{"slug":"portrait-natural-light","title":"推荐 | 人像摄影自然光全攻略","author":"Thomas看看世界","date":"2016-11-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247484602&idx=1&sn=0abbb411d650bc30d5ded497b550e783&chksm=eb81fadedcf673c8dde39a844b517962da57344ca7a8ad09c43f9b9ebf944957555480113b0e&scene=21#wechat_redirect","blocks":[{"t":"p","x":"本文作者Terry F，是一名非常厉害的人像和观念摄影师。他总是能巧妙的利用自然光线，给作品带来强烈的风格和情绪。","b":false,"xe":"The author of this article is Terry F, a brilliant portrait and conceptual photographer. He always skillfully harnesses natural light, giving his work a strong style and mood."},{"t":"p","x":"文中的例子虽然都是人像摄影，但是教程里的知识，比如：不同强度和方向光线的特点，光线与情绪、构图的关系，如何巧妙的在前后期补光等等，也同样是适合风光摄影、手机摄影等题材的。","b":false,"xe":"Although the examples here are all portraits, the knowledge in this tutorial — the characteristics of light at different intensities and directions, the relationship between light and emotion and composition, and how to cleverly add fill light in the field and in post — also applies to landscape photography, mobile photography, and other genres."},{"t":"p","x":"对于人像摄影师而言，不论早晚，不论季节，每当你摁下快门的时候，自然光和环境光都直接影响着作品的色彩和影调。看懂自然光并对其加以利用，是每个人像摄影师最基本的必修课。","b":false,"xe":"For a portrait photographer, regardless of morning or evening, regardless of season, the moment you press the shutter, natural light and ambient light directly determine the colors and tones of your work. Understanding natural light and putting it to use is every portrait photographer's most basic required course."},{"t":"p","x":"使用自然光拍摄的好处不胜枚举。根据一项针对500PX受众群体的调查发现，观众更喜欢用自然光拍摄的照片，或许这也是长期生活在自然光环境里的人们的本能反应吧。此外，比起闪光灯布光，自然光在应用上也更加直观，也不容易受到场地的限制，拍摄成本更低。","b":false,"xe":"The benefits of shooting with natural light are countless. A survey of the 500px audience found that viewers prefer photos shot with natural light — perhaps an instinctive response from people who have lived in natural light all their lives. Moreover, compared with flash lighting, natural light is more intuitive to apply, less restricted by location, and cheaper to shoot with."},{"t":"p","x":"但是，用好自然光的前提是理解它，并且学会如何在环境中适应自然光的变化。例如，在笔者发布下图之后，一些朋友问道“为什么逆光拍摄，模特的背部还如此明亮清晰呢？”","b":false,"xe":"But the prerequisite for using natural light well is understanding it, and learning how to adapt to its changes in the environment. For example, after I published the image below, some friends asked: \"In a backlit shot, why is the model's back still so bright and clear?\""},{"t":"img","f":"img-02","w":1200,"h":675},{"t":"p","x":"其原因是冬天枯草颜色浅，反光强，半人高的枯草将阳光反射到白衣服上，一定程度上平衡了光比。同理，在自然光环境中，单一光源的情况是很少的，大多数时候，环境中的物体对光的反射都会对光影产生不同程度的影响，这也是本教程将详细说明的一个重点。而在此之前，让我们先了解一下自然光的一些特点。","b":false,"xe":"The reason: in winter the withered grass is pale and highly reflective, and the half-person-high grass bounced sunlight onto the white clothing, balancing the lighting ratio to a degree. By the same token, single-source situations are rare in natural light — most of the time, reflections from objects in the environment influence the light and shadow to varying degrees. This is a key point this tutorial will explain in detail. But before that, let's first understand some characteristics of natural light."},{"t":"p","x":"教程主要内容：","b":false,"xe":"Main contents of this tutorial:"},{"t":"p","x":"1. 不同强度的光照","b":false,"xe":"1. Light at different intensities"},{"t":"p","x":"2. 不同方向的光照","b":false,"xe":"2. Light from different directions"},{"t":"p","x":"3. 光与情绪表达","b":false,"xe":"3. Light and emotional expression"},{"t":"p","x":"4. 光影与构图","b":false,"xe":"4. Light, shadow, and composition"},{"t":"p","x":"5. 利用反射光","b":false,"xe":"5. Using reflected light"},{"t":"p","x":"6. 选择恰当的时机","b":false,"xe":"6. Choosing the right moment"},{"t":"p","x":"7. 后期光影","b":false,"xe":"7. Light and shadow in post"},{"t":"p","x":"总结","b":false,"xe":"Summary"},{"t":"h","x":"1","xe":"1"},{"t":"h","x":"不同强度的光照","xe":"Light at Different Intensities"},{"t":"p","x":"根据明度划分，有强光、弱光和微光。其中，强光环境往往是有阳光直射的户外。此时光比最大，光源冲击力也最强，但是曝光需要更准确，后期的时候，对器材宽容度要求也相对较高，不然容易出现“死白、死黑”的情况。","b":false,"xe":"By brightness, there is strong light, weak light, and faint light. Strong light usually means direct sunlight outdoors. That's when the lighting ratio is greatest and the source hits hardest — but exposure must be more accurate, and post demands more from your gear's dynamic range, or you'll easily get \"blown whites and dead blacks\"."},{"t":"img","f":"img-03","w":1200,"h":801},{"t":"p","x":"阴雨天或者室内拍摄的时候，往往属于弱光环境。此时光比相对较小，控制曝光相对容易，很适合新人练习，培养对光源方向的感知。","b":false,"xe":"Overcast or rainy days and indoor shoots are usually weak-light environments. The lighting ratio is relatively small and exposure is easier to control — great for beginners practicing their sense of light direction."},{"t":"img","f":"img-04","w":1200,"h":1200},{"t":"p","x":"微光环境多见于夜景，比较考验相机的高感表现以及镜头光圈大小。倘若是在城市环境中，则光源较多，拍摄时需要理清主次。","b":false,"xe":"Faint-light environments are mostly night scenes, which test a camera's high-ISO performance and a lens's maximum aperture. In urban environments there are many light sources, so you need to sort out which is primary when shooting."},{"t":"img","f":"img-05","w":1200,"h":675},{"t":"quote","x":"一个误区： 许多人认为，光线越强，光的质量就越高。而实际上光强和光线质量并没有直接联系。中午的太阳光会在脸上洒下难看的阴影，也会让环境的层次感减弱不少。而光线质量是由画面中光影分布决定的，合理的光影比例和分布可以让照片更有质感。而不一定需要强光来达到这一效果。","xe":"One misconception: many people believe the stronger the light, the higher its quality. In fact, light intensity and light quality are not directly related. Midday sun casts ugly shadows on faces and flattens the environment's depth. Light quality is determined by the distribution of light and shadow in the frame — a sensible light-shadow ratio and distribution gives a photo more texture, and strong light is not required to achieve that."},{"t":"h","x":"2","xe":"2"},{"t":"h","x":"不同方向的光照","xe":"Light from Different Directions"},{"t":"p","x":"根据方向划分，光照方向可以分为顺光、逆光、侧逆光、散射光四类。每一种光源方向都可以让图片的影调、风格乃至情绪都发生本质的变化。","b":false,"xe":"By direction, lighting falls into four categories: front light, backlight, side-backlight, and diffused light. Each direction can fundamentally change an image's tonality, style, and even emotion."},{"t":"p","x":"在顺光环境下，往往人物的亮度大于背景的亮度，可以和背景形成反差，突出人物。但是如果光线太强的话，又会导致反差过大，倘若要保证人物曝光正确的话，背景就容易一团死黑。此外，人物因为受光面积较大，影调不强，人物本身的层次感也会较弱。","b":false,"xe":"With front light, the subject is usually brighter than the background, creating contrast that makes the subject stand out. But if the light is too strong, the contrast becomes excessive — if you expose the subject correctly, the background easily turns into a mass of dead black. Also, since the subject's lit area is large, the modeling is weak and the subject's own depth is reduced."},{"t":"img","f":"img-06","w":1280,"h":1280},{"t":"img","f":"img-07","w":801,"h":1200},{"t":"p","x":"顺光的特点：","b":false,"xe":"Front light characteristics:"},{"t":"p","x":"·光影分配：前亮后暗","b":false,"xe":"·Light distribution: bright in front, dark behind"},{"t":"p","x":"·视觉效果：主体突出","b":false,"xe":"·Visual effect: subject stands out"},{"t":"p","x":"·拍摄难度：较小","b":false,"xe":"·Shooting difficulty: low"},{"t":"p","x":"·视觉冲击力：较弱","b":false,"xe":"·Visual impact: weak"},{"t":"p","x":"在逆光环境下，人物处于相机和光源之间，光源照亮环境，但是人物处于暗部，虽然人物和背景在亮度上有着很大的反差，有时候也能看见好看的轮廓光，但是人物主体细节较少，面部光影也不美观。此时如果使用反光板补光，往往会给画面增加额外的光源，打破原本的光影平衡，让画面显得不自然。","b":false,"xe":"With backlight, the subject sits between camera and light source. The source lights the environment while the subject falls in shadow. Although subject and background differ greatly in brightness and you sometimes get a nice rim light, the subject shows little detail and the modeling of the face is unflattering. If you add fill with a reflector now, you introduce an extra source that breaks the original light-shadow balance and makes the image look unnatural."},{"t":"img","f":"img-08","w":1280,"h":1280},{"t":"img","f":"img-09","w":1200,"h":795},{"t":"p","x":"逆光特点：","b":false,"xe":"Backlight characteristics:"},{"t":"p","x":"·光影分配：前暗后亮","b":false,"xe":"·Light distribution: dark in front, bright behind"},{"t":"p","x":"·视觉效果：主体轮廓突出","b":false,"xe":"·Visual effect: subject outline emphasized"},{"t":"p","x":"·拍摄难度：较大","b":false,"xe":"·Shooting difficulty: high"},{"t":"p","x":"·视觉冲击力：强","b":false,"xe":"·Visual impact: strong"},{"t":"p","x":"侧逆光环境意味着尽管人物基本处于相机和光源之间，但是光源与人物形成夹角，形成轮廓光的同时照亮人物一侧，让人物的层次更强，细节相对逆光更多。这一光源位置让曝光和后期处理难度降低，比纯粹的逆光更容易把握。","b":false,"xe":"Side-backlight means the subject is still roughly between camera and source, but the source meets the subject at an angle — forming a rim light while also illuminating one side of the subject, giving more depth and somewhat more detail than pure backlight. This source position lowers the difficulty of exposure and post-processing, and is easier to manage than pure backlight."},{"t":"img","f":"img-10","w":1280,"h":1280},{"t":"img","f":"img-11","w":801,"h":1200},{"t":"p","x":"侧逆光特点：","b":false,"xe":"Side-backlight characteristics:"},{"t":"p","x":"·光影分配：前暗后亮","b":false,"xe":"·Light distribution: dark in front, bright behind"},{"t":"p","x":"·视觉效果：主体轮廓突出，保留一定细节","b":false,"xe":"·Visual effect: outline emphasized, some detail retained"},{"t":"p","x":"·拍摄难度：一般","b":false,"xe":"·Shooting difficulty: medium"},{"t":"p","x":"·视觉冲击力：强","b":false,"xe":"·Visual impact: strong"},{"t":"p","x":"散射光常见于阴天户外，云层挡住了太阳，像一个巨大的柔光罩将光线均匀地铺洒到每一个角落。由于光影过渡太柔和，缺乏明确的影调，这种情况下不论人物还是环境的层次都不明显。虽然拍摄容易，但是视觉效果较弱。但是散射光也适合特定主题的拍摄，这一点也将在下一部分详细讲解。","b":false,"xe":"Diffused light is common on overcast days: clouds block the sun and act like a giant softbox, spreading light evenly into every corner. Because the light-shadow transition is too soft and there is no clear tonal structure, neither the subject nor the environment shows much depth. It's easy to shoot, but the visual impact is weak. That said, diffused light suits certain specific subjects — which the next section explains in detail."},{"t":"img","f":"img-12","w":1280,"h":1280},{"t":"img","f":"img-13","w":1280,"h":800},{"t":"p","x":"散射光特点：","b":false,"xe":"Diffused light characteristics:"},{"t":"p","x":"·光影分配：无","b":false,"xe":"·Light distribution: none"},{"t":"p","x":"·视觉效果：较差","b":false,"xe":"·Visual effect: poor"},{"t":"p","x":"·拍摄难度：低","b":false,"xe":"·Shooting difficulty: low"},{"t":"p","x":"·视觉冲击力：弱","b":false,"xe":"·Visual impact: weak"},{"t":"h","x":"3","xe":"3"},{"t":"h","x":"光与情绪表达","xe":"Light and Emotional Expression"},{"t":"p","x":"光产生影，这两者在画面中的关系可以给观众带来各种不同的感觉。摄影师也可以利用这二者的搭配来表达情绪。根据光线特点，总的来说可以把情绪分为三大类：","b":false,"xe":"Light produces shadow, and the relationship between the two in a frame can evoke all kinds of feelings in viewers. Photographers can use the pairing of the two to express emotion. Based on the characteristics of light, emotions can broadly be divided into three categories:"},{"t":"img","f":"img-14","w":956,"h":749},{"t":"p","x":"（该模型只是概括了大多数情况，需要摄影师针对特定场合来应用）","b":false,"xe":"(This model only generalizes most situations; the photographer must adapt it to specific occasions.)"},{"t":"p","x":"倘若画面中亮部占比重大，那么可以一定程度给观众积极的感觉。如下图，画面中大部分区域都是明亮的，扩大了视觉上的空间感，进而让人感到明朗和放松。而这种情况下，摄影师应该更加留意暗部的构图和细节把握，因为处在暗部的人和楼房才是这张照片的重点。","b":false,"xe":"If bright areas dominate the frame, it can give viewers a positive feeling to a degree. In the image below, most of the frame is bright, expanding the perceived space and making people feel open and relaxed. In this situation, the photographer should pay more attention to the composition and detail of the dark areas — because the person and buildings in shadow are the point of this photo."},{"t":"img","f":"img-15","w":800,"h":1200},{"t":"p","x":"倘若图片中暗部比重较大，那么就压缩了视觉空间感，进而让人感到压抑的情绪。如下图，整体的暗也让蒲公英和手臂狭窄的亮部显得格外突出。因此在该情况下，摄影师应该注意主体的亮度是否足够与环境形成反差。一张整体都很暗和整体都很亮的照片很容易让观众找不到重点。","b":false,"xe":"If dark areas dominate the frame, the perceived space is compressed and people feel a sense of oppression. In the image below, the overall darkness makes the narrow bright parts — the dandelion and the arm — stand out especially. So in this situation, the photographer should check whether the subject is bright enough to contrast with the environment. A photo that is uniformly dark or uniformly bright easily leaves viewers unable to find the point."},{"t":"img","f":"img-16","w":1200,"h":1200},{"t":"p","x":"削弱光比则可以一定程度上削弱情感强度。虽然阴天的时候，照片视觉效果不佳，但也可以让光影带来的情绪削弱，让作者在画面其他方面发挥创意。如下图，选择了阴天拍摄是因为图片的亮点在于人物的动作和莫名的云雨，试想倘若图片右边是日落的火烧云，观众的视线也很难集中到人物身上了。","b":false,"xe":"Weakening the lighting ratio can weaken emotional intensity to a degree. Although photos shot on overcast days are less visually striking, the subdued light lets the author exercise creativity in other aspects of the frame. In the image below, the overcast day was chosen because the picture's highlights are the subject's gesture and the mysterious clouds and rain — imagine if the right side of the frame were a fiery sunset sky: the viewer's eye could hardly settle on the person."},{"t":"img","f":"img-17","w":1200,"h":750},{"t":"img","f":"img-18","w":1200,"h":750},{"t":"p","x":"多光或者多影都可以表现激烈地情感，一般而言，反差越大，情感表达相对越激烈。","b":false,"xe":"More light or more shadow can both express intense emotion. Generally speaking, the greater the contrast, the more intense the emotional expression."},{"t":"img","f":"img-19","w":1200,"h":801},{"t":"h","x":"4","xe":"4"},{"t":"h","x":"光影与构图","xe":"Light, Shadow, and Composition"},{"t":"p","x":"在谈到构图的时候，许多人都会想到画面中的点、线、面。但是除了极简摄影之外，绝大多数情况仅依靠这三个要素是不够的。因为图片虽然是一个2D的平面，但是摄影师的工作是在2D上展现3D的效果，此时不仅要考虑图片在横向上的构图，也需要利用光影的变化来加强画面的“纵深感”。","b":false,"xe":"When people talk about composition, many think of points, lines, and planes. But except in minimalist photography, these three elements alone are not enough. A picture is a 2D plane, yet the photographer's job is to present a 3D effect on it — so beyond horizontal composition, you must use changes of light and shadow to strengthen the image's \"depth\"."},{"t":"p","x":"下图中，三棵明度不同的树配合较亮的背景构建了图片纵向上的空间，人物的位置处于黄金分割并且利用直射光产生了较强的反差和质感，一方面确立人物的主体地位，另一方面将人物放在这个纵向空间的中间位置，加强画面立体感。","b":false,"xe":"In the image below, three trees of different brightness together with a brighter background build the image's vertical space. The subject sits at the golden-section point, and direct light creates strong contrast and texture — establishing the subject's dominance on one hand, and placing them in the middle of this vertical space on the other, strengthening the image's dimensionality."},{"t":"img","f":"img-20","w":1200,"h":800},{"t":"p","x":"同理，下图也是利用前后三棵树和背景来营造空间感，人物的明度和前景、背景形成反差，吸引观众视线。","b":false,"xe":"By the same logic, the image below also uses three trees — front and back — plus the background to create a sense of space; the subject's brightness contrasts with foreground and background, drawing the viewer's eye."},{"t":"img","f":"img-21","w":801,"h":1200},{"t":"h","x":"5","xe":"5"},{"t":"h","x":"利用反射光","xe":"Using Reflected Light"},{"t":"p","x":"很多人在面对光比较大的逆光的时候，首先想到的是使用反光板或者闪光灯补光。然而人造光源难免会让补光显得生硬。此时，摄影师可以尽量依靠环境中自然的反光来对暗部进行补光。","b":false,"xe":"Faced with a high-ratio backlight, many people first think of a reflector or a flash for fill. Yet artificial sources inevitably make the fill look stiff. Instead, the photographer can rely as much as possible on natural reflections in the environment to fill the shadows."},{"t":"p","x":"下图中，阳光从右后方射过来，让模特把反光率很高的纸船靠近脸部，就可以对左侧较暗的脸部补光，也可以消除法令纹一类的阴影。","b":false,"xe":"In the image below, sunlight comes from the right rear. Having the model bring a highly reflective paper boat close to her face fills the darker left side of the face and also softens shadows like nasolabial folds."},{"t":"img","f":"img-22","w":1200,"h":1200},{"t":"p","x":"而在下图中，让模特蹲下，靠近地面的反射光，也可以在逆光环境中形成合理的补光。","b":false,"xe":"In the image below, having the model crouch down near the light reflected from the ground likewise creates sensible fill in a backlit environment."},{"t":"img","f":"img-23","w":801,"h":1200},{"t":"h","x":"6","xe":"6"},{"t":"h","x":"选择恰当的时机","xe":"Choosing the Right Moment"},{"t":"p","x":"在上文中已经提过，拍摄自然光人像最重要的是适应环境的变化，那么拍摄时机的选择就显得尤为重要。通常而言，一天之中最适合摄影的时间段集中在日出日落前后30分钟。","b":false,"xe":"As mentioned above, the key to natural-light portraiture is adapting to the environment's changes, so choosing the shooting moment matters enormously. Generally, the best times of day for photography cluster within 30 minutes before and after sunrise and sunset."},{"t":"img","f":"img-24","w":1280,"h":896},{"t":"img","f":"img-25","w":1280,"h":333},{"t":"p","x":"下图拍摄时间就是日落后20分钟左右顺光拍摄，用模特手持的闪光灯配合橙色色片模拟火炬的光。虽然已经没有太阳直射，但天边留下的最后一抹光依稀照亮了云朵，让云有着白天能看到的层次感，也让画面的暗部有一定的细节。","b":false,"xe":"The image below was shot with front light about 20 minutes after sunset, using a flash held by the model with an orange gel to simulate torchlight. Although the sun no longer shines directly, the last glow at the horizon faintly lights the clouds, giving them the depth you'd see in daytime and lending some detail to the frame's dark areas."},{"t":"p","x":"而因为光线很弱，所以用闪光灯的亮度足以盖过自然光对模特的影响，让观众看不到明显的日光的效果。如果拍摄时间早了，闪光灯不足以压住阳光，拍摄晚了，太阳对云层和画面中暗部的影响过小，那么云层就缺乏质感，暗部也会出现死黑。","b":false,"xe":"Because the ambient light was so weak, the flash's brightness was enough to overpower the natural light's influence on the model, so viewers see no obvious daylight effect. Had I shot earlier, the flash couldn't have overpowered the sun; had I shot later, the sun's effect on the clouds and the dark areas would have been too small — the clouds would lack texture and the shadows would go dead black."},{"t":"img","f":"img-26","w":1200,"h":675},{"t":"h","x":"7","xe":"7"},{"t":"h","x":"后期光影","xe":"Light and Shadow in Post"},{"t":"p","x":"如果对自然光有了充足的理解，那么对后期也有很大的帮助。从基本的调色到图片合成，都离不开对光影的调整。下图在完成墙壁、阳台、模特这三个主要元素的合成之后，缺乏光影，整张图显得很平淡。而加上影子之后，可以让观众感受到光的存在，视觉效果就增色不少。","b":false,"xe":"A solid understanding of natural light also helps greatly in post. From basic grading to image compositing, everything involves adjusting light and shadow. In the image below, after compositing the three main elements — the wall, the balcony, the model — the lack of light and shadow made the whole image flat. Adding shadows lets viewers feel the presence of light and greatly enriches the visual effect."},{"t":"p","x":"比如这张，把素材放到一起后，缺乏影调，也看不出光线效果。","b":false,"xe":"Take this one: after putting the source material together, it lacks tonal structure and shows no sense of light."},{"t":"img","f":"img-27","w":1200,"h":751},{"t":"p","x":"利用模型搞清楚影子走向，再利用PS制作影子。","b":false,"xe":"Use a model to work out the direction of the shadows, then build them in Photoshop."},{"t":"img","f":"img-28","w":1200,"h":749},{"t":"p","x":"完成图","b":false,"xe":"The finished image"},{"t":"img","f":"img-29","w":1200,"h":748},{"t":"h","x":"总结","xe":"Summary"},{"t":"p","x":"有光就有影，在自然光拍摄人像的时候，光和影要结合起来思考，针对不同的拍摄主体选择相应的光照强度、光源方向以及恰当的拍摄时间，才能让自然光在拍摄中发挥更大的作用。","b":false,"xe":"Where there is light, there is shadow. When shooting portraits in natural light, think of light and shadow together: choose the appropriate light intensity, light direction, and shooting time for different subjects, so natural light plays a bigger role."},{"t":"p","x":"后期的时候，原则上不要破坏原本图片的光影比例，倘若想要通过后期改变原图的光影关系，那么则需要更深入的学习才能较好地达成目标。","b":false,"xe":"In post, don't break the original image's light-shadow ratio as a rule; if you want to change the light relationships in post, deeper study is needed to do it well."},{"t":"p","x":"自然光拍摄人像的时候，不妨思考一下这些问题，或许能够给你一些启发。","b":false,"xe":"When shooting portraits in natural light, consider these questions — they may give you some inspiration:"},{"t":"p","x":"·主体和环境的反差是否足够？","b":false,"xe":"·Is the contrast between subject and environment sufficient?"},{"t":"p","x":"·主体和环境的光影层次是否鲜明？","b":false,"xe":"·Are the light-shadow layers of subject and environment distinct?"},{"t":"p","x":"·人物身上的光比是否太大，能否保留足够的主要细节？","b":false,"xe":"·Is the lighting ratio on the subject too large? Can enough key detail be retained?"},{"t":"p","x":"·环境中的光影是否能够表现足够的纵深感和质感？","b":false,"xe":"·Can the environment's light and shadow convey enough depth and texture?"},{"t":"p","x":"·环境中的光影特点是否能够传达合适的情感？","b":false,"xe":"·Can the environment's light and shadow convey the right emotion?"},{"t":"p","x":"最重要的一点就是：多观察，多思考，分析优秀作品的用光再进行实践操作，这样才能快速提升对自然光的理解和应用能力。","b":false,"xe":"The most important point: observe more, think more, analyze the lighting of excellent works, then practice — that's how you quickly improve your understanding and application of natural light."},{"t":"h","x":"帅哥作者","xe":"The handsome author"},{"t":"img","f":"img-30","w":640,"h":640},{"t":"h","x":"▲ 冯韬（Terry F）","xe":"▲ Feng Tao (Terry F)"},{"t":"p","x":"美国Getty Image 签约摄影师","b":false,"xe":"Getty Images contributing photographer"},{"t":"p","x":"华盖创意签约摄影师","b":false,"xe":"Huagai Creative contributing photographer"},{"t":"p","x":"Lofter大神","b":false,"xe":"Lofter master"},{"t":"p","x":"微博：@Terry-F","b":false,"xe":"Weibo: @Terry-F"},{"t":"p","x":"Lofter: terryfengphotography.lofter.com","b":false,"xe":"Lofter: terryfengphotography.lofter.com"},{"t":"p","x":"感谢Terry大神的分享，你更加理解自然光线的特点和作用了吗？","b":false,"xe":"Thanks to Terry for sharing. Do you now better understand the characteristics and uses of natural light?"},{"t":"p","x":"欢迎关注@Thomas看看世界，","b":false,"xe":"Follow @Thomas Chu Photo,"},{"t":"p","x":"每周学会一个摄影技能。","b":false,"xe":"and learn one photography skill every week."},{"t":"img","f":"img-31","w":640,"h":313}],"titleEn":"The Complete Guide to Natural-Light Portraits"}