{"slug":"rain-snow-texture","title":"雨雪天这样拍更有质感！如何拍出清晰的雨点/雪花？","author":"Thomas看看世界","date":"2024-03-03","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247499392&idx=1&sn=f9e36e868ebc4805f861d029e68a980d&chksm=eb8200e4dcf589f2812d052e4e1abce5af6dd04f6f25c76d299bc5b90413e8013860a3e409d8&scene=21#wechat_redirect","blocks":[{"t":"p","x":"雨天雪天，如何拍摄才会更有层次和质感？","b":false,"xe":"How can we shoot in rain or snow with more depth and texture?"},{"t":"p","x":"有的摄影爱好者会发现，很多摄影高手拍摄的雨雪景，雪花和雨滴每一颗都清晰分明，而自己在雨雪天拍的照片，连一颗雨滴雪花都看不清，甚至好像还多了很多噪点！","b":false,"xe":"Some enthusiasts notice that in the rain and snow photos by skilled photographers, every snowflake and raindrop is crisp and distinct — while their own shots don't show a single drop or flake clearly, and even seem to have more noise!"},{"t":"p","x":"今天的摄影教程中，Thomas就会和大家分享这种情况的原因，以及对症下药的给出三种方法，拍出质感清晰、层次分明的雨雪风景。","b":false,"xe":"In today's tutorial, Thomas will share the reasons behind this and offer three targeted methods to shoot rain-and-snow scenes with clear texture and distinct layering."},{"t":"img","f":"img-01","w":1080,"h":720},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1Az421Q7B2","bpic":"bili-1","bt":"雨雪天这样拍更有质感！如何拍出清晰的雨点/雪花？"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 在北极的格陵兰岛上，用一个正在下雪的实景演示回答了一个很多人都遇到过的问题：为什么明明雨雪下得很大，拍出来却完全看不到雪花？答案是把雨雪从背景里分离出来，方法有三种——正面闪光、逆光勾勒、背景衬托。下文配有关键帧截图，三种方法的实拍对比一目了然。","b":false,"xe":"This is the fully illustrated companion to the video above. On location in Greenland in the Arctic, Thomas uses a live snowfall demo to answer a question nearly everyone has run into: why do heavy rain and snow vanish completely in photos? The answer is separation — pulling the precipitation out of the background by one of three methods: frontal flash, backlight, or a contrasting backdrop. Keyframe screenshots below make each method's before/after obvious."},{"t":"p","x":"先看总览。这张要点卡截自视频 2:57 处，列出了让雪花雨滴从背景中分离出来的三种方法：用闪光灯或强光灯照亮近处雨雪、用强逆光从背后勾勒轮廓、找到亮度材质颜色截然不同的暗背景。","b":false,"xe":"Start with the overview. This slide, captured at 2:57 in the video, lists the three separation methods: light nearby rain and snow with flash or a strong lamp; rim-light the flakes from behind with strong backlight; or find a dark background whose brightness, texture and color differ sharply from the falling snow."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 为什么雨雪总拍不出来","xe":"01 Why Rain and Snow Vanish in Photos"},{"t":"p","x":"原因有两层。第一，雨雪的颗粒度非常小。第二，雨雪和背景在颜色、材质、亮度上往往非常相似（视频 1:02 处）——比如 Thomas 身后是茫茫一片冰原，如果正在下雪，背后的冰雪和天上落下的雪，亮度与材质看起来一模一样，雪花又细，自然完全看不出来。","b":false,"xe":"Two reasons stack up. First, rain and snow are extremely fine-grained. Second, they tend to match their background in color, texture and brightness (at 1:02 in the video) — behind Thomas lies a boundless ice field, so falling snow against snowy ground is brightness-on-brightness, texture-on-texture; the flakes are fine, and the result is invisible."},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"所以要把雪花或雨滴拍出来，思路只有一个：把它从背景里分离出来。具体方法有三种，下面逐一展开。","b":false,"xe":"So there is only one guiding idea: separate the flakes from the background. Three methods accomplish it — unpacked one by one below."},{"t":"h","x":"02 方法一：闪光灯正面照亮","xe":"02 Method One: Frontal Flash"},{"t":"p","x":"第一种方法是用闪光灯从正面照亮近处的雨雪——被照亮之后，它们的亮度远远大于背景，自然就分离出来了（视频 2:15 处）。阴天的小雪没有太阳可用，机顶闪光灯就是唯一解；这时光圈要开小一点，比如 F4 以下——大光圈会把前景的雪拍得特别大。","b":false,"xe":"Method one: fire a flash from the front to illuminate the nearby rain and snow — once lit, they read far brighter than the background and separate instantly (at 2:15 in the video). On an overcast snowy day there is no sun to exploit, so an on-camera flash is the only option; stop the aperture down to around F4 or smaller, since a wide aperture makes foreground flakes render huge."},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"效果立竿见影：同一组照片，闪光灯开启之前几乎完全看不到雪花；开启之后你会发现雪花其实非常多，只是需要近处闪光灯照亮才明显（视频 2:32 处）。夜晚用闪光灯去闪小雪、小雨，同样能拍出不错的效果。","b":false,"xe":"The effect is instant: within the same burst, before the flash you can barely see any flakes; after it fires, the air is suddenly full of them — they only needed to be lit (at 2:32 in the video). Flashing light snow or drizzle at night works nicely too."},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 方法二：逆光勾勒轮廓","xe":"03 Method Two: Backlight Rim Light"},{"t":"p","x":"第二种方法是用强力光——太阳、路灯、闪光灯都可以——从背后勾勒出雨雪的轮廓和晶莹质感，让雨雪比背景亮很多（视频 3:13 处）。Thomas 这次拍连拍的雪景，关键点就是逆着太阳拍：只有逆光才能把吹起的雪照得闪闪发亮；而且逆光下背景环境比较黑，被照亮的雪一下子就非常明显，效果甚至有点夸张。","b":false,"xe":"Method two: use a powerful light — sun, street lamp or flash — from behind to rim the flakes, giving them a glistening outline that outruns the background in brightness (at 3:13 in the video). For his burst sequence of blowing snow, the key was shooting into the sun: only backlight makes windblown snow sparkle, and since backlit backgrounds go dark, the lit flakes leap out of the frame — almost exaggeratedly so."},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"城市夜景同理：Thomas 拍上海雨景时，就利用经过的车灯——没有被车灯照亮的雨点几乎不可见，而车灯照亮的右下角，一滴一滴颗粒状的雨非常清晰（视频 3:51 处）。像夜景里借助车灯和路灯照亮雨雪的作品，氛围感都非常强。反过来，雨很大但没有光去照，画面基本看起来就像噪点——很多人抱怨「雨天噪点怎么这么多」，其实是雨滴没有被照亮。","b":false,"xe":"The same works in city nights: shooting rain in Shanghai, Thomas used passing headlights — drops outside the beam were nearly invisible, while in the lit lower corner each grain of rain stood out crisply (at 3:51 in the video). Night shots that light rain or snow with headlights and street lamps carry tremendous atmosphere. Conversely, heavy rain with no light to catch it just looks like noise — the \"why is my rainy shot so noisy\" complaint is usually unlit rain."},{"t":"img","f":"v08","w":852,"h":480},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 方法三：用背景把雨雪衬出来","xe":"04 Method Three: Let the Background Reveal It"},{"t":"p","x":"第三种方法是找到亮度、材质、颜色与雨雪截然不同的背景——一般都是暗背景。比如利用海水：深水的青蓝色和较亮的雪，在材质、质感和亮度上完全不同，雪花一目了然（视频 4:50 处）。同理，背景换成绿色的房子或黑色的房顶板，颜色一不同、明度一不同，雪花就非常明显。","b":false,"xe":"Method three: find a background whose brightness, texture and color differ radically from the precipitation — usually a dark one. Sea water is a classic: the deep teal of the ocean against bright snow differs in texture and luminance so much that every flake reads (at 4:50 in the video). The same logic applies to a green house wall or black roof panels — shift the color and luminance, and the snow becomes obvious."},{"t":"img","f":"v10","w":852,"h":480},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"摄影师 Christophe Jacrot 就非常擅长这一点：他找的背景都是很深的黑色、深蓝色、深绿色。同一个环境里，背后是白色天空就看不到雪，灰色建筑能看到雪，黑色建筑前雪就非常突出。深红色的房子、能凸显雪的隧道，也是同样的道理；用无人机或从高处俯拍地面和海面——只要不是积雪很厚的地方——地面一般都比雪花深很多，也能把雨雪场景拍出来（视频 5:56 处）。","b":false,"xe":"The photographer Christophe Jacrot builds his style on exactly this: his backgrounds are always deep — black, dark blue, dark green. In the same setting, snow vanishes against a white sky, shows against a grey building, and pops dramatically against a black one. A deep-red house or a tunnel that sets off the snow works the same way; and shooting from a drone or high vantage point over ground and sea — anywhere not buried in snow — the surface runs much darker than the flakes, revealing the falling snow (at 5:56 in the video)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 雨雪拍不出来，是因为颗粒小、又和背景在亮度材质颜色上相似——解法是分离；2. 正面闪光灯照亮近处雨雪，阴天小雪的唯一解，光圈收到 F4 以下避免前景雪块过大；3. 逆光是氛围之王：太阳、车灯、路灯从背后勾勒雨雪轮廓，没有光照的雨滴只会像噪点；4. 主动寻找暗背景——深色建筑、青蓝海面、隧道口——让雨雪自己浮现出来。","xe":"1. Rain and snow vanish because they are fine-grained and match the background in brightness, texture and color — the fix is separation; 2. Frontal flash lights nearby flakes, the only answer on overcast days, with the aperture stopped to about F4 to avoid oversized foreground flakes; 3. Backlight is king of atmosphere — sun, headlights, street lamps rim the flakes from behind, while unlit rain just reads as noise; 4. Hunt for dark backgrounds — black buildings, teal sea, tunnel mouths — and let the falling snow reveal itself."},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"p","x":"‍","b":false,"xe":"‍"},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"p","x":"‍","b":false,"xe":"‍"},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"p","x":"‍","b":false,"xe":"‍"}],"titleEn":"More Texture in Rain and Snow: How to Capture Crisp Raindrops and Snowflakes"}