{"slug":"landscape-2024-four-schools","title":"风光摄影四大流派！2024年度风景摄影年赛获奖作品赏析","author":"Thomas看看世界","date":"2025-02-23","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247501523&idx=1&sn=2990c96a08acd35bec71af21672872b6&scene=21#wechat_redirect","blocks":[{"t":"p","x":"2024年国际风光摄影师年赛（ILPOTY）获奖照片出炉，正好属于四种当下最流行的风光拍摄模式，不知道大家最喜欢哪一种呢？","b":false,"xe":"The winning photos of the 2024 International Landscape Photographer of the Year (ILPOTY) have been announced, and they happen to fall into four of the most popular landscape shooting styles today. Which one is your favorite?"},{"t":"img","f":"img-01","w":1080,"h":810},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1LPA1eUEM5","bpic":"bili-1","bt":"风光摄影四大流派！2024年度风景摄影年赛获奖作品赏析！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 把这期 4 分钟的 2024 年国际风光摄影师年赛（ILPOTY）获奖作品赏析落成了文字，并配上视频关键帧截图——年度前三名恰好对应当下最流行的三种风光拍摄模式：极简抽象流、复杂层次流、无人机航拍流，再加上最佳单幅前三名清一色的黑白流。适合先看图建立框架，再回到视频里逐张欣赏。","xe":"This is the fully illustrated companion to the video above. Thomas turned the 4-minute review of the 2024 International Landscape Photographer of the Year (ILPOTY) winners into text and paired it with keyframe screenshots — the top three photographers happen to represent the three most popular approaches to landscape photography today: minimalist abstraction, complex layering, and drone aerials, plus the black-and-white school that swept the top three single images. Skim it here for the framework, then go back to the video to study each image.","b":false},{"t":"p","x":"先看总览。下面这张截自视频 4:12 处，是整期视频的总结卡：四张代表作分别标注为极简流、层次流、航拍流、黑白流——这就是 Thomas 眼中风光摄影当下的四大流派。官网一共有 220 张入围作品，基本都能归入这四类，下文逐一展开。","xe":"Start with the overview. Captured at 4:12 in the video, this is the closing summary card: four representative images labelled minimalist, layered, aerial and black-and-white — the four schools of contemporary landscape photography as Thomas sees them. The 220 finalists on the official website almost all fall into one of these four; each is unpacked below.","b":false},{"t":"img","f":"v01","w":640,"h":480},{"t":"h","x":"01 极简抽象流：年度大奖的四张照片","xe":"01 Minimalist Abstraction: The Four Images That Won the Year"},{"t":"p","x":"年度大奖摄影师 Andrew Mielzynski 的作品，大部分属于极简抽象流（视频 0:10 处）。两张树林照片拍摄于冬季下雪加雾天的天气——积雪与雾气遮盖掉了花园中的杂乱物体，使得照片显得简洁而高级；而那张冰面纹理照片，则拍摄于路边不起眼的小水潭中，是于生活中发现的不易察觉的美好（视频 0:27 处）。","xe":"Most of the work by Photographer of the Year Andrew Mielzynski belongs to the minimalist-abstract school (at 0:10 in the video). Two forest images were shot in winter with snow and fog — the snow and mist hide the clutter of a garden, leaving the frames clean and refined; the ice-pattern photograph was taken in an unremarkable roadside puddle, beauty found in everyday life that most people never notice (at 0:27 in the video).","b":false},{"t":"img","f":"v02","w":640,"h":480},{"t":"img","f":"v03","w":640,"h":480},{"t":"img","f":"v04","w":640,"h":480},{"t":"p","x":"最后一张长焦风光，也可以选一个光板晴天去拍——画面如同几个三角形与矩形色块，真实又超现实（视频 0:36 处）。极简抽象流是当下国外风光摄影圈最火热的创作风格之一：这些作品取材于自然，却有抽象绘画一般的高级质感与不真实感；同时非常适合当下简洁的装修风格，作为装饰挂画恰到好处，因此受到市场热捧（视频 0:48 处）。","xe":"The last, a telephoto landscape, can be shot under a flat, cloudless sky — the frame reads as a few triangles and rectangular blocks of colour, real and surreal at once (at 0:36 in the video). Minimalist abstraction is one of the hottest styles in landscape photography abroad right now: the work is drawn from nature yet carries the refined texture and unreality of abstract painting, and it suits today's clean interiors perfectly as wall art — hence its strong market appeal (at 0:48 in the video).","b":false},{"t":"img","f":"v05","w":640,"h":480},{"t":"p","x":"极简抽象流非常适合展现主体：这张照片里天空与雪地的干净背景，更加凸显了树木的生命力。它也很有东方美学的韵味——巨大天空下的小小冰山，大面积的留白呈现出天地之大（视频 1:20 处）。另外，极简风格也非常考验摄影师的观察力：这张照片乍一看让人看不出到底拍的是什么，其实是摄影师用长焦同时抓到了远处冰山的局部纹理与蓝色阴影，再搭配背后岩壁的鲜红色块进行的创意呈现（视频 1:33 处）。","xe":"Minimalist abstraction is ideal for showing off a subject: here the clean background of sky and snow throws the vitality of the tree into relief. It also carries an Eastern aesthetic — a tiny iceberg beneath a vast sky, with generous negative space conveying the immensity of heaven and earth (at 1:20 in the video). And the style tests a photographer's eye: at first glance you cannot tell what this frame even shows — in fact the photographer used a telephoto to capture the local texture and blue shadows of a distant iceberg together with the bright red block of a rock face behind it, a genuinely creative rendering (at 1:33 in the video).","b":false},{"t":"img","f":"v06","w":640,"h":480},{"t":"img","f":"v07","w":640,"h":480},{"t":"h","x":"02 复杂层次流：第二名与它的两大隐患","xe":"02 Complex Layering: Second Place and Its Two Pitfalls"},{"t":"p","x":"年度第二名摄影师 Ignacio Palacios 的作品，则是前几年很火的复杂层次流派的代表：近处的牛羊与牧场，中景的五彩丹霞山峰，背景的天降闪电与彩云——照片从前到后元素丰富多样，让人目不暇接；前景、中景、背景每一个局部都充满美感，叠在一起则更加凸显层次（视频 1:48 处）。","xe":"The work of second-place photographer Ignacio Palacios represents the complex-layering school that was all the rage a few years ago: cattle and pasture up close, rainbow-hued Danxia peaks in the middle distance, lightning and coloured clouds in the background — the frame is packed from front to back and the eye can hardly keep up; foreground, middle ground and background are each beautiful in themselves, and stacked together they heighten the sense of depth (at 1:48 in the video).","b":false},{"t":"img","f":"v08","w":640,"h":480},{"t":"img","f":"v09","w":640,"h":480},{"t":"p","x":"这次大赛里类似的优秀入围作品也很多：岩壁加海景加晚霞，花朵加雪山加星空，流水加森林加云雾加遥远的雪山，海底加海浪加岛屿（视频 2:20 处）。这类复杂层次流的风光作品视觉冲击力强大，但也存在两大隐患：一是过去几年热度太高，已经形成了前中后景的固定套路，不免让人审美疲劳；二是很多照片过犹不及，每一个局部都非常强硬，反而可能造成画面的视觉混乱，主体与主题不够突出（视频 2:36 处）。","xe":"Plenty of strong finalists work the same way: cliff plus seascape plus afterglow, flowers plus snow peaks plus stars, stream plus forest plus mist plus distant mountains, seabed plus waves plus island (at 2:20 in the video). These layered landscapes hit hard visually, but they carry two risks: first, the style has been so popular in recent years that the foreground-midground-background recipe has become a formula, and fatigue sets in; second, many images overdo it — every part pushed to maximum strength — which can tip the frame into visual chaos and leave the subject and theme unclear (at 2:36 in the video).","b":false},{"t":"h","x":"03 航拍流：无人机带来的另类视角","xe":"03 The Aerial School: Alternative Perspectives from the Drone"},{"t":"p","x":"年度第三名摄影师 Gheorghe Popa 则利用当下火热的无人机进行创作，力图找到风光摄影的另类视角：这些照片从空中拍摄了湖泊与森林的另一个视角，利用树木影子的线条、积雪与湖面的留白，以及冰面的纹理细节，组合成了吸引人的画面（视频 2:57 处）。","xe":"Third-place photographer Gheorghe Popa works with today's ubiquitous drone in search of an alternative view of the landscape: shot from the air, these images show lakes and forests from another angle, combining the lines of tree shadows, the negative space of snow and lake surface, and the textural detail of ice into compelling compositions (at 2:57 in the video).","b":false},{"t":"img","f":"v10","w":640,"h":480},{"t":"img","f":"v11","w":640,"h":480},{"t":"p","x":"其他一些入围摄影师也利用无人机的独特视角，对河流与山脉的纹理、火山熔岩的明暗层次、沙漠的光影立体感，以及田野的几何结构进行了描绘（视频 3:18 处）。新的器材，确实带来了新的可能性。","xe":"Other finalists likewise used the drone's unique vantage point to describe the textures of rivers and mountains, the light and dark layers of volcanic lava, the sculptural light and shadow of deserts, and the geometry of farmland (at 3:18 in the video). New tools really do open new possibilities.","b":false},{"t":"img","f":"v12","w":640,"h":480},{"t":"h","x":"04 黑白流：最佳单幅前三名全是黑白","xe":"04 The Black-and-White School: All Three Top Single Images"},{"t":"p","x":"这次还有三张照片，分别被选为最精彩单幅作品的第一、二、三名——意外的是，它们都是黑白摄影，或者说接近黑白的作品：日本的 Ryohei Irie、印度尼西亚的 Justinus Sukotjo 和印度的 Himadri Bhuyan（视频 3:37 处）。","xe":"Three further photographs were chosen as the first, second and third best single images — and, surprisingly, all are black and white or very nearly so: by Ryohei Irie of Japan, Justinus Sukotjo of Indonesia and Himadri Bhuyan of India (at 3:37 in the video).","b":false},{"t":"img","f":"v13","w":640,"h":480},{"t":"img","f":"v14","w":640,"h":480},{"t":"p","x":"黑白作品去掉色彩，专注于光影明暗，带来了后期的无限可能性，同时赋予照片真实感和抽象感——一直也是很多摄影师的创作秘诀（视频 3:49 处）。以上就是 2024 年国际风光摄影师年赛的获奖作品，Thomas 也欢迎大家前往官网浏览全部 220 张入围作品：它们分属于四种当下非常火热的风光摄影流派，你最喜欢哪一种呢（视频 4:08 处）？","xe":"Black and white strips away colour to concentrate on light and shade, opening unlimited possibilities in post while lending an image both realism and abstraction — long a secret weapon for many photographers (at 3:49 in the video). Those are the winners of the 2024 International Landscape Photographer of the Year; Thomas encourages everyone to browse all 220 finalists on the official site. They belong to four schools of landscape photography that are all thriving right now — which one do you like best (at 4:08 in the video)?","b":false},{"t":"quote","x":"1. 极简抽象流：借雪、雾、光板晴天和长焦把自然拍成抽象画，留白凸显主体、带东方韵味，也最受挂画市场欢迎，年度大奖 Andrew Mielzynski 即属此类；2. 复杂层次流：前中后景层层叠加、视觉冲击强，但套路化易审美疲劳、局部过猛易主体不清，第二名 Ignacio Palacios 是代表；3. 航拍流：第三名 Gheorghe Popa 用无人机拍湖泊森林的树影线条与冰面纹理，新器材带来新视角；4. 黑白流：最佳单幅前三名全是黑白——去掉色彩专注光影，后期空间无限，兼具真实与抽象。","xe":"1. Minimalist abstraction: snow, fog, flat sunny skies and telephoto lenses turn nature into abstract painting, negative space isolates the subject with an Eastern flavour, and it sells best as wall art — Photographer of the Year Andrew Mielzynski works this way; 2. Complex layering: foreground, middle ground and background stacked for maximum impact, but the formula breeds fatigue and overworked parts blur the subject — runner-up Ignacio Palacios is its exemplar; 3. The aerial school: third-placed Gheorghe Popa uses a drone to find tree-shadow lines and ice textures over lakes and forests, new tools bringing new perspectives; 4. Black and white: all three top single images drop colour to focus on light and shade, with unlimited room in post and a blend of realism and abstraction."}],"titleEn":"The Four Schools of Landscape Photography! Appreciating the Winners of the 2024 International Landscape Photographer of the Year"}