{"slug":"nik-collection-7-guide","title":"超好用的PS插件！Nik Collection 7我最常用的功能全教程！","author":"Thomas看看世界","date":"2024-06-11","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247499969&idx=1&sn=c5950401dbe910521e8f2b5b4e12d16e&chksm=eb823ea5dcf5b7b3a4dac91560bb4e0d6b5d7e5ce3239d2a2077a69eedfc4cf784acf167363b&scene=21#wechat_redirect","blocks":[{"t":"p","x":"Nik Collection 7应该是我最常用的PS插件和滤镜库了。","b":false,"xe":"Nik Collection 7 is probably my most-used PS plugin and filter library."},{"t":"p","x":"现在Nik里面的控制点选择功能更加强大了，而且Viveza内置进了Color Efex色彩滤镜库中，不需要利用通道、钢笔这些复杂的选区工具，也能快速的对画面中的局部进行调色！","b":false,"xe":"Nik's Control Point selection is now more powerful than ever, and with Viveza built into the Color Efex library, you can quickly make local color adjustments without complex selection tools like channels or the Pen."},{"t":"p","x":"在今天的摄影教程中，Thomas会和大家分享Nik Collection 7中我最常用的功能全教程！","b":false,"xe":"In today's tutorial, Thomas shares a complete guide to the features he uses most in Nik Collection 7!"},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1iE421P7bH","bpic":"bili-1","bt":"超好用的PS插件！Nik Collection 7中我最常用的十大功能！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Nik Collection 7 是 Thomas 在 Photoshop 中最常用的调色插件库，这期教程他以一张雪山小镇照片为主线，把最常用的滤镜一个个演示了一遍：从入口和滤镜库，到白平衡校正、控制点、控制线、多边形这些 Nik 的看家选区工具，再到偏振镜、古典柔焦、色调对比度、翠绿效果等常用滤镜。下文按视频顺序落成图文，参数面板和蒙版状态都用关键帧截图标出，方便对照操作。","xe":"This is the fully illustrated companion to the video above. Nik Collection 7 is Thomas's most-used plugin library in Photoshop, and in this episode he runs through his favorite filters on a single snowy-village photo: the entry point and filter libraries first, then Nik's signature selection tools — Control Points, Control Lines and Polygons — plus the White Balance fix, and finally go-to filters like Polarization, Classical Soft Focus, Tonal Contrast and Foliage. Everything below follows the video in order, with parameter panels and mask states captured as keyframes so you can follow along.","b":false},{"t":"p","x":"先看入口。下面这张截图来自视频 0:30 处：在 PS 的「滤镜」菜单里就能找到 Nik Collection 7 的全部模块，这也是全文所有演示的起点。","xe":"First, the entry point: this screenshot from 0:30 in the video shows the Filter menu in Photoshop, where the full Nik Collection 7 module list lives — the starting point for every demo in this guide.","b":false},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 入口与滤镜库：Nik 7 的全景","xe":"01 Entry Points and the Filter Libraries"},{"t":"p","x":"装好 Nik Collection 之后，你可以在 PS 打开的插件面板里，或者「滤镜 → Nik Collection 7」里找到所有滤镜（视频 0:30 处）。各模块分工明确：Analog Efex 擅长胶片调色，Color Efex 负责彩色摄影调色，Dfine 和 Sharpener Pro 分别管降噪和锐化，Silver Efex 则是黑白调色的利器（视频 0:32-0:43 处）。Thomas 自己用得最多的，是 Color Efex 这个彩色调色滤镜库。","xe":"Once Nik Collection is installed, every module is reachable from the plugin panel inside Photoshop or via Filter → Nik Collection 7 (at 0:30 in the video). The division of labor is clear: Analog Efex for film looks, Color Efex for color work, Dfine and Sharpener Pro for noise reduction and sharpening, and Silver Efex for black and white (at 0:32-0:43 in the video). Thomas's workhorse by far is Color Efex, the color grading library.","b":false},{"t":"img","f":"v02","w":768,"h":480},{"t":"p","x":"打开滤镜库后，最左边有一排预设（视频 0:57 处），点一下就能快速试出统一的色调或高调效果，很适合先扫一眼找感觉；往下滚则是完整的滤镜列表，50 多个滤镜任你选择（视频 1:12 处）。Thomas 已经把自己最常用的滤镜点了星号收藏，用的时候一翻就有。","xe":"Inside the library, a column of presets sits on the far left (at 0:57 in the video) — one click applies a unified tone or a high-key look, great for a quick first pass; scrolling down reveals the full list of over 50 filters (at 1:12 in the video). Thomas has starred his most-used ones, so they are always one glance away.","b":false},{"t":"img","f":"v03","w":768,"h":480},{"t":"h","x":"02 开局三件套：去雾、曲线与白平衡","xe":"02 Opening Moves: Dehaze, Curves, White Balance"},{"t":"p","x":"实战以这张雪山小镇照片为例。第一步先加 ClearView 滤镜——它有点类似祛除薄雾的功能，能让照片看起来不那么雾蒙蒙（视频 1:26 处）；接着再叠一个曲线工具，稍稍拉一条 S 型曲线，让对比度更充沛（视频 1:36 处）。开局往往就这两板斧。","xe":"The live demo uses this snowy-village photo. Step one is the ClearView filter — something like a dehaze — which cuts the misty, washed-out feeling (at 1:26 in the video); step two is stacking a Curves tool and pulling a gentle S-curve for extra punch (at 1:36 in the video). Those two moves open most of his edits.","b":false},{"t":"img","f":"v04","w":768,"h":480},{"t":"p","x":"接下来想用 HSL 把房子的橙色调成红色，却发现怎么动饱和度和色调都毫无反应（视频 1:53 处）。原因很典型：这张照片的白平衡本身不准，你用吸管去吸那个颜色，实际选到的是偏紫的色相。做 HSL 之前，一定要先把白平衡校正好——这是 HSL 工具最容易踩的坑（视频 2:01 处）。","xe":"Next he tries an HSL move — shifting the houses' orange toward red — and nothing happens no matter how the saturation or hue sliders move (at 1:53 in the video). The cause is a classic: the photo's white balance is off, so the eyedropper is actually sampling a purplish hue. Always fix white balance before HSL — it is the trap this tool catches most people in (at 2:01 in the video).","b":false},{"t":"p","x":"Color Efex 的滤镜列表顶部就有白平衡和纯白中心化两个工具（视频 2:13 处）。记得把白平衡滤镜拖到最上面，让它第一个执行；然后用吸管去点画面里本应是灰色的雪——一点，整张照片的白平衡基本就恢复了（视频 2:32 处）。顺手再把曲线里稍过曝的高光压下来一点、中间调微微提起（视频 2:44 处）。这时再选橙色去调，房子的颜色立刻听话：转成红色，饱和度和明度各降一点，就与旁边的建筑融为一体了（视频 3:00 处）。","xe":"The Color Efex filter stack has White Balance and Neutralize White tools right at the top (at 2:13 in the video). Drag White Balance to the top of the stack so it runs first, then click the eyedropper on the snow — which should be neutral gray — and the photo's white balance snaps back (at 2:32 in the video). While at it, pull the slightly blown highlights down and lift the midtones a touch with Curves (at 2:44 in the video). Now selecting orange actually works: shift it to red, ease the saturation and lightness down a little, and the building melts into its neighbors (at 3:00 in the video).","b":false},{"t":"img","f":"v05","w":768,"h":480},{"t":"img","f":"v06","w":768,"h":480},{"t":"h","x":"03 控制点：Nik 最强的选区武器","xe":"03 Control Points: Nik's Strongest Selection Weapon"},{"t":"p","x":"只想让这几栋房子受影响怎么办？这就要请出 Nik 的招牌——控制点工具（视频 3:25 处）。点击画面即可添加一个控制点，它以圆心加圆形过渡的方式工作：中心点就是取样区域，「扩散」控制圆的大小与羽化值（视频 3:52 处）。选择显示蒙版，就能看到它到底选中了什么。","xe":"What if only these few houses should change? That is where Nik's signature Control Points come in (at 3:25 in the video). Click the image to drop one: it works as a center point with a circular falloff — the center samples the target, and \"Diffusion\" sets the radius and feather (at 3:52 in the video). Toggle the mask display to see exactly what got selected.","b":false},{"t":"img","f":"v07","w":768,"h":480},{"t":"p","x":"控制点真正的杀手锏是另外两个参数：亮度和色度（视频 3:58 处）。亮度值升高时，只有和中心点亮度相近的区域会被选上；色度值升高时，则只有颜色相近的区域入选（视频 4:03 处）。一边是很大范围的可能选区，一边是极其精细的筛选条件——几个数值滑一滑，就几乎只选中了那两栋房子，前后对比一目了然（视频 4:41 处）。","xe":"The real killer features are two more parameters: Luminosity and Chrominance (at 3:58 in the video). Raise Luminosity and only areas with brightness similar to the center point get selected; raise Chrominance and only similar colors do (at 4:03 in the video). The circle gives reach, the thresholds give precision — a few slider tweaks and effectively just those two houses are affected, as the before/after shows (at 4:41 in the video).","b":false},{"t":"img","f":"v08","w":768,"h":480},{"t":"h","x":"04 Viveza、控制线与多边形：局部调整全家桶","xe":"04 Viveza, Control Lines and Polygons"},{"t":"p","x":"Nik Collection 7 的新变化：全局调整的 Viveza 滤镜被内置进了 Color Efex（视频 4:56 处）。它可以整体调整亮度、对比度、饱和度和色彩倾向，调整起来非常方便，不用再切换模块（视频 5:06 处）。","xe":"New in Nik Collection 7: Viveza, the global-adjustment filter, is now built into Color Efex (at 4:56 in the video). Brightness, contrast, saturation and color bias are all adjustable right there — no module switching needed (at 5:06 in the video).","b":false},{"t":"img","f":"v09","w":768,"h":480},{"t":"p","x":"只想压暗天空里的蓝色怎么办？第二个利器是控制线（视频 5:20 处）。点一个点拉出一条线，它会形成一个中心点和渐变区域——有点像 Camera Raw 里的渐变滤镜，但多了一层「相似度」筛选：只有和中心点色彩非常相近的区域才会被选上（视频 5:35 处）。因此云的区域几乎不受影响；此时降低亮度、加一点青色和蓝色，天空就被干净地压暗了（视频 5:57 处）。天顶取色少的部分，再按住 Alt 键拖动复制一个小范围控制点补一刀即可（视频 6:19 处）。","xe":"To darken just the blue of the sky, reach for the second tool: Control Lines (at 5:20 in the video). Click and drag to create a center point with a gradient region — like Camera Raw's graduated filter, but with a similarity test on top: only areas whose color closely matches the center point get selected (at 5:35 in the video). The clouds stay almost untouched; then lowering brightness and adding a touch of cyan and blue darkens the sky cleanly (at 5:57 in the video). For the zenith where sampling is thin, Alt-drag to duplicate a smaller Control Point and patch it (at 6:19 in the video).","b":false},{"t":"img","f":"v10","w":768,"h":480},{"t":"p","x":"想给雪地提亮时，再新建一个 Viveza 滤镜，选最后一个明亮度蒙版（视频 6:46 处）——雪自动被选中原地提亮，天空却跟着变亮了，于是拉一条渐变蒙版并按住 Alt 键，让它变成「减去」效果，天空就不受影响了（视频 6:55 处）。面对形状复杂的建筑，还有第三个工具：多边形（视频 7:12 处）。对着建筑拉一个多边形选区，它同样带中心点——把亮度和色度阈值拉大，就能精确罩住建筑彩色的一部分，随意控制它的亮度和色彩（视频 7:29 处）。","xe":"To brighten the snow, add another Viveza and pick the Luminosity mask at the end of the list (at 6:46 in the video) — the snow lifts automatically, but the sky brightens along with it, so drag a gradient mask while holding Alt to turn it into a subtraction and shield the sky (at 6:55 in the video). For a building with a complicated shape there is a third tool: the Polygon (at 7:12 in the video). Draw one around the building and it too carries a center point — widen the Luminosity and Chrominance thresholds and the polygon hugs just the colorful part of the structure, ready for any brightness or color tweak (at 7:29 in the video).","b":false},{"t":"img","f":"v11","w":768,"h":480},{"t":"h","x":"05 常用滤镜速览：偏振、柔焦、对比度与翠绿","xe":"05 Favorite Filters: Polarizer, Soft Focus, Contrast, Foliage"},{"t":"p","x":"最后是几个 Thomas 常用的效果滤镜。偏光镜滤镜：强度拉高时，整张照片像加了一片偏振镜——白色里透出暖色、暖色更强烈、天空被压暗（视频 8:05 处）；天光镜则给照片镀上日出日落时分的金色与紫色调，这张照片用不上（视频 8:21 处）。古典柔焦滤镜能让照片「柔」起来：方法一会提亮画面，方法三不会；他先选强度 5 让整体变轻柔，再叠一层方法三、强度 11%，并拉一个渐变只对远处起作用，同时把高光恢复一些避免过曝（视频 8:36 处）。","xe":"Finally, a few of Thomas's favorite effect filters. Polarization: crank the strength and the photo acts like a polarizing filter was screwed on — whites pick up warmth, warm tones intensify, and the sky darkens (at 8:05 in the video). Skylight gilds the frame with the golden and violet cast of sunrise and sunset — not needed here (at 8:21 in the video). Classical Soft Focus makes the image dreamy: Method 1 brightens while Method 3 does not; he runs Strength 5 for overall softness, then stacks a second pass at Method 3, Strength 11%, with a gradient so it only affects the distance while highlight recovery keeps clipping away (at 8:36 in the video).","b":false},{"t":"img","f":"v12","w":768,"h":480},{"t":"p","x":"色调对比度（Tonal Contrast）滤镜可以强化中间调的清晰度（视频 9:13 处）。他希望前景的房子更「立」一些，于是照旧拉渐变、把中心点放在绿房子上，再微调亮度与色度阈值，让蒙版几乎只覆盖房屋（视频 9:36 处）；透明度 0% 是完全不影响，50% 是减半影响，100% 则全部生效（视频 9:48 处）。变暗变亮中心点则用来加暗角——Thomas 一般不会让明暗反差太大，一点点，画面看起来就更舒适（视频 10:17 处）。","xe":"The Tonal Contrast filter boosts midtone clarity (at 9:13 in the video). Wanting the foreground houses to pop, he pulls a gradient as usual, drops the center point on the green house, and fine-tunes the Luminosity and Chrominance thresholds until the mask covers little but the buildings (at 9:36 in the video). Opacity then scales the effect: 0% no influence, 50% half, 100% full (at 9:48 in the video). Darken/Lighten Center adds a vignette — Thomas keeps the contrast gentle; a touch of it simply makes the frame feel more comfortable (at 10:17 in the video).","b":false},{"t":"img","f":"v13","w":768,"h":480},{"t":"p","x":"还有一个翠绿效果（Foliage）滤镜，Thomas 换了一张植被照片来演示：它可以把植被的颜色调成金黄、黄绿或非常深的翠绿（视频 10:40 处），效果可以拉得很强烈，一秒入秋（视频 10:51 处）。这也是他最常用的滤镜之一。以上 Color Efex 里的这些武器，控制点能替代 PS 里大部分复杂的通道、钢笔选区操作——这也是 Nik 最强的地方（视频 7:53 处）。评论区置顶有 DxO 的优惠链接，购买包括 Nik Collection 在内的所有 DxO 软件和滤镜都可以享受八折（视频 11:11 处）。","xe":"One more favorite is the Foliage filter, demonstrated on a vegetation photo: it turns greenery golden, yellow-green or deeply emerald (at 10:40 in the video), and the effect can be pushed hard for instant autumn (at 10:51 in the video). Together these Color Efex weapons — with Control Points standing in for most of Photoshop's complicated channel and Pen selections — are what make Nik so powerful (at 7:53 in the video). The pinned comment carries a DxO discount link: 20% off all DxO software and filters, Nik Collection included (at 11:11 in the video).","b":false},{"t":"img","f":"v14","w":768,"h":480},{"t":"quote","x":"1. 动 HSL 之前先校白平衡：滤镜列表顶部的白平衡工具拖到最上、吸管点雪即可复原，否则色相取样全错；2. 控制点是 Nik 的灵魂——圆形扩散定范围，亮度、色度双阈值把选区精细到「只选那两栋房子」；3. Nik 7 把 Viveza 内置进 Color Efex，配合控制线的相似度渐变与多边形选区，局部调整不用出模块；4. 偏光镜压天加暖、古典柔焦记得用不提亮的方法三、色调对比度配合蒙版只提房屋、翠绿效果一键入秋。","xe":"1. Fix white balance before touching HSL: park the White Balance filter at the top of the stack and click the snow with the eyedropper — otherwise every hue sample lies to you; 2. Control Points are Nik's soul — the circular diffusion sets reach, while the Luminosity and Chrominance thresholds refine the selection down to \"just those two houses\"; 3. Nik 7 bakes Viveza into Color Efex, and with similarity-aware Control Lines and Polygon selections you never leave the module; 4. Polarization darkens skies and warms whites, Classical Soft Focus Method 3 avoids brightening, Tonal Contrast rides a mask to lift only the buildings, and Foliage brings autumn in one click."}],"titleEn":"Nik Collection 7: A Complete Guide to My Most-Used Features"}