{"slug":"post00-photographer-fills-gap","title":"太绝了！这位00后摄影师竟然填补了我国摄影的一项空白！","author":"Thomas看看世界","date":"2021-09-12","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247493928&idx=1&sn=bba454f6f4af6d1b6482f048a8c9baed&chksm=eb82174cdcf59e5afaea1cf62fe4ca31e0be040c9a3180b48d1e78d53f82ac6d9d542f28f909&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"在2011年的时候，我第一次听说了风暴摄影这个门类，在美国、澳洲和欧洲有一群摄影发烧友，专门追逐和拍摄各种极端天气。","b":false,"xe":"In 2011, I first heard of storm photography as a genre. In the US, Australia, and Europe, there's a group of photography enthusiasts who specifically chase and shoot all kinds of extreme weather."},{"t":"p","x":"今天我会推荐一位国内的风暴摄影师，而且还是00后的 @Range四方 ，他投稿 #星宿计划# 的这些照片也都太绝啦！","b":false,"xe":"Today I'll recommend a domestic storm photographer — and he's post-00s: @Range Sifang (@Range四方). The photos he submitted to the #Star Cluster Project# are incredible too!"},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"h","x":"视频教程","xe":"Video tutorial"},{"t":"bili","bv":"BV1e34y1Q7Sr","bpic":"bili-1","bt":"太绝了！这位00后风暴摄影师竟然填补了我国摄影的一项空白！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。这期视频里，Thomas 点评了 00 后风暴摄影师 @Range四方 投稿星宿计划的一组作品——龙卷风、闪电、乳状云、超级单体，这些在国内极少被系统记录的极端天象，第一次被一位中国年轻人成规模地拍了下来。下文按视频顺序整理了 Thomas 的逐张点评与构图建议，并配上关键帧截图。","b":false,"xe":"This is the fully illustrated companion to the video above, in which Thomas reviews a set of works submitted to the Xingxiu Program by Range Sifang, a post-2000s storm photographer — tornadoes, lightning, mammatus clouds and supercells, extreme weather phenomena rarely documented systematically in China until a young Chinese photographer took them on. Below, Thomas's shot-by-shot commentary and composition advice are arranged in the order of the video, with keyframe screenshots."},{"t":"p","x":"先看开场。视频开头展示的这类作品截自 0:45 处——追逐风暴的摄影师们拍下的，正是大自然最狂暴、也最动人心魄的一面。","b":false,"xe":"Start with the opening. The frame below, captured at 0:45, is the kind of image storm chasers bring back — nature at its most violent and most breathtaking."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 追风暴的中国年轻人","xe":"01 China's Storm Chasers"},{"t":"p","x":"Thomas 第一次听说风暴摄影这个门类，是 2011 年在美国《国家地理》的一篇推文里：欧美有一群摄影师，特别热衷于追逐龙卷风、风暴、雷电等极端天气和天象，拍下动人心魄的作品（视频 0:41 处）。而这组投稿让他第一次知道，我们国家现在也有一群年轻人在做同样的事。","b":false,"xe":"Thomas first encountered storm photography in 2011, through a National Geographic article: in Europe and America a group of photographers devote themselves to chasing tornadoes, storms, lightning and other extreme weather, producing breathtaking work (at 0:41 in the video). This submission showed him that a group of young people in China are now doing the same."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"这位摄影师叫 Range四方。他在微博、B 站等平台发布照片和视频时，还会详细科普这些风暴和天气是怎么形成的、有什么运动规律（视频 1:08 处），非常值得关注。下面 Thomas 从摄影构图等角度，对他的平面作品逐一进行点评。","b":false,"xe":"The photographer goes by Range Sifang. When he publishes photos and videos on Weibo and Bilibili, he also explains in detail how these storms form and how they move (at 1:08 in the video) — well worth following. Below, Thomas reviews his stills one by one from the angle of composition and craft."},{"t":"h","x":"02 地景是风暴的锚点","xe":"02 The Landscape Anchors the Storm"},{"t":"p","x":"第一张雨中拍摄的照片，单论构图，Thomas 认为只取左边这一块最好，整体再压暗一点，并把蓝色的饱和度压下来——这样亮部与暗部的对比会更加突出（视频 2:42 处）。","b":false,"xe":"For the first photo, shot in the rain, Thomas judges composition alone: keeping only the left portion would be strongest, with the whole frame darkened and the blue saturation pulled down — making the contrast between light and dark even more pronounced (at 2:42 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"这张照片记录了风暴来临时刻的壮观景象，旋风一样飞沙走石的情境非常有冲击力。它是无人机拍的——无人机其实可以飞得离地景更近：比如离这堆挂满经幡的建筑更近一点，把它作为主体。一片宏大的风暴之下，一栋孤零零的蓝色小房子，会格外动人心魄（视频 3:04 处）。","b":false,"xe":"This frame captures the sheer spectacle of a storm's arrival — the tornado-like swirl of flying dust and stones is striking. It was shot by drone, which could have flown closer to the foreground: nearer to the prayer-flag-covered mound, making it the subject. One vast storm, one lonely blue structure beneath it — that contrast grips the viewer (at 3:04 in the video)."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"风暴摄影里，除了风暴本身，地面同样重要：地景受气候影响，也能与气候呼应。像这张孤树与风暴的照片，如果时间来得及——当然风暴瞬息万变、稍纵即逝——可以离树更近一点，让它更大，两侧的树拍得更少，视觉表现力会更强（视频 5:20 处）。旁边的高楼、远处的天线塔，其实也都是非常好的主体。风暴变幻莫测，能抓拍到这样的瞬间已经非常难得。","b":false,"xe":"In storm photography the ground matters as much as the storm: the landscape is shaped by the weather and echoes it. In this frame of a lone tree under a shelf cloud, had there been time — storm light is fleeting — moving closer would have made the tree larger and thinned out the surrounding trees, strengthening the image (at 5:20 in the video). The building nearby or the antenna tower in the distance would also make fine subjects. Storms change by the second; capturing a moment like this is already remarkable."},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"03 长焦下的风暴局部","xe":"03 Telephoto Views of the Storm"},{"t":"p","x":"这道彩虹，Thomas 说实话从来没见过这么壮观的，直接「打开眼界」（视频 3:44 处）。要拍到这样的极端天象，靠的不是到处乱走，而是了解天文气象知识——知道这些云会怎么形成、在哪里容易形成，才能提高拍摄概率。","b":false,"xe":"As for this rainbow, Thomas had honestly never seen one so spectacular (at 3:44 in the video). Capturing such extremes is not about wandering around hoping for luck — it takes meteorological knowledge: knowing how and where these clouds form is what raises your hit rate."},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"风暴摄影除了用广角抓拍整个风暴，也可以用长焦抓拍局部：这个风暴很像一只动物、一个乌龟的形状，云体内部又有波浪翻滚的感觉（视频 4:00 处）。Thomas 由这些风暴联想到一位拍海摄影师——大多数人拍海拍的是海面整体，而那位澳大利亚摄影师专抓浪花的细节（视频 4:20 处）。用长焦去抓拍云中浪花般的细节，应该也会非常独特、非常震撼。","b":false,"xe":"Beyond wide-angle shots of the whole storm, a telephoto can isolate details: this storm resembles an animal, almost a turtle, its interior churning like breaking waves (at 4:00 in the video). It reminded Thomas of a seascape photographer — most people photograph the sea as a whole, but that Australian photographer specializes in wave details (at 4:20 in the video). A long lens on the wave-like details of clouds should prove just as distinctive and stunning."},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"城市照片也是同样的道理：城市不用取这么多，取一道天际线就够了。有时候风暴取得很大不一定最震撼；只取一个局部——城市只留一角，风暴占很大一块——你才能真正感受到，即使是这样的超级大城市，在自然面前也非常渺小（视频 4:44 处）。","b":false,"xe":"The same logic applies to the city frames: you don't need that much city — a strip of skyline is enough. A bigger storm does not automatically mean a more striking photo; keep only a corner of city and let the storm dominate, and you truly feel how tiny even a megacity is before nature (at 4:44 in the video)."},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"04 乳状云与闪电的震撼","xe":"04 Mammatus and Lightning"},{"t":"p","x":"像这样的乳状云，Thomas 自己在户外拍摄这么多年从来没有见到过——非常壮观，非常令人惊讶。有些照片里最壮观的其实是左侧云雾缭绕、雾蒙蒙的那一片，而不是我们司空见惯的右侧区域；构图时可以多利用中长焦去选取这样的局部（视频 6:05 处）。","b":false,"xe":"Mammatus clouds like these, Thomas had never seen in all his years shooting outdoors — spectacular and astonishing. In some of these frames the most dramatic part is the fog-swirled mass on the left, not the familiar formations on the right; medium and long focal lengths help isolate exactly such regions (at 6:05 in the video)."},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"而且在电闪雷鸣的天气里，你要有勇气、做好安全防护措施，才能记录下这样的闪电瞬间——非常难得，也是非常精彩的抓拍（视频 7:07 处）。","b":false,"xe":"And in thunderstorm weather it takes real courage — plus proper safety precautions — to record lightning like this: a rare and brilliant catch (at 7:07 in the video)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"05 更多的创作可能","xe":"05 Room to Grow Further"},{"t":"p","x":"总的来说，这组作品非常独特、非常系统，确实是国人第一次对极端天文天象做的高质量系统性记录，弥补了我国在这一摄影门类上的空白。未来也有很多创作空间：比如老外都用广角，我们不妨用长焦去抓拍远处雷暴中变幻莫测、不断变化的抽象景观。","b":false,"xe":"Overall, this body of work is distinctive and systematic — the first high-quality, systematic documentation of extreme weather phenomena by a Chinese photographer, filling a genuine gap in the country's photography. There is plenty of room to grow: Western storm shooters favor wide angles, but a long lens on the distant, ever-shifting abstract forms of a thunderstorm could be just as powerful."},{"t":"p","x":"极端天象也不只能拍最震撼的那一瞬间：可以用组图或系列片的形式呈现它的前、中、后。比如拍风暴不一定拍龙卷风正当来临时，也可以拍它经过之后——被折断的树木、草被吹拂过的痕迹。这些虽然不是直接拍摄风暴，却有独特的美学意味，以及社会价值和社会意义。","b":false,"xe":"Extreme weather offers more than the single spectacular instant: a photo series or essay could follow its before, during and after. Photograph not only the tornado at its height but its aftermath — snapped trees, grass bent flat by the wind. These are not storm pictures in the literal sense, yet they carry a distinctive aesthetic, plus social value and meaning."},{"t":"p","x":"也希望大家多多关注和支持这位 00 后风暴摄影师：他的微博、B 站里有非常多的科普知识，以及一种对自然、对天文、对天气真正的热爱（视频 8:53 处）。同时欢迎更多喜欢摄影的朋友投稿参与星宿计划。","b":false,"xe":"Do follow and support this post-2000s storm photographer: his Weibo and Bilibili are full of popular-science knowledge and a genuine love of nature, of the sky, of weather itself (at 8:53 in the video). And if you love photography, you are welcome to submit your own work to the Xingxiu Program."},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 风暴摄影的核心是气象知识：知道极端天象如何形成、在哪里形成，才能提高拍摄概率；2. 让地景与风暴呼应：离主体更近一点、只取天际线一角，渺小与宏大的对比最动人；3. 别只会广角：长焦抓拍风暴的局部与细节，同样独特震撼；4. 极端天象既能拍瞬间，也能用组图记录前中后，甚至风暴过后的痕迹。","xe":"1. Storm photography rests on meteorology: knowing how and where extreme phenomena form is what raises your hit rate; 2. Let the landscape answer the storm — move closer to your anchor, keep just a strip of skyline; the contrast between the small and the vast is what moves people; 3. Don't rely on wide angles alone: a telephoto on the storm's details is just as distinctive and stunning; 4. Shoot the instant, but also consider a series covering before, during and after — even the traces a storm leaves behind."},{"t":"p","x":"风暴拍摄有危险，大家记得了解足够气象知识，保持安全距离后再模仿拍摄！","b":false,"xe":"Storm shooting is dangerous. Remember to learn enough meteorological knowledge and keep a safe distance before imitating it!"},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1e34y1Q7Sr/","b":false,"xe":"https://www.bilibili.com/video/BV1e34y1Q7Sr/"},{"t":"h","x":"作品欣赏","xe":"Works Appreciation"},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":602},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":720},{"t":"img","f":"img-07","w":1080,"h":720},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":720},{"t":"img","f":"img-10","w":1080,"h":625},{"t":"img","f":"img-11","w":1080,"h":720},{"t":"img","f":"img-12","w":1080,"h":720},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":720},{"t":"img","f":"img-15","w":1080,"h":568},{"t":"img","f":"img-16","w":1080,"h":720},{"t":"img","f":"img-17","w":1080,"h":720},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":625},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":720},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"img","f":"img-40","w":1080,"h":608},{"t":"img","f":"img-41","w":1080,"h":608},{"t":"img","f":"img-42","w":1080,"h":608},{"t":"img","f":"img-43","w":1080,"h":608},{"t":"p","x":"风暴拍摄有危险，大家记得了解足够气象知识，保持安全距离后再模仿拍摄！","b":false,"xe":"Storm shooting is dangerous. Remember to learn enough meteorological knowledge and keep a safe distance before imitating it!"},{"t":"p","x":"在 #星宿计划# 征集的这段时间里，有非常多优秀的青年创作者和作品涌现，因此我和共同发起人叶梓颐决定，将 #星宿计划# 的截稿日期延长到10月25日，欢迎大家踊跃投稿！","b":false,"xe":"During the #Star Cluster Project# collection period, many excellent young creators and works have emerged. So my co-founder Ye Ziyi and I have decided to extend the #Star Cluster Project# deadline to October 25. Everyone is welcome to submit enthusiastically!"},{"t":"img","f":"img-44","w":960,"h":600}],"titleEn":"Incredible! This Post-00s Photographer Filled a Gap in Our Country's Photography!"}