{"slug":"muted-teal-orange-acr","title":"低饱和青橙色调几步搞定，ACR/Lightroom网红后期调色教程","author":"Thomas看看世界","date":"2020-03-29","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247490312&idx=1&sn=b359e24b0368d561ce62a219b9df8162&chksm=eb81e56cdcf66c7a5499ea71c3af1045b5b43f49a925d147279816eb03c3b87679c9ca068e7f&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"低饱和青橙色调和谐耐看，是Ins网红博主们很喜欢用的一种后期色调。","b":false,"xe":"The low-saturation teal-and-orange tone is harmonious and easy on the eyes — a favorite among Instagram influencers."},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"p","x":"在最近Thomas和vivo x alexanderwang手机合作的一组重庆城市图片中，我也大量使用了这种后期调色。","b":false,"xe":"I used this grade extensively in a recent series of Chongqing city images from the Thomas x vivo x alexanderwang phone collaboration."},{"t":"img","f":"img-03","w":1080,"h":720},{"t":"p","x":"在今天的视频教程中，托马斯就会和大家分享如何用Adobe Camera Raw(Lightroom类似)，简单几步调出这种色调。","b":false,"xe":"In today's video tutorial, Thomas shares how to create this look in Adobe Camera Raw (Lightroom works similarly) in a few simple steps."},{"t":"h","x":"视频教程","xe":"Video Tutorial"},{"t":"bili","bv":"BV1o7411D752","bpic":"bili-1","bt":"低饱和青橙色调几步搞定，ACR/Lightroom网红调色后期"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 以一张与 vivo 手机合作的重庆镜面创意照片为例，演示低饱和青橙色调的完整调法：从分析这种网红色调的色彩规律开始，到 Camera Raw 中的矫正、曝光、降饱和、分离色调、三原色与 HSL 工具，几步就能调出统一而高级的青橙效果。文中配有每一步的界面截图，可以直接对照操作。","xe":"This is the fully illustrated companion to the video above. Using a mirror-play creative photo shot in Chongqing for a vivo collaboration, Thomas walks through the complete recipe for the popular muted teal-orange look: from analyzing the palette's rules, through corrections, exposure, desaturation, Split Toning, and the Calibration and HSL tools in Camera Raw. Screenshots of every step let you follow along directly.","b":false},{"t":"p","x":"先看前后对比。下面第一张是原图，第二张是调色完成的效果图——步骤其实非常简单，在 Lightroom 或者 Camera Raw 里几步就可以调出来（视频 0:53 处）。","xe":"Start with the before-and-after: the first image below is the original, the second the finished grade. The steps are genuinely simple — a few moves in Lightroom or Camera Raw get you there (at 0:53 in the video).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"img","f":"v02","w":852,"h":480},{"t":"h","x":"01 矫正构图与曝光基础","xe":"01 Corrections, Cropping and Exposure Basics"},{"t":"p","x":"调色前先分析这种低饱和青橙色调的色彩规律（视频 1:07 处）：成片色彩非常统一，整张照片笼罩在一层青色主调之下；但有些地方又恢复了原来的色彩——比如手、远处的房屋、这些泥土，恢复了正常的黄色。所以它的调色核心是三步：先去掉原来杂乱的色彩，再给整体加上青色主色调，最后把黄色系的物体复原到相对真实的色彩。","xe":"Before grading, analyze the rules behind this muted teal-orange look (at 1:07 in the video): the finished photo is remarkably unified, wrapped in a teal cast — yet some areas regain their original colors: the hand, the distant houses, the dirt all return to natural warm yellows. So the recipe has three moves: strip away the original chaotic colors, cast the whole frame in teal, then restore warm yellow subjects to believable color.","b":false},{"t":"p","x":"进入 Adobe Camera Raw，第一步永远是删除色差并启动配置文件校正，每张照片都建议勾选（视频 2:11 处）。这张照片里有手机和建筑，所以进入变换工具做校正——自动变换效果不好时，用参考线手动拉，保证手机和远处的建筑横平竖直（视频 2:23 处）。然后裁剪构图：裁掉左上角碍眼的红色杂物和右下角杂乱的树木，更突出手机的镜面反光带来的镜中世界感（视频 2:49 处）。","xe":"In Adobe Camera Raw, step one is always removing chromatic aberration and enabling profile corrections — tick these for every photo (at 2:11 in the video). Because this frame holds a phone and buildings, open the Transform tool; when auto fails, drag guides manually so the phone and the distant architecture sit perfectly level and plumb (at 2:23 in the video). Then crop: cut the distracting red object in the upper-left and the messy trees in the lower-right, so the mirror world on the phone's glass takes center stage (at 2:49 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"曝光处理（视频 3:14 处）：整体曝光适当提升，阴影也提一些——不提的话建筑部分会笼罩在阴暗之中缺少细节；提完之后对比度变弱，所以增加一些对比度，并把黑色滑块往左拉，把黑场压回来一点点；白色提升，高光稍微降低，把最亮处控制在较亮的区域内即可。","xe":"Exposure (at 3:14 in the video): lift the overall exposure slightly and raise the shadows — without it the architecture drowns in gloom with no detail; lifting flattens contrast, so add some back, pull the Blacks slider left to re-anchor the black point, raise Whites, and ease the Highlights down until the brightest areas sit in a controlled, bright-but-detailed zone.","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"因为主体是建筑，可以增加一些锐化和清晰度，让画面边缘的细节更清晰丰富；去除薄雾也可以适当加一点（视频 3:53 处）。这些滑块各自的含义和用法，Thomas 在以前的文章里有完整讲解。","xe":"Since the subject is architecture, add some Sharpening and Clarity to enrich edge detail, plus a touch of Dehaze (at 3:53 in the video). What each of these sliders actually does is covered fully in Thomas's earlier articles.","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"02 降饱和 给新色彩腾出位置","xe":"02 Desaturate to Make Room for New Color"},{"t":"p","x":"非常关键的一步：对照片做降饱和度操作（视频 4:22 处）。成片的饱和度其实适中并不高，而降饱和的原因是——我们首先要尽量去除原来的色彩，方便后期给照片笼罩新的色彩；不然原来的色彩会和你新加的色彩互相冲突。把所有色彩都去掉一点点，后面的加色才会干净。","xe":"Here comes the crucial move: desaturate the photo (at 4:22 in the video). The finished image is only moderately saturated, and the reason for pulling saturation down is that the original colors must be suppressed first, so the new cast can take over cleanly — otherwise old and new colors fight each other. Trim every color back a little and the color you add later will read pure.","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 分离色调 笼罩一层青色","xe":"03 Split Toning: Cast the Frame in Teal"},{"t":"p","x":"加色时可以用白平衡等工具，但这里用分离色调，因为它能更精准地控制色相（视频 5:01 处）。成片是青蓝色调：高光里把色相滑块调到 212 左右的青蓝色，饱和度提升到 15 左右（视频 5:17 处）；阴影也笼罩青色，色相选 218 或 206，让阴影和高光的色相有一点点微弱的区别，饱和度同样增加。这样整张照片就有了一层青色笼罩的味道。","xe":"Color can be added with white balance or other tools, but Split Toning is used here for its precise hue control (at 5:01 in the video). The target is a teal-blue cast: in the Highlights, push the hue slider to a teal-blue around 212 and raise saturation to about 15 (at 5:17 in the video); cast the Shadows in teal too, at 218 or 206, leaving a faint hue difference between highlights and shadows, with saturation raised as well. Now the whole frame wears that teal veil.","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"04 三原色加HSL 恢复点缀色","xe":"04 Calibration and HSL: Bringing Back Accents"},{"t":"p","x":"青色笼罩之后问题来了：照片整体蒙上一层青色，原来黄色的物体——包括手——变成青黄不接的偏绿颜色，比较难看（视频 5:55 处）。所以要恢复那些应该正常的颜色。首先用三原色（相机校准）的色相滑块（视频 6:21 处）：往左移时橙、黄、红往橙红色方向偏移，青蓝往青色偏移；往右移则橙往绿偏、蓝往紫偏。这张照片想让手恢复有血色的橙色，所以色相往左移，同时整张照片的青蓝也会稍稍偏品红一点——没关系，可以用 HSL 再微调：蓝色太偏青就左移回来一点，浅绿色青色太偏蓝也左移一点（视频 7:02 处）。","xe":"After the teal cast a problem appears: the whole frame is veiled, and originally yellow objects — the hand included — turn an ugly greenish tone (at 5:55 in the video). Time to restore what should look normal. Start with the hue sliders in Camera Calibration (at 6:21 in the video): sliding left shifts orange, yellow and red toward orange-red while blue shifts toward teal; sliding right sends orange toward green and blue toward purple. To give the hand back its warm, lively orange, slide left — the frame's blue drifting slightly toward magenta is fine, because HSL fine-tuning comes next: if the blue is too teal, nudge it back left; if aqua leans too blue, left again (at 7:02 in the video).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"绿色在这种青橙色调里可以偏向橙黄、也可以偏向青色——这张照片偏向青色会有更好的统一效果（视频 7:22 处）。橙色的手则需要专门处理：黄色偏橙、橙色偏红、红色稍稍偏橙，把手部色相恢复成健康的橙红色（视频 7:37 处）。","xe":"Green can go either way in a teal-orange grade — toward orange-yellow or toward teal; here leaning teal unifies the frame better (at 7:22 in the video). The orange hand needs dedicated care: shift yellow toward orange, orange toward red, and red slightly toward orange, until the skin returns to a healthy orange-red (at 7:37 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"饱和度操作类似（视频 7:57 处）：红色可以恢复一些饱和度，手显得更有血色，后面桥身的红色油漆也显现出来——在统一的色调底下保留一些点缀色彩，正是我们追求的效果；橙色适当加一点点，黄色也可以加一点，绿色基本可以降低一点；浅绿色和蓝色是我们的冷色调，饱和度要适当降低，不要让整张照片青蓝的笼罩太强；紫色和洋红这张照片基本没有，不用管它。","xe":"Saturation works similarly (at 7:57 in the video): give red some saturation back so the hand gains color and the red paint on the bridge behind shows through — keeping a few accent colors alive under the unified cast is exactly the goal. Add a touch to orange, a little to yellow, and pull green down slightly; aqua and blue are the cool tones here, so reduce their saturation to keep the teal veil from getting too heavy; purple and magenta barely exist in this frame — leave them.","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"明亮度（视频 8:53 处）：红色的亮度提升，手部会显得更亮一些；橙色稍稍提升或不提升都可以；黄色可以提一些；浅绿色和蓝色的亮度适当降低——这样冷暖色彩在亮度上就有了对比：冷色暗一点，暖色亮一点。到这里照片基本调完（视频 9:21 处）：整体思路是去饱和、分离色调笼罩青色、再用三原色和 HSL 工具（主要是 HSL）恢复手和桥梁的黄色、红色这些点缀色彩，同时恢复正常的肤色。","xe":"Luminance (at 8:53 in the video): raise red so the hand glows a bit more; orange can stay or rise slightly; yellow can come up some; lower aqua and blue moderately — building a brightness contrast between warm and cool, with cools darker and warms brighter. The grade is essentially done (at 9:21 in the video): desaturate, cast teal with Split Toning, then use Calibration and HSL — mostly HSL — to bring back the yellows and reds of the hand and bridge as accents, and restore natural skin.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"05 收尾微调与拍摄地攻略","xe":"05 Finishing Touches and the Shoot Location"},{"t":"p","x":"之后还可以针对当前效果做些微调：比如阴影进一步提亮、做一个暗角把周边压下去，甚至用径向滤镜对局部再做处理（视频 9:53 处）。这张照片的 DNG 练习原片，Thomas 在 B 站评论区、公众号、微博和文章里都发了链接，想练习的话可以下载。","xe":"After that, fine-tune to taste: lift the shadows further, add a vignette to sink the edges, or refine local areas with the Radial Filter (at 9:53 in the video). The DNG practice file for this photo is linked in the Bilibili comments, on WeChat, Weibo and in the article — download it and try the grade yourself.","b":false},{"t":"p","x":"最后是拍摄地点（视频 10:28 处）：重庆的东水门大桥，桥下是湖广会馆，远处能看到长江索道以及南岸区的南滨路，非常繁华。这里有山有水、有江有城，是非常漂亮的一个打卡点，欢迎大家到重庆的时候去游玩。","xe":"Finally, the location (at 10:28 in the video): the Dongshuimen Bridge in Chongqing, with the Huguang Guild Hall below, and the Yangtze River cableway plus Nanbin Road in Nan'an district in the distance — a bustling stretch. With mountains, water, river and city in one view, it is a gorgeous spot for photographers; don't miss it when you visit Chongqing.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 低饱和青橙色调的三步规律：先去除杂色降饱和，再整体笼罩青色主调，最后恢复黄色系的正常色彩；2. 调色前先做删除色差、镜头校正、变换拉直和裁剪，曝光上提阴影、回拉黑场、压高光；3. 分离色调高光 212、阴影 206-218 的青蓝加色最精准，饱和度 15 起步；4. 用三原色色相左移恢复橙红肤色，HSL 里降冷色饱和、提暖色亮度，形成冷暖明暗双重对比。","xe":"1. The muted teal-orange recipe in three moves: desaturate to strip clutter, cast the frame in teal, then restore warm yellow subjects to believable color. 2. Before grading, remove chromatic aberration, apply lens corrections, straighten with Transform, crop, then lift shadows, re-anchor blacks and tame highlights. 3. Split Toning gives the most precise teal: highlights near hue 212, shadows at 206-218, saturation from 15. 4. Slide Calibration hues left to restore orange-red skin, then in HSL lower cool saturation and raise warm luminance for a double warm-cool contrast.","b":false},{"t":"p","x":"原片使用索尼a7r4拍摄，后期演示电脑为戴尔XPS15。","b":false,"xe":"The original was shot on a Sony a7R IV; the editing demo runs on a Dell XPS 15."},{"t":"h","x":"练习文件下载：","xe":"Practice files download:"},{"t":"p","x":"百度云链接: https://pan.baidu.com/s/1QquwHRX-QYCIM2oLzNeBKg 提取码: xxxb","b":false,"xe":"Baidu Cloud link: https://pan.baidu.com/s/1QquwHRX-QYCIM2oLzNeBKg Extraction code: xxxb"},{"t":"p","x":"或腾讯微云链接：https://share.weiyun.com/5K54Fc7","b":false,"xe":"Or Tencent Weiyun link: https://share.weiyun.com/5K54Fc7"},{"t":"img","f":"img-04","w":1080,"h":726},{"t":"h","x":"欢迎关注托马斯的旅行与摄影攻略","xe":"Follow Thomas for more travel and photography tips"}],"titleEn":"Low-Saturation Teal-and-Orange in a Few Steps: ACR/Lightroom Grading Tutorial"}