{"slug":"landscape-photography-iceberg","title":"你天天看的大片，其实只是风光摄影的冰山一角","author":"Thomas看看世界","date":"2017-09-26","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247486018&idx=1&sn=f7eb47e526dc479bd1b61d027dd46f7f&chksm=eb81f426dcf67d30ef267f171140f063c6dc40884f261d4d67f098b27188c1bb532dbd3072e5&scene=21#wechat_redirect","blocks":[{"t":"p","x":"风光摄影是多样化和个性化的，绝不仅仅是我们常常在网络上看到的红云、晚霞、银河大片，也绝不仅仅是夸张广角、全景接片和魔幻后期的天下。","b":false,"xe":"Landscape photography is diverse and personal — it's by no means only the red-cloud, sunset-glow, and Milky Way masterpieces we often see online, nor is it exclusively the realm of exaggerated wide angles, panoramic stitching, and magical post-processing."},{"t":"p","x":"史炎冰老师的这篇好文，为我们介绍了很多别具一格的风光摄影作品。让我们打开思路，去创作出属于我们自己的风光吧。","b":false,"xe":"Teacher Shi Yanbing's fine article introduces us to many distinctive landscape photography works. Let's open our minds and create our own landscapes."},{"t":"h","x":"风光摄影现状","xe":"The State of Landscape Photography"},{"t":"p","x":"风光摄影如今已经进入了一个百花齐放的时代。","b":false,"xe":"Landscape photography has entered an era of a hundred flowers blooming."},{"t":"p","x":"随着摄影器材价格平民化，越来越多爱好者已经手握与专业摄影师同等、甚至更胜的装备。从手机拍拍大头照，然后一步到位购入佳能5D4、尼康D810、索尼A7R2的初学者比比皆是。","b":false,"xe":"As photography gear becomes more affordable, more and more enthusiasts hold equipment equal to or even better than professional photographers'. Beginners who go from taking selfies with their phones straight to buying a Canon 5D4, Nikon D810, or Sony A7R2 are everywhere."},{"t":"p","x":"即使并没有入手各家旗舰级单反，如今很多入门单反的性能指标，无论从像素、高感、动态范围等，也已经达到几年前专业单反的水平。摄影不再是少部分专业艺术人士才能涉足的领域。","b":false,"xe":"Even without flagship DSLRs, many entry-level DSLRs today have performance specs — in pixels, high ISO, dynamic range, and so on — that already match professional DSLRs from a few years ago. Photography is no longer a field only accessible to a few professional artists."},{"t":"p","x":"但凡热门一些的旅游景点，都有众多扛着脚架、端着大相机、揣着滤镜的小法师、老法师在忘我地拍摄。一眼望去也根本分不清哪些是专业摄影师，哪些是爱好者，哪些是高手，哪些是入门。因为他们的装备没有区别、他们的架势也都有模有样。","b":false,"xe":"At any popular tourist spot, crowds of \"little masters\" and \"old masters\" hauling tripods, big cameras, and filters shoot in total absorption. At a glance you can't tell who's a professional, who's an enthusiast, who's a master, or who's a beginner — because their gear is identical and their stances all look convincing."},{"t":"p","x":"然而与数量剧增的各类风光摄影师形成鲜明对比的是，风光摄影作品本身却进入了一种空前单调的窘境。这种单调性最为明显的表征便是摄影爱好者耳熟能详的中外各大摄影作品分享网络平台：500px、flickr、图虫等等。","b":false,"xe":"Yet in stark contrast to the rapidly growing number of landscape photographers, landscape photography works themselves have fallen into an unprecedentedly monotonous predicament. The most obvious manifestation of this monotony is on the major photo-sharing platforms familiar to every enthusiast: 500px, Flickr, Tuchong (图虫), and so on."},{"t":"img","f":"img-02","w":1280,"h":720},{"t":"p","x":"不知道各位读者有没有这样类似的感觉，打开这些网站中任意一个首页，将类别设置成风光，出来的照片都像是一个模子里刻出来的。虽然有些更精细些，有些则显得较为粗糙，但它们的共同特点几乎可以用几个词涵盖：夸张强烈、浓重喧哗、模板化严重。","b":false,"xe":"I wonder if readers feel the same way: open the homepage of any of these sites, set the category to landscape, and the photos all look stamped from the same mold. Some are more refined, some rather crude, but their common traits can almost be summed up in a few words: exaggerated and intense, heavy and noisy, heavily templated."},{"t":"p","x":"它们拍摄的天气条件往往是红云大逆光，以至于这仿佛成为了出片的唯一条件；它们的取景地点往往是那些热门的景点，以至于那些地方愈发拥挤不堪；它们的构图往往是互相拷贝，以至于都无法追溯谁才是原创；它们的后期往往更像韩国整容手术，以至于生成的一个个浓妆艳抹的“风尘女子”却分不清谁是谁。尽管如此，在这个快节奏的时代，当人们平均浏览每张照片的时间不超过2秒时，这类作品却以“第一眼美女”的姿态赢得了一波又一波的首页人气。","b":false,"xe":"Their shooting conditions are often red clouds in heavy backlight, as if that's the only condition for producing a great photo; their locations are usually those crowded hot spots; their compositions are often copied from each other until no one can trace the original; their post-processing often resembles Korean plastic surgery, producing heavily made-up \"painted ladies\" indistinguishable from one another. Even so, in this fast-paced age, when people spend on average no more than 2 seconds viewing each photo, such works win wave after wave of homepage popularity as \"first-glance beauties.\""},{"t":"img","f":"img-03","w":640,"h":425},{"t":"p","x":"500px典型风格例子：Aggression - Jkboy Jatenipat","b":false,"xe":"A typical 500px-style example: \"Aggression\" - Jkboy Jatenipat"},{"t":"p","x":"这种风格单调统一的社交媒体审美轰炸对摄影爱好者，尤其是初学者的影响是巨大的。因为很多爱好者的摄影欣赏起源于这些网站，而又并没有其他渠道去接触不同风格的摄影艺术家。以至于在许多爱好者脑海中形成了一种固定思维，认为诸如500px风格的风光作品就是好片，就是大师之作。","b":false,"xe":"The bombardment of this monotonous, uniform social-media aesthetic has a huge influence on enthusiasts, especially beginners. Many enthusiasts' appreciation of photography originates from these sites, and they have no other channel to encounter photographers of different styles. As a result, a fixed mindset forms in many enthusiasts' minds: that 500px-style landscape works are good photos, are masterpieces."},{"t":"h","x":"Marc Adamus, Max Rive所引领的梦幻风光派","xe":"The Dreamscape school led by Marc Adamus and Max Rive"},{"t":"p","x":"笔者并不想太过偏激地解读以上现象，因为人气和摄影造诣并不是对立的。","b":false,"xe":"I don't want to interpret the above phenomena too radically, because popularity and photographic skill aren't opposed."},{"t":"p","x":"图片分享网站的人气王中也不乏真正的大师。Marc Adamus和Max Rive便是两个最典型的代表。两人有着十分相似的经历，都具有优秀的户外能力，而得以深入人迹罕至的地方开拓不为人知却震撼人心的拍摄点。两人都以超广角大景最为见长。","b":false,"xe":"Among the popularity kings of photo-sharing sites are genuine masters. Marc Adamus and Max Rive are the two most typical examples. The two share very similar experiences: both have excellent outdoor abilities, enabling them to reach rarely visited places and pioneer unknown yet breathtaking shooting spots. Both are best known for ultra-wide-angle grand scenes."},{"t":"p","x":"Marc是多项经典风光摄影后期技术的鼻祖——景深合成、透视合成、多步锐化都凝结了Marc的才华与创新。Max则以其标志性的全景接片独树一帜。从摄影经验和技法上Marc显得更为全面老练；而Max则年轻更有闯劲，照片里往往散发着“无限风光在险峰”的意味。","b":false,"xe":"Marc is the originator of several classic landscape post-processing techniques — focus stacking, perspective compositing, and multi-step sharpening all embody Marc's talent and innovation. Max stands out with his signature panoramic stitching. In photography experience and technique, Marc is more comprehensive and seasoned, while Max is younger and more adventurous, with his photos often exuding the spirit of \"the finest views are only to be found on perilous peaks.\""},{"t":"img","f":"img-04","w":640,"h":390},{"t":"p","x":"Cool the Flames - Marc Adamus","b":false,"xe":"Cool the Flames - Marc Adamus"},{"t":"img","f":"img-05","w":640,"h":451},{"t":"p","x":"Persevere - MaxRive","b":false,"xe":"Persevere - MaxRive"},{"t":"p","x":"Marc和Max的风格、构图一直在被模仿，却从未被超越。然而他们在摄影分享网站上的成功，其实得益于他们的风格本身。从某种意义上说，Marc和Max的作品也属于“第一眼美女”，因为他们的作品具有巨大的视觉冲击力。在这种视觉冲击下，使得他们的作品容易在短短的一瞥下抓牢观者的兴趣。","b":false,"xe":"Marc and Max's styles and compositions have been imitated endlessly but never surpassed. Yet their success on photo-sharing sites actually benefits from their style itself. In a sense, Marc and Max's works are also \"first-glance beauties,\" because their works carry enormous visual impact, which lets them grip viewers' interest in a single brief glance."},{"t":"p","x":"然而与之前被笔者诟病的500px典型风格不同，Marc和Max的作品在第二眼、第三眼、第N眼后，依旧是美女。因为他们都有着各自标志性的鲜明特点。以至于熟悉的观众一眼看到就能认出是他们的作品。同时他们的作品也都原创十足，许多作品的拍摄点至今无人知晓。","b":false,"xe":"Yet unlike the typical 500px style I criticized earlier, Marc and Max's works remain beauties after the second glance, third glance, and Nth glance — because both have their own signature, distinctive traits that familiar viewers recognize at a glance. At the same time, their works are highly original, and many shooting locations remain unknown to this day."},{"t":"p","x":"笔者将Marc和Max归纳成了一个流派，称之为”Dreamscape”梦幻风光。意思是这个流派所追求的是一种梦幻般的画面感，极致的时候甚至有一些CG效果的意味。这个流派其实还有许多优秀的摄影师，比如大家可能已经熟悉的Ted Gore, Alex Noriega, Chip Phillips, Ryan Dyar等等。","b":false,"xe":"I've grouped Marc and Max into one school, calling it \"Dreamscape\" (梦幻风光). The school pursues a dreamlike pictorial quality that, at its extreme, carries a hint of CG effects. This school actually includes many other excellent photographers — such as Ted Gore, Alex Noriega, Chip Phillips, and Ryan Dyar, whom you may already know."},{"t":"h","x":"风光摄影是多样化的","xe":"Landscape Photography Is Diverse"},{"t":"p","x":"如果你觉得梦幻风光流派就是风光摄影的全部，那就是大错特错了。任何艺术都具有多样性，而这也正是艺术的魅力所在。","b":false,"xe":"If you think the Dreamscape school is the whole of landscape photography, you'd be very wrong. All art has diversity, and that's exactly the charm of art."},{"t":"p","x":"油画庄重而写实，但并非只有庄重、写实才是好的绘画艺术。水墨画的简约、含蓄、清新同样可以沁人心脾、令人陶醉。同样道理，Marc Adamus和Max Rive等引领梦幻风光流派仅仅是整个风光摄影的扁舟一叶、冰山一角。风光摄影远不止这些！","b":false,"xe":"Oil painting is solemn and realistic, but solemn realism isn't the only good painting. The simplicity, restraint, and freshness of ink-wash painting can equally refresh and enchant. By the same logic, the Dreamscape school led by Marc Adamus and Max Rive is only a single boat on the vast sea, the tip of the iceberg of landscape photography. Landscape photography is far more than this!"},{"t":"p","x":"要在短短一篇文章中介绍尽风光摄影的各种流派恐怕是不现实的。而笔者也远没有到达能定义、归纳、梳理各种流派的水平，这项工作难如编写风光摄影艺术史。","b":false,"xe":"Introducing every school of landscape photography in one short article is probably unrealistic. And I'm far from the level of defining, summarizing, and sorting out the various schools — a task as difficult as writing a history of landscape photography art."},{"t":"p","x":"本文将简单介绍几位笔者所喜欢的风光摄影师。他们的风格都与梦幻风光迥异，他们的很多作品并不具有强烈的视觉冲击。然而他们的作品展现了作为摄影艺术者与常人不一般的思考、智慧、眼光和理解。笔者希望抛砖引玉，通过对他们的介绍开阔读者对摄影作品欣赏的眼界、打破固有的审美定式、拓展自己拍摄的思路。","b":false,"xe":"This article will briefly introduce several landscape photographers I admire. Their styles are all very different from the Dreamscape school, and many of their works lack strong visual impact. Yet their works reveal thinking, wisdom, vision, and understanding that set them apart from ordinary people as photographic artists. I hope to cast a brick to attract jade — through introducing them, to broaden readers' horizons in appreciating photographs, break fixed aesthetic patterns, and expand their own shooting ideas."},{"t":"h","x":"Floris Van Breugel","xe":"Floris Van Breugel"},{"t":"p","x":"http://www.artinnaturephotography.com","b":false,"xe":"http://www.artinnaturephotography.com"},{"t":"p","x":"Floris是Marc Adamus公开的最欣赏的10个摄影师之一，他们两人曾一同探索位于阿根廷、智力边境的巴塔哥尼亚(Patagonia)地区。本文之前引用的Marc Adamus的Cool the Flames即出自两人的那次协同旅行。","b":false,"xe":"Floris is one of the 10 photographers Marc Adamus has publicly said he most admires. The two once explored Patagonia together, on the border of Argentina and Chile. Marc Adamus's \"Cool the Flames,\" quoted earlier in this article, came from that joint trip."},{"t":"p","x":"然而并不为人所熟知的是Floris还是加州理工大学的博士高才生——要知道在美国，加州理工(Caltech)的地位并不逊于众所周知的麻省理工(MIT)。年轻有为的Floris并不是全职摄影师，如今他安家于笔者所在的华盛顿州，主业在华盛顿大学担任一名研究员，副业才是风光摄影。","b":false,"xe":"What's less well known is that Floris is a doctoral graduate of Caltech — and in the US, Caltech's standing is no less than that of the famous MIT. Young and accomplished, Floris isn't a full-time photographer. He now lives in Washington State, where I live too; his main job is a researcher at the University of Washington, with landscape photography as his side career."},{"t":"p","x":"与Marc Adamus的如梦如幻风格截然不同，Floris的作品清新、写实，然而充满智慧与灵气。下面列举、点评几张令笔者印象深刻、反复回味的作品。","b":false,"xe":"Completely different from Marc Adamus's dreamlike style, Floris's works are fresh and realistic, yet full of wisdom and spirit. Below I list and comment on several works that impressed me deeply and made me return to them again and again."},{"t":"img","f":"img-06","w":640,"h":425},{"t":"p","x":"White Water Spirits - Floris Van Breugel","b":false,"xe":"White Water Spirits - Floris Van Breugel"},{"t":"img","f":"img-07","w":640,"h":467},{"t":"p","x":"Palouse Falls Sunset – Chip Philips","b":false,"xe":"Palouse Falls Sunset – Chip Philips"},{"t":"p","x":"White Water Spirits拍摄于华盛顿州的帕卢斯瀑布(Palouse Falls)。帕卢斯瀑布的全貌如下面Chip Philips的作品所展示的那般壮观。Chip Philips这张作品也许是这个场景梦幻流派的巅峰之作——天气条件、后期技术皆勘称完美，以至于之后爱好者们竞相模仿，成为了这个景点几乎标准、唯一的构图。","b":false,"xe":"\"White Water Spirits\" was shot at Palouse Falls in Washington State. The full view of Palouse Falls is as magnificent as shown in Chip Philips's work below. That work by Chip Philips may be the pinnacle of the Dreamscape school for this scene — weather conditions and post-processing are both near-perfect, so much so that enthusiasts have since raced to imitate it, making it the scene's almost standard, singular composition."},{"t":"p","x":"然而只有Floris这张从瀑布顶端俯拍的White Water Spirits才真正让笔者看了眼前一亮、过目不忘，拍着脑瓜大呼原来瀑布还能这么拍。","b":false,"xe":"Yet it's Floris's \"White Water Spirits,\" shot from above the waterfall's crest, that truly made my eyes light up and left an unforgettable impression — slapping my forehead and exclaiming that a waterfall could be shot this way."},{"t":"p","x":"这张作品用一个局部来暗示整个瀑布飞流而下的气势，含蓄而给人带来想象。从完成度上来说，曝光的控制精准地刻画了水汽翻腾、爆炸的动感。从选取时机来说，经过笔者实地考察，只有特定季节的太阳方向才有可能让水汽产生的彩虹在这个俯拍角度同时入境。因此笔者相信Floris在拍摄前也经过了一些精心的设计与测算。作品视角独特、构思新颖，体现了摄影师过人的智慧。","b":false,"xe":"This work uses a detail to suggest the entire waterfall's cascading power, restrained yet evocative. In terms of execution, the exposure control precisely depicts the churning, exploding motion of the spray. In terms of timing, my field research shows that only the sun's direction in a specific season allows the rainbow formed in the spray to enter the frame from this overhead angle. So I believe Floris also did some careful design and calculation before shooting. The work's unique perspective and novel conception reflect the photographer's exceptional intelligence."},{"t":"img","f":"img-08","w":548,"h":765},{"t":"p","x":"The Rift – Floris Van Breugel","b":false,"xe":"The Rift – Floris Van Breugel"},{"t":"img","f":"img-09","w":640,"h":443},{"t":"p","x":"Toroweep Skies – Marc Adamus","b":false,"xe":"Toroweep Skies – Marc Adamus"},{"t":"p","x":"The Rift拍摄于美国亚利桑那大峡谷最震撼的观景点Toroweep。这个景点是典型出“大片”的地方。笔者见过这个点最天时地利的作品来自Marc Adamus的Toroweep Skies。","b":false,"xe":"\"The Rift\" was shot at Toroweep, the most breathtaking overlook of the Grand Canyon in Arizona. This spot is a typical place for producing \"great photos.\" The most perfectly timed and positioned work I've seen from this spot is Marc Adamus's \"Toroweep Skies.\""},{"t":"p","x":"与Marc Adamus那张漫天红云的惊艳相比，第一眼看去Floris这张黑白处理的The Rift显得如此平淡而不起眼。然而细看几遍后，却发现该片的精妙之处。Toroweep这个场景唯一的缺憾就是由于悬崖地形所限，无论什么样的机位底下的科罗拉多河都容易被前景所截断。Marc Adamus的思路是引入带有指向性的少量前景来起到微弱引导线的作用，这是很多爱好者所熟悉、模仿的技法。","b":false,"xe":"Compared with the stunning red-cloud sky in Marc Adamus's photo, Floris's black-and-white \"The Rift\" at first glance seems plain and unremarkable. But after closer looks, its subtle brilliance emerges. The only flaw of the Toroweep scene is that, limited by the cliff terrain, the Colorado River below tends to be cut off by the foreground no matter the camera position. Marc Adamus's approach was to introduce a small amount of directional foreground as a faint leading line — a technique many enthusiasts know and imitate."},{"t":"p","x":"然而Floris则通过机位精心调整，巧妙地利用前景地面的裂缝走向，接续了远景的科罗拉多河！如果再仔细观察该片的明暗变化，远景阳面的科罗拉多河连接了近景在阴面的裂缝；远景阴面的悬崖过度到了近景阳面的地面。这一阴一阳的错综连接实在令人拍案叫绝！","b":false,"xe":"But Floris, through careful camera positioning, cleverly used the direction of the cracks in the foreground ground to continue the Colorado River in the distance! If you observe the light-dark transitions even more closely: the sunlit river in the distance connects to the cracks in the shaded foreground; the shaded cliff in the distance transitions to the sunlit ground up close. This intricate interweaving of light and shade is truly astonishing!"},{"t":"p","x":"下面再列举几张Floris的代表作，每张都有其巧妙、独特之处。读者不妨多多看几遍、细细体会。整体来说Floris的作品一开始并不容易吸睛，然而却很耐看。当体会到妙处时往往会感叹加州理工高才生的智商与才华横溢。我想这也就是为什么他年纪轻轻就能为Marc Adamus这类成名已久的大师所欣赏的原因。","b":false,"xe":"Below are a few more representative works by Floris, each with its own clever, distinctive quality. Readers may want to look at them several times and savor them. Overall, Floris's works aren't easy to catch the eye at first, but they hold up well. Once you grasp their brilliance, you often marvel at the intelligence and talent of this Caltech graduate. I think that's why, at a young age, he's admired by long-established masters like Marc Adamus."},{"t":"img","f":"img-10","w":640,"h":425},{"t":"p","x":"Flurries - Floris Van Breugel","b":false,"xe":"Flurries - Floris Van Breugel"},{"t":"img","f":"img-11","w":538,"h":816},{"t":"p","x":"Cascade Fountain - Floris Van Breugel","b":false,"xe":"Cascade Fountain - Floris Van Breugel"},{"t":"img","f":"img-12","w":539,"h":753},{"t":"p","x":"Secret Paradise - Floris Van Breugel","b":false,"xe":"Secret Paradise - Floris Van Breugel"},{"t":"h","x":"Guy Tal","xe":"Guy Tal"},{"t":"p","x":"https://guytal.com","b":false,"xe":"https://guytal.com"},{"t":"p","x":"同样在Marc Adamus最欣赏的10个摄影师名单中，Guy Tal则是一位资历颇深的“老法师”。与理工高才生Floris不同，Guy Tal更像是一位文青，哦不，是文老。除了拍摄外，他还是位作家，通过博客的形式记录了很多他对摄影艺术的感悟与理解。日记越累，这些经典的文章汇编成册，其中《The Good Badlands》一书是笔者最爱的床头读物。","b":false,"xe":"Also on Marc Adamus's list of his 10 most admired photographers, Guy Tal is a seasoned \"old master.\" Unlike the engineering whiz Floris, Guy Tal is more of a literary youth — no wait, a literary elder. Besides shooting, he's also a writer, recording many of his insights and understandings of photographic art through his blog. Over the years, these classic essays were compiled into books, among which \"The Good Badlands\" is my favorite bedside reading."},{"t":"p","x":"与Marc Adamus, Max Rive这些四处游历、发现新鲜拍摄地的摄影师不同，Guy Tal作品的景物对象均来自于他家门口——为了便于发掘美国西南部的美景，Guy Tal在科罗拉多平原的沙漠地带安了家，一住就是很多年。除了对拍摄点的探索外，Guy Tal的作品更专注于表现对气候节气变化、自然变迁的细致入微的观察。","b":false,"xe":"Unlike photographers like Marc Adamus and Max Rive, who travel widely discovering new shooting locations, the subjects of Guy Tal's works all come from his own doorstep. To better explore the beauty of the American Southwest, Guy Tal made his home in the desert of the Colorado Plateau and has lived there for many years. Beyond exploring shooting locations, Guy Tal's works focus more on expressing his meticulous observation of climate, seasonal change, and natural transformation."},{"t":"img","f":"img-13","w":640,"h":427},{"t":"p","x":"Secret Knowledge - Guy Tal","b":false,"xe":"Secret Knowledge - Guy Tal"},{"t":"p","x":"Secret Knowledge就是一个典型的例子。水面不起眼的油层或冰层（其实笔者也不是很清楚那到底是什么），通过阳光照射以及河床底下五彩斑斓的鹅卵石的反射，形成了晶莹剔透的斑纹。很多走马观花游人可能不会注意的场景，在Guy Tal镜头下焕发出意想不到的生动、妙趣横生。","b":false,"xe":"\"Secret Knowledge\" is a typical example. An unremarkable oil slick or ice layer on the water (I'm actually not entirely sure what it is), illuminated by sunlight and reflecting the colorful pebbles beneath the riverbed, forms translucent, glittering patterns. Scenes that many passing tourists might overlook come alive with unexpected vividness and charm under Guy Tal's lens."},{"t":"img","f":"img-14","w":640,"h":427},{"t":"p","x":"Ponderosa in Blue - Guy Tal","b":false,"xe":"Ponderosa in Blue - Guy Tal"},{"t":"img","f":"img-15","w":640,"h":479},{"t":"p","x":"Wintry Pastels - Guy Tal","b":false,"xe":"Wintry Pastels - Guy Tal"},{"t":"p","x":"Guy Tal的后期风格也很特别。他的后期明暗对比并不十分强烈，也不靠压暗整体画面来凸显光感，但是成片都非常有“质感”，时常让人有一种油画的错觉。上面两幅作品就是这种后期的典型代表。","b":false,"xe":"Guy Tal's post-processing style is also very distinctive. His post-processing doesn't use very strong light-dark contrast, nor does it darken the whole frame to emphasize light, yet the finished works are full of \"texture,\" often giving an impression of oil paintings. The two works above are typical representatives of this style."},{"t":"img","f":"img-16","w":640,"h":479},{"t":"p","x":"Convolusions – Guy Tal","b":false,"xe":"Convolusions – Guy Tal"},{"t":"p","x":"尽管明暗并不强烈，但Guy Tal精通冷暖色对比的细致过度，无论是前期对光线的选择，还是后期色彩的辅助增强，都将这种对比烘托得自然而不造作。","b":false,"xe":"Although the light-dark contrast isn't strong, Guy Tal is a master of the subtle transitions in warm-cool color contrast — whether in choosing light in the field or enhancing color in post, he renders this contrast naturally and without affectation."},{"t":"p","x":"难能可贵的是Guy Tal的作品根据主题、地点、节气编成一个个系列。对系列的欣赏往往比单张更有上下文、更能清晰地理解他想表达的意图。这也许就是在一个地方执着拍摄所带来的优势。","b":false,"xe":"Remarkably, Guy Tal organizes his works into series by theme, location, and season. Appreciating a series often provides more context than a single image and makes his intended meaning clearer. This may be the advantage of persistently shooting in one place."},{"t":"h","x":"Sarah Marino 和 Ron Coscorrosa","xe":"Sarah Marino and Ron Coscorrosa"},{"t":"p","x":"https://www.naturephotoguides.com","b":false,"xe":"https://www.naturephotoguides.com"},{"t":"p","x":"Sarah Marino 和Ron Coscorrosa是一对职业风光摄影师夫妻。他们的特长在于小景风光。可以说是笔者小景风光的“启蒙老师”。笔者之前一文“小中见大——妙趣横生的小景风光摄影秘籍”中的不少观点皆出自这对夫妻的著作《Beyond the Grand Landscape》。","b":false,"xe":"Sarah Marino and Ron Coscorrosa are a married couple of professional landscape photographers. Their specialty lies in intimate landscapes. They could be called my \"founding teachers\" of intimate landscape photography. Many of the ideas in my earlier article \"Seeing the Great in the Small — The Secret Manual of Delightful Intimate Landscape Photography\" came from this couple's book \"Beyond the Grand Landscape.\""},{"t":"p","x":"在笔者看来专精小景风光是难度很大的事情。因为每一幅成功的小景作品背后都凝结着长时间的搜索、尝试。而一幅成功的大景往往只需要有效的踩点、理想的天气、正确的前后期技术。小景风光需要更多的耐心、更用心的观察，也同时需要天时地利。","b":false,"xe":"In my view, specializing in intimate landscapes is very difficult, because every successful intimate landscape embodies long periods of searching and experimentation. A successful grand landscape often only needs effective scouting, ideal weather, and correct pre- and post-processing techniques. Intimate landscapes require more patience, more careful observation, and also favorable time and place."},{"t":"img","f":"img-17","w":640,"h":429},{"t":"p","x":"Blue and Gold - Ron Coscorrosa","b":false,"xe":"Blue and Gold - Ron Coscorrosa"},{"t":"p","x":"Ron的作品Blue and Gold是笔者一直以来最喜欢的小景作品之一。一个平常得不能再平常的场景:小溪浅滩碎石。在Ron镜头的刻画下，夕阳映红的水流如同律动的金丝、河床上的鹅卵石若隐若现，这一动一静的映衬、一冷一暖的对比，令人对小溪边的景象、当时的天色浮想联翩。","b":false,"xe":"Ron's \"Blue and Gold\" is one of my all-time favorite intimate landscape works. A scene that couldn't be more ordinary: a shallow stream over pebbles. Under Ron's lens, the water flow reddened by the setting sun looks like rippling golden threads, while the pebbles on the riverbed appear and disappear — the interplay of motion and stillness, of cool and warm, sets the imagination wandering over the streamside scene and the sky of that moment."},{"t":"p","x":"相比大景风光追求的“撞到”完美天气，能将看似平凡的场景通过摄影师的主观能动刻画精彩，正是小景风光的魅力，也是摄影师的实力。Sarah Marino 和 Ron Coscorrosa则以自己的风格鲜明的小景作品一次次证明了这一点。","b":false,"xe":"Compared with grand landscapes that seek to \"stumble upon\" perfect weather, rendering an ordinary scene brilliant through the photographer's subjective agency is the charm of intimate landscapes and the photographer's strength. Sarah Marino and Ron Coscorrosa prove this again and again with their stylistically distinctive intimate landscape works."},{"t":"img","f":"img-18","w":551,"h":373},{"t":"p","x":"Hillside Layers - Sarah Marino","b":false,"xe":"Hillside Layers - Sarah Marino"},{"t":"img","f":"img-19","w":546,"h":365},{"t":"p","x":"Ice Abstract, Iceland – Sarah Marino","b":false,"xe":"Ice Abstract, Iceland – Sarah Marino"},{"t":"img","f":"img-20","w":640,"h":442},{"t":"p","x":"Autumn Pastels - Sarah Marino","b":false,"xe":"Autumn Pastels - Sarah Marino"},{"t":"h","x":"总结","xe":"Summary"},{"t":"p","x":"本文列举的四位摄影师有着与当前流行风光摄影作品截然不同的风格。他们的作品并非靠强烈的视觉冲击来抓住观众的第一眼视线，而是靠更具内涵的东西来平实地打动、影响观者的内心。他们的风格也仅仅代表了风光摄影中的冰山另一角而已。","b":false,"xe":"The four photographers featured in this article have styles completely different from today's popular landscape photography. Their works don't capture viewers' first glance through strong visual impact, but move and influence viewers' hearts plainly through something more substantial. Their styles represent merely another corner of the landscape photography iceberg."},{"t":"p","x":"作为摄影爱好者的我们，应当通过对不同风格摄影师作品的鉴赏，帮助我们打开、拓展前期拍摄、后期润色的思路，从而最终形成自己个性化的鲜明风格。如果仅仅满足于一味模仿流行风格，以获得人气为摄影的唯一目标，那么终究只是一个画葫芦的爱好者而已。","b":false,"xe":"As photography enthusiasts, we should appreciate works by photographers of different styles to help open and expand our ideas for in-camera shooting and post-processing, ultimately forming our own distinctive personal style. If we merely settle for imitating popular styles and make gaining popularity the sole goal of photography, we're ultimately just enthusiasts copying a gourd."},{"t":"h","x":"极影AdventureX","xe":"Jiying AdventureX (极影AdventureX)"},{"t":"h","x":"极限挑战","xe":"Push the Limits"},{"t":"h","x":"极致影像","xe":"Ultimate Imagery"},{"t":"h","x":"极客分享","xe":"Geek Sharing"},{"t":"p","x":"http://www.theadventurex.com","b":false,"xe":"http://www.theadventurex.com"},{"t":"h","x":"感谢极影团队史老师的精彩文章，","xe":"Thanks to Teacher Shi of the AdventureX team for the wonderful article,"},{"t":"h","x":"托马斯还在格陵兰徒步中，","xe":"Thomas is still trekking in Greenland,"},{"t":"h","x":"未来一个月会不定期的更新照片和文章，","xe":"and will update photos and articles irregularly over the coming month,"},{"t":"h","x":"感谢大家的关注和分享。","xe":"Thank you all for your attention and sharing."},{"t":"p","x":"点击阅读原文，可以关注托马斯的图虫，查看我的格陵兰新片。","b":false,"xe":"Click \"Read More\" to follow Thomas's Tuchong and view my new Greenland photos."}],"titleEn":"The Masterpieces You See Every Day Are Only the Tip of the Iceberg of Landscape Photography"}