{"slug":"rain-city-photography","title":"雨天为什么是城市摄影师的最爱？下雨天这样拍真的很绝！","author":"Thomas看看世界","date":"2022-04-03","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247495043&idx=1&sn=b9de7e3bec7d395c27f00e4bd2ea7c95&chksm=eb8213e7dcf59af1af57b7e2f37590746c17b03ba80411aaa38b558319c219cfba0ffb2c0b48&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"城市风光和街头瞬间，要在蓝天白云或者漫天红云下才好看吗？","b":false,"xe":"Do cityscapes and street moments only look good under blue skies or burning red clouds?"},{"t":"p","x":"不过根据我的长期观察，很多国外摄影师，反而喜欢在下雨天拍摄城市！","b":false,"xe":"From my long-term observation, many foreign photographers actually prefer shooting cities in the rain!"},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"p","x":"为什么雨天拍摄城市那么好看？雨天有哪些视觉符号和色彩情绪可以利用？国内街景雨天能拍吗？","b":false,"xe":"Why does shooting cities in the rain look so good? What visual symbols and color moods of rainy days can we use? Can you shoot street scenes in the rain back home?"},{"t":"p","x":"今天的教程，Thomas就会和大家分享一些雨天拍摄的思路，以后不管什么天气都能出大片啦！","b":false,"xe":"In today's tutorial, Thomas will share some ideas for shooting in the rain — so you can make masterpieces no matter the weather!"},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1NY4y1W7sF","bpic":"bili-1","bt":"雨天为什么是城市摄影师的最爱？下雨这样拍真的很绝！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。雨天的城市是国外城市与街拍摄影师最偏爱的题材之一，Thomas 在这期视频里拆解了雨天摄影好看的原因：五类独特的视觉符号、几乎无限的情绪容量，以及它对出片率的实际帮助。下文按视频顺序整理，配有关键帧截图——图片来自 @street_gammlers、@mindz.eye、@neriifilm、@beansmeansphotos、@christophe.jacrot、@ravyenyeune 等摄影师，以及 Thomas 自己的上海雨天作品。","b":false,"xe":"This is the fully illustrated companion to the video above. Rainy cities are a favorite subject of urban and street photographers abroad, and Thomas unpacks why rain photographs so well: five unique visual symbols, an almost unlimited emotional range, and its practical boost to your hit rate. The notes below follow the video's order with keyframe screenshots — images by @street_gammlers, @mindz.eye, @neriifilm, @beansmeansphotos, @christophe.jacrot, @ravyenyeune and others, plus Thomas's own rainy Shanghai work."},{"t":"p","x":"先看提纲。这张卡片截自视频 0:25 处——本期要回答的正是：开拓思路之后，雨天拍摄城市风景为何「绝了」。","b":false,"xe":"Start with the outline. This card, captured at 0:25 in the video, frames the episode's question: once you broaden your horizons, why is the rainy city such a spectacular subject?"},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 打伞的人：雨天的灵魂符号","xe":"01 The Umbrella Figure: Rain's Signature Symbol"},{"t":"p","x":"雨天的第一类视觉符号，是打伞、戴帽、穿雨衣的人物。一个打伞的人走在雨中，可以非常飘逸潇洒，也可以非常宁静孤独，或者匆匆忙忙——而且你可以把他拍得清晰，也可以拍得稍稍模糊，甚至拍成剪影，带来的感觉完全不同（视频 1:28 处）。","b":false,"xe":"Rain's first visual symbol is the figure with an umbrella, hood or raincoat. Someone walking through the rain can look dashing and free, quiet and lonely, or hurried — and you can render them sharp, slightly blurred, or as a silhouette, each choice a different feeling entirely (at 1:28 in the video)."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"这些打伞的人往往就是照片的点睛之笔。而且一张雨天照片常常不止一个符号：像下面这张夜色中的街头，打伞的人与街灯、湿漉漉的路面叠在一起，味道立刻就出来了（视频 2:08 处）。","b":false,"xe":"Such figures are often the finishing touch of the frame, and a rainy photo rarely relies on a single symbol: in the night scene below, the umbrella figure stacks with street lamps and the soaked pavement, and the mood clicks into place (at 2:08 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 积水反光：双倍的光线感","xe":"02 Puddle Reflections: Double the Light"},{"t":"p","x":"第二类符号是地面的积水与反光。Thomas 特别提到一位日本摄影师——他以前的文章中就推荐过——经常把相机放得非常低，几乎贴在地上，利用雨天地面的积水与反光拍摄极有质感的照片（视频 2:57 处）。平时地面没有这么多水，也就没有这么多反光；雨天之后，画面等于有了双倍的光线感和氛围感。无论打伞的人还是汽车，车灯打在湿路上、人影透过反光浮现，质感与非雨天完全不同。","b":false,"xe":"The second symbol is standing water and its reflections. Thomas highlights a Japanese photographer — featured in his earlier articles — who often sets the camera extremely low, almost on the ground, using rain puddles and reflections for texture-rich images (at 2:57 in the video). On dry days the ground offers no such mirror; after rain, the frame gains double the light and atmosphere. Umbrella figures or cars alike: headlights smeared on wet asphalt, silhouettes floating in reflections — a texture completely absent in dry weather."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"另外一个经验：雨天拍摄大多利用夜晚。因为雨天白天光线感、对比度往往不够，而夜晚有城市的明暗灯光作对比，质感会强非常多——像这张红灯笼与湿漉漉街道的照片，就是夜晚雨天的独特馈赠（视频 1:55 处）。","b":false,"xe":"One more lesson: most rain shooting happens at night. Rainy daylight tends to be flat and low in contrast, while night brings the city's lights into play and the texture multiplies — like this frame of red lanterns over a soaked street, a gift of rainy nights (at 1:55 in the video)."},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"03 玻璃与水滴：第一人称的油画感","xe":"03 Glass and Droplets: An Oil Painting in the First Person"},{"t":"p","x":"第三类符号可以和前面两类叠加：车窗与建筑的玻璃。对焦到玻璃上的水珠，让后面的城市变成模模糊糊的一片，透出街道的反光（视频 4:29 处）。像透过雨天的窗户玻璃看香港的高楼，带来的是一种完全不一样的氛围。","b":false,"xe":"The third symbol stacks with the previous two: car windows and building glass. Focus on the droplets and the city behind dissolves into a blur streaked with street reflections (at 4:29 in the video). Looking at Hong Kong's towers through a rain-streaked window delivers an atmosphere unlike any other."},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"玻璃还可以作为反射面：除了镜像我们的建筑，玻璃上的水滴在离开光圈（大光圈虚化）之后，会从模糊变成清晰，同样非常有感觉。而透过车窗玻璃拍摄，雨水把窗外的景色变成了一幅油画，还带着强烈的第一人称带入感——好像你就坐在车里，任凭风吹雨打，看着外面的街道，非常有故事感（视频 5:37 处）。","b":false,"xe":"Glass also works as a mirror: besides reflecting the buildings, the droplets on it turn from blur to sharp once you stop down, which has its own charm. And shooting through a car window turns the outside world into an oil painting with a strong first-person presence — as if you were sitting inside, letting the storm rage while you watch the street: pure storytelling (at 5:37 in the video)."},{"t":"h","x":"04 雨滴与雾气：逆光与层次","xe":"04 Raindrops and Mist: Backlight and Depth"},{"t":"p","x":"第四类符号是直接抓拍正在下的大雨。要拍出透亮的雨滴，一般需要逆光——有一个光源从后面打过来，雨滴才会被照亮（视频 6:05 处）。这张照片对焦在后面的出租车上，车灯打过来，把前景的雨滴衬得非常带感。另外，很多人会顺手擦掉落在镜头上的水滴，殊不知这种水滴有时反而给雨天的氛围感加分。","b":false,"xe":"The fourth symbol is the falling rain itself. To make raindrops glow you generally need backlight — a light source behind them illuminates every drop (at 6:05 in the video). In the frame below, focus sits on the taxi behind and its headlights light up the foreground rain beautifully. And don't rush to wipe the drops off your own lens — they sometimes add to the rain-day atmosphere."},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"最后一个意象是雾气：雨雾蒙蒙，好像压抑、神秘又魔幻。雾气配合城市的灯光，能创造出非常丰富的色彩情绪；而且城市从近处的清晰到远处的模糊，自然而然给照片带来层次感（视频 6:52 处）。","b":false,"xe":"The final motif is mist: the fog of rain feels oppressive, mysterious, almost magical. Paired with city lights it creates remarkably rich color moods, and the progression from sharp foreground to blurred distance lends the photo layers naturally (at 6:52 in the video)."},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"05 雨天的情绪与出片率","xe":"05 Rain's Moods — and Your Hit Rate"},{"t":"p","x":"雨天为什么这么受国外摄影师喜欢？第二点就是它自带独特的情绪，而且表现可以非常多样：压抑、孤独、迷茫、神秘、梦幻，也可以安宁宁静，甚至配合五颜六色的灯光变得绚烂多彩（视频 7:02 处）。","b":false,"xe":"Why do photographers abroad love rain so much? The second reason is its built-in emotion, endlessly variable: oppressive, lonely, lost, mysterious, dreamlike — or calm and serene, even dazzling when the colored lights come out (at 7:02 in the video)."},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"雾蒙蒙的街头适合表现迷茫；一个人站在雨天的街头，肯定比站在晴天街头更能表现孤独感。雨天还能「扬长避短」：像有些景本身很杂乱，各种电线、乱七八糟的灯，但雨天的氛围加夜晚的灯光、一个打伞的人走过、地面积水的反光，这么多意象结合起来，就把原本的缺陷掩盖住了（视频 7:29 处）。","b":false,"xe":"A foggy street suits disorientation; a lone figure in the rain expresses loneliness far better than the same figure on a sunny day. Rain also hides flaws: a scene cluttered with wires and messy lights gets its defects masked by the atmosphere — night lights, a passing umbrella figure, reflections in the puddles, all working together (at 7:29 in the video)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"要表现社畜 996 的那种匆忙感，也是雨天更好办：让人物匆匆走过，用不算太快的快门让他稍微模糊，感觉立刻就有了。取到很多人、或者一个骑车人经过，这种动静结合也非常出彩；隔着雨雾蒙蒙的玻璃去拍酒馆、咖啡馆里的人，同样出效果（视频 8:53 处）。","b":false,"xe":"For that overworked 996 hurry, rain helps too: let the figure rush past with a not-too-fast shutter so they blur slightly, and the feeling appears. Fill the frame with people, or catch a cyclist streaking through — motion against stillness is striking; so is shooting a tavern or café's customers through a rain-fogged window (at 8:53 in the video)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"学会雨天拍摄，能实实在在提高城市题材的出片率：谁都知道满天红云和晴天能出片，但掌握了雨天的拍摄技巧，旅行遇到下雨、或者在家门口遇上雨天，也都是拍摄机会。Thomas 自己就是在上海连续遇到好多天雨天，看到国外摄影师的作品后产生了雨天拍摄的意识（视频 9:53 处）。比如配合绚烂复杂的灯光让画面丰富多彩；把地面反光、打伞的人、看着手机匆匆走过的城市白领、自己也打着伞这些意象叠加起来，故事感更强；拍一辆车，是为了让它的逆光照亮雨滴；雾气中的东方明珠，也和明信片里的它完全不同（视频 10:35 处）。","b":false,"xe":"Learning to shoot in the rain genuinely raises your hit rate in the city: everyone knows blazing clouds and clear skies produce keepers, but with rain technique in hand, a wet travel day or a rainy evening at home becomes an opportunity too. Thomas's own awakening came in Shanghai, stuck in days of rain, inspired by the foreign photographers' work (at 9:53 in the video). Layer the reflections, the umbrella figures, the office worker rushing past glued to a phone, your own umbrella in the frame, and the story deepens; include a car so its backlight ignites the raindrops; and the Oriental Pearl Tower wrapped in fog looks nothing like its postcard self (at 10:35 in the video)."},{"t":"img","f":"v13","w":852,"h":480},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 雨天有五类独特的视觉符号：打伞的人、积水反光、玻璃水珠、透亮的雨滴、雨雾；2. 一张雨天照片常是多个符号的叠加，积水更让画面拥有双倍的光线感；3. 雨天多在夜晚拍——城市灯光的明暗对比才是质感的来源；4. 雨天情绪容量极大，既能扬长避短掩盖杂乱，也是提高城市出片率的机会。","xe":"1. Rain offers five unique symbols: the umbrella figure, puddle reflections, droplets on glass, backlit raindrops and mist; 2. A rainy frame usually stacks several of them, and standing water doubles the light; 3. Shoot rain at night — the city's contrast of lights is where texture comes from; 4. Rain's emotional range is huge: it hides clutter, sets any mood you want, and is a real opportunity to raise your city-shooting hit rate."},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"img","f":"img-40","w":1080,"h":608},{"t":"img","f":"img-41","w":1080,"h":608},{"t":"img","f":"img-42","w":1080,"h":608},{"t":"img","f":"img-43","w":1080,"h":608},{"t":"img","f":"img-44","w":1080,"h":608},{"t":"img","f":"img-45","w":1080,"h":608},{"t":"img","f":"img-46","w":1080,"h":608},{"t":"img","f":"img-47","w":1080,"h":608},{"t":"img","f":"img-48","w":1080,"h":608},{"t":"img","f":"img-49","w":1080,"h":608},{"t":"img","f":"img-50","w":1080,"h":608},{"t":"img","f":"img-51","w":1080,"h":608},{"t":"img","f":"img-52","w":1080,"h":608},{"t":"img","f":"img-53","w":1080,"h":608},{"t":"img","f":"img-54","w":1080,"h":608},{"t":"img","f":"img-55","w":1080,"h":608},{"t":"img","f":"img-56","w":1080,"h":608},{"t":"img","f":"img-57","w":1080,"h":608},{"t":"img","f":"img-58","w":1080,"h":608},{"t":"img","f":"img-59","w":1080,"h":608},{"t":"img","f":"img-60","w":1080,"h":608},{"t":"img","f":"img-61","w":1080,"h":608},{"t":"img","f":"img-62","w":1080,"h":608},{"t":"img","f":"img-63","w":1080,"h":608},{"t":"img","f":"img-64","w":1080,"h":608},{"t":"img","f":"img-65","w":1080,"h":608},{"t":"img","f":"img-66","w":1080,"h":608},{"t":"img","f":"img-67","w":1080,"h":608},{"t":"img","f":"img-68","w":1080,"h":608}],"titleEn":"Why Do City Photographers Love Rain? Shooting in the Rain Is Simply Stunning"}