{"slug":"leica-loba-2024-review","title":"徕卡奥斯卡巴纳克摄影奖揭晓！2024获奖照片现场解读！","author":"Thomas看看世界","date":"2024-10-20","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247500996&idx=1&sn=7344c92e96190a7a80517f40d64ac249&scene=21#wechat_redirect","blocks":[{"t":"p","x":"2024年的徕卡奥斯卡巴纳克摄影奖已经在前几天揭晓。","b":false,"xe":"The 2024 Leica Oskar Barnack Award was announced a few days ago."},{"t":"p","x":"很有意思的是今年的两组获奖作品，一组来自于一位电影学背景的女性摄影师的感性呈现，一组来自于一位经济学背景的男性摄影记者的理性挖掘。","b":false,"xe":"Interestingly, this year's two winning series are an emotional presentation by a female photographer with a film studies background, and a rational investigation by a male photojournalist with an economics background."},{"t":"p","x":"今天的摄影教程中，Thomas就会在今年德国徕卡总部的颁奖现场，与大家一起赏析这两组获奖作品，并现场采访了两位获奖摄影师。","b":false,"xe":"In today's photography tutorial, Thomas will appreciate these two winning series with you at the awards ceremony at Leica headquarters in Germany, and interview both winning photographers on site."},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1MnCZYoELA","bpic":"bili-1","bt":"徕卡奥斯卡巴纳克摄影奖揭晓！2024获奖照片现场解读！"},{"t":"p","x":"这一篇是上面视频的图文整理。2024 年徕卡奥斯卡·巴纳克奖揭晓时，Thomas 恰好在德国韦茨拉尔的徕卡总部颁奖现场，视频里有现场的颁奖氛围、两组获奖作品的解读，以及对两位获奖摄影师的深度访谈。这篇文章把视频里的信息整理成图文，并配上关键帧截图，方便你收藏细读。","xe":"This is the illustrated companion to the video above. When the 2024 Leica Oskar Barnack Award was announced, Thomas happened to be at Leica's headquarters in Wetzlar, Germany for the ceremony. The video captures the atmosphere on site, a reading of the two winning series, and in-depth interviews with both winners. This article reorganizes all of that into text with keyframe screenshots for a closer read."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 韦茨拉尔现场：大奖之夜","xe":"01 On Site in Wetzlar: Awards Night"},{"t":"p","x":"视频开始时，Thomas 就站在徕卡总部所在的德国小城韦茨拉尔。当晚，2024 年徕卡奥斯卡·巴纳克奖即将揭晓，今年一共有 12 组作品入围最终决赛（视频 0:22 处），新人奖与全场大奖的归属是现场所有人关注的焦点。","xe":"The video opens with Thomas standing in Wetzlar, the small German town where Leica's headquarters is located. That evening, the 2024 Leica Oskar Barnack Award was about to be announced. Twelve series had made the final round (at 0:22 in the video), and everyone on site was waiting to see which would take the newcomer award and the main prize."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"新人奖最终颁给了来自摩尔多瓦的摄影师 Maria Guțu 和她的作品《Homeland》（视频 0:53 处）。纵观 12 组入围作品，Thomas 认为这一组无论从画面的视觉感受还是艺术倾向，都是最出色的之一。","xe":"The newcomer award went to Moldovan photographer Maria Guțu for her series \"Homeland\" (at 0:53 in the video). Looking across all twelve finalists, Thomas considers this series among the very best in visual quality and artistic intent."},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 新人奖：Maria Guțu 的故乡","xe":"02 The Newcomer Award: Maria Guțu's Homeland"},{"t":"p","x":"摩尔多瓦是一个农业国家，人口不断流出，村子里基本上只剩下留守的老人和儿童（视频 1:34 处）。整组《Homeland》弥漫着一点悲伤、一点抑郁的氛围，而 Guțu 用黑白的色调与影调，加上人物极其自然的表情神态，把这种氛围表现得恰到好处。","xe":"Moldova is an agricultural country with a steadily draining population; its villages are left mostly with the elderly and children left behind (at 1:34 in the video). A faint sadness, a quiet melancholy hangs over \"Homeland\", and Guțu expresses it perfectly through black-and-white tones, her command of grayscale, and the utterly natural expressions of her subjects."},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"可以想一个问题：拍街上或村庄里的人，拍到微笑容易，还是拍到悲伤、忧伤的神态更容易？毫无疑问是后者（视频 2:11 处）。如果你只是一个游客，人们展现给你的往往是标志性的微笑；而照片里这种真实的忧伤，要么需要你是亲人，要么需要你懂当地的语言和文化、长期生活其中，熟悉下来之后才可能引导出这样的状态。作为一名青年女性摄影师，Guțu 充分利用了自己的亲和力，以及当地人在语言与文化背景上的交流优势。","xe":"Consider a question: when photographing people on the street or in a village, is it easier to capture a smile or an expression of sorrow? Clearly the latter (at 2:11 in the video). A passing tourist usually gets the standard smile; the genuine sadness in these pictures requires either being family, or knowing the local language and culture and living among people long enough to earn that state of trust. As a young woman photographer, Guțu made full use of her approachability and of the local's advantage in language and cultural background."},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"03 现场访谈：自然肖像从何而来","xe":"03 The Interview: Where Natural Portraits Come From"},{"t":"p","x":"Thomas 在现场与 Guțu 进行了一次深度沟通，问了两个问题。第一个问题：她是如何拍到这些如此自然的肖像的，又是怎么和当地人沟通的（视频 3:13 处）。她的回答很朴素——在街上遇到想拍的人，会先告诉对方自己希望拍一张怎样的照片，也在解释自己在做什么，把拍摄变成一场坦诚的交流。","xe":"On site, Thomas sat down with Guțu for an in-depth conversation and asked her two questions. The first: how does she achieve such natural portraits, and how does she communicate with local people (at 3:13 in the video)? Her answer is disarmingly simple — when she meets someone she wants to photograph, she explains what kind of picture she hopes to make and what she is doing, turning the shoot into an honest exchange."},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"第二个问题：她作为电影专业的毕业生，为什么会转向平面摄影（视频 4:11 处）。对一个电影学院出身、后来又拿下了摄影奖项的创作者来说，两种媒介之间对叙事、对情绪的理解是相通的，这个问题也引出了视频结尾的关键启示。","xe":"The second question: as a film-school graduate, why did she turn to still photography (at 4:11 in the video)? For a creator trained in cinema who went on to win a photography award, the two media share an understanding of narrative and emotion — and this question leads straight to the key takeaway at the end of the video."},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 全场大奖：新能源矿产的冷静叙事","xe":"04 The Main Award: a Sober Narrative on Critical Minerals"},{"t":"p","x":"全场大奖颁给了 Davide Monteleone 的《Critical Minerals》，一组展现新能源矿产开采行业中环境污染与人道主义危机的作品（视频 4:43 处）。Thomas 觉得这次获奖与 Maria Guțu 恰好是一体两面：Guțu 凭画面中的情绪与艺术性取胜，而 Monteleone 的画面并不追求震撼，反而透出一种严谨、理性的氛围。","xe":"The main award went to Davide Monteleone's \"Critical Minerals\", a series exposing environmental pollution and humanitarian crises in the mining industry behind new energy (at 4:43 in the video). Thomas sees it as two sides of the same coin with Guțu's win: she triumphed on emotion and artistry, while Monteleone's frames chase nothing spectacular — instead they radiate rigor and rationality."},{"t":"img","f":"v10","w":852,"h":480},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"他能获奖，很大程度上是因为挖掘到了一个新颖的题材（视频 5:16 处）。这几年欧洲的整体氛围，加上俄乌战争让欧洲在新能源产业中处于相对劣势的地位，质疑的声音不断出现，人们自然开始关注新能源产业里的其他问题——比如这组照片呈现的锂、钴、铜等矿产开采过程中产生的污染与环境问题（视频 5:51 处）。","xe":"His win owes much to unearthing a genuinely fresh subject (at 5:16 in the video). With the current mood in Europe — and the war in Ukraine leaving the continent at a relative disadvantage in the new-energy industry — skeptical voices keep rising, and attention naturally turns to other problems inside the industry, such as the pollution and environmental damage from mining lithium, cobalt and copper shown in this series (at 5:51 in the video)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"Monteleone 本身有着社会经济学方面的学术背景，Thomas 认为他的获奖很大程度上正是源于选题、源于对社会脉搏的把握，于是也问了他这个问题：你是怎么选择主题的（视频 6:18 处）。他的回答是：选择主题很简单，先选定一个话题，再决定围绕它做一个项目，并首先去核查它的可行性。","xe":"Monteleone comes from an academic background in socio-economics, and Thomas believes his win stems largely from his subject choice, his grasp of society's pulse — so he asked him exactly that: how do you choose a theme? (at 6:18 in the video.) His answer: choosing is the easy part — pick a topic, decide to build a project around it, and first verify that it can actually be done."},{"t":"img","f":"v13","w":852,"h":480},{"t":"h","x":"05 启示：用你的特长讲你的故事","xe":"05 The Takeaway: Tell Your Story with Your Own Strengths"},{"t":"p","x":"把两位获奖者放在一起看，结论非常清晰：每一位摄影师都需要利用自己的特长与文化背景，去挖掘属于自己的题材（视频 7:10 处）。Guțu 是电影学院毕业的女性摄影师，情感细腻，自己就成长于类似留守儿童的家庭，所以拍出关于故乡、忧郁而有艺术感的作品；而政治经济学背景的 Monteleone，拍出来的照片非常冷静，选题也极其独到。","xe":"Placing the two winners side by side, the conclusion is crystal clear: every photographer must draw on their own strengths and cultural background to unearth the subjects that belong to them (at 7:10 in the video). Guțu, a film-school-trained woman photographer with a delicate sensibility who herself grew up in a left-behind family, produced a melancholy, artistic body of work about her homeland; Monteleone, with his political-economy background, makes strikingly sober photographs on strikingly original subjects."},{"t":"img","f":"v14","w":852,"h":480},{"t":"p","x":"对中国摄影师来说，无论是讲好中国的故事，还是去拍西方产业中遇到的问题，都需要开拓这样的视野（视频 8:08 处）。同样重要的一点是画面质量本身：他们怎么讲述这些故事——叙事手法、画面语言、作品阐述怎么写、组图怎么编辑，这些都值得我们认真学习和思考。","xe":"For Chinese photographers, whether telling China's own stories well or examining the problems inside Western industries, broadening this kind of vision is essential (at 8:08 in the video). Equally important is the quality of the pictures themselves: how these photographers tell their stories — the narrative approach, the visual language, how the artist statement is written, how the series is edited — all of it deserves our careful study."},{"t":"quote","x":"1. 组照的胜负手在选题与氛围的统一：Guțu 用黑白影调和自然的神态，写尽了人口流失乡村的忧郁；2. 忧伤的神态比微笑难拍得多，它依赖语言、文化与长期的信任，而不是一张游客的合影；3. Monteleone 证明题材本身就是力量：新颖的选题加上严谨理性的叙事，同样能拿下全场大奖；4. 摄影师要利用自己的特长与文化背景挖掘专属题材，同时苦练叙事手法与组照编辑的基本功。","xe":"1. A series is won on subject and unified atmosphere: with black-and-white tonality and natural expressions, Guțu captured the melancholy of villages draining their people; 2. Sorrow is far harder to photograph than a smile — it depends on language, culture and long-built trust, not a tourist snapshot; 3. Monteleone proves the subject itself is power: a fresh topic with rigorous, rational storytelling can take the main prize; 4. Mine the subjects only your own strengths and background can reach, and keep honing the fundamentals of narrative and series editing."},{"t":"h","x":"作品赏析","xe":"Works Appreciation"},{"t":"p","x":"Tong Niu：Express Delivery","b":false,"xe":"Tong Niu：Express 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