review, not only to spur myself to keep shooting new work and not waste any year, but also because it's become a habit and a ritual — just as northern Chinese eat dumplings for the New Year. 2017 was extremely busy, and the most important thing was becoming a new dad. First, I want to thank my wife and family for their support, which gave me the time to keep pursuing my landscape photography during this period."},{"t":"img","f":"img-03","w":1200,"h":797},{"t":"h","x":"年","xe":"Year"},{"t":"h","x":"2014年","xe":"2014"},{"t":"p","x":"https://joyou.tuchong.com/7021530/","b":false,"xe":"https://joyou.tuchong.com/7021530/"},{"t":"h","x":"终","xe":"End"},{"t":"h","x":"2015年","xe":"2015"},{"t":"p","x":"https://joyou.tuchong.com/12809747/","b":false,"xe":"https://joyou.tuchong.com/12809747/"},{"t":"h","x":"总","xe":"Summary"},{"t":"h","x":"2016年","xe":"2016"},{"t":"p","x":"https://joyou.tuchong.com/13915624/","b":false,"xe":"https://joyou.tuchong.com/13915624/"},{"t":"h","x":"结","xe":"Conclusion"},{"t":"h","x":"2017年","xe":"2017"},{"t":"p","x":"...此处省略一万字","b":false,"xe":"...(10,000 words omitted here)"},{"t":"h","x":"回顾这几年的总结，发现自己在一点点的进步","xe":"Looking back at these years' reviews, I find I've been improving little by little."},{"t":"p","x":"2017年我和其他五位（thomas、史飞、姚明来、潘玮浩、史炎冰）热爱户外、热衷摄影的小伙伴，成立了极致户外风光摄影团队，极影AdventureX,“世之奇伟、瑰怪，非常之观，常在于险远，而人之所罕至焉”。极影AX成立的初衷恰是缘于对风光摄影的理解，和成员户外经历的吻合我们相信每一幅作品的真正酝酿，不是曝光所需要的那几秒，或多少分之一秒的时间，而是在抵达拍摄地，打开快门之前我们在一条既消耗体力又耗费智力的旅途上经历的漫长体验。","b":false,"xe":"In 2017, I and five other friends who love the outdoors and photography (Thomas, Shi Fei, Yao Minglai, Pan Weihao, and Shi Yanbing) founded the ultimate outdoor landscape photography team, AdventureX (极影). \"The world's most majestic, marvelous and extraordinary sights often lie in perilous and distant places rarely reached by man.\" The original intent behind founding AdventureX AX arose precisely from the convergence of our understanding of landscape photography and the members' outdoor experiences. We believe that the true gestation of every work isn't the few seconds or fractions of a second needed for the exposure, but the long experience we undergo on a journey that consumes both physical strength and intellect, before arriving at the shooting location and opening the shutter."},{"t":"img","f":"img-04","w":1200,"h":797},{"t":"p","x":"天地之间有大美，一山一水一世界。关于摄影，再完美的技术，也不过是实现目标的途径而已。摄影的乐趣则是更多的在于跋涉、拍摄和分享的过程。因此三极的摄影理念：极限挑战，极致影像，极客分享，一直是我们极影AX的坚持和追求，我也用“三极”的理念总结我的2017.","b":false,"xe":"There is great beauty between heaven and earth — every mountain and river is a world of its own. In photography, even the most perfect technique is merely a means to achieve a goal. The joy of photography lies more in the process of trekking, shooting, and sharing. Therefore, the \"Three Extremes\" philosophy — Push the Limits, Ultimate Imagery, and Geek Sharing — has always been the persistence and pursuit of our AdventureX AX, and I've used this \"Three Extremes\" philosophy to summarize my 2017."},{"t":"img","f":"img-05","w":1600,"h":1068},{"t":"img","f":"img-06","w":9,"h":9},{"t":"h","x":"风光大冒险","xe":"Landscape Big Adventures"},{"t":"h","x":"1","xe":"1"},{"t":"p","x":"极限挑战","b":false,"xe":"Push the Limits"},{"t":"img","f":"img-07","w":1200,"h":607},{"t":"h","x":"《乾坤太极》天为乾，地为坤，水为太极，乾坤太极！——太极湾！","xe":"\"Qiankun Taiji\" — heaven is Qian, earth is Kun, water is Taiji; Qiankun Taiji! — Taiji Bay!"},{"t":"p","x":"2017年初3月份，刚下过一场雪，我想到一座山的山顶拍摄乾坤太极这个场景（至少目前我没看过有人拍摄太极湾银河拱桥），为了拍摄更好的画质，我打算赤道仪拍摄，还带了RRS TV33+BH55 PRO球台和我平时用的捷信1542登山者系列，机身带了sony A7S 天文改机和sigma 20 f1.4 和 尼康D810 +14-24,半夜11点开始爬山，由于雪太大，我的车被困在半路，到山脚下就还有3km，上山正常说步行40分钟，但是山上雪的厚度超出我的预料，有半米深，到了膝盖，在这么厚的积雪徒步爬山非常消耗体力，而且一脚深一脚浅。","b":false,"xe":"In early March 2017, right after a snowfall, I wanted to shoot the Qiankun Taiji scene from the top of a mountain (at least, I'd never seen anyone shoot the Taiji Bay Milky Way arch). For better image quality, I planned to use a star tracker. I brought an RRS TV33 tripod with a BH-55 PRO ball head plus my usual Gitzo 1542 Mountaineer series, and carried a Sony A7S astro-modified body with a Sigma 20mm f/1.4, plus a Nikon D810 with a 14-24mm. I started climbing at 11 p.m. The snow was so heavy that my car got stuck halfway, leaving 3 km to the foot of the mountain. Normally the hike up takes 40 minutes, but the snow depth exceeded my expectations — about half a meter, up to the knees. Hiking in such deep snow was extremely exhausting, each step sinking into the snow."},{"t":"img","f":"img-08","w":908,"h":1234},{"t":"p","x":"天亮下山的时候拍摄自己半夜上山踩出路","b":false,"xe":"Shot my own trail trodden up the mountain at midnight, on the way down at dawn"},{"t":"p","x":"锂电手电在低温下迅速掉光了电量，只有一个人摸黑爬山，凌晨3点银河就要升起，我还赶着时间拍摄，带着这么多器材到了半山腰我也气喘吁吁，体力不支，这时候只有舍弃一些不必要的器材了，轻装上阵，于是我选择把大的三脚架和赤道仪扔到雪堆里，等下山的时候回来捡（反正半夜荒山野岭也不会丢），就这样经过近3个小时的徒步登山在银河升起前，按时赶到了山顶。","b":false,"xe":"The lithium flashlight rapidly lost its charge in the cold, and I had to climb in the dark alone. The Milky Way was due to rise at 3 a.m., and I was racing against time to shoot. Carrying all that gear, I was gasping for breath and physically drained by the halfway point. At that point I had to abandon some unnecessary equipment and travel light, so I tossed the big tripod and star tracker into the snow to retrieve on the way down (they wouldn't be stolen in the middle of nowhere at night anyway). After nearly 3 hours of hiking, I reached the summit right on time before the Milky Way rose."},{"t":"h","x":"《安娜普尔娜的坚持》","xe":"\"The Persistence of Annapurna\" (《安娜普尔娜的坚持》)"},{"t":"img","f":"img-09","w":1600,"h":1066},{"t":"p","x":"本来是想来安纳普尔纳ABC休闲之旅的，由于自己重装25kg加上雨天湿滑，一不小心向后滑倒胳膊摔脱臼，幸运的是后面赶上来的队伍有一位学者风范的医生（我亲切的称他，钱大舅），帮我把胳膊接上，用毛巾和帐篷绳帮我把受伤的胳膊固定好，这时我心中仿佛有个信念，有个声音在呼唤我，是远山的呼唤，我坚定自己的目标，在大山兄弟的陪护下，坚持带伤负重走到了安纳普尔纳大本营，仿佛上天看到了我的努力和坚持，一连几天的阴雨天，早上突然放晴，我在安纳普尔娜雪山的环抱中，远眺鱼尾峰，看霞光飞渡，看云海翻腾。","b":false,"xe":"I originally planned a relaxing ABC trek to Annapurna. But carrying a 25 kg pack on wet, slippery rainy ground, I slipped backward and dislocated my arm. Fortunately, in the team that caught up behind was a doctor with scholarly bearing (whom I affectionately call \"Uncle Qian\"), who reset my arm and fixed it with a towel and tent rope. At that moment, I felt as if there were a belief inside me, a voice calling — the call of the distant mountains. I held firm to my goal, and accompanied by my mountain brothers, I insisted on trekking with the injury and the load all the way to Annapurna Base Camp. It was as if heaven had seen my effort and persistence: after days of overcast and rain, the morning suddenly cleared. Surrounded by the Annapurna snow mountains, I gazed at Machhapuchhre (Fishtail Peak) in the distance, watching rosy clouds drift past and seas of clouds churn."},{"t":"h","x":"2","xe":"2"},{"t":"p","x":"极致影像","b":false,"xe":"Ultimate Imagery"},{"t":"h","x":"NO.1《圣象天门》","xe":"NO.1 \"Holy Elephant Gate\" (《圣象天门》)"},{"t":"img","f":"img-10","w":1200,"h":800},{"t":"p","x":"我热衷户外，以前觉得通过户外极限挑战达到别人到不了的海拔，到不了的地方，拍摄鲜为人知的秘境，这才是极致的影像，随着对摄影不断深入，一个鲜为人知的地方，在各种自然条件下都到达理想状态下拍出的片子，才是极致影像。今年不计成本六次前往海王九岛中的无人岛拍摄，为什么一个岛屿我要去六次？而且只拍摄了一张片子。","b":false,"xe":"I'm passionate about the outdoors. I used to think that extreme outdoor challenges — reaching altitudes and places others can't, photographing little-known secret realms — were what constituted ultimate imagery. As I've gone deeper into photography, I've realized that ultimate imagery is shooting at a little-known place where all natural conditions align in an ideal state. This year, regardless of cost, I went six times to the uninhabited island among the Haiwang Nine Islands to shoot. Why did I visit the same island six times — and shoot only one photo?"},{"t":"img","f":"img-11","w":1600,"h":903},{"t":"h","x":"拍摄经历","xe":"Shooting Experience"},{"t":"p","x":"这是很多人不理解的事情。这主要是海景摄影的自然条件限制更加苛刻，除了天气条件限制，还有潮位限制，潮位太高根本没有露出的礁石架机位，潮位太低又没有水，光秃秃不好看，即便是潮位再最佳日期，也要趟着到胸口的水，爬到礁石上。。众所周知，潮位与月相有关，15天一个大周期，这15天内只有一天是合适的潮位，也就是说一年有24次机会潮位合适，但是在合适的潮位遇上完美的天气又是难上加难，可能一年能遇上一次真的是奢侈。自然条件苛刻不说，最重要的是，海王九岛没有潮位站，没有准确的潮位信息，只能靠大致推算。","b":false,"xe":"This is something many people don't understand. It's mainly because seascape photography has even stricter natural constraints. Besides weather, there's the tide level: if the tide is too high, there are no exposed rocks to set up a tripod; if too low, there's no water and the bare rocks don't look good. Even on the best-tide days, you have to wade through chest-deep water to climb onto the rocks. As everyone knows, tides relate to lunar phases — a 15-day cycle, and only one day within those 15 days has a suitable tide. That means about 24 opportunities a year for the right tide, but catching perfect weather on a suitable tide is even harder — getting one a year is already a luxury. And the natural constraints aren't the only issue; most importantly, the Haiwang Nine Islands has no tide station, so there's no accurate tide data — only rough estimates."},{"t":"img","f":"img-12","w":1200,"h":740},{"t":"p","x":"汪洋一片，连个架机位的石头都么有","b":false,"xe":"A vast expanse of ocean, without even a rock to set up a tripod"},{"t":"p","x":"在这么苛刻的自然条件限定下，我只去了六次海王九岛就拍摄成功，可以说是非常幸运了。每一次从沈阳到达海王九岛拍摄的成本是1500元，一张照片背后的成本到底有多高，细细算来已经近万元。每一次都是要从庄河港坐大船出发，再雇佣渔民小船到这个无人岛屿去守候最美的日落，而且太阳要刚刚好穿过石洞，这个与太阳偏角有关（季节）。这个无人岛屿其实没有可以适合人居住的地方，唯独一片20平方米大小，被海蛎子壳冲积成的滩地，会在涨潮高于海平面，可以露营。饮用水也是从大岛事先储备，带到无人岛，可以说生存条件是相当艰苦。刮风下雨，要躲到岛上一个6平方米左右的一个小山洞。就这样艰苦而苛刻的条件下拍摄了这张《圣象天门》。","b":false,"xe":"Under such harsh natural constraints, succeeding in just six visits to the Haiwang Nine Islands is quite fortunate. Each trip from Shenyang to shoot at the Haiwang Nine Islands costs 1,500 yuan — and calculating carefully, the cost behind a single photo has approached nearly 10,000 yuan. Each time, I took a big ferry from Zhuanghe Port, then hired a fisherman's small boat to reach this uninhabited island to wait for the most beautiful sunset — and the sun had to pass exactly through the stone arch, which relates to the sun's declination (the season). This uninhabited island actually has no place suitable for living — only a small 20-square-meter patch of beach formed by oyster shells, which sits above sea level at high tide and can be camped on. Drinking water had to be stocked in advance from the main island and brought over. Living conditions were extremely harsh — when wind and rain came, I'd shelter in a small cave of about 6 square meters on the island. Under these arduous and demanding conditions, I shot this \"Holy Elephant Gate\" (《圣象天门》)."},{"t":"h","x":"NO.2《千丝若水》","xe":"NO.2 \"A Thousand Silks Like Water\" (《千丝若水》)"},{"t":"img","f":"img-13","w":816,"h":1200},{"t":"h","x":"NO.3《地狱之曈》","xe":"NO.3 \"The Eye of Hell\" (《地狱之曈》)"},{"t":"img","f":"img-14","w":1200,"h":839},{"t":"h","x":"NO.4《屋顶》","xe":"NO.4 \"The Roof\" (《屋顶》)"},{"t":"img","f":"img-15","w":1200,"h":640},{"t":"h","x":"NO.5《鹰之眼》","xe":"NO.5 \"The Eye of the Eagle\" (《鹰之眼》)"},{"t":"img","f":"img-16","w":1600,"h":897},{"t":"h","x":"NO.6《别有洞天》","xe":"NO.6 \"A Hidden Paradise\" (《别有洞天》)"},{"t":"img","f":"img-17","w":801,"h":1200},{"t":"h","x":"NO.7《火烧旗云》","xe":"NO.7 \"Burning Banner Clouds\" (《火烧旗云》)"},{"t":"img","f":"img-18","w":1600,"h":1027},{"t":"h","x":"NO.8《多彩之秋》","xe":"NO.8 \"Colorful Autumn\" (《多彩之秋》)"},{"t":"img","f":"img-19","w":1299,"h":974},{"t":"h","x":"NO.9《时空炸裂》","xe":"NO.9 \"Space-Time Explosion\" (《时空炸裂》)"},{"t":"img","f":"img-20","w":1200,"h":800},{"t":"h","x":"NO.10《冰海迷航》","xe":"NO.10 \"Lost in the Frozen Sea\" (《冰海迷航》)"},{"t":"img","f":"img-21","w":1200,"h":659},{"t":"h","x":"NO.11《血色熔岩》","xe":"NO.11 \"Blood-Red Lava\" (《血色熔岩》)"},{"t":"img","f":"img-22","w":1200,"h":800},{"t":"h","x":"NO.12《万丈光芒》","xe":"NO.12 \"Radiant Light\" (《万丈光芒》)"},{"t":"img","f":"img-23","w":1200,"h":699},{"t":"h","x":"NO.13《绿野仙踪》","xe":"NO.13 \"The Wizard of Oz\" (《绿野仙踪》)"},{"t":"img","f":"img-24","w":801,"h":1200},{"t":"h","x":"NO.14《沧海一“树\"》","xe":"NO.14 \"A Single 'Tree' in the Vast Sea\" (《沧海一“树\"》)"},{"t":"img","f":"img-25","w":1200,"h":800},{"t":"h","x":"NO.15《象牙塔》","xe":"NO.15 \"The Ivory Tower\" (《象牙塔》)"},{"t":"img","f":"img-26","w":1200,"h":782},{"t":"h","x":"NO.16《蟹将出海》","xe":"NO.16 \"The Crab General Goes to Sea\" (《蟹将出海》)"},{"t":"img","f":"img-27","w":1200,"h":805},{"t":"h","x":"3","xe":"3"},{"t":"p","x":"极客分享","b":false,"xe":"Geek Sharing"},{"t":"p","x":"秉承着极影AX极客分享的精神，分享干货不掺水，我也将拍摄风光的技巧和心得写成了教程：","b":false,"xe":"Upholding the geek-sharing spirit of AdventureX AX — sharing pure substance without dilution — I've also written my landscape shooting techniques and insights into tutorials:"},{"t":"p","x":"1.《慢门海景的五种表达方式》","b":false,"xe":"1. \"Five Ways to Express Slow-Shutter Seascapes\""},{"t":"p","x":"https://joyou.tuchong.com/t/14199390/","b":false,"xe":"https://joyou.tuchong.com/t/14199390/"},{"t":"p","x":"2.《教你绘制梵高的星空》","b":false,"xe":"2. \"Teaching You to Paint Van Gogh's Starry Night\""},{"t":"p","x":"https://joyou.tuchong.com/t/14317690/","b":false,"xe":"https://joyou.tuchong.com/t/14317690/"},{"t":"p","x":"3.《带你拍三万英尺上空的银河（上）》","b":false,"xe":"3. \"Taking You to Shoot the Milky Way at 30,000 Feet (Part 1)\""},{"t":"p","x":"https://joyou.tuchong.com/t/14290231/","b":false,"xe":"https://joyou.tuchong.com/t/14290231/"},{"t":"p","x":"4.《教你拍三万英尺上空银河（下）》","b":false,"xe":"4. \"Teaching You to Shoot the Milky Way at 30,000 Feet (Part 2)\""},{"t":"p","x":"https://joyou.tuchong.com/t/14494615/","b":false,"xe":"https://joyou.tuchong.com/t/14494615/"},{"t":"p","x":"5.《将噪点扼杀在摇篮中》","b":false,"xe":"5. \"Nipping Noise in the Bud\""},{"t":"p","x":"https://joyou.tuchong.com/t/14443597/","b":false,"xe":"https://joyou.tuchong.com/t/14443597/"},{"t":"p","x":"6.《灯泡镜头轻量化滤镜系统解决方案及评测》","b":false,"xe":"6. \"Lightweight Filter System Solutions and Review for Bulb Lenses\""},{"t":"p","x":"https://joyou.tuchong.com/t/14646169/","b":false,"xe":"https://joyou.tuchong.com/t/14646169/"},{"t":"p","x":"7.《星空降噪进阶篇——基于智能对象的平均值堆栈降噪》","b":false,"xe":"7. \"Advanced Starry Sky Noise Reduction — Average Stacking Based on Smart Objects\""},{"t":"p","x":"https://joyou.tuchong.com/t/14861598/","b":false,"xe":"https://joyou.tuchong.com/t/14861598/"},{"t":"p","x":"8. 《星空降噪终极篇——基于registar软件的堆栈降噪》","b":false,"xe":"8. \"The Ultimate Guide to Starry Sky Noise Reduction — Stacking Based on RegiStar\""},{"t":"p","x":"https://joyou.tuchong.com/t/14892617/","b":false,"xe":"https://joyou.tuchong.com/t/14892617/"},{"t":"p","x":"9.《国产夜之眼沈阳中一50mm f0.95评测》","b":false,"xe":"9. \"Review of the Domestic 'Eye of the Night' Shenyang Zhongyi 50mm f/0.95\""},{"t":"p","x":"https://joyou.tuchong.com/t/14989755/","b":false,"xe":"https://joyou.tuchong.com/t/14989755/"},{"t":"p","x":"10.《四年磨一剑，完全“不计成本”地为你展现绝美的大连海岸线！(上)》","b":false,"xe":"10. \"Four Years to Sharpen One Sword: Presenting Dalian's Stunning Coastline to You at Absolutely 'No Cost'! (Part 1)\""},{"t":"p","x":"https://joyou.tuchong.com/t/14928264/","b":false,"xe":"https://joyou.tuchong.com/t/14928264/"},{"t":"p","x":"11.《四年磨一剑，完全“不计成本”地为你展现绝美的大连海岸线！(下)》","b":false,"xe":"11. \"Four Years to Sharpen One Sword: Presenting Dalian's Stunning Coastline to You at Absolutely 'No Cost'! (Part 2)\""},{"t":"p","x":"12.《荧光海 \"拍摄&后期&创意\" 全攻略》","b":false,"xe":"12. \"Bioluminescent Sea: A Complete Guide to 'Shooting & Post-Processing & Creativity'\""},{"t":"p","x":"https://joyou.tuchong.com/t/15160468/","b":false,"xe":"https://joyou.tuchong.com/t/15160468/"},{"t":"p","x":"13.《银河拱桥全景接片与NIK插件银河调色》","b":false,"xe":"13. \"Milky Way Arch Panorama Stitching and NIK Plugin Milky Way Grading\""},{"t":"p","x":"https://joyou.tuchong.com/t/15034168/","b":false,"xe":"https://joyou.tuchong.com/t/15034168/"},{"t":"p","x":"14.《所有照片立体感打造的方法都在这》","b":false,"xe":"14. \"All the Methods for Creating Three-Dimensionality in Photos Are Right Here\""},{"t":"p","x":"https://joyou.tuchong.com/t/15854059/","b":false,"xe":"https://joyou.tuchong.com/t/15854059/"},{"t":"p","x":"15.《户外摄影如何平衡摄影器材与背包负重》","b":false,"xe":"15. \"How to Balance Photography Gear and Backpack Weight in Outdoor Photography\""},{"t":"p","x":"文章请查阅 极影AdventureX 公众号","b":false,"xe":"For the articles, please check the AdventureX (极影) official account"},{"t":"h","x":"真心话","xe":"Honest Words"},{"t":"h","x":"1.职业风光摄影师是有哪些收入来源？","xe":"1. What are the income sources for professional landscape photographers?"},{"t":"p","x":"职业风光摄影师的主要经济来源我总结有四大来源：1.带摄影采风团、2.教育培训（线上、线下课程或者视频教程）、3.图库卖照片、4.厂商签约（包括一些甲方组织的商业活动）。","b":false,"xe":"I've summarized the main economic sources for professional landscape photographers into four: 1. leading photography field-trip groups, 2. education and training (online/offline courses or video tutorials), 3. selling photos to stock libraries, and 4. manufacturer contracts (including commercial events organized by clients)."},{"t":"h","x":"2.那些教摄影师如何靠照片或者运营赚钱的书籍和帖子有没有用？","xe":"2. Are the books and posts that teach photographers how to make money from photos or operations useful?"},{"t":"p","x":"有一定作用，但没太大用。看到网上很多教人摄影如何赚钱，照片如何赚钱的帖子和书籍非常热，然而“圈内”真正赚到钱的摄影师也就那么几个，大部分还在维持生计的生活状态，此类帖子和书籍的大热，也说明大家对于“变现”还是非常渴望的(正常人没人会拒绝钱)。但是实际情况就好比，我会“点金术”，我就闷头自己赚钱就好了，找一块石头“点金”，我还要把点金技术分享出来么？还要把“点金术”写成书赚钱么?答案很显然。","b":false,"xe":"They have some use, but not much. Many posts and books online teaching people how to make money from photography and photos are very popular. Yet only a few photographers in the \"circle\" actually make real money; most are still just making ends meet. The popularity of such posts and books also shows how much everyone craves \"monetization\" (no normal person would refuse money). But the reality is like this: if I possessed the \"gold-touch skill,\" I'd just quietly make money for myself. Would I take a stone and \"turn it to gold,\" then share the gold-touch technique with others? Would I write a book about the \"gold-touch skill\" to make money? The answer is obvious."},{"t":"h","x":"3.我为什么不出书？","xe":"3. Why don't I publish a book?"},{"t":"p","x":"其实是有出版社联系我出书的，但是我觉得出书还是要认真负责，感觉现在积累还不够，希望厚积薄发，再就是我觉得还不是我总结艺术人生的时候。","b":false,"xe":"Actually, publishers have contacted me about publishing a book, but I feel that publishing a book requires serious responsibility. I sense my accumulation isn't enough yet, and I hope to build up and then release. Also, I don't think it's yet the time for me to summarize my artistic life."},{"t":"img","f":"img-28","w":814,"h":1168},{"t":"p","x":"我将我摄影五年的作品，自己印了一本画册送给自己，作为自己的一个阶段性总结，我会在摄影这条道路上不忘初心，继续前进，争取我的下一个五年我画册会更加精彩。","b":false,"xe":"I've printed a self-published photo album of my five years of work as a gift to myself — a phased summary of my journey. I'll stay true to my original aspiration on this photography path and keep moving forward, hoping my album will be even more wonderful in my next five years."},{"t":"h","x":"4.为什么我没有走职业风光摄影师的道路？","xe":"4. Why haven't I taken the path of a professional landscape photographer?"},{"t":"p","x":"早在前年，朵爷@勤奋的刘小朵 说：“拍成你这样的，应该出来做点事。”看着一起出道的摄影师都大红大紫，然而我还是没有走职业化的道路，这是为什么呢？一、要肯定，如果全职摄影肯定会比现在工资高，但是职业风光摄影师非常的忙，常年在外，由于孩子还小，我还是责任感比较重的，不想常年在外，多一些时间陪陪孩子和家人。二、收入虽然比上班高，但也没有那么高到让你放弃工作，既然摄影师是户外工种，和援建巴基斯坦建设水电站的工程师做个比较，两者收入差不多，都是常年不在家。三、职业风光摄影师带团不出片，很多人认为，常年在外玩多好啊，到处走，但是带团这个真的不出片，既然带团，就要服务好团员，宁可自己不拍，也要让团员出片，其实带团属于服务行业。而且带团的地方都是相对比较成熟的地方，也不会出特殊的大片。职业摄影师想出片也是每年安排自己工作外的时间去创作。我是个十分清楚自己想要什么的人，既然我拍照的初衷不是为了挣钱，而是为了拍更多，更好的作品，职业化并不会带给我想要的东西，所以我依然坚持当前的路线走下去。","b":false,"xe":"As early as the year before last, Duoye @Diligent Xiaodu (勤奋的刘小朵) said: \"With work like yours, you should go out and do something.\" Watching photographers who debuted alongside me all become famous and popular, I still haven't gone professional. Why? First, to be sure, full-time photography would pay more than my current salary, but professional landscape photographers are extremely busy and away from home all year. Since my child is still young and I have a strong sense of responsibility, I don't want to be away from home year-round — I'd rather spend more time with my child and family. Second, although the income is higher than a regular job, it's not high enough to make you quit. Since photography is an outdoor profession, compare it to engineers building hydropower stations in Pakistan on aid projects — the incomes are similar, and both are away from home all year. Third, professional landscape photographers who lead groups don't produce their own shots. Many people think, \"How nice to be out all year, traveling around\" — but leading groups truly doesn't yield your own photos. Since you're leading a group, you must serve the members well; even if you don't shoot yourself, you make sure the members get their shots. Actually, leading groups is a service industry. Also, the places you take groups to are relatively well-established spots that won't produce particularly special masterpieces. Even professional photographers who want their own images schedule time outside work each year for personal creation. I'm someone who knows exactly what I want. Since my original intent in shooting wasn't to make money but to produce more and better work, professionalization wouldn't give me what I want, so I continue on my current path."},{"t":"h","x":"5.如何平衡摄影收入与摄影创作？","xe":"5. How do you balance photography income and photography creation?"},{"t":"p","x":"风光摄影的创作是有成本的，比如我去无人岛屿上创作，一次成本就1500（吃、住、行），一共去了六次，成本就是近万元，为了达到反哺摄影，我还是会接一些活，赚一下路费。但是我通常只接一些我顺便的活，比如手机摄影、或者滤镜。手机我单反拍的时候，手机也顺便拍了，滤镜反正我也会用，就顺便拍了对比图。2017年我拒绝的活比我接的活要多，有些真的会占用大量精力，宁可不接，多一些精力在家庭和摄影创作本身上。","b":false,"xe":"Creating landscape photography has costs. For example, my creative trips to the uninhabited island cost 1,500 each time (food, lodging, transport), and six trips came to nearly 10,000 yuan. To feed back into my photography, I do take some jobs to cover travel expenses. But I usually only take jobs that are convenient along the way — like phone photography or filters. When I'm shooting with my DSLR, I also shoot with my phone on the side; since I use filters anyway, I shoot comparison shots along the way. In 2017, I turned down more jobs than I took. Some really consume a lot of energy, and I'd rather decline them and put more energy into my family and photography creation itself."},{"t":"h","x":"6.极影AX一共几个人？","xe":"6. How many people are in AdventureX AX?"},{"t":"p","x":"极影正式编制内一共六个，姚明来、史飞、史炎冰、潘玮浩、托马斯、周游。 汗斯作为户外极影团队的户外技术顾问。目前是非常“6+1”的组合。","b":false,"xe":"AdventureX officially has six members: Yao Minglai, Shi Fei, Shi Yanbing, Pan Weihao, Thomas, and Zhou You. Hans (汗斯) serves as the outdoor technical advisor for the AdventureX team. Currently it's a \"6+1\" combination."},{"t":"h","x":"7.如何成为极影AX团队的新成员？","xe":"7. How can one become a new member of the AdventureX AX team?"},{"t":"p","x":"这一年很多人问极影AX团队还招募新队员不，这里给出一个肯定的答案就是：极影AX是一个开放的团队，但是队员选拔肯定是要有条件的，无论是摄影造诣和户外能力都要有一个很高的水准，但最重要的是“三观要正”。我这里给出一个极影AX队员的选拔非官方的参考办法（目前没上极影AX代表大会讨论）：新队员由老队员提名，全体表决通过（一票否决制），一名老队员两年只能提名一次，而且每年新增队员不超过一名，没有合适的也可以不招募新队员，毕竟兵不在多，而在精。","b":false,"xe":"Many people have asked this year whether the AdventureX AX team is recruiting new members. Here's a definite answer: AdventureX AX is an open team, but member selection certainly has conditions — both photographic achievement and outdoor capability must be of a very high standard, and most importantly, one's \"worldview must be right.\" Here I'll offer an unofficial reference method for selecting AdventureX AX members (it hasn't yet gone through the AdventureX AX general assembly): new members are nominated by veteran members and must pass a vote by all (with a one-veto system); a veteran member can only nominate once every two years, and no more than one new member is added per year. If no one suitable is found, no new member is recruited — after all, quality matters more than quantity."},{"t":"h","x":"8.为什么极影AX没有粉丝微信群？","xe":"8. Why doesn't AdventureX AX have a fan WeChat group?"},{"t":"p","x":"微信群的运营需要时间和人力成本，会耗费很大的精力，极影AX的成员平时都很忙，如果管理不善，很容易沦为“求怼”群或“刷赞”群。我个人还是对“求怼”“刷赞”有看法的。我觉得这是破坏社区“公平”的一种手段。社区，都要像现实社会一样，兼顾效率与公平。","b":false,"xe":"Running a WeChat group requires time and manpower, consuming a lot of energy. AdventureX AX members are all very busy, and if not managed well, the group can easily degenerate into a \"beg for critiques\" group or a \"like-begging\" group. I personally have my reservations about \"begging for critiques\" and \"begging for likes.\" I think these are means of destroying the \"fairness\" of a community. Every community should, like real society, balance efficiency and fairness."},{"t":"img","f":"img-29","w":1200,"h":863},{"t":"p","x":"拍这个树的时候我想到了这样一段话：如果有来生 ,要做一棵树 ,站成永恒 ,没有悲欢的姿势 ,一半在尘土里安详 ,一半在风里飞扬 ,一半洒落阴凉 ,一半沐浴阳光 ,非常沉默非常骄傲 ,从不依靠,从不寻找 ——三毛 ，百年来这颗孤树站在瓦纳卡湖水里，雪山下，每片叶子在夕阳的映衬下闪闪发光,静静的，骄傲的站在那里,看夕阳西下早,倦鸟归林迟。我之所以欣赏这颗树，就是这颗树，骄傲的姿态，和从不依靠从不寻找的态度，摄影并不是混圈子！","b":false,"xe":"When photographing this tree, I thought of this passage: \"If there is an afterlife, I want to be a tree, standing for eternity, without a posture of joy or sorrow. Half of me rests peacefully in the dust, half soars in the wind. Half sprinkles shade, half basks in sunshine. Very silent and very proud, never relying on anything, never seeking anything.\" — Sanmao. For a hundred years, this lone tree has stood in the waters of Lake Wanaka beneath the snow mountains, every leaf shimmering in the setting sun, standing quietly and proudly, watching the sun set early and the weary birds return late to the forest. I admire this tree for its proud posture and its attitude of never relying and never seeking. Photography is not about networking in cliques!"},{"t":"h","x":"9.既然说摄影并不是混圈子，摄影师该如何正确运营自己？","xe":"9. Since photography isn't about networking in cliques, how should photographers properly manage themselves?"},{"t":"p","x":"说到运营，就要说到产品，有优秀的产品，没有市场，说明运营不得当，如果没有产品，一味的运营，我觉得跟传销没什么区别，就是瞎忽悠。对于摄影师来讲，最好的产品就是自己过硬的摄影作品。而图片社区往往是摄影师积攒人气最好的地方，所以最热的社区肯定是摄影师名利场，同时也是“是非圈”。对于摄影师来讲，无非就是先拍好的作品，持续的好作品输出。任何一个摄影社区都是优质的内容和优质社区资源都的双向选择。只要有好的作品，社区肯定会以官方的形式推荐，而不是通过其他非正规手段（刷赞、买赞、买粉、跪舔等）。","b":false,"xe":"When it comes to self-management, you have to talk about product. If you have excellent products but no market, your management is inadequate. If you have no product and just keep \"managing,\" I think that's no different from a pyramid scheme — pure empty talk. For photographers, the best product is your own solid body of work. And photo communities are often the best place for photographers to build popularity — so the hottest community is bound to be a photographer's vanity fair, and also a \"hotbed of gossip.\" For a photographer, it's simply about first shooting good work and then consistently producing good work. Every photography community is a two-way selection between quality content and quality community resources. As long as you have good work, the community will definitely recommend you through official channels, not through other irregular means (like bought likes, bought followers, or fawning)."},{"t":"h","x":"10.为什么不赞成求怼、刷赞这种自我营销方式？","xe":"10. Why are you against self-promotion methods like begging for critiques and likes?"},{"t":"p","x":"求怼和刷赞这种方式是随着微信群的普及而衍生出来的自我营销方式，一个人的求怼或者刷赞表面上看并没有造成多大危害，其实不然，求怼和刷赞他的受益者是一个微信群（小圈子内）的成员，这种推荐方式是推亲不推好，和谁认识、和谁关系好就推荐谁的作品和片子。比如一个摄影新人，要想出人头地，发现并不是通过自身努力拍摄更好的片子，才能获得更多关注，因为对于一个新人，发了张好片，会被一个已经在“圈子内”的一张“烂片”的热度给压下去。于是这个新人不服气，这个新人发现一条“捷径”，混圈子、混群，然后求怼、刷赞。这样一来，摄影生态一代代的恶化，没人去真正埋头去拍作品，而是拼着各种关系和圈子，片子没几张，B么使劲装（好押韵！）。毕竟求怼、和刷赞的收益者是圈子内的少部分人，最大基数的广大摄影爱好者来说，随着整个摄影生态的恶化，大部分还是受害者。这也是之前讲的一个优秀的摄影社区是“兼顾效率与公平的”，一个摄影社区也应该有正确的价值导向，不该公开支持或者默许支持求怼、刷赞。而对于摄影人，也应该严于律己，专心拍片，共同营造好的摄影生态。","b":false,"xe":"Methods like begging for critiques and likes are self-promotion tactics that emerged with the popularity of WeChat groups. On the surface, one person's begging for critiques or likes doesn't seem to cause much harm — but in fact it does. The beneficiaries of such behavior are members of a small WeChat circle: this kind of promotion favors connections over quality, recommending the work of whoever you know and have good relations with. For example, a photography newcomer who wants to stand out discovers that they can't gain more attention just by shooting better photos through their own effort — because for a newcomer, even a good photo gets buried by the heat of a \"mediocre photo\" posted by someone already \"inside the circle.\" So the newcomer feels indignant and finds a \"shortcut\": network in circles and groups, then beg for critiques and likes. In this way, the photography ecosystem deteriorates generation after generation — no one truly focuses on shooting; instead they compete through connections and circles, with few real photos and plenty of posturing (how rhyming!). After all, the beneficiaries of begging for critiques and likes are the few inside the circle, while the broad base of photography enthusiasts are mostly victims as the ecosystem worsens. This is also why I said earlier that an excellent photography community \"balances efficiency and fairness.\" A photography community should also have the right value orientation and shouldn't openly or tacitly support begging for critiques and likes. As for photographers, they should be strict with themselves, focus on shooting, and work together to foster a healthy photography ecosystem."},{"t":"h","x":"11.风光后期技术这么透明为什么拍的好的还是少数几个人？","xe":"11. Landscape post-processing techniques are so transparent — why are still only a few people shooting well?"},{"t":"p","x":"对于风光前期和后期技术的教程现在网上一搜一大把，对于技术层面可以说是非常透明但是绝大部分人还是拍不好，或者更确切地说，拍得没有辨识度。就像是练了一门绝世武功，练了招式，没练心法一样，风光摄影也是有一门心法的。","b":false,"xe":"Tutorials on landscape pre- and post-processing techniques are all over the internet now — technically they're extremely transparent, yet most people still can't shoot well, or more precisely, their shots lack distinctiveness. It's like practicing a legendary martial art: you train the moves but not the inner cultivation. Landscape photography also has an inner cultivation."},{"t":"img","f":"img-30","w":1000,"h":742},{"t":"img","f":"img-31","w":1200,"h":800},{"t":"p","x":"2014年为了拍摄广袤的林海雪原，独自一人背着帐篷走进了人迹罕至的林海雪原深处，这里没有人，更不会有什么住宿条件，这里积雪足有一米厚，气温零下四十度，要想在这么恶劣的条件下活下去都困难，拍片就更加的困难，北风呼啸，吹过雪原，在雪原上留下风的痕迹，我只好在雪原上用工具挖出两米长，两米宽的雪坑，把帐篷一半埋在雪坑里避风.还好带了零下四十度温标的睡袋，但是到了晚上，风很大，吹得帐篷好像马上要散了，我冻得要死，只好想办法不让自己冻死在这里，还好我带了气罐和烧水的户外炉头和锅，我打算融化一些雪水，烧成热水，灌在保温杯子里，喝一点热水，然后多余的水可以放在杯子里，把杯子当做热水袋，放在睡袋里，让自己暖和起来，可是气温实在太低了，气罐的气不能气化，气罐根本点不着，我就用手搓，摇晃着气罐有10分钟，终于气罐燃起来了，也成功烧出些雪融化的水取暖，就这样成功在林海雪原里面露营了一晚，天道酬勤，第二天早上给了个非常好的火烧云天气，我徒手爬上防火瞭望塔，拍到了这张林海幻境。","b":false,"xe":"In 2014, to photograph the vast forested snowfields, I walked alone with a tent into the depths of that rarely visited wilderness. There were no people, and certainly no accommodations. The snow was a full meter deep, and the temperature was minus 40 degrees. Surviving under such harsh conditions was difficult enough, and shooting was even harder. The north wind howled across the snowfield, leaving traces of wind on the surface. I had to dig a snow pit two meters long and two meters wide with my tools, burying half the tent in the pit to shelter from the wind. Fortunately, I'd brought a sleeping bag rated for minus 40 degrees. But at night the wind was so strong it seemed the tent would fall apart at any moment. I was freezing to death and had to find a way not to freeze to death there. Luckily, I'd brought a gas canister, an outdoor stove, and a pot to boil water. I planned to melt snow, boil hot water, pour it into a thermos, drink some warm water, and put the rest in the cup as a hot water bottle inside my sleeping bag to warm up. But the temperature was so low that the gas couldn't vaporize and the canister wouldn't light at all. I rubbed and shook the canister for 10 minutes until it finally ignited, and successfully boiled some melted snow water to keep warm. That's how I managed to camp out in the forested snowfield for a night. Heaven rewards the diligent — the next morning brought a fantastic burning-cloud sky, and I climbed the fire lookout tower with my bare hands to capture this photo of a snowy forest wonderland."},{"t":"img","f":"img-32","w":1200,"h":724},{"t":"p","x":"其实关于风光心法在我前文也有了一些介绍，比如在年终总结【极限挑战】中的《乾坤太极》、《安娜普尔娜的坚持》照片背后故事中的那种对于风光摄影的坚持，概括出来就是四个字：“风光执念”。只要有这种风光执念，把风光摄影当作信仰，并且心怀对大自然的敬畏之心。","b":false,"xe":"Actually, I've already touched on the inner cultivation of landscape photography earlier in this article — for example, the persistence shown in the stories behind \"Qiankun Taiji\" and \"The Persistence of Annapurna\" in the \"Push the Limits\" section of this year-end review. It can be summarized in four words: \"the landscape obsession.\" As long as you have this landscape obsession, treat landscape photography as a faith, and hold reverence for nature in your heart..."},{"t":"img","f":"img-33","w":1600,"h":602},{"t":"p","x":"这种风光执念不仅仅是对目的地的坚持，也是时间上的坚持。很多人都知道西湖嘴的将军石是半岛雪人拍出名的，有一天我和雪人相约去西湖嘴拍照，到了机位我问雪人：“为什么西湖嘴将军石头你都拍出名了，而且也没人能超越你了，每次有好的天气和潮位你都来呢？”雪人说：“我觉得将军石的传世佳作到现在还没有拍出来，所以我还得来。”因此风光摄影的执念不是对某一“目的地”的坚持，更是长期以来时间上的坚持，正所谓“知易行难，行易恒难，恒久必达。“而且更多的时候我们要做的是对自我的否定和突破。","b":false,"xe":"This landscape obsession isn't just persistence toward a destination, but also persistence over time. Many people know that the General Rock at Xihu Zui was made famous by Bandao Xueren (Peninsula Snowman). One day, Xueren and I arranged to shoot at Xihu Zui. When we reached the spot, I asked him: \"You've already made the General Rock famous at Xihu Zui, and no one can surpass you now. Why do you still come every time the weather and tide are good?\" Xueren said: \"I feel that the definitive masterpiece of General Rock hasn't been captured yet, so I still have to come.\" Therefore, the obsession in landscape photography isn't persistence toward a particular \"destination,\" but long-term persistence over time — as the saying goes, \"Knowing is easy, doing is hard; doing is easy, persisting is hard; persist long enough and you will surely reach your goal.\" And more often than not, what we need to do is deny and break through ourselves."},{"t":"img","f":"img-34","w":999,"h":666},{"t":"p","x":"半岛雪人作品","b":false,"xe":"Work by Bandao Xueren (半岛雪人)"},{"t":"img","f":"img-35","w":1600,"h":1067},{"t":"p","x":"半岛雪人作品","b":false,"xe":"Work by Bandao Xueren (半岛雪人)"},{"t":"img","f":"img-36","w":1600,"h":1066},{"t":"p","x":"半岛雪人作品","b":false,"xe":"Work by Bandao Xueren (半岛雪人)"},{"t":"h","x":"12.风光摄影如何做到“佛系”？","xe":"12. How can landscape photography achieve a \"zen\" (Buddha-like) mindset?"},{"t":"p","x":"最近一个热词就是“佛系摄影”，就是不以物喜，不以己悲的摄影态度。但是佛系摄影的“随缘”是不是代表对自己的作品没有要求呢？我认为佛系摄影不是对作品本身没有要求，就像唐僧取经一样，对取经的结果和最终要成佛的结果是有要求的，然而对于求佛和修行的过程是不以物喜，不以己悲的。2015年有一次我途径南京，受到当地两位员外的鹫爷和用镜若心的热情款待，两位员外更是拿出了1979年珍藏版的茅台酒（比我出生都早）。酒过三巡，菜过五味，两位员外说，说元旦有个跨年的年会，在安徽拍摄三天，然后跨年热闹热闹，AA制，安徽三淫也会参加，lao。pao、方托马斯、耗资，都是图虫成名已久的巨巨。我这茅台都喝了，必须给面子啊，很爽快的答应了。我和媳妇到了元旦一起参加了这次年会，在三天的拍摄行程中，了解了“徽派”摄影是不同于我现在拍摄的“北美风”的风光体系，我要拍摄的东西心中很明确，三天的拍摄基本没有我想拍摄的风光，很多时候我都拿着相机不拍，或者有些人文拍摄的点，比如拍制伞工人，虽然拍了，但我也没有发表出来。","b":false,"xe":"A hot term recently is \"zen photography\" — a photographic attitude of not being elated by external gains or saddened by personal losses. But does the \"go with the flow\" of zen photography mean having no standards for your work? I don't think zen photography means having no standards for the work itself — just as Tang Seng went to fetch the scriptures, there are standards for the outcome of obtaining the scriptures and ultimately becoming a Buddha. However, regarding the process of seeking the Buddha and cultivating oneself, one is neither elated nor saddened. In 2015, I once passed through Nanjing and was warmly hosted by two local benefactors, \"Jiu Ye\" and \"Yongjing Ruoxin.\" The two benefactors even brought out a collector's edition Maotai from 1979 (older than I am). After several rounds of drinks and a fine meal, the two benefactors mentioned a New Year's gathering: three days of shooting in Anhui, then celebrating the New Year together, split by AA. Anhui's \"three prodigies\" would also attend — lao.pao, Fang Tuomasi, and Haozi — all long-established big names on Tuchong. Having drunk their Maotai, I had to show face, so I readily agreed. On New Year's Day, my wife and I attended this gathering together. During the three-day shooting itinerary, I came to understand that \"Huizhou-style\" photography is a landscape system different from the \"North American style\" I currently shoot. I was very clear about what I wanted to shoot, but over the three days there was basically none of the landscape I wanted. Many times I held the camera without shooting, or at some documentary spots — like photographing umbrella-making workers — I shot but never published the results."},{"t":"img","f":"img-37","w":1600,"h":1088},{"t":"p","x":"安徽之行拍摄的人文，没有在图虫发表过，发表于国外1X.","b":false,"xe":"The documentary photos from the Anhui trip were never published on Tuchong; they were published on the international site 1X."},{"t":"p","x":"我所理解的佛系风光摄影就是随缘，不用刻意强行出片，或者一个垃圾天强行修出大片既视感，一切随缘。就像唐僧取经，历经磨难，但要取得真经。很多人觉得出来一趟花了不少钱，怎么也要弄出几张片来，佛系摄影应该是拍出自己心目中真正想要的片子，对于片子的得失，一切随缘，可能这次没拍到，下次再来，不会因为这次没拍到而感到悲伤、失落，坚定自己的目标。同样对于自己作品的结果的认可，也不是通过社交平台热度、或者99.9，只要拍到了自己想要的作品，不在乎在大众心目中的分数。","b":false,"xe":"The zen landscape photography I understand is going with the flow — no forcing shots deliberately, no forcing a masterpiece look out of a bad day. Everything follows fate. It's like Tang Seng fetching scriptures: enduring hardships, yet seeking the true scriptures. Many people feel that since they spent so much money to come out, they must produce a few shots. Zen photography should be about capturing the photos you truly want in your heart; regarding gains and losses, go with the flow. Maybe you don't get it this time — come again next time. Don't feel sad or disappointed for not getting it this time; stay firm in your goal. Similarly, recognition of your own work's results isn't through social platform heat or a 99.9 rating — as long as you've captured the work you wanted, don't care about its score in the public's eyes."},{"t":"img","f":"img-38","w":1200,"h":800},{"t":"p","x":"这张《秋天的抽象画》，我心里清楚小景风光上热度很难，但我不是为了热度而拍片。","b":false,"xe":"This \"Autumn Abstract Painting\" — I knew clearly that small-scene landscapes struggle to gain heat, but I don't shoot for heat."},{"t":"p","x":"最后，安徽之行就是我一张片也没出，也没有发表出来，然后估计我这个拍摄态度让跨年年会的组织者感觉到“年会很不成功”，之后就再也没邀请过我。（哈哈）","b":false,"xe":"In the end, I produced not a single photo from the Anhui trip, and published nothing. I estimate my shooting attitude made the gathering's organizer feel \"the year-end gathering was a failure,\" and they never invited me again. (Haha)"},{"t":"img","f":"img-39","w":725,"h":413},{"t":"p","x":"说到“佛系”摄影，必须说到《功夫》电影中，佛系功夫最厉害那招“如来神掌”！影片最后，真正让火云邪神真正拜服的不是“如来神掌”，而是那句，“想学啊，我教你呀！”江湖中人，为了防身，武功被视为绝密，有时甚至师父也会留几手，不传给弟子。但主角却愿意倾囊相授，说明他学武功不是为了杀人，领悟最高明的武功——如来神掌，却做到了止杀，只能拜服在这种境界之下。","b":false,"xe":"Speaking of \"zen\" photography, I must mention the most powerful zen martial art move in the film \"Kung Fu Hustle\" — the \"Buddha's Palm\"! At the end of the film, what truly made the Fire Cloud Evil God submit wasn't the \"Buddha's Palm,\" but the line: \"Want to learn? I'll teach you!\" In the martial arts world, martial arts were treated as top secrets for self-defense — sometimes even masters kept a few moves back and wouldn't teach their disciples. But the protagonist was willing to teach everything, showing that he learned martial arts not to kill. Having grasped the supreme skill — the \"Buddha's Palm\" — he instead achieved the cessation of killing. One can only bow before such a realm."},{"t":"p","x":"因此摄影的最高境界也不是摄影本身，而是这种分享的态度，想想自己五年前还是个摄影萌新的时候，半岛雪人大神也是将毕生所学倾囊相授，这种境界也是让我一直仰望半岛雪人的原因。因此极影AX也将“极客分享”作为队伍的核心理念之一，将风光摄影的知识点和要领毫无保留的分享出来，同时我也希望本文所提到的“风光执念”薪火相传，传递风光摄影正能量。","b":false,"xe":"Therefore, the highest realm of photography isn't photography itself, but this attitude of sharing. Thinking back to five years ago when I was still a photography newbie, the master Bandao Xueren also taught everything he knew without reservation. This realm is also why I've always looked up to Bandao Xueren. That's why AdventureX AX has made \"Geek Sharing\" one of the team's core philosophies — sharing the knowledge and essentials of landscape photography without holding anything back. At the same time, I hope the \"landscape obsession\" mentioned in this article will be passed down like a torch, spreading the positive energy of landscape photography."},{"t":"h","x":"❂最后","xe":"❂ Finally"},{"t":"p","x":"2017年真的很忙，但是忙并快乐着。作为极影小编，成功策划了“极影评片”“极影有奖征稿”“极影户外风光摄影大赛”等活动，这一年收获颇丰，极影AdventureX公众号从2017年2月15日创立到现在10个月时间已经有3W粉丝，感谢大家对于极影的支持和关注，2018年极影AX会以更优质的内容来回馈粉丝对我们的支持。","b":false,"xe":"2017 was truly busy, but busy and happy. As AdventureX's little editor, I successfully planned activities like \"AdventureX Photo Reviews,\" \"AdventureX Paid Submissions,\" and the \"AdventureX Outdoor Landscape Photography Contest.\" This year was fruitful. The AdventureX official account, founded on February 15, 2017, has already gained 30,000 followers in 10 months. Thank you all for your support and attention to AdventureX. In 2018, AdventureX AX will repay fans' support with even better content."},{"t":"img","f":"img-40","w":1600,"h":835},{"t":"h","x":"图虫、500PX、LOFTER、知乎ID：Joyous周游","xe":"Tuchong, 500PX, LOFTER, Zhihu ID: Joyous Zhouyou (Joyous周游)"},{"t":"h","x":"极影AdventureX","xe":"Jiying AdventureX (极影AdventureX)"},{"t":"h","x":"极限挑战","xe":"Push the Limits"},{"t":"h","x":"极致影像","xe":"Ultimate Imagery"},{"t":"h","x":"极客分享","xe":"Geek Sharing"},{"t":"h","x":"http://www.theadventurex.com","xe":"http://www.theadventurex.com"},{"t":"h","x":"欢迎关注@Thomas看看世界，","xe":"Follow @Thomas Chu Photo,"},{"t":"h","x":"每周学会一个摄影技能。","xe":"Learn one photography skill every week."}],"titleEn":"AdventureX's Zhou You's 2017 Year-End Review! Landscape Big Adventures and Honest Words!"}