{"slug":"lr-calibration-primaries","title":"一步搞定热门色调！LR校准面板三原色工具实战！","author":"Thomas看看世界","date":"2022-06-19","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247495595&idx=1&sn=fb35b3c83cec87d21f2f8ab2257c42bb&chksm=eb8211cfdcf598d9a5d4b20edfe5a2e499539dfdce9a62888805c655cf2649b2ccc0f31835ae&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在上周的教程《PS中隐藏的调色之王 - 校准面板三原色工具教程！》中，Thomas和大家介绍了这个工具的基础知识。","b":false,"xe":"In last week's tutorial, \"The Hidden King of Color Grading in PS — The Calibration Panel's Primaries Tool!\", Thomas introduced the basics of this tool."},{"t":"p","x":"今天的摄影后期教程中，Thomas会和大家实战应用LR、ACR中的校准面板三原色工具。","b":false,"xe":"In today's post-processing tutorial, Thomas puts the Calibration panel's Primaries tool in LR/ACR into real-world action."},{"t":"img","f":"img-01","w":1067,"h":1007},{"t":"p","x":"青橙色调、蓝粉色调、卡通色调这些网红调色，都可以用三原色工具几步搞定。","b":false,"xe":"Teal-and-orange, blue-and-pink, and cartoon color looks — all these trending grades can be done in a few steps with the Primaries tool."},{"t":"p","x":"这个工具真的是城市风光后期调色神器！","b":false,"xe":"This tool is truly a grading gem for cityscape post-processing!"},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1SS4y1e7aJ","bpic":"bili-1","bt":"一步搞定网红色调！LR校准面板三原色工具实战！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。上周的教程讲清了校准面板三原色工具的原理，这一期 Thomas 用四组实战案例演示它怎么用：给广汽埃安汽车广告调的冰莓粉背景、竖构图夜景的青粉对比色、只动一个滑块的青橙夜景色，以及卡通糖果色的统一玩法。先看图文记住套路，再到视频里看滑块的实时变化。","xe":"This is the fully illustrated companion to the video above. Where last week's tutorial explained the theory of the Calibration panel's Primaries tool, this one shows four real assignments: the ice-berry-pink background Thomas graded for a GAC Aion car campaign, the teal-pink contrast on a vertical night shot, the one-slider teal-orange night look, and the cartoon-candy unification recipe. Learn the routines here, then watch the sliders move in the video."},{"t":"p","x":"开工前先记住适用边界：三原色工具最适合城市风光——人造颜色经得起大幅风格化；自然风光里除了蓝原色，其他两色一般尽量不动。整个调色的总纲是下面这张原理图：蓝原色左移，画面里的蓝走向青、橙黄走向红；绿原色和红原色则各自牵动一片色区。视频 0:22 处用色轮演示了这个牵一发动全身的关系。","xe":"First, know the tool's boundaries: the Primaries tool shines on cityscapes — man-made colors tolerate heavy stylization — while in nature, apart from the blue primary, the other two are usually left alone. The diagram below captures the whole idea: sliding the blue primary left turns blues toward cyan and orange-yellows toward red, while the green and red primaries each drag their own color regions along. The color-wheel demo at 0:22 in the video shows this ripple effect."},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 冰莓粉背景：给汽车广告定一块色调","xe":"01 An Ice-Berry-Pink Background for a Car Campaign"},{"t":"p","x":"第一个案例来自真实项目：Thomas 最近为广汽埃安的汽车照片拍摄了一组城市夜景背景，目标色调是冰莓粉、玫瑰粉——也就是青蓝色加粉色的组合。下面这张就是还没动过的原片：华灯初上的城市天际线，色彩忠实但平淡（视频 1:08 处）。","xe":"The first case comes from a real commission: Thomas recently shot a set of city night backgrounds for GAC Aion car photos, with an ice-berry-pink / rose-pink target — a teal-blue plus pink combination. Below is the untouched original: a city skyline at dusk, faithful but plain (at 1:08 in the video)."},{"t":"img","f":"v02","w":768,"h":480},{"t":"p","x":"色彩调整的第一步不是碰三原色，而是用色温工具定基准：原片整体基调是蓝天的冷调，就先给画面一个明确偏蓝的色温基准，后面三原色的偏移才有统一的出发点。最终这块背景被合成进汽车广告成片——粉色天空下的城市与车身漆面互相呼应（视频 1:32 处）。","xe":"The first color move is not the primaries but the white-balance tool: since the scene's base is a cool blue-sky cast, set an explicitly blue temperature baseline first, so the later primary shifts all start from the same reference. The graded background was then composited into the final car campaign — the pink sky and the car's paint echo each other (at 1:32 in the video)."},{"t":"img","f":"v03","w":768,"h":480},{"t":"h","x":"02 蓝左绿右：三原色调出青粉","xe":"02 Blue Left, Green Right: Mixing Teal and Pink"},{"t":"p","x":"进入校准面板。蓝原色色相往左滑：背景的蓝色立刻变成青色调，画面中的橙黄色灯光则往红、橙方向偏移——青粉对比的一半已经就位（视频 1:49 处）。他顺手试了红原色，发现偏移方向不是想要的，直接归零；绿原色才是关键——往右移动，好看粉色调就出现了（视频 2:17 处）。","xe":"Into the Calibration panel. Slide the blue primary's hue left: the blue background instantly turns cyan while the orange-yellow lights drift toward red-orange — half of the teal-pink contrast is in place (at 1:49 in the video). He tries the red primary, finds it pushes colors the wrong way, and zeroes it out; the green primary is the key — sliding it right summons the pleasing pink tones (at 2:17 in the video)."},{"t":"img","f":"v04","w":768,"h":480},{"t":"p","x":"粗调之后整体有点太偏绿，把蓝原色往回带一点就正了。剩下的小杂色交给 HSL 混色器：把浅绿色（青色）的色相往蓝方向稍稍偏一点，画面的冷色就完全统一了。前后对比之下，色彩统一只用了几步（视频 2:40 与 2:50 处）。","xe":"After the rough pass the frame leans a bit too green — bringing the blue primary back a little fixes it. Leftover stray colors go to the HSL mixer: nudge the aqua hue slightly toward blue and the cool range is fully unified. Before versus after, the unification takes only a few moves (at 2:40 and 2:50 in the video)."},{"t":"img","f":"v05","w":768,"h":480},{"t":"img","f":"v06","w":768,"h":480},{"t":"h","x":"03 一张夜景两种网红对比色","xe":"One Night Frame, Two Trending Contrast Looks"},{"t":"p","x":"换一张竖构图的夜景，同样的配方同样成立：蓝原色左移，画面里出现橙色和一点红色；绿原色再右移，粉色调更加明显；最后把色温稍稍偏蓝，青色与粉色的对比色调就出来了（视频 3:00-3:16 处）。","xe":"Switch to a vertical night frame and the same recipe still works: blue primary left brings up orange with a touch of red; green primary further right deepens the pink; then bias the temperature slightly blue and the teal-pink contrast look is done (at 3:00-3:16 in the video)."},{"t":"img","f":"v07","w":768,"h":480},{"t":"p","x":"同一张照片换成夜景常见的青橙色调更简单：只需要动一下蓝原色，青橙的味道就已经出来了；最多再把红原色往右移一点，就是非常标准的青蓝与红橙对比（视频 3:23 与 3:32 处）。所以说三原色工具对夜景调整非常有用——当然要配合色温色调工具和混色器里的 HSL 一起收尾。","xe":"On the same photo, the classic teal-orange night look is even simpler: touching just the blue primary already delivers the vibe; slide the red primary right as a finishing move and you get a textbook teal-blue versus red-orange contrast (at 3:23 and 3:32 in the video). That's why the Primaries tool is such a night-grading workhorse — always paired with the temperature/tint tools and the HSL mixer for the final pass."},{"t":"img","f":"v08","w":768,"h":480},{"t":"img","f":"v09","w":768,"h":480},{"t":"h","x":"04 卡通糖果色：先做灰亮底","xe":"04 Cartoon-Candy Color: Build the Bright, Hazy Base First"},{"t":"p","x":"第三组是卡通色调、糖果色调。第一步仍然在三原色之前：把阴影提上来、曝光稍稍提升、高光压下去，让照片呈现一种「灰亮」的低反差状态——这是糖果感的底子（视频 4:00 处）。","xe":"Case three is the cartoon / candy look. Step one still comes before the primaries: lift the shadows, raise exposure slightly, pull highlights down, until the photo sits in a bright, hazy, low-contrast state — the foundation of the candy feel (at 4:00 in the video)."},{"t":"img","f":"v10","w":768,"h":480},{"t":"p","x":"然后直接把蓝原色往左移：画面里原来的橙色、黄色偏向好看的粉色调，天空的蓝色则偏向青蓝（视频 4:12 处）。回到混色器收尾——蓝色的亮度不能太低，橙色、红色的亮度也提上来，再把饱和度整体提升一点，卡通色调的感觉就出来了（视频 4:28 处）。","xe":"Then slide the blue primary straight left: the orange and yellow areas shift into pleasing pinks while the sky's blue leans cyan (at 4:12 in the video). Back in the mixer for the finish — the blue's luminance shouldn't sit too low, raise the orange and red luminances too, then boost overall saturation a touch, and the cartoon feel lands (at 4:28 in the video)."},{"t":"img","f":"v11","w":768,"h":480},{"t":"img","f":"v12","w":768,"h":480},{"t":"h","x":"05 第二组练习与四步万能流程","xe":"05 A Second Drill and the Four-Step Universal Workflow"},{"t":"p","x":"最后一张练习照片色彩偏多、显得杂乱。思路依旧是先提阴影和白色把光感做出来，再进校准面板：蓝原色左移，绿原色左右对比后向左一点，红原色也往左——三下就把全片色彩拧统一了（视频 4:56 处）。个别红色太艳，用 HSL 把它偏回橙色；绿色再偏绿一点点、品红往红靠，最后提升饱和度、微提蓝色的饱和度和亮度，统一的卡通色调模板就完成了（视频 5:22-5:40 处）。","xe":"The final drill photo has too many colors and looks messy. The routine holds: lift shadows and whites for brightness first, then in the Calibration panel slide blue left, test green both ways and settle slightly left, and take red left too — three moves pull the whole palette together (at 4:56 in the video). One over-loud red goes back toward orange via HSL; green leans a bit greener, magenta toward red; finish by boosting saturation and slightly raising the blue's saturation and luminance — a unified cartoon-color template complete (at 5:22-5:40 in the video)."},{"t":"img","f":"v13","w":768,"h":480},{"t":"p","x":"前后对比之后，把整套方法沉淀成一个万能流程：第一步在基本面板用色温、色调确定基础的冷暖倾向；第二步用校准面板三原色统一色彩、赋予整体色调；第三步用 HSL 混色器对每个局部颜色微调；第四步再用径向滤镜、渐变滤镜做局部处理。这套流程对城市风光白天和夜晚的调色都非常好用（视频 5:50-6:14 处）。","xe":"After the before-and-after, distill everything into a universal workflow: step one, set the basic warm-cool direction with temperature and tint in the Basic panel; step two, unify colors and cast the overall tone with the Calibration primaries; step three, fine-tune each color locally in the HSL mixer; step four, finish with radial and graduated filters. The workflow serves cityscapes equally well by day and by night (at 5:50-6:14 in the video)."},{"t":"img","f":"v14","w":768,"h":480},{"t":"quote","x":"1. 三原色工具适合城市风光这类人造色彩的风格化调色，自然风光一般只动蓝原色；2. 万能四步：色温色调定基准 → 校准面板统一色彩 → HSL 混色器逐色微调 → 径向/渐变滤镜局部收尾；3. 记住两招：蓝原色左移蓝天变青、橙黄偏红，绿原色右移调出粉色；4. 青橙夜景只需动蓝原色，红原色右移补一刀就是标准青蓝红橙对比。","xe":"1. The Primaries tool suits stylized grading of man-made cityscape colors; in nature, generally touch only the blue primary; 2. The universal four steps: temperature/tint sets the baseline → Calibration primaries unify the palette → HSL mixer fine-tunes each color → radial/graduated filters finish locally; 3. Remember two moves: blue primary left turns skies cyan and oranges red; green primary right conjures pink; 4. For teal-orange nights, the blue primary alone nearly does it — a touch of red primary right completes the classic teal-blue versus red-orange contrast."}],"titleEn":"Trendy Color Looks in One Step: The LR Calibration Panel Primaries in Action"}