{"slug":"sony-2025-awards-review","title":"炫光\"废片\"也能获奖？2025索尼世界摄影大赛解读分享！","author":"Thomas看看世界","date":"2025-03-09","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247501534&idx=1&sn=dc53bd132ed8b991cea7cafdf8ed8226&scene=21#wechat_redirect","blocks":[{"t":"p","x":"全是炫光的“技术废片”也能获奖？","b":false,"xe":"Can a \"technical reject\" covered in lens flare really win an award?"},{"t":"img","f":"img-01","w":1080,"h":1350},{"t":"p","x":"看不懂的照片也能获奖？","b":false,"xe":"Can a photo that makes no sense win an award?"},{"t":"p","x":"视觉效果毫不出彩的照片也能获奖？","b":false,"xe":"Can a photo with unremarkable visual impact win an award?"},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"p","x":"在今天的摄影教程中，Thomas会对2025索尼世界摄影大赛风景组的部分入围作品进行解读，相信能够解答大家的疑虑！","b":false,"xe":"In today's photography tutorial, Thomas reviews selected shortlisted works from the Landscape category of the 2025 Sony World Photography Awards, which should answer all these questions!"},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1ZbRYYeEnP","bpic":"bili-1","bt":"炫光\"废片\"也能获奖？2025索尼世界摄影大赛解读分享！"},{"t":"p","x":"这一篇是上面视频的图文整理。2025 年索尼世界摄影大赛的入围名单公布后，不少观众的第一反应是「没看懂」甚至「就这」——炫光的废片、雾蒙蒙的郊区也能入围？托马斯逐一解读了风景组的几组决赛与提名作品：它们赢在哪里，以及风光摄影如何与社会议题产生互动。","xe":"This is the illustrated companion to the video above. When the 2025 Sony World Photography Awards shortlist came out, many viewers' first reaction was \"I don't get it\" or even \"that's it?\" — flare-wrecked technical failures and foggy suburbs making the cut? Thomas walks through several finalist and nominated series in the landscape category: why they won, and how landscape photography can engage with social issues.","b":false},{"t":"p","x":"先看总览。下面这张要点页截自视频 0:55 处：索尼世界大赛的风光组作品，强调的是对社会环境、哲学议题的探讨，以及比较新颖的呈现方式——这正是理解今年所有入围作品的钥匙。","xe":"Start with the overview: this slide from 0:55 in the video shows that the Sony World Awards' landscape category prizes the exploration of social, environmental and philosophical issues, plus fresh modes of presentation — the key to understanding every nominated work this year.","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 日本摄影师：可撕开的时间画卷","xe":"01 A Japanese Artist's Tear-Open Scroll of Time"},{"t":"p","x":"第一组决赛作品来自一位日本摄影师（视频 1:04-1:13 处）。托马斯用豆包浏览器直接解读了它的英文阐述：项目把 1940 到 1960 年代的档案照片，叠加到同一地点现在拍摄的照片上，以拼贴的方式直观呈现同一个场景在不同时期的变化，引导观众思考国家发展的意义，以及发展背后的利与弊——当地的污染、土地、人口等等问题都藏在画面里（视频 1:23-1:56 处）。","xe":"The first finalist series comes from a Japanese photographer (at 1:04-1:13 in the video). Thomas had the Doubao browser assistant translate the statement on the spot: the project overlays archival photographs from the 1940s-1960s onto present-day pictures of the exact same locations, a collage that makes the transformation of one place across time immediately visible, and asks viewers to weigh what national development means — its gains and its costs, with pollution, land and population woven into the frames (at 1:23-1:56 in the video).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"在摄影师自己的网站上，这个项目还有更好的互动呈现：你可以用鼠标把照片「撕开」，看到历史档案的老照片；同一条街道，新旧两张图在透视上都做了统一；每张照片还附有拍摄背景的说明（视频 2:05-2:25 处）。比如 2:31 处这个钢铁之都：以前人烟兴旺，如今钢铁业衰落，当地的领头家族把它改造成旅游业，但人还是少了很多。","xe":"On the photographer's own website the project becomes fully interactive: you can tear a photograph open with your mouse to reveal the archival print beneath; the two eras of the same street are matched in perspective; and every image carries a caption explaining its context (at 2:05-2:25 in the video). Take the steel town at 2:31: once bustling, hollowed out as the steel industry declined, converted into a tourism destination by the town's leading family — and still losing people.","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"更多的对比同样直观：同一片地貌，以前是开采中的矿区，现在已长满树木；以前是一个峡谷，如今变成了水库；河道中间的堤岸，则是人工填筑而成（视频 2:46-3:15 处）。这组作品能成为风景组三组最终决赛作品之一，靠的正是对社会议题的探讨与这种撕开画卷的独特呈现——比赛无法提交互动网页，作者便以一幅幅可展开的画卷形式提交（视频 3:15-3:48 处）。","xe":"More contrasts are just as direct: a landscape once mined is now covered in trees; a gorge has become a reservoir; the bank mid-river was artificially filled (at 2:46-3:15 in the video). What carried this series into the landscape category's three final slots is exactly its social inquiry and its tear-open scroll presentation — since an interactive website can't be submitted, the author turned each spread into a fold-out panorama (at 3:15-3:48 in the video).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"h","x":"02 巴西的雨与火","xe":"02 Brazil's Rain and Fire"},{"t":"p","x":"第二组决赛作品探讨的是一片土地面临的严峻生态环境问题（视频 3:48-3:56 处）。很多照片确实看起来如末日景象一般：既表现了亚马逊雨林的干旱，也表现了人工开采与砍伐，还展示了森林大火（视频 3:56-4:11 处）。这组作品同样以航拍的形式，对社会话题与环境问题进行了探讨——说实话，这非常符合摄影比赛的评选逻辑（视频 4:11-4:25 处）。","xe":"The second finalist series confronts an ecosystem in crisis (at 3:48-3:56 in the video). Many frames genuinely look apocalyptic: the drought of the Amazon rainforest, extraction and logging, and wildfire all appear (at 3:56-4:11 in the video). Once again the work uses aerial photography to probe social and environmental questions — which, honestly, fits the logic of photo contests perfectly (at 4:11-4:25 in the video).","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 破败的美国郊区","xe":"03 The Broken American Suburbs"},{"t":"p","x":"下一组项目展现的是破败的美国郊区——和大家想象中高度发达的美国景象颇有出入（视频 4:25-4:40 处）。呈现形式上也相当特别：照片很有电影感，带着荒凉、破败的色调和影调；每张照片又捕捉了郊区房屋不同的有趣细节（视频 4:40-4:59 处）。比如一个床垫被丢在外面、与树木共生在一起——这些引人遐想的细节，正是这组照片获奖的关键之一（视频 4:59-5:06 处）。","xe":"The next project documents the decaying American suburbs — a far cry from the hyper-developed country most people imagine (at 4:25-4:40 in the video). The presentation is distinctive too: the frames feel cinematic, drenched in desolate, run-down tones, while each image captures a different telling detail of suburban houses (at 4:40-4:59 in the video). A mattress dumped outdoors, growing into symbiosis with a tree — such imagination-provoking details are one key to why this series was awarded (at 4:59-5:06 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"04 当星空遇上光污染","xe":"04 When Starry Skies Meet Light Pollution"},{"t":"p","x":"环境组的许多作品同样能给我们启发——风景摄影该怎么寻找主题？比如星空，人人都拍，但这位摄影师把镜头对准了光污染（视频 5:17-5:30 处）。豆包的总结非常严谨：这组作品探讨的是一片沙漠——它曾经是天文台所在地、天文研究的重地——如今面临的光污染问题（视频 5:31-5:48 处）。组照里既有天文台做科研的照片，也有云海远处的光污染、被光害侵蚀的星空；而光污染的来源，除了城市的发展，还有采矿业的发展，主题因此更加丰富（视频 5:48-6:07 处）。","xe":"The environment category offers more inspiration — how does a landscape photographer find a theme? Starry skies, for instance, are photographed by everyone; this photographer pointed the lens at light pollution instead (at 5:17-5:30 in the video). Doubao's summary is rigorous: the series explores a desert that was once home to an observatory and a hub of astronomical research, now facing encroaching light pollution (at 5:31-5:48 in the video). The series holds observatory research scenes alongside light-pollution glows beyond a sea of clouds and star fields eaten by skyglow — and the pollution's sources include not only urban growth but mining, which deepens the theme (at 5:48-6:07 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"最妙的是 6:08 处这张：拍摄星空时，近处的路灯或强光直接对着镜头打过来，就会产生炫光——平时我们拍到这种照片，八成直接删掉了。但这位摄影师反而把它放进组里：一张被光污染、被炫光影响的照片，恰恰完美契合他的主题（视频 6:08-6:40 处）。有的照片在视觉效果甚至技术上是一张废片，但恰到好处地运用到主题之中，它就能成为一个非常好的作品。","xe":"The cleverest frame comes at 6:08: shooting stars when a nearby streetlight or strong light blasts straight into the lens produces flare — the kind of photo most of us would delete on sight. This photographer put it into the series on purpose: an image degraded by light pollution and flare fits the theme flawlessly (at 6:08-6:40 in the video). A frame can be a visual, even technical, failure — deployed in the right theme at the right moment, it becomes an excellent work.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"05 中国摄影师的城乡对比","xe":"05 A Chinese Photographer's Old-Meets-New"},{"t":"p","x":"这次中国摄影师雷玉婷的作品也入围了建筑组的提名（视频 6:52-7:01 处）。主题是大家比较容易想到的城市发展：老旧建筑与新建筑的对比，整体的视觉效果非常统一、非常不错；而对社会议题的探讨，同样是这组作品能够入围的关键（视频 7:01-7:21 处）。更多的获奖与入围作品，大家可以去索尼世界摄影大赛的官网浏览（视频 7:21-7:28 处）。","xe":"Chinese photographer Lei Yuting's work was also nominated in the architecture category this year (at 6:52-7:01 in the video). Its theme is a familiar one — urban development: old buildings set against new, with a highly unified visual language that works beautifully; and its engagement with social issues is exactly what carried it into the nominations (at 7:01-7:21 in the video). The full list of winners and nominees is worth browsing on the Sony World Photography Awards website (at 7:21-7:28 in the video).","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"对于这类以社会议题探讨见长、视觉效果并不突出的照片，你怎么看？托马斯自己的态度是：每一种类型的照片都可以学习其长处——我们的风景照片如何更有意义、如何与这些社会议题产生互动，正是许多专注社交媒体流量的风光摄影师值得学习和思考的地方（视频 7:28-7:59 处）。","xe":"What do you make of photos that excel in social inquiry but not in visual spectacle? Thomas's own stance: learn from the strengths of every genre — how to make our landscape photographs more meaningful, how to let them interact with social issues, is exactly what landscape shooters chasing social-media traffic should study and reflect on (at 7:28-7:59 in the video).","b":false},{"t":"quote","x":"1. 索尼世界大赛风光组的关键词：社会环境与哲学议题的探讨，加上新颖的呈现方式；2. 表达议题不只有照片——可撕开的画卷、统一透视的新旧对比、按逻辑编排的组照，都是呈现的一部分；3. 别急着删「废片」：炫光、光污染这些技术失误，放进对的主题里就是最好的语言；4. 让风景照与社会议题互动，是从比赛中带走的最值得练习的一课。","xe":"1. The landscape category's keywords: social, environmental and philosophical inquiry, delivered through fresh presentation; 2. The statement is more than photos — tear-open scrolls, perspective-matched then-and-now collages and logically sequenced series are all part of the work; 3. Don't rush to delete your \"failures\": flare and light pollution, placed inside the right theme, become the most fitting language; 4. Teaching landscape photography to converse with social issues is the most valuable lesson these contests offer."}],"titleEn":"A Flare-Covered \"Reject\" Won an Award? Reviewing the 2025 Sony World Photography Awards!"}