{"slug":"starscape-awards-review","title":"超强星空摄影照片赏析点评！星野摄影如何避免同质化?","author":"Thomas看看世界","date":"2021-08-29","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247493855&idx=1&sn=d5c9118108a88b99ab79b161b083db83&chksm=eb8216bbdcf59fadadfa02ae1f97cc633636312cad5e3887bfa13b8668efbeb00696fc6f15e5&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"今天的摄影教程，我会点评一些 #星宿计划# 的优秀星空摄影作品，并和大家探讨一些问题：","b":false,"xe":"In today's photography tutorial, I'll critique some excellent starscape photography works from the #Star Cluster Project# and discuss some questions with everyone:"},{"t":"p","x":"比如高ISO地景中的杂色如何去除？","b":false,"xe":"For example, how to remove color noise in high-ISO foregrounds?"},{"t":"p","x":"地景和星空如何进行互动？","b":false,"xe":"How should the foreground and the starry sky interact?"},{"t":"p","x":"星空照片如何避免同质化？","b":false,"xe":"How can starscape photos avoid homogenization?"},{"t":"img","f":"img-02","w":1080,"h":1618},{"t":"p","x":"摄影师：歪杰","b":false,"xe":"Photographer: Waijie (歪杰)"},{"t":"h","x":"视频教程","xe":"Video tutorial"},{"t":"bili","bv":"BV1Hf4y1N7zN","bpic":"bili-1","bt":"超强星空摄影照片赏析点评！星野摄影如何避免同质化?"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 点评了新秀计划投稿的一批星野摄影作品，从高感光杂色、「火腿肠银河」这样的技术细节，讲到地景立意、长焦天体、组图思维这些破除同质化的方向。全部点评落成图文，配作品截图，星野摄影爱好者可以对照自查。","xe":"This is the fully illustrated companion to the video above: Thomas critiques a batch of starscape submissions from the Rising Star program — covering technical details like high-ISO color casts and the \"sausage Milky Way\", then moving to foreground storytelling, telephoto sky objects and series thinking as ways to escape homogenization. Every critique is laid out here with screenshots, a self-check list for nightscape shooters."},{"t":"img","f":"v01","w":852,"h":480},{"t":"p","x":"先看总览。上面这张要点页截自视频 0:38 处：星空摄影的常见语言形式——星空、银河、天体，以及地景加星空的组合，还有单张与系列两条路线。本期所有点评都围绕这张地图展开，也正对应文末「避免同质化」的各个方向。","xe":"Start with the overview. The slide above, captured at 0:38 in the video, maps the common visual language of starscape photography — stars, the Milky Way and sky objects, the landscape-plus-sky combination, and the two routes of single images versus series. Every critique in this piece refers back to that map, which is also where the anti-homogenization ideas at the end come from."},{"t":"h","x":"01 高感光杂色与「火腿肠银河」","xe":"01 High-ISO Color Casts and the \"Sausage Milky Way\""},{"t":"p","x":"第一件作品用雕塑配合流星雨，整体非常漂亮，只是稍稍用力过猛（视频 1:28 处）。一个技术问题是地面上残留着不少绿色——这是高感光度下的杂色。解法是建一个颜色图层，直接吸取沙漠的颜色，把地面发绿、发青的部分完整覆盖掉，让地景色彩干净下来（视频 1:45 处）。","xe":"The first work pairs a sculpture with a meteor shower — beautiful, though pushing a little too hard (at 1:28 in the video). One technical flaw: patches of green across the ground, color casts from the high ISO. The fix is a color layer — sample the sand's hue directly and paint over every greenish, cyan area so the foreground reads clean (at 1:45 in the video)."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"这张全景接片带出了银河后期最常见的问题：银河与周边星空分离得太开。银河当然需要适当强化，不强化就和星空融为一体；但强化过头，就是大家常调侃的「火腿肠银河」——天上像挂了一截烤肠（视频 2:35 处）。分离比例这个「度」，要多看优秀作品慢慢总结。另外带倒影的全景接片还有一个隐患：地景是单独拍摄的，叠加出来的流星雨并不会反映在水面的倒影里，不了解拍摄原理的观众会觉得奇怪（视频 2:44 处）。","xe":"This panorama raises the most common Milky Way editing issue: the galaxy separating too much from the surrounding stars. Yes, the Milky Way needs deliberate enhancement — without it, it fuses into the star field; but push too far and you get the notorious \"sausage Milky Way\", a piece of roast sausage hanging in the sky (at 2:35 in the video). Calibrating that degree takes looking at lots of great work. A panorama with a reflection carries another trap: the foreground is shot separately, so the stacked meteor shower never shows in the water — confusing to viewers who don't know the technique (at 2:44 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"02 立意与机位：地景是星野的灵魂","xe":"02 Concept and Vantage: The Foreground Is the Soul"},{"t":"p","x":"湿地里一只鸟展翅飞向星河的作品，立意让人眼前一亮——那种自由的状态不用多言（视频 3:17 处）。另一张树与银河的作品用了青蓝色调，在一片黑蓝色银河里非常出挑，这种调色值得肯定（视频 3:34 处）。不过机位可以再低一些：现在地平线正好切在树的「脖子」和「头」之间，压低机位让地平线下移，树的完整形态会更突出（视频 3:43 处）。","xe":"A bird spreading its wings toward the star river over a wetland instantly stands out for its concept — that feeling of freedom needs no explanation (at 3:17 in the video). A tree-and-galaxy work goes with a cyan-blue palette, a striking change from the usual black-blue skies; the grading deserves credit (at 3:34 in the video). But the camera could sit lower: the horizon currently cuts the tree at its \"neck\"; drop the vantage and the horizon falls with it, letting the tree's full silhouette carry the frame (at 3:43 in the video)."},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"接下来这件作品避开了「拍星空必拍银河」的思维定式：作者用灯光照亮岩壁，自己也举着一盏灯入镜。当人物细节、与贴地植被的互动这些地景足够出彩时，天空其实不必强势——完全可以只拍普通星空（视频 4:16 处）。想象一下这里如果换成银河中心，反而会和出色的地景互相抢眼球。另一张以帐篷为主体的作品突出了远处的河流，但河流还可以再淡一点，主角仍是帐篷和身后的银河（视频 5:02 处）。","xe":"The next piece breaks the mental habit of always including the Milky Way: the photographer lit the rock wall with a lamp and stepped into the frame carrying another. When your foreground — human detail, interaction with the low vegetation — is that strong, the sky does not have to dominate; plain stars are perfectly fine (at 4:16 in the video). Imagine a galactic core here instead — it would fight the excellent foreground for attention. A tent-centered work lets the distant river shine, though the river could fade a little more; the tent and the galaxy behind it are the protagonists (at 5:02 in the video)."},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 光绘与长焦天体：新的语言","xe":"03 Light Painting and Telephoto Sky Objects: New Language"},{"t":"p","x":"无人机光绘是现在非常流行的玩法：它既能画出图案，灯光往下照还能与地景产生互动（视频 5:17 处）。这张的问题还是老朋友「火腿肠银河」，分离感太猛太夸张。另一件作品给树打光的想法很好，但树稍稍过曝了，可以用包围曝光解决，同时树和后面草地的分离感还能再强一些（视频 5:40 处）。","xe":"Drone light painting is hugely popular right now: the drone can draw patterns, and its downward light interacts with the landscape (at 5:17 in the video). This one's flaw is the old friend \"sausage Milky Way\" — the separation far too aggressive. Another work's idea of lighting the tree is excellent, but the tree is slightly blown; bracketed exposures would fix it, and the tree could separate a bit more from the meadow behind (at 5:40 in the video)."},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"中长焦天体和人的结合也非常棒：作者可能在蓝调时刻或月光下拍摄，地景细节极其丰富，再用全景接片撑起画面，远处的星云和近处的人互相呼应，非常震撼（视频 6:42 处）。一个小建议：人物其实可以不打光，留一个剪影，和星空的背景也许更有味道（视频 6:53 处）。国外摄影师的日全食、月全食作品常常把长焦天体与人物结合，我们的人物动作可以更大胆——骑车的人、把月亮「吊起来」的创意，都比提着灯干站着更有想象力（视频 9:18 处）。","xe":"Pairing people with medium-telephoto sky objects works beautifully too: shot probably in blue hour or moonlight, the foreground detail is wonderfully rich, and a panorama gives it scale — distant nebula answering the person nearby, very striking (at 6:42 in the video). One suggestion: the figure need not be lit; a silhouette against the stars might carry even more mood (at 6:53 in the video). Foreign photographers often combine telephoto sky objects with people in total-eclipse work — be bolder with poses: a cyclist, the famous gag of \"hoisting\" the moon on a rod — more imaginative than standing there with a lamp (at 9:18 in the video)."},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"04 题材清单：从土楼到雾霾银河","xe":"04 A Menu of Subjects: From Tulou to Hazy Skies"},{"t":"p","x":"题材上还有大片空白。福建土楼与星空的组合就非常特别（视频 8:03 处）——星空摄影不只是旷野：火车穿过时的光轨、工厂、城市的光污染，都可以和星空发生化学反应。一张小溪边、带着流水元素的星空作品很有探险气质，只是地面草的饱和度偏高，降一点饱和与明度，视线才会先落在中间的帐篷上（视频 7:30 处）。","xe":"Whole categories remain unexplored. Fujian's tulou earth buildings under the stars make a striking combination (at 8:03 in the video) — starscape photography is not confined to wilderness: a train's light trails, factories, even urban light pollution can all spark chemistry with the night sky. A stream-side shot with flowing water carries real expedition character; just pull the grass saturation down a touch — along with its brightness — so the eye lands on the tent in the middle first (at 7:30 in the video)."},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"银河的颜色也不必遵循常规的黑色或青蓝：一张偏黄红色的银河，正好和地景绿色的草地形成红绿搭配，独特又养眼（视频 10:47 处）。人物打了光的话，让光和场景产生互动，会比干站在那里好得多（视频 11:14 处）。最让人惊喜的是雾霾天的银河：星空并不清晰，却有一种朦胧的氛围——看多了清晰银河难免审美疲劳，突然一张雾蒙蒙的反而非常好（视频 11:38 处）。有云的银河、雾霾天的银河、光污染下的银河，都值得去尝试，不一定非得拍那么清晰的银河（视频 12:01 处）。","xe":"The galaxy's color need not follow the usual black or cyan-blue either: one yellow-red Milky Way set against a green meadow forms a striking complementary pairing, fresh and easy on the eye (at 10:47 in the video). When the figure is lit, let the light interact with the scene — far better than standing still (at 11:14 in the video). The most pleasant surprise was the hazy-sky galaxy: the stars hardly sharp, yet wrapped in mist. After too many razor-sharp Milky Ways, one foggy frame feels wonderful (at 11:38 in the video). Milky Ways with clouds, in smog, under light pollution — all worth trying; the galaxy does not have to be crisp (at 12:01 in the video)."},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"img","f":"v13","w":852,"h":480},{"t":"h","x":"05 总结：避免同质化的方向","xe":"05 Summary: Directions Out of Homogenization"},{"t":"p","x":"复盘这批投稿，地景其实已经非常多样、丰富，但同质化仍然存在——总是那棵树，总是一个人站在那里，手里还经常提着一盏灯（视频 13:00 处）。地景可以再丰富一些：给它一个寓意，像飞向天空的感觉；拍人类活动的场景，比如土楼，甚至工业风的场景，都是很好的方向（视频 13:13 处）。天气也可以更丰富，人的动作可以和星空产生更多互动，再搭配中长焦拍摄的天体，会有别样的味道（视频 13:44 处）。","xe":"Looking across the submissions, the foregrounds are already varied and rich — yet homogenization persists: always that tree, always a lone figure, often holding a lamp (at 13:00 in the video). Push the foreground further: give it a meaning, like the sense of flying toward the sky; shoot scenes of human activity — tulou, even industrial settings are fair game (at 13:13 in the video). Vary the weather too, let the figure interact more with the stars, and bring in medium- and telephoto sky objects for a different flavor (at 13:44 in the video)."},{"t":"img","f":"v14","w":852,"h":480},{"t":"p","x":"更重要的是从单张走向组图。星空是接近永恒的东西，尺度以数万年、数亿年计——那就可以去拍同样有年代感的事物：唐宋元明清各朝代的历史痕迹、遗迹建筑，与同样一片星空放在一起，像沉睡的历史、逝去的古人和今天的我们，在与同一片星空对话（视频 14:19 处）。单张未必震撼，一组放在一起力量就出来了。或者拍同一个场景的不同天气：乌云漫天、月夜、清晰银河、流星雨、往来的游客——九宫格一排开，特别有意思（视频 14:53 处）。星空摄影可尝试的方向还有很多，有好的星空作品和中国的风光故事，记得去各平台投稿新秀计划（视频 15:38 处）。","xe":"More importantly, move from single frames to series. The stars are close to eternal, measured in tens of thousands or hundreds of millions of years — so photograph things that carry the weight of ages: relics and architecture from the Tang, Song, Yuan, Ming and Qing dynasties set against the same sky, as if sleeping history, the ancients and all of us today were talking to the same stars (at 14:19 in the video). One frame may not stun, but a whole series does. Or shoot the same scene through different weather — overcast, moonlit, a crisp Milky Way, a meteor shower, tourists passing through — and the nine-grid layout becomes fascinating (at 14:53 in the video). There is so much left to try; if you have strong starscape work or stories of China's landscapes, submit to the Rising Star program on any platform (at 15:38 in the video)."},{"t":"quote","x":"1. 技术上盯住两件事：高感光的绿色杂色用颜色图层吸样覆盖，银河强化要适度，别把星空修成「火腿肠」；2. 地景是星野的灵魂：立意、机位、人物与场景的互动，比天空更决定作品高度，地景够强时甚至可以不拍银河；3. 语言可以更新：无人机光绘、长焦天体、雾天云天光污染下的银河、土楼工业风等人类场景，都还没被拍滥；4. 从单张走向组图——用有年代感的遗迹与永恒星空对话，或用同一机位记录不同天气，系列的力量远大于单张。","xe":"1. Watch two technical points: cover high-ISO green casts with a color layer sampled from the scene, and enhance the Milky Way in moderation — never into a \"sausage\"; 2. The foreground is the soul of a starscape: concept, vantage and human interaction decide the work's height more than the sky — when the foreground is strong enough, skip the Milky Way entirely; 3. Refresh the language: drone light painting, telephoto sky objects, Milky Ways in fog, clouds or light pollution, human scenes like tulou and industry — none are worn out yet; 4. Move from frames to series — ancient relics in dialogue with the eternal sky, or one vantage through changing weather; a series carries far more power than any single image."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1Hf4y1N7zN/","b":false,"xe":"https://www.bilibili.com/video/BV1Hf4y1N7zN/"},{"t":"h","x":"优秀作品精选","xe":"Excellent Works Selection"},{"t":"img","f":"img-03","w":1080,"h":720},{"t":"p","x":"水手郑志华","b":false,"xe":"Sailor Zheng Zhihua (水手郑志华)"},{"t":"img","f":"img-04","w":1080,"h":720},{"t":"p","x":"Cercis_Chen","b":false,"xe":"Cercis_Chen"},{"t":"img","f":"img-05","w":1080,"h":693},{"t":"p","x":"毛毛环游世界","b":false,"xe":"Maomao Around the World (毛毛环游世界)"},{"t":"img","f":"img-06","w":1080,"h":1618},{"t":"p","x":"拉玛才旦","b":false,"xe":"Lama Caidan (拉玛才旦)"},{"t":"img","f":"img-07","w":1080,"h":752},{"t":"p","x":"凌冬Edy","b":false,"xe":"Lingdong Edy (凌冬Edy)"},{"t":"img","f":"img-08","w":1080,"h":708},{"t":"p","x":"非洲很冷","b":false,"xe":"Africa Is Cold (非洲很冷)"},{"t":"img","f":"img-09","w":1080,"h":764},{"t":"p","x":"STM_孤陋寡闻的亮","b":false,"xe":"STM_Liang Who Is Ignorant (STM_孤陋寡闻的亮)"},{"t":"img","f":"img-10","w":1080,"h":508},{"t":"p","x":"浩澜","b":false,"xe":"Haolan (浩澜)"},{"t":"img","f":"img-11","w":1080,"h":1454},{"t":"p","x":"麦麸","b":false,"xe":"Maifu (麦麸)"},{"t":"img","f":"img-12","w":1080,"h":720},{"t":"p","x":"四月使徒","b":false,"xe":"Apostle of April (四月使徒)"},{"t":"img","f":"img-13","w":1080,"h":783},{"t":"p","x":"Mr伟","b":false,"xe":"Mr Wei (Mr伟)"},{"t":"img","f":"img-14","w":1080,"h":1511},{"t":"p","x":"歪杰","b":false,"xe":"Waijie (歪杰)"},{"t":"img","f":"img-15","w":1080,"h":487},{"t":"p","x":"睁眼Leo","b":false,"xe":"Eyes-Open Leo (睁眼Leo)"},{"t":"img","f":"img-16","w":1080,"h":772},{"t":"p","x":"超人不会飞咹","b":false,"xe":"Superman Can't Fly Ah (超人不会飞咹)"},{"t":"img","f":"img-17","w":1080,"h":1619},{"t":"p","x":"ClouinKim","b":false,"xe":"ClouinKim"},{"t":"img","f":"img-18","w":1080,"h":1443},{"t":"p","x":"Guyan_Eric","b":false,"xe":"Guyan_Eric"},{"t":"img","f":"img-19","w":1080,"h":1620},{"t":"p","x":"PeterLau","b":false,"xe":"PeterLau"},{"t":"img","f":"img-20","w":1080,"h":725},{"t":"p","x":"非洲很冷","b":false,"xe":"Africa Is Cold (非洲很冷)"},{"t":"img","f":"img-21","w":1080,"h":694},{"t":"p","x":"多加点r香菜","b":false,"xe":"Add More Cilantro (多加点r香菜)"},{"t":"img","f":"img-22","w":1080,"h":720},{"t":"p","x":"Paulownia董书畅","b":false,"xe":"Paulownia Dong Shuchang (Paulownia董书畅)"},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"p","x":"矢量化学","b":false,"xe":"Vector Chemistry (矢量化学)"},{"t":"img","f":"img-24","w":1080,"h":1619},{"t":"p","x":"YaphetsYi境","b":false,"xe":"YaphetsYi Jing (YaphetsYi境)"},{"t":"img","f":"img-25","w":1080,"h":720},{"t":"p","x":"5零2","b":false,"xe":"5 Zero 2 (5零2)"},{"t":"img","f":"img-26","w":1080,"h":1020},{"t":"p","x":"斌子的影色世界","b":false,"xe":"Binzi's World of Light and Color (斌子的影色世界)"},{"t":"img","f":"img-27","w":1080,"h":449},{"t":"p","x":"JIFENG冀峰","b":false,"xe":"JIFENG Ji Feng (JIFENG冀峰)"},{"t":"img","f":"img-28","w":1080,"h":720},{"t":"p","x":"仁山","b":false,"xe":"Renshan (仁山)"},{"t":"img","f":"img-29","w":1080,"h":720},{"t":"p","x":"STM_AndriyGin","b":false,"xe":"STM_AndriyGin"},{"t":"img","f":"img-30","w":1080,"h":668},{"t":"p","x":"yb超凡","b":false,"xe":"yb Chaofan (yb超凡)"},{"t":"img","f":"img-31","w":1080,"h":1621},{"t":"p","x":"ccm请叫我小超人","b":false,"xe":"ccm Please Call Me Little Superman (ccm请叫我小超人)"},{"t":"p","x":"欢迎大家在快手、米拍、微博平台发表视频和照片，参与 #星宿计划# 摄影大赛~","b":false,"xe":"Everyone is welcome to post videos and photos on Kuaishou, Mepai, and Weibo platforms to join the #Star Cluster Project# photography contest~"},{"t":"img","f":"img-32","w":960,"h":600}],"titleEn":"Amazing Starscape Photography Appreciation and Critique! How to Avoid Homogenization in Starscape Photography?"}