{"slug":"rainy-city-photographer","title":"雨天不适合拍照？这位摄影师专拍雨中的城市大片！","author":"Thomas看看世界","date":"2022-07-31","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247495872&idx=1&sn=0f3ca898bda5899e6b1109f95631a23a&chksm=eb820ea4dcf587b249e9aa07e992747b54bb6e387cf474b59c94ea3a19ee1f80b08ad3ff9795&scene=21#wechat_redirect","blocks":[{"t":"p","x":"雨天不适合拍照，只能宅在家？","b":false,"xe":"Are rainy days not good for photography, forcing you to stay home?"},{"t":"p","x":"今天介绍的这位芬兰摄影师Teemu，就是专拍雨中的城市大片。","b":false,"xe":"The Finnish photographer Teemu introduced today specializes in rainy city masterpieces."},{"t":"p","x":"瓢泼大雨中的街头和雨后浓雾中的建筑，氛围感简直绝了！有了这些灵感，赶紧去雨中拍摄身边的城市画面吧~","b":false,"xe":"Streets in pouring rain and buildings in thick fog after the rain — the atmosphere is simply amazing! With these inspirations, hurry and shoot the city scenes around you in the rain~"},{"t":"img","f":"img-01","w":1080,"h":607},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1ue4y1X7SX","bpic":"bili-1","bt":"雨天不适合拍照？这位摄影师专拍雨中的城市大片！"},{"t":"p","x":"这一篇是上面视频的完整图文整理。芬兰摄影师 Teemu（t1mu）并不是职业摄影师，却把雨天的城市拍出了极强的个人风格——青蓝色的雨夜、剪影般的人物、雾气里的灯光。Thomas 在这期视频里逐条拆解了他的五个可复制经验：非常规天气也能出大片、用灯光与剪影制造节奏、把反光雨滴水珠雾气变成质感、让人物带来故事，以及浓烈主色调加点缀色的调色思路。下文按视频顺序整理，配有关键帧截图。","b":false,"xe":"This is the fully illustrated companion to the video above. The Finnish photographer Teemu (t1mu) is not a professional, yet he has given rainy cities an unmistakable style — cyan nights, silhouetted figures, lamps glowing in fog. Thomas breaks down five transferable lessons: unconventional weather can deliver portfolio shots, light and silhouette build rhythm, reflections and droplets become texture, people bring story, and a dominant hue with accent colors ties it together. The notes below follow the video's order with keyframe screenshots."},{"t":"p","x":"先看总览。这张卡片截自视频 1:20 处，是 Teemu 带来的第一条启发：非常规的天气和时间，其实也能出大片。","b":false,"xe":"Start with the overview. This card, captured at 1:20 in the video, is Teemu's first lesson: unconventional weather and unusual hours can absolutely produce portfolio-grade images."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 非常规的天气和时间也能出大片","xe":"01 Unconventional Weather, Portfolio Results"},{"t":"p","x":"平时想到拍城市，我们多半选晴天、多云天；而 Teemu 专挑雨天，而且很多时候是在下雨进行时拍摄。下雨进行时，街上匆匆的车辆和人群、灯光下的雨滴和泛起的水花，是一种非常独特的质感，也是城市街头摄影中很难见到的元素，一下子就能抓住人的眼球（视频 1:20 处）。","b":false,"xe":"When we think of shooting the city we usually wait for clear or cloudy skies; Teemu deliberately picks rain — often while it is actually falling. In that moment, hurried traffic and crowds, raindrops caught in lamplight and splashes on the ground create a texture rarely seen in street photography, and it grabs attention immediately (at 1:20 in the video)."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"更重要的是，他的场景并不稀有：雾气里拍正在下的雨滴雪花、雾中的 CBD 天际线；身边的小巷子、长焦的小景别，甚至一个雨中的停车场——车身的水滴质感、灯光在雨雾下的效果——都可以套用类似的技巧（视频 2:23 处）。","b":false,"xe":"Better still, his locations are anything but rare: rain and snow falling through fog, a CBD skyline dissolving into mist, the alley around the corner, a tight telephoto framing — even a parking lot in the rain, with drops beading on car bodies and lights diffused by wet haze — all lend themselves to the same approach (at 2:23 in the video)."},{"t":"h","x":"02 灯光与剪影：明暗变化与视觉节奏","xe":"02 Light and Silhouette: Contrast as Rhythm"},{"t":"p","x":"雨天拍摄一定要掌握的，是用灯光和剪影带来明暗变化与视觉节奏——摄影毕竟是平面视觉的艺术，如何在平面上创造视觉吸引力才是核心（视频 2:28 处）。Teemu 经常寻找画面中非常独特的灯光——其实是非常普通的灯，比如公交车里的灯——利用它制造人物的剪影：灯的地方是亮的、有色彩的，剪影的地方是暗的、比较黑的，明暗对比就形成了。","b":false,"xe":"The essential skill in rain is using light and silhouette to build contrast and visual rhythm — photography is after all a two-dimensional visual art, and creating attraction on that flat surface is the real game (at 2:28 in the video). Teemu constantly hunts for distinctive lights, often very ordinary ones like the interior lamps of a bus, and lets them cast figures into silhouette: where the lamp is, the frame is bright and colored; where the silhouette is, it goes dark — and the contrast organizes everything."},{"t":"img","f":"v03","w":852,"h":480},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"这种玩法甚至在雨雾天气里的普通森林也成立：利用灯光和剪影，同样能制造出戏剧化的效果（视频 3:12 处）。另外可以注意到，他很多照片应该都是在凌晨拍摄的——不然街上不可能只有这么少的人。","b":false,"xe":"The trick even works in an ordinary forest on a foggy day: light and silhouette alone can turn it theatrical (at 3:12 in the video). One more detail — many of his frames were likely shot before dawn; otherwise the streets could never be this empty."},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"03 反光、雨滴、水珠、雾气的质感","xe":"03 Reflections, Raindrops, Droplets, Mist"},{"t":"p","x":"第三个启发：他非常擅长利用反光、雨滴、水珠和雾气形成质感。比如公交车窗的照片，主要就是拍窗上车内雾气与车外水珠交织的质感（视频 3:50 处）；也有照片一面拍反光的街头，一面拍正在低落的雨滴。","b":false,"xe":"The third lesson: he excels at turning reflections, raindrops, droplets and mist into texture. The bus-window photos live on the interplay between fogged glass inside and beaded rain outside (at 3:50 in the video); other frames combine mirror-wet streets with drops caught mid-fall."},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"要拍清楚低落的雨滴，一般需要有一定的逆光，有车灯或路灯照到雨滴才有这种效果；雪花或小水珠也可以用闪光灯闪出来（视频 4:25 处）。低机位拍水中的倒影、隔着雨天的玻璃拍水珠与背后的质感，再调一下色，都非常出片——甚至打在相机镜头上的水珠，也可以成为画面的一部分。","b":false,"xe":"To render falling drops sharply you need some backlight — headlights or street lamps catching the rain; snow and fine droplets can be flashed into visibility too (at 4:25 in the video). Low angles over reflective water, shooting through rain-spattered glass at the texture behind, a touch of grading — all highly productive, and even drops landing on the front element can become part of the picture."},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"04 适当的人物带来故事和情绪","xe":"04 People Bring the Story"},{"t":"p","x":"第四点：拍摄城市夜景时，如果能等到一个人物做出与环境互动的动作、或者摆出特别的姿态，就能带来非常好的故事感和情绪（视频 5:06 处）。而且只要有人物，他基本都拍成剪影、背影的形式，与背后的灯光呼应——给人留下非常大的想象空间，也让照片显得非常迷人。","b":false,"xe":"Fourth: when shooting city nights, waiting for a person to interact with the environment or strike a distinctive pose delivers story and emotion in one move (at 5:06 in the video). And whenever people appear, he renders them as silhouettes or figures from behind, echoing the lights behind them — leaving the viewer room to imagine, which is exactly what makes the photos so magnetic."},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"像这张雾中灯下独自站立的人，一个剪影就撑起了整个故事（视频 5:25 处）；抓拍正在躲雨的人群也是一样——人、正在下的大雨、背后的环境产生了互动，照片在内容上就变得非常有意思。","b":false,"xe":"A lone figure under a lamp in the fog can carry the whole story on its own (at 5:25 in the video); the same goes for catching people scurrying from the rain — the interaction between figure, downpour and backdrop makes the content genuinely interesting."},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"05 浓烈的主色调和点缀色","xe":"05 A Dominant Hue and Its Accents"},{"t":"p","x":"最后是后期调色：正常拍城市夜景，画面都以灰黑色为主色调；而 Teemu 会用白平衡或分离色调，把色彩整体进行偏离——青色、蓝色就是他和很多 Instagram 上流行的城市摄影师最爱用的主色调（视频 6:40 处）。","b":false,"xe":"Finally, the grading: a normal city night shot lives in greys and blacks; Teemu shifts the whole palette with white balance or split toning — cyan and blue being his favorite dominant hue, shared by many of the popular urban photographers on Instagram (at 6:40 in the video)."},{"t":"img","f":"v12","w":852,"h":480},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"同时，这种主色调要在前期就去寻找点缀元素来搭配：比如红色的雨伞、五颜六色的霓虹灯、装饰灯和广告牌。在主色调的基础上又有丰富的点缀色，照片就会显得非常梦幻、非常迷人（视频 6:58 处）。","b":false,"xe":"The dominant hue then needs accents sought out in the field: a red umbrella, colorful neon, decorative lamps and billboards. A rich accent layer on top of a unified base is what makes the photos dreamlike and seductive (at 6:58 in the video)."},{"t":"img","f":"v14","w":852,"h":480},{"t":"quote","x":"1. 坏天气是资产：专挑下雨进行时拍摄，雨滴、水花与匆匆人群是街头摄影里稀缺的质感；2. 用灯光和剪影组织画面：普通的灯就能制造明暗对比与视觉节奏，凌晨的空街更是加分；3. 把雨滴拍清楚要靠逆光或闪光灯，低机位倒影、隔着玻璃的水珠都是质感来源；4. 人物拍成剪影背影、与环境互动，再配上青蓝主色调与红色霓虹等点缀色，故事感和梦幻感兼得。","xe":"1. Bad weather is an asset: shoot while it rains — raindrops, splashes and hurried crowds are rare texture in street photography; 2. Organize the frame with light and silhouette — even an ordinary lamp builds contrast and rhythm, and empty pre-dawn streets help; 3. Sharpen raindrops with backlight or flash, and mine reflections, low angles and wet glass for texture; 4. Render people as interactive silhouettes from behind, then unify the scene under a cyan-blue hue with red umbrellas and neon accents — story and dreaminess at once."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1ue4y1X7SX/","b":false,"xe":"https://www.bilibili.com/video/BV1ue4y1X7SX/"},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-02","w":1080,"h":608},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"img","f":"img-40","w":1080,"h":608},{"t":"img","f":"img-41","w":1080,"h":608},{"t":"img","f":"img-42","w":1080,"h":608},{"t":"img","f":"img-43","w":1080,"h":608},{"t":"img","f":"img-44","w":1080,"h":608},{"t":"img","f":"img-45","w":1080,"h":608},{"t":"img","f":"img-46","w":1080,"h":608},{"t":"img","f":"img-47","w":1080,"h":608},{"t":"img","f":"img-48","w":1080,"h":608},{"t":"img","f":"img-49","w":1080,"h":608},{"t":"img","f":"img-50","w":1080,"h":608},{"t":"img","f":"img-51","w":1080,"h":608},{"t":"img","f":"img-52","w":1080,"h":608},{"t":"img","f":"img-53","w":1080,"h":608},{"t":"img","f":"img-54","w":1080,"h":608},{"t":"img","f":"img-55","w":1080,"h":608},{"t":"img","f":"img-56","w":1080,"h":608},{"t":"img","f":"img-57","w":1080,"h":608},{"t":"img","f":"img-58","w":1080,"h":608},{"t":"img","f":"img-59","w":1080,"h":608},{"t":"img","f":"img-60","w":1080,"h":608},{"t":"img","f":"img-61","w":1080,"h":608},{"t":"img","f":"img-62","w":1080,"h":608},{"t":"img","f":"img-63","w":1080,"h":608},{"t":"img","f":"img-64","w":1080,"h":608},{"t":"img","f":"img-65","w":1080,"h":608},{"t":"img","f":"img-66","w":1080,"h":608},{"t":"img","f":"img-67","w":1080,"h":608},{"t":"img","f":"img-68","w":1080,"h":608},{"t":"img","f":"img-69","w":1080,"h":608},{"t":"img","f":"img-70","w":1080,"h":608},{"t":"img","f":"img-71","w":1080,"h":608},{"t":"img","f":"img-72","w":1080,"h":608},{"t":"img","f":"img-73","w":1080,"h":608},{"t":"img","f":"img-74","w":1080,"h":608},{"t":"img","f":"img-75","w":1080,"h":608},{"t":"img","f":"img-76","w":1080,"h":608},{"t":"img","f":"img-77","w":1080,"h":608},{"t":"img","f":"img-78","w":1080,"h":608},{"t":"img","f":"img-79","w":1080,"h":608},{"t":"img","f":"img-80","w":1080,"h":608},{"t":"img","f":"img-81","w":1080,"h":608},{"t":"h","x":"点此查看其他400篇摄影教程目录","xe":"Click here to view the index of 400+ other photography tutorials"},{"t":"h","x":"其他相关教程：","xe":"Other related tutorials:"},{"t":"p","x":"《摄影构图的核心技巧 - 不是三分法，也不是做减法》","b":false,"xe":"\"The Core Technique of Photography Composition - Not the Rule of Thirds, Nor Subtraction\""},{"t":"p","x":"《光会减法还不够，如何做好摄影中的“加法”？》","b":false,"xe":"\"Subtraction Alone Isn't Enough — How to Do the 'Addition' in Photography?\""},{"t":"h","x":"《只会套用三分法？教你从根源上理解摄影构图 - 平衡与张力！》","xe":"\"Only Applying the Rule of Thirds? 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