{"slug":"pano-awards-2022","title":"2022全景摄影大赛学习赏析，中国青年摄影师获大奖！","author":"Thomas看看世界","date":"2022-10-07","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247496268&idx=1&sn=78ced3cbeecfb55bf3e2d5e4c70635cb&chksm=eb820c28dcf5853ebffe92421df7c92d4ee35558946a2c123d4fdb17cd65cdfa8f4ed845ab88&scene=21#wechat_redirect","blocks":[{"t":"p","x":"Pano Awards是一个专注于2：1以上长宽比的“全景”构图的风光摄影比赛，每年的获奖作品都非常精彩，我从2019年起就一直与大家进行报道和赏析。","b":false,"xe":"The Pano Awards is a landscape photography contest focused on \"panoramic\" compositions with aspect ratios above 2:1. The winning works are wonderful every year, and I've been reporting on and appreciating them with everyone since 2019."},{"t":"p","x":"今年的年度大奖摄影师由中国青年摄影师贺进一获得，而且取景也都在中国新疆！","b":false,"xe":"This year's Grand Prize photographer is young Chinese photographer He Jinyi, and all the locations are in Xinjiang, China!"},{"t":"p","x":"今天的摄影教程中，我也会和大家一起赏析今年的获奖作品，一起来学习他们的构图和调色吧~","b":false,"xe":"In today's photography tutorial, I'll also appreciate this year's winning works with everyone, learning their composition and color grading together~"},{"t":"img","f":"img-01","w":1080,"h":581},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1SV4y1572D","bpic":"bili-1","bt":"2022全景摄影大赛学习赏析，中国摄影师获大奖！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Pano Awards（全景摄影大赛）是一个专注于 2:1 以上长宽比「全景」构图的摄影比赛，Thomas 从 2019 年起每年都会带大家赏析。2022 年的年度摄影师大奖由中国青年摄影师贺锦衣摘得，而且获奖作品全部拍摄于中国新疆。文章配上了获奖作品截图，一起学习全景摄影的构图与调色思路。","xe":"This is the fully illustrated companion to the video above. The Pano Awards is a photography competition devoted to panoramic compositions wider than 2:1, and Thomas has covered it every year since 2019. In 2022 the Photographer of the Year title went to He Jinyi, a young Chinese photographer whose winning images were all made in Xinjiang, China. Screenshots of the winners throughout — let's study their composition and grading together.","b":false},{"t":"p","x":"先看总览。下面是赛事官网的 2022 获奖作品画廊，全部作品可以去 Epson Pano Awards 官网欣赏学习（视频 9:43 处）。","xe":"Start with the overview: the contest's 2022 Winners Gallery on the official website. The full set is worth browsing and studying at the Epson Pano Awards site (at 9:43 in the video).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 中国摄影师夺得年度大奖","xe":"01 A Chinese Photographer Takes the Top Prize"},{"t":"p","x":"今年的年度摄影师大奖由贺锦衣获得（视频 0:50 处），越来越多中国青年摄影师正在国际舞台上崭露头角，非常可喜。更难得的是，他的获奖作品全部拍摄于中国，特别是新疆——不光是中国的摄影师，也是中国的风景。","xe":"This year's Photographer of the Year is He Jinyi (at 0:50 in the video), and it is heartening to see more and more young Chinese photographers making their mark on the international stage. What makes it even better: his winning works were all shot in China, in Xinjiang above all — not just a Chinese photographer, but Chinese landscapes.","b":false},{"t":"p","x":"这张独山子大峡谷（视频 1:22 处）尤其值得细品：大多数摄影师到这里，无非用长焦截取纹理结构，或者无人机航拍一下就完事；但贺锦衣用了一种非常巧妙的方式——一张空中垂直向下俯视的全景接片，而且不是旋转镜头的接片，是用无人机平移平飞的方式拼出的一张非常庞大的接片，展示了极为广大的风景。这张天山大峡谷（视频 2:05 处）则抓到了一道非常精彩、完整的彩虹，以及它背后的峡谷。","xe":"The Dushanzi Grand Canyon image (at 1:22 in the video) rewards a close look: most photographers who visit simply crop its textures with a telephoto lens or take a quick drone shot, but He Jinyi devised a far more ingenious approach — a top-down aerial panorama stitched not by rotating the camera but by flying the drone in a flat, translating pattern, assembling an immense frame that conveys a truly vast landscape. His Tianshan Grand Canyon (at 2:05 in the video) catches a spectacular, complete rainbow arching over the gorge behind it.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 全景不是什么都装进来","xe":"02 A Panorama Is Not Everything Poured In"},{"t":"p","x":"这个全景摄影比赛并不是说都是接片形式，而是图像长宽比大于 2:1 的构图（视频 2:23 处），非常适合展示宏大的风景。但很多人有一个误区：觉得广阔的风景就该用全景接片、最好是 360 度接片，把所有东西都囊括进去。全景接片最关键的一点，恰恰是知道哪些东西要取进来、哪些不能取——这么宏大的视角，很容易把画面拍得非常凌乱。","xe":"This competition is not restricted to stitched panoramas; it accepts any composition wider than 2:1 (at 2:23 in the video), a format that suits grand landscapes beautifully. But a common misconception says a broad scene demands a stitched panorama — ideally a 360 — sweeping everything in. The crucial skill in panoramic photography is precisely knowing what to include and what to leave out: from such a sweeping viewpoint, chaos is the default failure mode.","b":false},{"t":"p","x":"看贺锦衣这几张作品（视频 3:06 处），画面中都有大量的重复结构——草原、花朵、峡谷的石峰——正是这些重复形成了一种秩序的美感，让照片不会显得凌乱。很多摄影师拍全景，左边一座城市、右边一片农田、前面有山、后面有水，互不相关的景物一股脑取进来，结果就是非常乱。","xe":"Look at He Jinyi's images (at 3:06 in the video): they are full of repeated structures — grasslands, blossoms, the canyon's rock spires — and that repetition creates an ordered beauty that keeps the frame from dissolving into clutter. All too often a panorama takes in a city on the left, farmland on the right, a mountain in front and water behind, unrelated subjects crammed together, and the picture falls apart into noise.","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"03 弱光时刻与整体层次","xe":"03 Low Light and Broad Tonal Layers"},{"t":"p","x":"贺锦衣取景的时刻都是我们常说的弱光时刻（视频 3:51 处）。弱光的好处是画面大部分处于暗调、不被阳光直射——比如那张草原照片，下面的草大部分没有被太阳照亮，后期可能还做了进一步的压暗；一旦太阳稍稍升高，杂草全被照亮，照片一定杂乱不堪。","xe":"He Jinyi's chosen moments all fall in what we call low light (at 3:51 in the video). The virtue of low light is that most of the frame sits in shadow, untouched by direct sun — in the grassland photo, most of the grass below is unlit, with further darkening applied in post. Raise the sun just a little, every weed lights up, and the photograph collapses into visual chaos.","b":false},{"t":"p","x":"城市组的获奖摄影师同样精彩（视频 4:24 处）：我们平时想到接片都是横向的全景，而这位摄影师纵向拍摄教堂的穹顶——很多教堂的天花板都有壁画和各种装饰，纵向接片把教堂最精华的部分展示了出来；而且由于拍到的是教堂完整的结构，整体的光影色彩在设计之初就是统一的，自然不会杂乱。","xe":"The Urban category winners are equally instructive (at 4:24 in the video): we tend to imagine panoramas as horizontal sweeps, but this photographer stitched vertically, straight up into a cathedral's dome — many cathedrals carry frescoes and ornament across their ceilings, and a vertical panorama reveals precisely the most precious part. Better yet, because you photograph the cathedral as one complete structure, its light and color were designed to be unified from the start, so clutter never appears.","b":false},{"t":"p","x":"再看这几组山峰作品（视频 5:13 处）：逆光、侧逆光，当然顺光也可以，核心是注重整体的层次。你不需要太多细节——很多同学拍这类照片喜欢把阴影提得特别高，生怕看不到前面每棵树的轮廓、甚至小坑和小路；但全景构图里这些树的纹理一旦太多，画面就会非常散乱，反而不如只显示一个大概的层次，那才是最好的效果。全景摄影，本质上就是做取舍，只保留整体的层次。","xe":"Now the mountain groups (at 5:13 in the video): backlight, sidelight — front light works too — but the core is attending to broad tonal layers. You do not need abundant detail. Many photographers hoist the shadows sky-high, anxious that the outline of every tree, every pothole and path go unseen; yet in a panoramic composition, once those textures multiply the frame scatters, and showing only the broad layers is actually the stronger result. Panoramic photography is, at heart, the art of sacrifice: keep the layers, drop the details.","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"04 抽象纹理与做减法","xe":"04 Abstract Textures and Subtraction"},{"t":"p","x":"更进一步的玩法是抽象（视频 6:16 处）：去取画面中的几何纹理、大幅度的色块、非常精彩的线条感。很多人拍盐湖生怕漏掉，恨不得把十几二十个盐湖池子都拍下来，但理想的情况可能只需要拍某一个盐湖池子的某一小片局部——这样呈现出来的抽象纹理，才是最精彩的。","xe":"A step further is abstraction (at 6:16 in the video): seek out geometric textures, sweeping color fields, and striking lines. When shooting salt lakes, people fear missing something and try to fit a dozen pools into one frame; the ideal shot may be a small section of a single pool — the abstract texture that results is the most captivating of all.","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"全景作品经常用到重复的概念，同时一定要做减法（视频 6:50 处）。比如这张照片，作者用雾气加上后期进一步的塑造，对背景层次做了明度上的减法——你不会看到各种乱七八糟的树枝，雾气相当于给背景做了一块背景板。全景照片并不是大晴天拍一定最好：晴天细节真的太多了，画面一定要有加法、也要有减法，才能把视觉引导做好。","xe":"Panoramic work leans on repetition — and always demands subtraction (at 6:50 in the video). In one image, the photographer used fog plus further shaping in post to subtract tonal detail from the background: no tangled branches to see, because the fog acts as a backdrop. And clear blue skies are not automatically best for panoramas — they simply carry too much detail. A frame needs both addition and subtraction to guide the eye well.","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"再宏大的风景也有简单的骨架（视频 7:29 处）：比如那张看似复杂的冰川照片，核心就是冰川纹理的不断重复，再点缀一些冰湖和山峰——结构远没有你想象的复杂。你可以看到大量超宽 2:1 以上的全景接片，都是在用重复做加法的同时，克制地做减法，这是非常关键的一个因素。","xe":"Even the grandest landscape has a simple skeleton (at 7:29 in the video): that seemingly complex glacier photograph is at heart the endless repetition of glacial texture, dotted with a few ice lakes and peaks — far simpler in structure than it looks. Across a great many panoramas wider than 2:1, the pattern holds: add through repetition, subtract with restraint. That balance is the decisive factor.","b":false},{"t":"h","x":"05 对比呼应与城市组","xe":"05 Contrast, Echo and the Urban Set"},{"t":"p","x":"重复之中也可以有对比（视频 8:22 处）：比如突然有一棵树出现在前面，与后面的场景形成对比；云和树林也可以形成对比。对比和呼应是拍全景照片时经常用到的元素——前景的城市是非常统一的几何结构，背后是一座雪山，雪山和城市又形成了整体上的对比（视频 8:41 处）。有的照片如果没有那座小教堂，也会缺少一些韵味。","xe":"Within repetition, contrast can appear (at 8:22 in the video): a lone tree rising in the foreground against the scene behind it; clouds set off against a forest. Contrast and echo are staples of panoramic photography — the city in front is a highly unified geometric structure, a snow mountain stands behind, and together the two form a larger contrast still (at 8:41 in the video). Take away the small chapel in another image and the charm would drain away.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"城市组的照片里（视频 9:00 处），能看到后期做成的明度建筑光影细节，以及对街道上乱七八糟车流的优化——通过前期选一个好时间，加上后期处理，都收拾得干干净净。还有用超长焦拍摄的建筑，正好形成了三个面的场景（视频 9:20 处），在广州、深圳、重庆、成都这些高楼城市里我们也很容易拍到；另一张则用周围非常干净的环境去衬托主体（视频 9:31 处）。这些都是非常精彩的全景摄影作品，大家可以去 Epson Pano Awards 的官网欣赏和学习今年的获奖作品。","xe":"In the Urban set (at 9:00 in the video), notice the luminosity-architecture light and shadow built in post, and the cleanup of tangled traffic on the streets — a good time of day chosen up front, meticulous processing after. There is also a telephoto-compressed building that resolves into exactly three faces (at 9:20 in the video), easy enough to attempt in high-rise cities like Guangzhou, Shenzhen, Chongqing or Chengdu; another frame uses an impeccably clean surrounding to set off its subject (at 9:31 in the video). These are superb panoramic photographs — browse this year's winners at the Epson Pano Awards website and learn from them.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 全景摄影的关键不是囊括一切，而是知道哪些取进来、哪些不取，用重复的结构建立秩序的美感；2. 取景选弱光时刻，画面大部分处于暗调，后期再进一步压暗杂草杂物；3. 山峰与雾景注重整体层次，阴影不要提太高，雾气可以当天然背景板；4. 做加法的同时克制地做减法——抽象纹理、大幅色块、对比与呼应，都是全景照片的加分项。","xe":"1. The key to panorama is not sweeping everything in but knowing what to include and exclude, building ordered beauty from repeated structures. 2. Shoot in low light so most of the frame rests in shadow, then darken grass and clutter further in post. 3. For mountains and fog, think in broad layers — never hoist the shadows, and let mist serve as a natural backdrop. 4. Add through repetition while subtracting with restraint — abstract textures, bold color fields, contrast and echo are what lift a panorama.","b":false},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1SV4y1572D/","b":false,"xe":"https://www.bilibili.com/video/BV1SV4y1572D/"},{"t":"h","x":"获奖作品节选","xe":"Winning Works Excerpts"},{"t":"img","f":"img-02","w":1080,"h":581},{"t":"img","f":"img-03","w":1080,"h":509},{"t":"img","f":"img-04","w":1080,"h":581},{"t":"img","f":"img-05","w":1080,"h":440},{"t":"img","f":"img-06","w":1080,"h":580},{"t":"img","f":"img-07","w":1080,"h":581},{"t":"img","f":"img-08","w":1080,"h":581},{"t":"img","f":"img-09","w":1080,"h":585},{"t":"img","f":"img-10","w":1080,"h":585},{"t":"img","f":"img-11","w":1080,"h":555},{"t":"img","f":"img-12","w":1080,"h":543},{"t":"img","f":"img-13","w":1080,"h":465},{"t":"img","f":"img-14","w":1080,"h":564},{"t":"img","f":"img-15","w":1080,"h":581},{"t":"img","f":"img-16","w":1080,"h":581},{"t":"img","f":"img-17","w":1080,"h":542},{"t":"img","f":"img-18","w":1080,"h":581},{"t":"img","f":"img-19","w":1080,"h":579},{"t":"img","f":"img-20","w":1080,"h":521},{"t":"img","f":"img-21","w":1080,"h":583},{"t":"img","f":"img-22","w":1080,"h":583},{"t":"img","f":"img-23","w":1080,"h":405},{"t":"img","f":"img-24","w":1080,"h":578},{"t":"img","f":"img-25","w":1080,"h":579},{"t":"img","f":"img-26","w":1080,"h":507},{"t":"img","f":"img-30","w":1080,"h":579},{"t":"img","f":"img-32","w":1080,"h":586},{"t":"img","f":"img-33","w":1080,"h":584},{"t":"img","f":"img-34","w":1080,"h":582},{"t":"img","f":"img-35","w":1080,"h":583},{"t":"img","f":"img-36","w":1080,"h":582},{"t":"img","f":"img-37","w":1080,"h":527},{"t":"img","f":"img-38","w":1080,"h":580},{"t":"img","f":"img-39","w":1080,"h":580},{"t":"img","f":"img-40","w":1080,"h":574},{"t":"img","f":"img-41","w":1080,"h":584},{"t":"img","f":"img-42","w":1080,"h":584}],"titleEn":"2022 Panoramic Photography Contest Study and Appreciation — A Young Chinese Photographer Wins a Major Award!"}