{"slug":"six-things-to-tell-you","title":"这6点，是我想告诉你们的","author":"Thomas看看世界","date":"2020-05-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247490605&idx=2&sn=3d5af9f56b37ffe04e6c8343346af400&chksm=eb81e249dcf66b5f10b175b49af0ecd87c368fd1b13483e491884a8af8ca038ee4980cf06488&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"本文作者：Miller姚明来","b":false,"xe":"Author of this article: Miller Yao Minglai"},{"t":"p","x":"今天，我不聊摄影后期，也不讲拍摄技术。这6点，是我想告诉你们的，希望初学的小白少走弯路，进阶的大师们更上一层楼","b":true,"xe":"Today, I won't talk about photography post-processing, nor shooting techniques. These 6 points are what I want to tell you. I hope beginners take fewer detours, and advanced masters reach even higher"},{"t":"img","f":"img-02","w":1080,"h":516},{"t":"h","x":"（一）你最多只需要买三枚镜头","xe":"(1) You Need to Buy at Most Three Lenses"},{"t":"p","x":"太多人把摄影装备看做是拍出好片最关键的一点，把大量的精力和钱财用在器材设备的研究和升级上。","b":false,"xe":"Too many people see camera gear as the most critical factor for great shots, spending a lot of energy and money on researching and upgrading equipment."},{"t":"p","x":"但是我想说的是，摄影装备其实是风光摄影最不该去过度投资的东西。一套进阶的全画幅单反和几枚必需的镜头就足够用很多年了。","b":false,"xe":"But what I want to say is that camera gear is actually the thing you should least over-invest in for landscape photography. An advanced full-frame DSLR and a few essential lenses are enough for many years."},{"t":"img","f":"img-03","w":1080,"h":810},{"t":"p","x":"佳能5d4；16-35mm f/2.8L III ；70-200mm f/4L is II ；50mm f/1.8 ；三镜一机，这就是我的全部机身和镜头了。","b":false,"xe":"Canon 5D4; 16-35mm f/2.8L III; 70-200mm f/4L IS II; 50mm f/1.8. Three lenses and one body — that's my entire collection of bodies and lenses."},{"t":"p","x":"那么多年，我一直用的都是这一配置系统。这些年，只是机身从5d3升级到了5d4，广角从16-35二代升级到了三代，长焦从70-200一代升级到了最新的二代。","b":false,"xe":"For so many years, I've always used this configuration. Over the years, I've only upgraded the body from 5D3 to 5D4, the wide angle from the 16-35 Mark II to Mark III, and the telephoto from the 70-200 Mark I to the latest Mark II."},{"t":"p","x":"其实，除去旧设备二手出售的折价，升级也不需要花很多钱，按佳能挤牙膏的更新速度，真的够用很多年了。","b":false,"xe":"Actually, apart from the depreciation of selling old gear second-hand, upgrading doesn't cost much either. Given Canon's incremental update pace, it really lasts for many years."},{"t":"img","f":"img-04","w":1080,"h":852},{"t":"p","x":"（70-200mm f/4L is II镜头下的密苏里那山）","b":false,"xe":"(Missouri Mountain under the 70-200mm f/4L IS II lens)"},{"t":"p","x":"70-200mm f/4L is II和俗称小痰盂的三代50，1.8是绝大多数器材党都看不上的镜头。但在我看来，这两枚镜头做到了重量与画质的极佳平衡。况且，在对几乎只用f8以下小光圈的风光摄影来说，你不用放大镜真的能比较出这两枚镜头与顶级牛头的区别吗？","b":false,"xe":"The 70-200mm f/4L IS II and the 50mm f/1.8 (the third-generation \"Little Spitoon,\" as it's called) are lenses most gear fanatics look down on. But in my view, these two lenses achieve an excellent balance between weight and image quality. Besides, for landscape photography, which almost always uses small apertures below f/8, can you really tell the difference between these two lenses and top-tier glass without a magnifying glass?"},{"t":"p","x":"50mm f/1.8这个仅仅600元的镜头代替了沉重的24-70，成为我风光摄影中焦的首选。","b":false,"xe":"The 50mm f/1.8, a lens costing only 600 yuan, replaced the heavy 24-70 and became my first choice for mid-focal landscape photography."},{"t":"img","f":"img-05","w":1080,"h":778},{"t":"p","x":"（50mm f/1.8小痰盂拍摄于富内斯山谷）","b":false,"xe":"(Shot with the 50mm f/1.8 Little Spitoon in the Funes Valley)"},{"t":"p","x":"其实中焦段这种既没冲击力又没压缩感的镜头在风光摄影中很尴尬，用的频率很低。当你出门带了16-35和70-200后，这空缺的35-70的焦段，用一支最轻便的50定焦去替代是很好的方案。","b":false,"xe":"Actually, mid-focal lenses, which have neither impact nor compression, are awkward in landscape photography and are used infrequently. When you go out carrying the 16-35 and 70-200, the gap of the 35-70 range can be well filled by a lightest 50mm prime."},{"t":"img","f":"img-06","w":1080,"h":786},{"t":"p","x":"（16-35mm f/2.8L III拍摄于多洛米蒂）","b":false,"xe":"(Shot with the 16-35mm f/2.8L III in the Dolomites)"},{"t":"p","x":"16-35这枚镜头是我手里唯一一支佳能该焦段的顶级镜头。对于承担80%出片重任的这枚大光圈变焦超广，不要犹豫，买你能够买的起的最好的。","b":false,"xe":"The 16-35 is the only top-tier Canon lens in this focal range I own. For this large-aperture ultra-wide zoom that bears 80% of the output responsibility, don't hesitate — buy the best you can afford."},{"t":"p","x":"这三枚镜头已经足够拍摄任何风景了，你也可以再买一枚增距镜去扩展你的长焦。买镜头省下的钱报个网络摄影课提高你的技术和审美，当做旅费去拍摄出大片才是正确的选择。","b":false,"xe":"These three lenses are enough to shoot any landscape. You can also buy a teleconverter to extend your telephoto reach. The money saved on lenses should be spent on an online photography course to improve your technique and aesthetics, or used as travel funds to shoot masterpieces — that's the right choice."},{"t":"h","x":"（二）学会在日出日落之外拍摄","xe":"(2) Learn to Shoot Outside Sunrise and Sunset"},{"t":"p","x":"当你看到有人在大白天也在拍照，那一定不是小白就是高手。不知道多少次了，一起同行的朋友看到了我在非日出日落时拍摄的图片后非常遗憾的跟我说：“早知道我也拿出相机拍了！”","b":false,"xe":"When you see someone shooting in broad daylight, they're either a beginner or a master. Countless times, friends traveling with me have seen photos I took outside sunrise and sunset and regretfully said: \"If only I'd known, I would have taken out my camera and shot too!\""},{"t":"p","x":"日出日落确实是风光摄影的最佳时间段，但并不是唯一的时间段。如何在大白天也能拍摄风光大片需要你对场景和光线的正确判断。","b":false,"xe":"Sunrise and sunset are indeed the best times for landscape photography, but not the only times. Shooting landscape masterpieces in broad daylight requires correct judgment of the scene and light."},{"t":"p","x":"一个多云的天气，是白天出片的最佳时机。太阳光被云层遮挡就出现了局域光这种能让图片产生明暗反差的优质光线。","b":false,"xe":"A cloudy day is the best time to produce shots during the day. When sunlight is blocked by clouds, localized light appears — a quality light that creates light-dark contrast in images."},{"t":"img","f":"img-07","w":1080,"h":720},{"t":"img","f":"img-08","w":1080,"h":715},{"t":"img","f":"img-09","w":788,"h":1200},{"t":"img","f":"img-10","w":1080,"h":1051},{"t":"img","f":"img-11","w":1080,"h":1342},{"t":"p","x":"图一的彩虹瀑布拍摄于正午，另外四张都拍摄于下午。这些时间段都不是我们认知中的最佳拍摄时机。但局域光让这些图片产生了戏剧性的明暗对比，丝毫不逊于日出日落。","b":false,"xe":"The Rainbow Waterfall in the first image was shot at noon, and the other four were shot in the afternoon. These time slots are not what we think of as the best shooting times. But localized light gave these images dramatic light-dark contrast, no less than sunrise and sunset."},{"t":"p","x":"所以，在多云的白天（云量>60%），你只需要找到合适的构图，架起架子等待云层的移动，当光线恰好只照亮你想要的局部区域，按下快门，就是那么简单。","b":false,"xe":"So, on a cloudy day (cloud cover > 60%), you just need to find a suitable composition, set up your tripod, and wait for the clouds to move. When the light happens to illuminate only the local area you want, press the shutter — it's that simple."},{"t":"p","x":"如果你碰到的是少云的大晴天，可以寻找山谷这类低凹的区域拍摄。这些地貌自带阴影buff，即使在正午依然能够遮蔽掉大量的阳光，轻松创造局域光。","b":false,"xe":"If you encounter a clear day with few clouds, you can look for low-lying areas like valleys to shoot. These terrains come with a built-in shadow buff — even at noon they can still block out a lot of sunlight, easily creating localized light."},{"t":"img","f":"img-12","w":1080,"h":1315},{"t":"img","f":"img-13","w":1080,"h":1620},{"t":"img","f":"img-14","w":1080,"h":720},{"t":"p","x":"以上三图都拍摄于大白天，峡谷的地貌遮挡了大部分的光线，画面产生了明暗对比。对比和反差正是摄影最重要的元素之一。","b":false,"xe":"The three images above were all shot in broad daylight. The canyon terrain blocked most of the light, creating light-dark contrast in the frames. Contrast and opposition are precisely among the most important elements of photography."},{"t":"p","x":"如果是阴天怎么办？那就尝试去拍摄那些比较有结构感的景物。让画面中的线条和结构去弥补光影的平淡。","b":false,"xe":"What if it's overcast? Then try shooting subjects with a strong sense of structure. Let the lines and structures in the frame compensate for the plainness of light and shadow."},{"t":"img","f":"img-15","w":823,"h":950},{"t":"p","x":"（乳状云的颗粒结构和地面引导线的汇聚结构）","b":false,"xe":"(The granular structure of mammatus clouds and the converging structure of ground leading lines)"},{"t":"img","f":"img-16","w":1000,"h":707},{"t":"p","x":"（河流九曲十八弯的结构）","b":false,"xe":"(The winding structure of a river)"},{"t":"img","f":"img-17","w":1080,"h":778},{"t":"p","x":"（山峰断崖的夸张结构）","b":false,"xe":"(The exaggerated structure of a mountain cliff)"},{"t":"p","x":"当画面中元素的结构感足够饱满，那么即使没有光线也能够出片。","b":false,"xe":"When the structural sense of elements in the frame is full enough, you can produce shots even without light."},{"t":"p","x":"新手：全天都在拍照","b":false,"xe":"Beginners: shooting all day"},{"t":"p","x":"进阶：日出日落拍照","b":false,"xe":"Advanced: shooting at sunrise and sunset"},{"t":"p","x":"高手：全天都在拍照","b":false,"xe":"Masters: shooting all day"},{"t":"h","x":"（三）最棒的光线是逆光","xe":"(3) The Best Light Is Backlight"},{"t":"p","x":"我刚刚接触风光摄影时，经常听到一种说法：不要逆光拍摄！","b":false,"xe":"When I first started landscape photography, I often heard a saying: don't shoot into the backlight!"},{"t":"p","x":"当初逆光拍了一些图后我也确实觉得这些图片看起来很虚，色彩也不明艳，而且还有讨厌的光斑和失衡的光比。这种错误的认知让我在最初两年拍摄时都有意的去避开逆光。","b":false,"xe":"After shooting some backlit images back then, I did feel they looked soft, with colors that weren't vivid, plus annoying flare spots and unbalanced light ratios. This mistaken belief made me deliberately avoid backlight during my first two years of shooting."},{"t":"p","x":"顺光拍摄确实能够获得更清晰的景物和更艳丽的色彩，但却少了图片中非常重要的元素：光感。光感是图片的灵魂，是明暗的纽带，它能够制造氛围，我认为最高级的图片一定要有氛围感。","b":false,"xe":"Shooting with front light can indeed get clearer subjects and more vivid colors, but it loses a very important element in the image: the sense of light. The sense of light is the soul of an image and the bond between light and dark; it creates atmosphere. I believe the highest-level images must have a sense of atmosphere."},{"t":"img","f":"img-18","w":1080,"h":756},{"t":"img","f":"img-19","w":1080,"h":720},{"t":"p","x":"上面两图都是顺光拍摄，虽然都有光线，都有明暗对比，但却缺少了氛围，少了很多张力，看起来略显平淡。再对比一下下面两张逆光的图片","b":false,"xe":"The two images above were both shot with front light. Though they have light and light-dark contrast, they lack atmosphere, lack a lot of tension, and look somewhat plain. Now compare the two backlit images below"},{"t":"img","f":"img-20","w":1080,"h":779},{"t":"img","f":"img-21","w":783,"h":1200},{"t":"p","x":"你们有feel到那种光芒涌出的感觉吗？逆光让景物拥有了迷人的轮廓层次，我仿佛能够感受到一种生命力和信仰（泪流满面~）","b":false,"xe":"Can you feel that sense of light bursting forth? Backlight gives the subjects a charming outline and layering; I can almost feel a kind of vitality and faith (in tears~)"},{"t":"p","x":"现在有各种前后期技术能够消除逆光带来的副作用。GND滤镜，曝光合成，甚至高宽容度cmos都能够让我们无惧逆光时的过曝和死黑。Ps后期的各种工具也都能够消除逆光对画质造成的影响。","b":false,"xe":"Today, various pre- and post-processing techniques can eliminate the side effects of backlight. GND filters, exposure blending, and even high dynamic range CMOS sensors let us face backlight's overexposure and crushed blacks without fear. Various PS tools can also remove backlight's impact on image quality."},{"t":"p","x":"所以，将你的镜头对准太阳，去寻找光的方向","b":false,"xe":"So, point your lens at the sun and seek the direction of the light"},{"t":"h","x":"（四）风光摄影是一场科学的策划","xe":"(4) Landscape Photography Is a Scientific Plan"},{"t":"p","x":"你需要一场说走就走的旅行，但你不需要一场说走就走的拍摄。","b":false,"xe":"You need a spontaneous trip, but you don't need a spontaneous shoot."},{"t":"p","x":"风光摄影是一场精确到分钟的科学策划。你所看到的各种大片中的神奇天象，一些不可思议的光线和拍摄角度都可能归功于前期的详尽策划和科学性的预判。","b":false,"xe":"Landscape photography is a scientific plan precise to the minute. The miraculous celestial phenomena, the incredible light, and the shooting angles you see in all kinds of masterpieces may all be attributed to detailed pre-planning and scientific prediction."},{"t":"p","x":"足不出户，google earth会帮助你快速的找到有潜力的拍摄点。","b":false,"xe":"Without leaving home, Google Earth helps you quickly find promising shooting spots."},{"t":"img","f":"img-22","w":1080,"h":621},{"t":"p","x":"无需踩点，planit手机app会给你关于机位以及拍摄时间的精确模拟","b":false,"xe":"No need for scouting — the Planit mobile app gives you precise simulations of camera positions and shooting times"},{"t":"img","f":"img-23","w":1080,"h":682},{"t":"p","x":"不必死等，windy等众多气象软件能提前对天气做出精确的预判。","b":false,"xe":"No need to wait it out — meteorological software like Windy can make precise weather predictions in advance."},{"t":"img","f":"img-24","w":1080,"h":720},{"t":"p","x":"Planit软件帮我提前规划计算好了月落的时间和方位，让我在暗夜拍摄中从容不迫，我所做的仅仅是提前支起三脚架，等待月落如约而至。上图这张火山月落当之无愧成了我2019的年度最佳。","b":false,"xe":"The Planit app helped me plan and calculate the time and direction of the moonset in advance, letting me stay composed during the night shoot. All I did was set up my tripod early and wait for the moonset to arrive as scheduled. That volcano moonset photo above was rightfully my best of 2019."},{"t":"p","x":"当天我起床时看了一眼窗外，阴云密布。这种糟糕的天气如果在以前肯定回去睡回笼觉了，但是windy软件的云图显示了东方存在窗口，我决定爬上垭口试试运气。当初升的朝阳透过云层的窗口照红山巅，既在意料之中，又在情理之外。","b":false,"xe":"That day, when I got up and glanced out the window, the sky was overcast. In the past, such bad weather would surely have sent me back to bed for a second sleep, but Windy's cloud map showed a window in the east, so I decided to climb to the pass and try my luck. When the rising sun shone through the window in the clouds and turned the mountain top red, it was both as expected and beyond expectation."},{"t":"p","x":"科技智能的进步解放了拍摄生产力，每一次精密的策划，都能大大的为拍摄助力！","b":false,"xe":"The progress of smart technology has liberated shooting productivity. Every meticulous plan can greatly help the shoot!"},{"t":"h","x":"（五）永远不要停止探索","xe":"(5) Never Stop Exploring"},{"t":"p","x":"“看你的图，永远有一种眼前一亮的惊喜感”某个不知名的网友在我的某张图片下的这句评论我觉得是对我的最高褒奖。画面的独特性是我一直追求的。","b":false,"xe":"\"Looking at your photos, there's always a sense of pleasant surprise that lights up the eyes.\" This comment by some unknown netizen under one of my photos is, I think, the highest praise for me. The uniqueness of the frame is what I've always pursued."},{"t":"p","x":"无数人在一成不变的景点重复拍着千篇一律的画面。说是自娱自乐倒也无可厚非，但要谈登堂入室，只能止步于此了。","b":false,"xe":"Countless people repeatedly shoot the same monotonous scenes at unchanging tourist spots. It's fine to call it self-amusement, but when it comes to reaching a higher level, that's where it stops."},{"t":"img","f":"img-25","w":734,"h":1100},{"t":"p","x":"所以，12小时的高海拔不间断徒步，翻越雪山，跨越冰川，我只为寻找那一丛隐秘于冰峰之下的“蓝莲花”","b":false,"xe":"So, 12 hours of non-stop high-altitude trekking, crossing snow mountains and glaciers — all just to find that cluster of \"blue lotus\" hidden beneath the ice peaks"},{"t":"img","f":"img-26","w":926,"h":1200},{"t":"p","x":"所以，连续7天的徒步，穿越炽热干燥的河谷，跨越极寒酷冷的冰盖，我只为探秘这冰于火之境上的星河。","b":false,"xe":"So, 7 consecutive days of trekking, through scorching dry river valleys and across bitterly cold ice caps — all just to explore the river of stars over this land of ice and fire."},{"t":"img","f":"img-27","w":785,"h":1200},{"t":"p","x":"所以，重装徒步穿越山岭，深入群山腹地，我只为一睹这南阿尔卑斯山脉最俏丽的水色。","b":false,"xe":"So, heavy-loaded trekking across ridges and deep into the heart of the mountains — all just to see the most beautiful waters of the Southern Alps with my own eyes."},{"t":"p","x":"“永远不要让你的眼睛失去光芒，永远不要停止探索！”这是我想对所有人说的，也是我一直都对自己说的。","b":false,"xe":"\"Never let the light fade from your eyes, and never stop exploring!\" This is what I want to say to everyone, and it's also what I've always said to myself."},{"t":"h","x":"（六）做一个爱分享的人","xe":"(6) Be a Person Who Loves to Share"},{"t":"p","x":"分享这篇文章，让更多人看到，所有热爱分享的人都会成为大师！","b":false,"xe":"Share this article so more people can see it. All who love sharing will become masters!"},{"t":"h","x":"欢迎关注@Thomas看看世界","xe":"Follow @Thomas Chu Photo,"},{"t":"h","x":"每周学会一个摄影技能","xe":"Learn one photography skill every week."}],"titleEn":"These 6 Points Are What I Want to Tell You"}