{"slug":"landscape-photographer-of-year-2023","title":"2023年风光摄影师都在怎么拍？年度风光摄影大赛获奖作品赏析！","author":"Thomas看看世界","date":"2024-01-07","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247499046&idx=1&sn=697398c2120fcc672cebe010fae49a5a&chksm=eb820342dcf58a5488331b24d6fc6545a4d8db39aa320890e56159a97b9adf77d82860af05f0&scene=21#wechat_redirect","blocks":[{"t":"p","x":"ILPOTY年度风光摄影师大赛，是我长期关注的摄影比赛之一，体现了世界上风光摄影师们最极致的视觉呈现。","b":false,"xe":"The ILPOTY Landscape Photographer of the Year contest is one of the photography competitions I've followed for a long time — it showcases the most extreme visual presentations by landscape photographers around the world."},{"t":"img","f":"img-01","w":1000,"h":1200},{"t":"p","x":"今年的获奖作品会给我们一些怎样的启发？2023年风光摄影师们都是如何拍摄和后期的？","b":false,"xe":"What inspirations will this year's winning works bring us? How did landscape photographers shoot and post-process in 2023?"},{"t":"img","f":"img-02","w":1000,"h":1200},{"t":"p","x":"今天的视频中，Thomas就会和大家一起去赏析今年的获奖照片！","b":false,"xe":"In today's video, Thomas will appreciate this year's winning photos together with everyone!"},{"t":"h","x":"赏析视频","xe":"Appreciation Video"},{"t":"bili","bv":"BV1kK4y16777","bpic":"bili-1","bt":"2023年风光摄影师都在怎么拍？年度风光摄影大赛获奖作品赏析！"},{"t":"p","b":false,"x":"这一篇是视频的图文整理。Thomas 用 13 分钟带大家快速浏览了 2023 年国际风光摄影师大赛（ILPOTY）的获奖作品——年度摄影师的抽象高空视角、星空火山的自然奇观、如油画般的抽象局部，以及他眼中「评委最想给高分」的照片长什么样。下文按视频脉络整理成四个章节，配上关键帧截图，适合先读图文建立印象，再到视频里看作品的完整细节。","xe":"This is the illustrated companion to the video. In 13 minutes Thomas walks through the winning images of the 2023 International Landscape Photographer of the Year (ILPOTY) — the abstract aerial vision of the overall winner, natural spectacles from star trails to volcanoes, oil-painting-like abstract details, and what makes a photo judges want to score high. The four chapters below follow the video in order with keyframe screenshots; skim here for the big picture, then watch the video for the full works."},{"t":"p","b":false,"x":"先看总览。这张截图来自大赛官网（视频 1:43 处），呈现的是今年「年度风光摄影师」头名的组照——高空俯拍的抽象地貌，代表今年评选最推崇的方向：统一的风格、克制的色彩与独特的视角。","xe":"Start with the overview. This screenshot from the contest website (at 1:43 in the video) shows the portfolio of this year's overall Landscape Photographer of the Year — abstract landforms shot from high above, standing for what the judges valued most in 2023: a coherent style, restrained color and a distinctive point of view."},{"t":"img","f":"v02","w":852,"h":480},{"t":"h","x":"01 年度摄影师与年度作品","xe":"01 Photographer and Photo of the Year"},{"t":"p","b":false,"x":"先看「年度风光摄影师」的评选：这个奖项要求提交四张整体风格统一、水准都很高的作品（视频 1:48 处）。今年头名拍摄的是高空俯瞰的抽象地貌；第二名同样走抽象路线——树与它的倒影、水里的石头与波纹，都是我们平时容易忽视的独特观察视角；第三名则回到了传统大广角的魔幻风光（视频 2:02 处）。","xe":"First, the Landscape Photographer of the Year award: it asks for a four-image portfolio with a coherent style and consistently high quality (at 1:48 in the video). This year's winner shot abstract landforms from high above; the runner-up is equally abstract — trees and their reflections, stones and ripples in water, all viewpoints we tend to overlook; third place returns to the traditional wide-angle, magical style of landscape work (at 2:02 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","b":false,"x":"「年度风光单张」的评选同样精彩：评分最高的一张以紫红色为主调，饱和度不高、整体干净简洁（视频 2:32 处）；第二名表现澳大利亚原住民火烧森林的习俗，题材与视觉效果俱佳（视频 2:49 处）；第三名又是一个极简抽象的航拍视角（视频 3:07 处）。","xe":"The single-image Landscape Photo of the Year is just as compelling: the top scorer is built on purple-red tones — not overly saturated, clean and minimal overall (at 2:32 in the video); second place documents the Aboriginal tradition of fire-stick farming in Australia, strong in both subject and impact (at 2:49 in the video); third place is once again a minimal, abstract aerial view (at 3:07 in the video)."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","b":false,"x":"Thomas 也在视频开头提醒：ILPOTY、IPA 这类国际比赛的报名费相当贵，单张照片就要一两百元人民币，小奖写进简历才有意义，他并不推荐非职业摄影师、特别是预算有限的同学参加；但作为学习素材，这些获奖作品的视觉效果与整体水准毋庸置疑，值得每个人关注（视频 0:43 处）。","xe":"Thomas also offers a caveat at the start of the video: entry fees for contests like ILPOTY and IPA are steep — 100-200 RMB per image — and minor awards only really matter on a professional resume, so he does not recommend them for non-professionals, especially those on a tight budget; as learning material, though, the visual quality of these winning works is beyond question and worth everyone's attention (at 0:43 in the video)."},{"t":"h","x":"02 星空夜景：换一种思路用光","xe":"02 Night Skies: New Ways to Work with Light"},{"t":"p","b":false,"x":"夜景与星空部分给了不少新思路。比如这张雪中的树：背景完全处于黑暗，树本身却被一个很强的光源照得雪亮，Thomas 也猜不出作者是用无人机打光还是别的方式完成，但不可否认它的视觉效果非常独特（视频 3:24 处）。","xe":"The night and starry-sky selections offer plenty of fresh ideas. Take this tree in snow: the background sits in complete darkness while the tree itself is lit bright by a very strong light source — Thomas cannot tell whether the photographer lit it with a drone or by other means, but the visual result is undeniably striking (at 3:24 in the video)."},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","b":false,"x":"星轨也可以玩出色彩：这张作品把星轨处理成高饱和的彩色，地面则压成低饱和，一艳一素对比强烈；而地面树木的纹理与星轨的弧线彼此呼应，让画面对比中又有统一（视频 3:44 处）。拍星空也未必以星空为主体——只要主体足够独特，把星空虚化成背景、对焦在主体上，同样是非常好看的处理（视频 4:10 处）。","xe":"Star trails can carry color too: this image renders the trails in highly saturated colors while the ground is pushed toward desaturation — a vivid-versus-muted contrast, unified by the echo between the trees' texture and the arcs of the trails (at 3:44 in the video). And the stars need not be the subject: as long as the subject is distinctive enough, throwing the sky out of focus as a backdrop and focusing on the subject works beautifully (at 4:10 in the video)."},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","b":false,"x":"光污染同样可以成为画面元素：这张照片正好拍到城市灯光从雪山背后漫上夜空，与天上的星轨同框——人类的痕迹融入自然，反而成了加分项（视频 4:56 处）。","xe":"Light pollution can serve as an element too: here the glow of a city climbs into the night sky from behind a snow mountain, sharing the frame with star trails — the trace of humans folded into nature becomes an asset rather than a flaw (at 4:56 in the video)."},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"03 自然奇观：评委最爱的稀有瞬间","xe":"03 Rare Natural Spectacles Judges Love"},{"t":"p","b":false,"x":"火山喷发、极光、日全食、月光下的火瀑布、闪电……这类难得一遇的自然景象，在风光比赛里天然容易获得评委青睐（视频 4:30 处）。今年的获奖名单里，就有火山作品入选。","xe":"Erupting volcanoes, auroras, total solar eclipses, moonlit firefalls, lightning — rare natural spectacles have a natural edge with landscape judges (at 4:30 in the video), and volcano images made this year's list."},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","b":false,"x":"Thomas 最欣赏的是这张长焦作品：远处火山正在喷发，近景却有一栋亮着灯的小屋。暴烈的自然与安静的人类生活同框，这样的对比太难得了——他说如果自己是评委，会给这张照片打一个很高的分数（视频 4:45 处）。","xe":"Thomas admires this telephoto frame most: a volcano erupting in the distance, a small lit house in the foreground. Violent nature and quiet human life in one frame — a contrast this rare, he says, would earn a very high score from him were he a judge (at 4:45 in the video)."},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 如画质感：抽象与极简的局部","xe":"04 Painterly Texture: Abstract and Minimal Details"},{"t":"p","b":false,"x":"看惯了大风景，抽象的景观反而让人觉得新鲜、舒服。火烧森林那张：有火、有烟雾、有倒影，既干净又复杂、层次丰富，整体像一幅绘画（视频 5:35 处）；作者的调色也极有辨识度，把质感、细节和冷暖对比的颜色表达得非常明确，是很值得学习的油画式色调（视频 5:56 处）。","xe":"After so many grand vistas, abstract scenes feel refreshingly new. The burning-forest image: fire, smoke and reflection together — clean yet layered, reading like a painting (at 5:35 in the video); its author's color work is equally distinctive, articulating texture, detail and warm-cool contrast with clarity — an oil-painting palette well worth studying (at 5:56 in the video)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","b":false,"x":"局部小景同样能出彩：只拍公园池塘的一角，后期处理成高饱和、偏绘画的风格（视频 6:41 处）；黑白作品则依靠后期影调的独到打造——背景压成黑色，水的纹理细节提亮成白，视觉冲击力非常强（视频 7:29 处）。","xe":"Small local scenes can shine as well: one frame takes just a corner of a park pond and post-processes it into a saturated, painterly style (at 6:41 in the video); black-and-white works rely on distinctive tonal crafting in post — the background crushed to black while the water's texture is lifted to white, for a strong visual punch (at 7:29 in the video)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","b":false,"x":"极简构图也屡屡获奖：一张只拍简洁的山和它的影子，主体却非常独特（视频 7:56 处）；另一张逆光拍干净的树影，层次极简，再带上一两点雪花，效果绝妙（视频 8:16 处）。","xe":"Minimal compositions win repeatedly: one frame is just a simple mountain and its shadow, yet the subject is highly distinctive (at 7:56 in the video); another shoots a clean tree's backlit shadow with minimal layering, lifted further by a few snowflakes — simply superb (at 8:16 in the video)."},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 年度摄影师奖项看重四张风格统一、水准均衡的组照，今年抽象视角大放异彩；2. 星空夜景可以换思路：彩色星轨、星空虚化做背景、光污染入画，都是可行的表达；3. 火山、极光这类稀有自然奇观天然占优，而人类痕迹与奇观同框更加分；4. 抽象局部与极简构图，靠后期质感和克制用色把画面经营成绘画。","xe":"1. The photographer-of-the-year award favors four-image portfolios with a coherent style and even quality, and abstract viewpoints shone this year; 2. Rethink night skies: colored star trails, blurred stars as a backdrop, and light pollution as an element all work; 3. Rare spectacles like volcanoes and auroras hold a natural edge, and human traces in the frame make them stronger; 4. For abstract details and minimal compositions, post-processing texture and restrained color turn the frame into a painting."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1kK4y16777/","b":false,"xe":"https://www.bilibili.com/video/BV1kK4y16777/"},{"t":"p","x":"收录了Thomas近两年作品的2024年画册级周历《看见世界2024》已经上线淘宝，欢迎大家前往人民邮电出版社淘宝店选购！","b":false,"xe":"The 2024 album-grade wall calendar \"Seeing the World 2024\" (《看见世界2024》), featuring Thomas's works from the past two years, is now available on Taobao — everyone is welcome to shop at the Posts & Telecom Press Taobao store!"},{"t":"img","f":"img-03","w":1080,"h":698},{"t":"h","x":"作品赏析","xe":"Works Appreciation"},{"t":"img","f":"img-04","w":1000,"h":1200},{"t":"img","f":"img-05","w":1000,"h":1200},{"t":"img","f":"img-06","w":1000,"h":1200},{"t":"img","f":"img-07","w":1000,"h":1200},{"t":"img","f":"img-08","w":1000,"h":1200},{"t":"img","f":"img-09","w":1000,"h":1200},{"t":"img","f":"img-10","w":1000,"h":1200},{"t":"img","f":"img-11","w":1000,"h":1200},{"t":"img","f":"img-12","w":1000,"h":1200},{"t":"img","f":"img-13","w":1000,"h":1200},{"t":"img","f":"img-14","w":1000,"h":1200},{"t":"img","f":"img-15","w":1000,"h":1200},{"t":"img","f":"img-16","w":1000,"h":1200},{"t":"img","f":"img-17","w":1000,"h":1200},{"t":"img","f":"img-18","w":1000,"h":1200},{"t":"img","f":"img-19","w":1000,"h":1200},{"t":"img","f":"img-20","w":1000,"h":1200},{"t":"img","f":"img-21","w":1000,"h":1200},{"t":"img","f":"img-22","w":1000,"h":1200},{"t":"img","f":"img-23","w":1000,"h":1200},{"t":"img","f":"img-24","w":1000,"h":1200},{"t":"img","f":"img-25","w":1000,"h":1200},{"t":"img","f":"img-26","w":1000,"h":1200},{"t":"img","f":"img-27","w":1000,"h":1200},{"t":"img","f":"img-28","w":1000,"h":1200},{"t":"img","f":"img-29","w":1000,"h":1200},{"t":"img","f":"img-30","w":1000,"h":1200},{"t":"img","f":"img-31","w":1000,"h":1200},{"t":"img","f":"img-32","w":1000,"h":1200},{"t":"img","f":"img-33","w":1000,"h":1200},{"t":"img","f":"img-34","w":1000,"h":1200},{"t":"img","f":"img-35","w":1000,"h":1200},{"t":"img","f":"img-36","w":1000,"h":1200},{"t":"img","f":"img-37","w":1000,"h":1200},{"t":"img","f":"img-38","w":1000,"h":1200},{"t":"img","f":"img-39","w":1000,"h":1200},{"t":"img","f":"img-40","w":1000,"h":1200},{"t":"img","f":"img-41","w":1000,"h":1200},{"t":"img","f":"img-42","w":1000,"h":1200},{"t":"img","f":"img-43","w":1000,"h":1200},{"t":"img","f":"img-44","w":1000,"h":1200},{"t":"img","f":"img-45","w":1000,"h":1200},{"t":"img","f":"img-46","w":1000,"h":1200}],"titleEn":"How Are Landscape Photographers Shooting in 2023? Appreciating the Winning Works of the Landscape Photographer of the Year Contest!"}