{"slug":"sony-2022-awards","title":"2022索尼世界摄影大赛大奖公布！摄影师能从中学到哪些？","author":"Thomas看看世界","date":"2022-04-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247495258&idx=1&sn=9956c7242412af716032a2ff4fda0820&chksm=eb82103edcf59928b549070dba74d2ec7234b0348fb91b68c6b9d19e151576332e181f699010&scene=21#wechat_redirect","blocks":[{"t":"p","x":"最近2022年索尼世界摄影大赛获奖作品公布了。","b":false,"xe":"Recently, the 2022 Sony World Photography Awards winning works were announced."},{"t":"p","x":"有的读者觉得非常不错，有的同学则觉得“啊，就这？”","b":false,"xe":"Some readers think they're very good, while some friends think, \"Oh, is that all?\""},{"t":"img","f":"img-01","w":1080,"h":668},{"t":"p","x":"今天的视频教程中，我会对专业风景组以及专业建筑组的几组获奖作品，进行解读和分析。","b":false,"xe":"In today's video tutorial, I'll interpret and analyze several winning works from the Professional Landscape category and the Professional Architecture category."},{"t":"p","x":"并和大家分享我们能从中学到的组图摄影选题、构图和编辑思路！","b":false,"xe":"And I'll share the series photography topic selection, composition, and editing thinking we can learn from them!"},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1Qa411Y71r","bpic":"bili-1","bt":"2022索尼世界摄影大赛获奖作公布！摄影师能从中学到哪些？"},{"t":"p","x":"这一篇是上面视频的图文整理。2022 年索尼世界摄影大赛获奖名单公布后，托马斯重点解读了专业风景组与专业建筑组的四组作品——怎么用无人机给树「打光」、一组概念照片如何编排、组图的两种创作方式，以及建筑摄影的「肖像式」拍法。全文配有视频里的关键截图，方便对照阅读。","xe":"This is the illustrated companion to the video above. After the 2022 Sony World Photography Awards announced its winners, Thomas focused on four series from the professional landscape and architecture categories — lighting trees with a drone, sequencing a conceptual photo essay, two ways to build a series, and the \"portrait-style\" approach to architecture. Key screenshots from the video are included throughout.","b":false},{"t":"p","x":"先看总览。下面这张要点页截自视频 2:01 处：单张与组图的评判标准完全不同——单张要么视觉冲击力极强，要么故事感极强；组图则靠整体的编排、概念和情绪取胜。这是贯穿全篇的核心线索。","xe":"Start with the overview: this slide from 2:01 in the video captures the core theme — singles and series are judged by different standards. A single frame must win on raw visual impact or storytelling; a series wins through sequencing, concept and emotion.","b":false},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 先懂赛制：专业组与公开组","xe":"01 Know the Format: Professional vs Open"},{"t":"p","x":"索尼世界摄影大赛分为专业组和公开组：公开组评的是单张照片，专业组则都要投稿组图，而且每组作品还要附带一段阐述文字（视频 0:42-1:03 处）。这套赛制直接决定了作品的样貌——理解它，你才知道评委在看什么。","xe":"The Sony World Photography Awards split into a Professional competition and an Open competition: the Open judges single images, while the Professional requires a series accompanied by a written statement (at 0:42-1:03 in the video). The format directly shapes what the work looks like — understand it and you know what the judges are actually reading.","b":false},{"t":"img","f":"v02","w":768,"h":480},{"t":"h","x":"02 无人机打光：像拍肖像一样拍树","xe":"02 Drone Lighting: Shooting Trees Like Portraits"},{"t":"p","x":"专业风景类第三名是拍树的组图（视频 0:50-1:31 处）。摄影师本来是一位肖像摄影师，疫情期间没法拍人，就在家附近找到了一些树，尝试用拍肖像的方法给树打光——而且方式非常特别：用无人机打光，在黄昏和夜晚拍摄，营造出一种非常安静、非常独特的感觉（视频 1:31-1:59 处）。","xe":"Third place in professional landscape went to a series of trees (at 0:50-1:31 in the video). The photographer is a portrait specialist who, unable to photograph people during the pandemic, found trees near his home and lit them the way he would light a face — using a drone as the light source and shooting at dusk and night for a profoundly quiet, singular mood (at 1:31-1:59 in the video).","b":false},{"t":"img","f":"v03","w":768,"h":480},{"t":"p","x":"托马斯自己也有过同样的尝试：在新疆拍胡杨林时，晚上突发奇想，把无人机飞起来拍胡杨林夜景。无人机的高感光度有限，画质并不好，但他发现把无人机底部的灯打开去照亮树，效果非常特别——有叶子的话整棵树被点亮，周边的树全是黑的，就这一棵是亮的，真的有点像人像打光、拍肖像的感觉（视频 2:00-2:45 处）。这也是这组获奖作品的灵感同源之处。","xe":"Thomas tried the same trick himself: while shooting the Huyang poplars in Xinjiang, on a whim he flew his drone at night. The drone's high-ISO files were weak, but switching on the drone's underside lamp to light the trees was magical — if the tree had leaves it glowed alone against pitch-black surroundings, remarkably like studio portrait lighting (at 2:00-2:45 in the video). The winning series grows from the same insight.","b":false},{"t":"img","f":"v04","w":768,"h":480},{"t":"p","x":"那为什么托马斯没有发表自己这些拍树的照片？这就回到单张与组图的区别（视频 2:47-3:27 处）：单张照片要么视觉冲击力或美感极其突出，要么像一个完整的故事，常常是决定性的瞬间——比如他发表过的这张白鹭与月亮同框的作品（视频 3:17 处）。把一棵普通的树单独发出来，网上大概只会问「就这？」；但把不同树木用同样方法拍成一组，放在一起看就非常有意思、非常震撼。组图对单张的要求没有这么高——有的单张直接发表会被打上大大的问号，放进一组里却完全可以成立，而且一组讲了一个故事、呈现了一个概念的照片，它对情绪和观念的冲击力反而更大（视频 3:50-4:34 处）。","xe":"So why did Thomas never publish his tree photos? This returns us to the single-versus-series distinction (at 2:47-3:27 in the video): a single must dazzle visually or tell a complete story, often via the decisive moment — like his published frame of an egret sharing a branch with the moon (at 3:17 in the video). Post an ordinary tree alone and the internet replies \"that's it?\"; photograph different trees with one consistent method and the series becomes fascinating and powerful. A series relaxes the demands on each frame — images that would draw question marks as singles work perfectly inside a sequence, and a group that tells one story or presents one concept delivers an even stronger emotional and conceptual punch (at 3:50-4:34 in the video).","b":false},{"t":"img","f":"v05","w":768,"h":480},{"t":"h","x":"03 生命奇迹：概念、氛围与编排","xe":"03 Life on Earth: Concept, Mood and Sequencing"},{"t":"p","x":"专业风景类第一名叫做《地球上的生命奇迹》（视频 4:35-4:46 处）。摄影师想表达的概念是：地球从无到有、能够诞生生命，是一件非常特别的事——他要用自己的这组照片去呈现这个相当抽象的概念（视频 4:46-5:02 处）。乍一看你可能会有点懵：这拍的都是啥？所以必须借助他的阐述来理解这组照片。","xe":"First place in professional landscape is \"Life On Earth\" (at 4:35-4:46 in the video). The photographer's concept: that our planet, from nothing, came to breed life is something extraordinary — and his series sets out to express that rather abstract idea (at 4:46-5:02 in the video). At first glance you may be baffled — what am I looking at? His written statement is the key to the work.","b":false},{"t":"img","f":"v06","w":768,"h":480},{"t":"p","x":"整组照片是低饱和度、低亮度的，营造出一种非常神秘的氛围，托马斯认为这个氛围感首先就满足了阐述的需要（视频 5:50-6:03 处）。其次看编排，它有清晰的逻辑顺序：第一张是光——上帝说要有光，就有了光，宇宙初始的感觉；然后是一片非常荒凉贫瘠的大地；慢慢出现了冰，有了冰就有了水，形成了湖泊；有了湖泊就有了生命，生命随着地球演变，最终出现茂密的森林，而人类最后出现在这个环境之中（视频 6:04-6:40 处）。编排的逻辑完全自洽——这组作品拿第一名没有问题。","xe":"The whole series is desaturated and dark, building a deeply mysterious atmosphere that, in Thomas's view, already fulfills the statement's promise (at 5:50-6:03 in the video). The sequencing then follows a clear logic: first light — let there be light, the birth of the universe; then a barren, lifeless plain; ice appears, and with ice comes water and lakes; where there are lakes there is life, evolving with the planet into dense forest — and finally, humans enter the scene (at 6:04-6:40 in the video). The internal logic is airtight — a fully deserved first place.","b":false},{"t":"img","f":"v07","w":768,"h":480},{"t":"img","f":"v08","w":768,"h":480},{"t":"h","x":"04 组图的两种创作方式","xe":"04 Two Ways to Build a Photo Series"},{"t":"p","x":"这两组风景作品其实代表了组图的两种创作方式（视频 6:44-7:26 处）。第一种是先选题、再积累拍摄：拍树的摄影师先选定了主题，然后在家周边漫山遍野地寻找和积累；托马斯自己的「火车看中国」系列也是先有了想法，再坐火车去积累同类型图片。第二种是先拍摄、再编辑整理：比如《生命奇迹》的作者可能先去冰岛旅行，拍了很多有感觉的照片，后期挑选出风格统一的神秘感照片，按照一定顺序编排起来，就赋予了这组照片新的意义（视频 7:26-7:59 处）。","xe":"These two landscape series in fact represent two ways of making a photo essay (at 6:44-7:26 in the video). The first: choose a theme, then accumulate — the tree photographer picked his subject and scoured the area around his home; Thomas's \"Trainscape China\" began as an idea, then years of train rides gathering images of one type. The second: shoot first, edit later — the \"Life On Earth\" author likely traveled Iceland collecting evocative frames, then curated the most mysterious ones into a consistent style and sequence, giving the group a new meaning it never had frame by frame (at 7:26-7:59 in the video).","b":false},{"t":"img","f":"v09","w":768,"h":480},{"t":"img","f":"v10","w":768,"h":480},{"t":"h","x":"05 建筑类的启示：肖像式观看","xe":"05 Lessons from Architecture: the Portrait Gaze"},{"t":"p","x":"专业建筑类第二名拍的是人造城市里的科幻感建筑（视频 8:21-8:36 处）。它的拍法非常值得借鉴：用长焦抓住建筑最精华的一个局部，背景要么是蓝天、要么是白茫茫的阴天，干净至极；即便用中广角，也是一种类似肖像的拍法——背景干净，只展现建筑本身的气质（视频 8:40-9:18 处）。这种呈现方式，我们在城市拍摄中随时可以借用。","xe":"Second place in professional architecture photographed the futuristic structures of a planned city (at 8:21-8:36 in the video). Its method is well worth borrowing: a telephoto isolates each building's most essential fragment against immaculate backgrounds — blue sky or a blank overcast white; even the wider shots feel like portraits, with clean backgrounds letting the architecture's own character carry the frame (at 8:40-9:18 in the video). An approach you can apply to city photography immediately.","b":false},{"t":"img","f":"v11","w":768,"h":480},{"t":"p","x":"专业建筑类第一名则把镜头对准克罗地亚：居民由于战争的影响离开家园，房屋周边被植物完全占据——一个关于人与自然的关系、关于时间的概念（视频 9:19-9:45 处）。这组照片的构图非常统一：中间是老建筑，周边的植物几乎要把它完全占领（视频 9:48-10:09 处）。一张一张看也许只觉得有点意思，但一组看下来就非常震撼。","xe":"First place in professional architecture turns to Croatia: residents displaced by war left their homes, and plants have claimed the buildings — a concept about the relationship between people and nature, and about time itself (at 9:19-9:45 in the video). The compositions are highly uniform: an old house centered, vegetation pressing in to swallow it (at 9:48-10:09 in the video). One image alone is mildly interesting; the sequence together is overwhelming.","b":false},{"t":"img","f":"v12","w":768,"h":480},{"t":"p","x":"这也带来直接的创作灵感（视频 10:16-11:06 处）：国内舟山群岛就有被植物霸占的村庄，完全可以用类似的、肖像式的观看方式去拍。如果嫌村庄建筑密集杂乱，可以利用海岛常有雾气的天气拍摄，让雾气把建筑相互隔离；或者学第一组作品，在夜晚用打光的方式，只照亮你想聚焦的那个建筑，让它自然而然从背景里凸显出来。看优秀比赛获奖作品的意义正在于此——无论选题、拍摄方式、构图、呈现、编辑还是后期，都能带来启示，也推荐大家去比赛官网自己学习和观看（视频 11:06-11:25 处）。","xe":"This offers direct inspiration (at 10:16-11:06 in the video): China's Zhoushan Islands hold villages fully claimed by vegetation, perfect for the same portrait-style treatment. If the buildings feel too dense and messy, wait for the fog that often wraps those islands to isolate each house; or take the lighting approach of the tree series — shoot at night and illuminate only the building you want, letting it emerge naturally from the background. That is the real value of studying contest winners: inspiration for subject, method, composition, presentation, editing and post alike. Do visit the awards' own website to explore further (at 11:06-11:25 in the video).","b":false},{"t":"quote","x":"1. 单张靠视觉冲击或决定性瞬间，组图靠编排、概念与情绪——先懂赛制再投稿；2. 无人机可以当「灯光师」：夜间用机身灯给主体打光，杂乱环境里唯一被照亮的主体就是肖像；3. 组图两条路：先选题再积累，或先拍摄再编辑赋义，概念类组图必须逻辑自洽；4. 把建筑当肖像拍：长焦取精华局部，背景干净统一，雾天或打光都能让主体从环境中凸显。","xe":"1. Singles live on impact or the decisive moment; series live on sequencing, concept and emotion — learn the format before you enter; 2. The drone can be your lighting assistant: at night its onboard lamp turns the only lit subject in a dark landscape into a portrait; 3. Two roads to a series — pick a theme and accumulate, or shoot first and let editing create the meaning; conceptual series must be logically self-consistent; 4. Photograph buildings like faces: telephoto for the essential fragment, clean uniform backgrounds, with fog or a single light lifting the subject out of its surroundings."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1Qa411Y71r/","b":false,"xe":"https://www.bilibili.com/video/BV1Qa411Y71r/"},{"t":"h","x":"点此查看其他400篇摄影教程目录","xe":"Click here to view the index of 400+ other photography tutorials"},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-02","w":960,"h":600},{"t":"img","f":"img-03","w":960,"h":600},{"t":"img","f":"img-04","w":960,"h":600},{"t":"img","f":"img-05","w":960,"h":600},{"t":"img","f":"img-06","w":960,"h":600},{"t":"img","f":"img-07","w":960,"h":600},{"t":"img","f":"img-08","w":960,"h":600},{"t":"img","f":"img-09","w":960,"h":600},{"t":"img","f":"img-10","w":960,"h":600},{"t":"img","f":"img-11","w":960,"h":600},{"t":"img","f":"img-12","w":960,"h":600},{"t":"img","f":"img-13","w":960,"h":600},{"t":"img","f":"img-14","w":960,"h":600},{"t":"img","f":"img-15","w":960,"h":600},{"t":"img","f":"img-16","w":960,"h":600},{"t":"img","f":"img-17","w":960,"h":600},{"t":"img","f":"img-18","w":960,"h":600},{"t":"img","f":"img-19","w":960,"h":600},{"t":"img","f":"img-20","w":960,"h":600},{"t":"img","f":"img-21","w":960,"h":600},{"t":"img","f":"img-22","w":960,"h":600},{"t":"img","f":"img-23","w":960,"h":600},{"t":"img","f":"img-24","w":960,"h":600},{"t":"img","f":"img-25","w":960,"h":600},{"t":"img","f":"img-26","w":960,"h":600},{"t":"img","f":"img-27","w":960,"h":600},{"t":"img","f":"img-28","w":960,"h":600},{"t":"img","f":"img-29","w":960,"h":600},{"t":"img","f":"img-30","w":960,"h":600},{"t":"img","f":"img-31","w":960,"h":600},{"t":"img","f":"img-32","w":960,"h":600},{"t":"img","f":"img-33","w":960,"h":600},{"t":"img","f":"img-34","w":960,"h":600},{"t":"img","f":"img-35","w":960,"h":600},{"t":"img","f":"img-36","w":960,"h":600},{"t":"img","f":"img-37","w":960,"h":600},{"t":"img","f":"img-38","w":960,"h":600},{"t":"img","f":"img-39","w":960,"h":600},{"t":"img","f":"img-40","w":960,"h":600},{"t":"img","f":"img-41","w":960,"h":600},{"t":"img","f":"img-42","w":960,"h":600},{"t":"img","f":"img-43","w":960,"h":600},{"t":"img","f":"img-44","w":960,"h":600},{"t":"img","f":"img-45","w":960,"h":600},{"t":"img","f":"img-46","w":960,"h":600},{"t":"img","f":"img-47","w":960,"h":600},{"t":"img","f":"img-48","w":960,"h":600},{"t":"img","f":"img-49","w":960,"h":600},{"t":"img","f":"img-50","w":960,"h":600},{"t":"img","f":"img-51","w":960,"h":600},{"t":"img","f":"img-52","w":960,"h":600},{"t":"img","f":"img-53","w":960,"h":600},{"t":"img","f":"img-54","w":960,"h":600},{"t":"p","x":"其他教程：","b":false,"xe":"Other tutorials:"},{"t":"p","x":"《哈苏大师赛2022结果出炉，两位中国摄影师获奖！学习解读来了！》","b":false,"xe":"\"Hasselblad Masters 2022 Results Are Out, Two Chinese Photographers Won! 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