{"slug":"portrait-photographer-growth","title":"推荐 | 干货大公开 - 一位人像摄影师的成长之路与学习建议","author":"Thomas看看世界","date":"2016-12-13","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247484687&idx=1&sn=5a2229863219eec745188660bb38fbd8&chksm=eb81fb6bdcf6727d632b04242c93992212db71a2b95f91457a7c9fae7cc1beb23895f7919591&scene=21#wechat_redirect","blocks":[{"t":"p","x":"这是我的摄影师朋友孙政的一篇文章。","b":false,"xe":"This is an article by my photographer friend Sun Zheng."},{"t":"p","x":"他在文中不仅分享了自己接触摄影以来的成长经历，还毫无保留的给出了摄影的自学思路和学习建议，都是十足的干货。","b":false,"xe":"In it he not only shares his growth since first picking up a camera, but also lays out his self-taught learning path and advice without reservation — all solid, practical content."},{"t":"p","x":"文中推荐的各种书籍和资料，对喜欢拍人像的朋友们更是大大的福利。","b":false,"xe":"The books and resources he recommends are an extra treat for those who love shooting portraits."},{"t":"img","f":"img-02","w":600,"h":401},{"t":"p","x":"这篇并不是个总结，而是写在改变之初。不是传授经验，而是写一下我准备以什么样的想法来进行我的改变。写下来，是我对自己的梳理，也希望它对你有点儿用。","b":false,"xe":"This is not a summary, but something written at the start of a change. It's not about teaching experience — it's about writing down the mindset with which I plan to make my change. Writing it down is how I organize my own thinking, and I hope it's of some use to you too."},{"t":"h","x":"1","xe":"1"},{"t":"h","x":"对摄影的一点儿思考","xe":"A Few Thoughts on Photography"},{"t":"p","x":"首先摄影是指使用某种专门设备进行影像记录的过程，把现实世界转换成二维然后采样转换成二进制编码。。。。","b":false,"xe":"First, photography is the process of using specialized equipment to record images, converting the real world into two dimensions and then sampling it into binary code...."},{"t":"p","x":"呵呵。这么想的人有什么动力去摄影呢？","b":false,"xe":"Heh. What motivation would someone who thinks like that have to do photography?"},{"t":"p","x":"要说摄影对我来说，是为了记录决定性瞬间，记录自己的生活，记录家人朋友，摄影本质是记录，听起来舒服一些。但是我自己感觉却少了点儿参与感。个人感觉这样的想法也存在着巨大的惰性。如果重心在记录上，那么就会产生被动的想法，尤其是对创造力的限制。","b":false,"xe":"If you say photography for me is about recording decisive moments, recording my life, recording family and friends — that photography is essentially recording — that sounds more comfortable. But I feel it lacks a sense of participation, and I think this mindset carries enormous laziness. If the focus is on recording, you develop passive thinking, and it especially limits creativity."},{"t":"p","x":"摄影是记录瞬间的过程，摄影师是创造那个瞬间的人。摄影师不只是记录创造了照片，而是同时创造了那个时刻。这个想法让我感到舒服，可以让我不仅积极的在记录，同时可以积极的构思。","b":false,"xe":"Photography is the process of recording a moment; the photographer is the one who creates that moment. A photographer doesn't just record a photo — they also create that instant. This idea makes me comfortable: it lets me actively record while also actively imagining."},{"t":"p","x":"摄影师之间的区别不只在于记录的方式，比如参数设置，构图，拍摄角度，曝光，甚至用光。还在于创造，注意我不是指更在于创造。故事的主人公是谁，故事在哪儿发生，他在想什么，他在做什么，什么情绪，故事发生在什么时间。变化简直太多。作为摄影师，你要创造出那个瞬间。”感觉“需要借助载体和表达方式来表达。一篇文章没法给你直接说一种感觉，但是我讲一个故事你就体会到那个感觉了。","b":false,"xe":"The difference between photographers lies not only in the way they record — parameter settings, composition, shooting angle, exposure, even lighting — but also in creation. Note that I said \"also\", not \"more\". Who is the story's protagonist? Where does it happen? What is he thinking? What is he doing? What mood? When does the story take place? The variables are endless. As a photographer, you have to create that moment. A \"feeling\" needs a carrier and a means of expression. An article can't directly hand you a feeling, but tell you a story and you'll feel it."},{"t":"p","x":"那么，照片的记录方式，并没有什么秘密，也不该有什么秘密。技术要开源！技术要开源！技术要开源！ 破解起来也不难。它当然区分了摄影师，比如我的照片和日式小清新或者Fine Art的视觉差别，一眼就看出。但是我很反感的是有些人非得定义哪种风格更好，更高级。","b":false,"xe":"So the way a photo is recorded holds no secrets, and shouldn't. Technology should be open source! Open source! Open source! Reverse-engineering it isn't hard either. It does distinguish photographers — the visual difference between my photos and Japanese-style fresh minimalism or fine art is obvious at a glance. But what I really dislike is people insisting on defining which style is better or more \"advanced\"."},{"t":"p","x":"区别你和别的摄影师的还有另一方面就是，借由内容为载体表现出来的感觉。这部分的区别，更让我觉得有趣。因为这是很私人的东西。幼年时记忆决定，很神秘。","b":false,"xe":"Another thing that distinguishes you from other photographers is the feeling expressed through content as the carrier. That part of the difference interests me more, because it's something deeply personal — decided by childhood memories, quite mysterious."},{"t":"p","x":"那么怎么提高呢？要知道。","b":false,"xe":"So how do you improve? You need to know."},{"t":"quote","x":"只有好照片，没有好照片的准则。——安塞尔．亚当斯","xe":"There are no rules for good photographs — there are only good photographs. — Ansel Adams"},{"t":"p","x":"这样想就轻松了不少，很多条条框框，比如黄金分割啊，对角线构图啊，对称啊什么的，别把那些作为规则，只是建议。对于各种拍照技术和闪光灯的理论甚至色彩理论，他们是前辈总结下来帮助我们更好的记录我们的内容的。正确的理解方式是，这些理论，帮助我们以最快的速度最简单的方式获取前辈的经验。既然前面区分出了，“记录方法” 和 “照片内容” 两方面那么逐个击破即可。","b":false,"xe":"Thinking this way takes a load off. All those rules — the golden ratio, diagonal composition, symmetry — don't treat them as rules, only as suggestions. The various shooting techniques, flash theory, even color theory: they were summarized by our predecessors to help us record our content better. The correct way to understand them is that these theories let us acquire our predecessors' experience as quickly and simply as possible. Now that we've separated \"recording method\" from \"photo content\", we can tackle each one individually."},{"t":"h","x":"2","xe":"2"},{"t":"h","x":"记录方法","xe":"Recording Method"},{"t":"p","x":"这类提高主要就是看书学习加刻意练习。得看经典即可，一些什么摄影速成之类的书，只能让你更浪费时间。 呵呵。","b":false,"xe":"Improving here is mainly about reading and deliberate practice. Just read the classics — those \"master photography in X days\" books only waste more of your time. Heh."},{"t":"p","x":"对于初学者来说，尤其是妹子们，不同环境下的参数设置（光圈快门ISO等），也有一定困难。我看的第一本摄影书籍，当然是纽约摄影学院教材，不过这本书有些早，很多对应胶片的内容可以跳过。最初我是从胶片135和120单反相机学的摄影，但毕竟那是07年的事情。本来想找几本新一些的，看完目录之后，决定哎，还是推荐纽摄吧。","b":false,"xe":"For beginners — especially the ladies — setting parameters in different environments (aperture, shutter, ISO, etc.) can be quite hard. The first photography book I read was, of course, the New York Institute of Photography course, though it dates a bit and much of the film-related content can be skipped. I originally learned on 135 and 120 film SLRs — but that was back in 2007. I looked for something newer, checked the tables of contents, and decided: still, I'll recommend the NYIP course."},{"t":"p","x":"关于光至少得看这本。","b":false,"xe":"For lighting, you must at least read this one:"},{"t":"p","x":"《美国摄影用光教程》 http://book.douban.com/subject/3206941/","b":false,"xe":"\"Light: Science and Magic\" (《美国摄影用光教程》) http://book.douban.com/subject/3206941/"},{"t":"p","x":"绝佳！硬理论书籍！看这本书之前请不要看其他对于用光的书籍。 系统了解光线的书。一开始感觉在讲物理，不过没关系，相信我，这是理解光线的好方法。 对光线的认识在建立的时候一定要正确。","b":false,"xe":"Superb! A hard-theory book! Before this book, don't read anything else about lighting. It's a systematic way to understand light. At first it feels like physics — that's fine. Trust me, this is the right way to understand light. Your understanding of light must be built correctly from the start."},{"t":"p","x":"关于摄影构图，一张好看的照片，可以分析出来怎么构图的，但是你用构图的方法来拍照，不一定拍出好照片。","b":false,"xe":"On composition: a good-looking photo can be analyzed for its composition, but shooting by compositional methods won't necessarily give you a good photo."},{"t":"p","x":"我自己更感觉，好照片，和很多 “常见入门书籍说的构图方法”，并没有相关关系。","b":false,"xe":"I personally feel that good photos have no causal relationship with the \"compositional methods in common beginner books\"."},{"t":"p","x":"拍照的时候我也基本不会想有些构图法则。哎我真的觉得就是低水平直男癌为了拍出好看的照片自己刻意分析出的一些规则，蛋，真的作用并不大啊。比如一张用对角线构图的好看的照片，并不是因为用了对角线构图才好看的，是因为其他n多因素。","b":false,"xe":"When I shoot, I basically never think about compositional rules. Honestly, I think those rules were reverse-engineered by mediocre analysts trying to explain pretty pictures — but they really don't do much. A nice photo that happens to use diagonal composition isn't nice because of the diagonal — it's nice because of a thousand other factors."},{"t":"p","x":"那就看一些讲的比较详细的书，","b":false,"xe":"Instead, read books that explain things in depth:"},{"t":"p","x":"《摄影构图与色彩设计》 https://book.douban.com/subject/4062254/","b":false,"xe":"\"Photographic Composition and Color Design\" (《摄影构图与色彩设计》) https://book.douban.com/subject/4062254/"},{"t":"p","x":"然后看","b":false,"xe":"Then read:"},{"t":"p","x":"《摄影师的视界》 http://book.douban.com/subject/4048631/","b":false,"xe":"\"The Photographer's Eye\" (《摄影师的视界》) http://book.douban.com/subject/4048631/"},{"t":"p","x":"《数码摄影完美曝光技法》 http://book.douban.com/subject/4907369/","b":false,"xe":"\"Perfect Exposure for Digital Photography\" (《数码摄影完美曝光技法》) http://book.douban.com/subject/4907369/"},{"t":"p","x":"这本书让我看完之后不会曝光了，如果能看下去就看完至少一遍。如果实在看不下去那就算了。","b":false,"xe":"After reading this one I no longer knew how to expose — if you can get through it, finish it at least once. If you really can't, then let it go."},{"t":"p","x":"《艺术·设计的色彩构成》 http://book.douban.com/subject/1603077/","b":false,"xe":"\"Color Composition for Art & Design\" (《艺术·设计的色彩构成》) http://book.douban.com/subject/1603077/"},{"t":"p","x":"《艺术·设计的平面构成》 http://book.douban.com/subject/1603076/","b":false,"xe":"\"Plane Composition for Art & Design\" (《艺术·设计的平面构成》) http://book.douban.com/subject/1603076/"},{"t":"p","x":"《论摄影》http://book.douban.com/subject/4282084/","b":false,"xe":"\"On Photography\" (《论摄影》) http://book.douban.com/subject/4282084/"},{"t":"p","x":"《电影镜头设计》http://book.douban.com/subject/4213525/","b":false,"xe":"\"Film Directing Shot by Shot\" (《电影镜头设计》) http://book.douban.com/subject/4213525/"},{"t":"p","x":"说到摄影类书籍，我觉得浪费生命的书太多。慎重阅读。","b":false,"xe":"When it comes to photography books, too many are a waste of life. Read with care."},{"t":"img","f":"img-03","w":600,"h":600},{"t":"p","x":"好了恭喜你读完了上面的blablabla~~~ 如果要看技术的书觉得枯燥我能理解，我当时看也是感觉像在学习专业课。必经之路，也是最短路径。所有的小聪明都是在绕远道。","b":false,"xe":"Congratulations on getting through all that blablabla above! If technical books feel dry, I understand — when I read them it felt like studying for a major. It's the road you must take, and it's also the shortest one. Every clever shortcut is actually a long detour."},{"t":"p","x":"啊哈哈，已经为你准备好了一篇文章来解决你的惰性。","b":false,"xe":"Ahaha, here's an article prepared for you to cure your laziness:"},{"t":"p","x":"《为什么你有 10年 经验，但成不了专家？》","b":false,"xe":"\"Why Do You Have 10 Years of Experience but Still Aren't an Expert?\""},{"t":"p","x":"http://36kr.com/p/5043788.html 刻意练习","b":false,"xe":"http://36kr.com/p/5043788.html — deliberate practice"},{"t":"h","x":"3","xe":"3"},{"t":"h","x":"照片内容和那个感觉","xe":"Photo Content and That Feeling"},{"t":"p","x":"怎么找到或者确定自己的风格，或者说拍出与众不同属于自己感觉的照片，是经常被各方面提及的问题。","b":false,"xe":"How to find or define your own style — or how to shoot distinctive photos that carry your own feeling — is a question that comes up from every direction."},{"t":"p","x":"是机身，镜头，闪光灯，柔光箱决定了风格么？","b":false,"xe":"Is style determined by the camera body, lenses, flashes, softboxes?"},{"t":"p","x":"画面风格，曝光，色调，构图，明暗，用光，细节，决定了风格么？","b":false,"xe":"Is style determined by image style, exposure, tone, composition, brightness, lighting, detail?"},{"t":"p","x":"后期处理方法决定了风格么？","b":false,"xe":"Is style determined by post-processing methods?"},{"t":"p","x":"表情，服装，道具，环境，场地，决定了风格吗？","b":false,"xe":"Is style determined by expressions, clothing, props, environment, location?"},{"t":"p","x":"模特的外貌，职业，做的事情，决定了风格么？","b":false,"xe":"Is style determined by the model's appearance, profession, or actions?"},{"t":"p","x":"表达的主题表达的内容决定风格么？","b":false,"xe":"Is style determined by the theme or content expressed?"},{"t":"p","x":"一切的一切表现手法决定风格么？","b":false,"xe":"Is style determined by all these expressive techniques put together?"},{"t":"p","x":"她是只是她，一说即是错。她是月亮，上面提到的是指向月亮的手指。不需要刻意创造她，不需要刻意找到她，她就在那，只需要轻轻的自然地走过去，抬头便看到她。","b":false,"xe":"She is simply herself — the moment you name her, you're wrong. She is the moon; everything mentioned above is merely the finger pointing at the moon. You don't need to deliberately create her or find her. She is right there — just walk over gently and naturally, look up, and you see her."},{"t":"p","x":"分享一下我的发展过程。我们家是我爷爷就照相，我爹也照相，家人的相册从黑白到彩色都很多。摄影理论书籍和大师的经典画册也不少，还有相机也多。","b":false,"xe":"Let me share my own journey. In my family, my grandfather took photos, my father took photos too — family albums from black-and-white to color, piles of them. There were quite a few photography theory books and masters' classic albums, and plenty of cameras as well."},{"t":"p","x":"我印象中，幼年时家里挂着一幅巨大的欧美经典黑白人像，小时候看什么都大。之后小学初中我爹也经常会在旧书市场淘杂志和画册回家，八成是洋垃圾。能完全记住名字的是VOGUE。当时我就是看着玩儿。此举造成了我当年也在淘打孔碟。我妈对我俩花钱买垃圾表示不解。","b":false,"xe":"I remember a huge classic Western black-and-white portrait hanging at home when I was little — everything looks big when you're a kid. Later, through primary and middle school, my dad would often bring home magazines and photo books scoured from secondhand book markets — eighty percent of it foreign castoffs. The one name I fully remember is VOGUE. I just flipped through them for fun back then. This habit of his also led me to collect punched CDs. My mom couldn't understand why the two of us spent money on garbage."},{"t":"p","x":"真正认真开始自学摄影是07年夏天。和那个时代所有人看的一样，美国纽约摄影学院摄影教材。用的是Mamiya ZM还有Mamiya RZ67 镜头都是标头。至关重要的时间点。","b":false,"xe":"I began seriously teaching myself photography in the summer of 2007. Like everyone of that era, I read the New York Institute of Photography course. My cameras were a Mamiya ZM and a Mamiya RZ67, both with standard lenses. A crucial point in time."},{"t":"p","x":"当时我爹给我推荐了一个摄影师Joey.L，07年他还没拍暮光之城的海报没现在那么出名。我现在都想不通我爹那时候怎么知道他的。89年底才出生Joey.L的照片在当时对一个喜欢绿日和SUM41的和他同年生的小青年杀伤力是无穷大。他当时已经出了第一张DVD教程。嗯~幸好有电驴。","b":false,"xe":"Back then my dad recommended a photographer to me: Joey L. In 2007 he hadn't yet shot the Twilight posters and wasn't as famous as now. I still can't figure out how my dad knew about him. Born at the end of '89, Joey L's photos were infinitely lethal to a kid his own age who loved Green Day and Sum 41. He had already released his first tutorial DVD. Mm — thank goodness for eMule."},{"t":"p","x":"虽然我爹对我摄影肯定是有着启蒙的巨大影响，但是限于他直男癌认知的局限性，我采取非暴力不合作的手段成功反抗。我不觉得外界会影响你，只能你选择让什么影响你。有时候真的需要坚持和相信自己。","b":false,"xe":"Although my dad undoubtedly had a huge enlightening influence on my photography, limited by his rigid straight-male worldview, I successfully resisted through nonviolent non-cooperation. I don't believe the outside world influences you — you can only choose what to let influence you. Sometimes you really do need to persist and believe in yourself."},{"t":"p","x":"当时老法师比现在更多，然后大量的糖水，还不是小清新，感觉像小清新的前身。本科四年拍摄内容很杂，人像照片并不太多。大概这么多吧。","b":false,"xe":"There were even more old-school master photographers back then, plus floods of saccharine portraits — not yet \"fresh minimalism\", more like its predecessor. During my four undergrad years my subjects were eclectic, and portraits were not that many. About this many:"},{"t":"img","f":"img-04","w":600,"h":893},{"t":"p","x":"全是身边的人。顺便缅怀一下D90和501.8D。11年第一次用闪光灯和透光伞，家里有人摄影的好处就是，如果你不嫌器材旧，家里也啥都有。剩下的大家也都知道了哈~14年夏天相机包被偷，之后的事情大家可以去我的微博查看（微博：www.weibo.com/sunmonk）。","b":false,"xe":"All people around me. By the way, a moment of silence for the D90 and 50mm f/1.8D. In 2011 I used a flash and an umbrella for the first time. The benefit of having photographers in the family: if you don't mind old gear, there's everything at home. The rest you all know — in summer 2014 my camera bag was stolen. What happened after can be found on my Weibo (www.weibo.com/sunmonk)."},{"t":"p","x":"然后罗列一下我不同时期的照片给大家做个参考。 到德国之前的照片是上图那个拼接。","b":false,"xe":"Now let me line up my photos from different periods for your reference. The ones from before Germany are in the collage above."},{"t":"p","x":"到德国之后头一年半没有闪光灯。大概是这样的。刚来的过就是感觉空气太好，每个日落都太迷人，于是产生了大量的日落前逆光照。拍摄地方是当时住的楼旁边的一个空地。","b":false,"xe":"For the first year and a half in Germany I had no flash. It looked roughly like this. Having just arrived, I felt the air was incredibly clean and every sunset too enchanting, so I produced tons of backlit pre-sunset shots. The location was an empty lot next to the building I lived in."},{"t":"img","f":"img-05","w":600,"h":337},{"t":"img","f":"img-06","w":600,"h":399},{"t":"p","x":"之后拍了很多次这只妹子。","b":false,"xe":"After that I shot this girl many times."},{"t":"img","f":"img-07","w":600,"h":222},{"t":"p","x":"第一次拍有T台和模特经验的妹子。直到这组都是用D90拍的，镜头基本是501.8D和851.8G。","b":false,"xe":"The first time shooting a girl with runway and modeling experience. Everything up to this set was shot on the D90, mostly with the 50mm f/1.8D and 85mm f/1.8G."},{"t":"img","f":"img-08","w":600,"h":450},{"t":"p","x":"13年，更换了全幅D600镜头主要是85mm和35mm。非常集中的看了超多关于闪光灯方面的书和视频，上了三个闪光灯，灯架柔光箱柔光伞雷达罩束光筒等，攒了一个三灯的套装。这是配齐器材的第一次操作，也开始了拖着拉杆箱拍摄的日子。","b":false,"xe":"In 2013 I switched to the full-frame D600, mainly with the 85mm and 35mm. I intensely consumed tons of books and videos about flash, bought three speedlights, light stands, softboxes, umbrellas, a beauty dish, a snoot — a complete three-light kit. This was my first shoot with the full kit, and the start of my days dragging a rolling case to shoots."},{"t":"img","f":"img-09","w":600,"h":401},{"t":"p","x":"随后是密集的用闪光灯拍摄。并开始写了那个帖子，经常更新分享方法。最初写是为了自己总结，觉得反正都写了，不如发上论坛。那时候我就是试试这个，碰碰那个。","b":false,"xe":"Then came a period of intensive flash shooting. I started writing that forum thread, updating it often and sharing methods. At first I wrote to summarize things for myself — then figured since it was written anyway, I might as well post it. Back then I was just trying this and poking at that."},{"t":"img","f":"img-10","w":600,"h":222},{"t":"p","x":"这组对我个人来说是里程碑。我觉得技术有点儿成熟是这组开始。我很喜欢这种感觉和色调，同时细节非常多。蛋，也有可能是大帅哥，和大帅哥的徕卡。","b":false,"xe":"This set is a personal milestone. I feel my technique began maturing from this set onward. I love the mood and tones, and the amount of detail. Though, admittedly, it might also be the handsome guy — and the handsome guy's Leica."},{"t":"img","f":"img-11","w":600,"h":401},{"t":"p","x":"上一张拍摄完不久拍摄的乐队。同样是我的里程碑。","b":false,"xe":"A band shot shortly after the previous one. Also a milestone for me."},{"t":"p","x":"高能K4T，400w带高速同步的外拍灯和120cm八角柔光箱，就是在这组开始用的。可以应付任何拍摄情况的大功率外拍灯让我的拍摄没有了限制，它是一款完全可以信赖的灯。 嗯，可以大干一场了的感觉涌遍全身。","b":false,"xe":"The Conon K4T — a 400W location strobe with high-speed sync — and a 120cm octabox were first used on this set. A high-power location strobe that can handle any situation removed all limits from my shooting; it's a light you can completely trust. Mm — the feeling of \"time to go big\" surged through my whole body."},{"t":"img","f":"img-12","w":600,"h":401},{"t":"img","f":"img-13","w":600,"h":361},{"t":"p","x":"哈哈哈，拍完这两组心情大好，啊哈哈哈哈，然后我的相机包就被偷了。( ▼-▼ ) 从此开始拍婚纱婚礼和情侣写真（需要钱）。但是照片不方便放在这里哈~","b":false,"xe":"Hahaha, after finishing these two sets I was in a fantastic mood — and then my camera bag got stolen. ( ▼-▼ ) From then on I started shooting weddings and couples (needed the money). But those photos aren't convenient to post here, ha."},{"t":"p","x":"时间线直接跳到16年初。就是之前说的个人项目重启阶段。在柏林你很难约到普通人拍照，那就先拍一下演员好了啦。","b":false,"xe":"The timeline jumps straight to early 2016 — the personal-project reboot phase I mentioned. In Berlin it's hard to book ordinary people for shoots, so I started with actors."},{"t":"img","f":"img-14","w":600,"h":350},{"t":"img","f":"img-15","w":600,"h":401},{"t":"p","x":"这个汉子也是演员和乐队成员。演员肯定有很多拍摄经验。每次拍照也都有明确的目的，要展现演员的哪一面，给经纪公司用的。要求并不是只拍好看，拍得美，拍的帅。皮肤也要求不要怎么处理，保留个人特征。而且演员会比普通人更配合拍摄。","b":false,"xe":"This fellow is also an actor and band member. Actors certainly have plenty of shoot experience. Every shoot has a clear purpose — which side of the actor to show — and the shots are for their agency. The requirement is not merely looking good, pretty, or handsome. Skin is expected to stay largely unretouched, keeping personal features. And actors cooperate with a shoot better than ordinary people."},{"t":"img","f":"img-16","w":600,"h":381},{"t":"img","f":"img-17","w":600,"h":401},{"t":"p","x":"这组就是3月20号拍摄的模特妹子啦，有T台和不少拍摄经验。大学主修法律。模特也会很积极的配合拍摄，不怕人流，也不会有脾气，耍大牌。 此妹子是后面教程部分的主角。","b":false,"xe":"This set features the model from March 20 — runway and plenty of shoot experience, a law major in university. Models actively cooperate too: unbothered by crowds, no tantrums, no diva behavior. This girl is the protagonist of the tutorial section later."},{"t":"img","f":"img-18","w":600,"h":401},{"t":"img","f":"img-19","w":600,"h":401},{"t":"p","x":"上面配图说了我自己的发展经历给大家做个参考。以下说一下提高 照片内容和那个感觉 的方法。现在找到优秀摄影师和看到优秀照片，比当时07年方便太多，学习方法也要先进很多。","b":false,"xe":"The photos above trace my own development, for your reference. Now let me talk about how to improve \"photo content and that feeling\". These days, finding excellent photographers and seeing excellent photos is so much easier than back in 2007, and learning methods are far more advanced."},{"t":"p","x":"文章开始说到我用一年半的时间清零了，很幸运的我们可以一起学习。","b":false,"xe":"At the start of this article I said I spent a year and a half resetting myself to zero — luckily, we can learn together."},{"t":"p","x":"要多看视频教程多看书！","b":false,"xe":"Watch more video tutorials and read more books!"},{"t":"p","x":"首先要推荐的当属这个视频教程。","b":false,"xe":"The first recommendation has to be this video course:"},{"t":"p","x":"在看摄影基础的时候应该同时看Erik Almas的ON ASPECTS OF IMAGE MAKING","b":false,"xe":"While studying photography fundamentals, watch Erik Almas's ON ASPECTS OF IMAGE MAKING at the same time."},{"t":"p","x":"http://acuities.erikalmas.com/","b":false,"xe":"http://acuities.erikalmas.com/"},{"t":"p","x":"这篇是Erik根据自己十几年的摄影经验推出的教学DVD。很清楚的以实例讲了Eirk的几个拍摄的过程。从前期到拍摄到后期。还有他根据自己的经验对年轻摄影师的建议。","b":false,"xe":"This is a tutorial DVD Erik made based on his dozen-plus years of experience. It clearly walks through several of his shoots with real examples — from pre-production to shooting to post — plus his advice for young photographers drawn from his own experience."},{"t":"p","x":"片中介绍了一个方法。 找100张自己喜欢的照片，强调是自己喜欢的照片。然后把这些照片分类统计分析。非常值得一试。 给了年轻摄影师十点建议每条都很有含金量。","b":false,"xe":"The film introduces a method: find 100 photos you love — emphasis on photos you love — then categorize and statistically analyze them. Very much worth trying. He also gives young photographers ten pieces of advice, each one pure gold."},{"t":"img","f":"img-20","w":600,"h":456},{"t":"p","x":"这是个需要大量阅读积累的过程。我只是推荐以下视频或者书籍。 每个都超diao。看不看，还是看你的心情~","b":false,"xe":"This is a process that requires massive reading and accumulation. I'm just recommending the following videos and books. Each one is insanely good. Whether to watch or read them is up to your mood~"},{"t":"p","x":"我偶像的视频教程 怎么能不说好！ 好想列入必看之列啊！","b":false,"xe":"My idol's video course — how could I not praise it! I so want to list it as required viewing!"},{"t":"p","x":"Commercial Portraiture Joey L","b":false,"xe":"Commercial Portraiture Joey L"},{"t":"p","x":"https://www.creativelive.com/courses/commercial-portraiture-joeyl","b":false,"xe":"https://www.creativelive.com/courses/commercial-portraiture-joeyl"},{"t":"p","x":"他的个人网站","b":false,"xe":"His personal website"},{"t":"p","x":"https://www.joeyl.com/","b":false,"xe":"https://www.joeyl.com/"},{"t":"p","x":"其他教程","b":false,"xe":"Other tutorials"},{"t":"p","x":"https://www.learnfromjoeyl.com/","b":false,"xe":"https://www.learnfromjoeyl.com/"},{"t":"img","f":"img-21","w":600,"h":386},{"t":"p","x":"miss aniela的两个博客 她是我最喜欢的女摄影师","b":false,"xe":"Miss Aniela's two blogs — she is my favorite female photographer"},{"t":"p","x":"fashion shoot experience","b":false,"xe":"fashion shoot experience"},{"t":"p","x":"https://fashionshootexperience.wordpress.com/","b":false,"xe":"https://fashionshootexperience.wordpress.com/"},{"t":"p","x":"ROCKSTARLAVENDER — BLOG OF MISS ANIELA, ARTIST","b":false,"xe":"ROCKSTARLAVENDER — BLOG OF MISS ANIELA, ARTIST"},{"t":"p","x":"https://rockstarlavender.wordpress.com/","b":false,"xe":"https://rockstarlavender.wordpress.com/"},{"t":"img","f":"img-22","w":600,"h":531},{"t":"p","x":"Erik Johansson 超现实艺术家","b":false,"xe":"Erik Johansson, surrealist artist"},{"t":"p","x":"http://www.erikjohanssonphoto.com/","b":false,"xe":"http://www.erikjohanssonphoto.com/"},{"t":"p","x":"他在TED的演讲，最后一句太棒了！","b":false,"xe":"His TED talk — that last line is brilliant!"},{"t":"p","x":"Erik Johansson: Unmögliche Fotografie","b":false,"xe":"Erik Johansson: Unmögliche Fotografie"},{"t":"p","x":"https://www.youtube.com/watch?v=mc0vhSseGk4","b":false,"xe":"https://www.youtube.com/watch?v=mc0vhSseGk4"},{"t":"img","f":"img-23","w":600,"h":800},{"t":"p","x":"（唯一限制我们的，是我们的想象力）","b":false,"xe":"(The only thing limiting us is our imagination)"},{"t":"p","x":"Phlearn 后期教程，不能不知道他。看了后期过程可以拓宽前期构思。 同时它的教程可能也有前期准备拍摄和后期部分。","b":false,"xe":"Phlearn's post-processing tutorials — you have to know him. Watching the editing process broadens your pre-shoot imagination. His tutorials may also include pre-shoot preparation and post sections."},{"t":"p","x":"https://phlearn.com/","b":false,"xe":"https://phlearn.com/"},{"t":"img","f":"img-24","w":600,"h":434},{"t":"p","x":"林海音 女神不解释。经常会发感受文，教程文，推荐文。 一定要订阅吆~ http://www.haiyinlin.com/ http://www.weibo.com/soloviolet 微信公众号 haiyinlinphotography","b":false,"xe":"Lin Haiyin — the goddess, no explanation needed. She often posts reflections, tutorials, and recommendations. Do subscribe: http://www.haiyinlin.com/ http://www.weibo.com/soloviolet WeChat official account: haiyinlinphotography"},{"t":"p","x":"Erik Almas的第二个视频教程","b":false,"xe":"Erik Almas's second video course"},{"t":"p","x":"The Complete Guide To Composite Photography, Color, & Composition with Erik Almås","b":false,"xe":"The Complete Guide To Composite Photography, Color, & Composition with Erik Almås"},{"t":"p","x":"http://rggedu.com/products/erik-almas-photography-tutorial-color-composition-composites","b":false,"xe":"http://rggedu.com/products/erik-almas-photography-tutorial-color-composition-composites"},{"t":"p","x":"一灯 ONELIGHT 2.0","b":false,"xe":"One-light ONELIGHT 2.0"},{"t":"p","x":"http://dedpxl.com/product/onelight/","b":false,"xe":"http://dedpxl.com/product/onelight/"},{"t":"p","x":"婚礼摄影必看","b":false,"xe":"A must-watch for wedding photography"},{"t":"p","x":"How To Become A Professional Commercial Wedding Photographer DVD","b":false,"xe":"How To Become A Professional Commercial Wedding Photographer DVD"},{"t":"p","x":"https://fstoppers.com/product/how-become-professional-commercial-wedding-photographer-dvd","b":false,"xe":"https://fstoppers.com/product/how-become-professional-commercial-wedding-photographer-dvd"},{"t":"img","f":"img-25","w":600,"h":438},{"t":"p","x":"雕刻光线","b":false,"xe":"Sculpting with light"},{"t":"p","x":"http://book.douban.com/subject/24152951/","b":false,"xe":"http://book.douban.com/subject/24152951/"},{"t":"p","x":"闪光灯的各种应用。思路瞬间拓展，感觉像是看小说。很轻松，又有意思。","b":false,"xe":"All kinds of flash applications. Your thinking expands instantly — it feels like reading a novel. Relaxed and fun."},{"t":"p","x":"Color for Designers: Exploration, Theory, & Application","b":false,"xe":"Color for Designers: Exploration, Theory, & Application"},{"t":"p","x":"https://www.creativelive.com/courses/color-designers-exploration-theory-application-richard-mehl","b":false,"xe":"https://www.creativelive.com/courses/color-designers-exploration-theory-application-richard-mehl"},{"t":"p","x":"Posing 101 Lindsay Adler","b":false,"xe":"Posing 101 Lindsay Adler"},{"t":"p","x":"https://www.creativelive.com/courses/posing-101-lindsay-adler","b":false,"xe":"https://www.creativelive.com/courses/posing-101-lindsay-adler"},{"t":"p","x":"摆姿书籍，摆姿的话看视频更好。","b":false,"xe":"Posing books — though for posing, videos are even better."},{"t":"p","x":"在这儿顺便推荐一个布光仿真软件。","b":false,"xe":"Here's a lighting simulation software recommendation while we're at it."},{"t":"p","x":"https://www.elixxier.com/en/index.php","b":false,"xe":"https://www.elixxier.com/en/index.php"},{"t":"img","f":"img-26","w":600,"h":382},{"t":"p","x":"太多了根本没法列举，我看到好的及时更新吧。","b":false,"xe":"There are simply too many to list — I'll update as I come across good ones."},{"t":"p","x":"也要多看片。大家都说要多看片，那多少算是多看呢？请不要攀比数量。说一下我的作为参考，刚查了一下Flickr收集了7000张最爱500PX 4500张最爱。 这还只是加入最爱的数量，那如果算每看6张加一张最爱的话，也是差不多7w张。","b":false,"xe":"You also need to look at lots of photos. Everyone says \"look at more photos\" — but how many is \"more\"? Please don't compete on numbers. For reference: I just checked — 7,000 favorites collected on Flickr, 4,500 on 500px. And that's only the count of favorites; if roughly one in six viewed photos becomes a favorite, that's about 70,000 photos viewed."},{"t":"p","x":"这还不算看的画册和杂志。 看片就是个休闲娱乐的习惯，就像是周五周六看奇葩说一样，很容易达到高潮。","b":false,"xe":"That doesn't even count photo books and magazines. Browsing photos is a leisure habit — like watching variety shows on Friday and Saturday nights; it's easy to get hooked."},{"t":"p","x":"本来要创造的照片，已经早已在那了，去找到她。","b":false,"xe":"The photo you were meant to create is already out there — go find her."},{"t":"h","x":"萌萌的作者","xe":"The adorable author"},{"t":"img","f":"img-27","w":1222,"h":1679},{"t":"h","x":"▲ 孙政（sunmonk）","xe":"▲ Sun Zheng (sunmonk)"},{"t":"p","x":"Hallo大家好，我是孙政。","b":false,"xe":"Hello everyone, I'm Sun Zheng."},{"t":"p","x":"一个摄影风格一直在变，但又没变，","b":false,"xe":"A post-80s photographer whose style keeps changing, yet somehow hasn't changed,"},{"t":"p","x":"萌萌哒又贱贱的，","b":false,"xe":"cute yet cheeky,"},{"t":"p","x":"严肃不起来但又挺认真的80后摄影师。","b":false,"xe":"unable to stay serious yet quite earnest."},{"t":"p","x":"欢迎关注我的微博 @sunmonk","b":false,"xe":"Feel free to follow my Weibo @sunmonk"},{"t":"h","x":"http://www.weibo.com/sunmonk","xe":"http://www.weibo.com/sunmonk"},{"t":"h","x":"谢谢孙政的干货分享。","xe":"Thanks to Sun Zheng for sharing all this practical knowledge."},{"t":"h","x":"欢迎大家在讨论区一起谈谈：","xe":"Everyone is welcome to discuss in the comments:"},{"t":"h","x":"你推荐的摄影类学习书籍、网站、资源等等。","xe":"the photography books, websites, and resources you recommend."},{"t":"p","x":"关注@Thomas看看世界，每周学会一个摄影技能。","b":false,"xe":"Follow @Thomas Chu Photo, and learn one photography skill every week."},{"t":"img","f":"img-28","w":640,"h":313}],"titleEn":"A Portrait Photographer's Growth Journey and Learning Advice"}