{"slug":"street-photography-atmosphere","title":"街头摄影这么拍，氛围和创意太绝啦！","author":"Thomas看看世界","date":"2023-10-24","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247498558&idx=3&sn=c74f1d2efeba35bd9a57e7a0b9b4abf6&chksm=eb82055adcf58c4ca226d892c70f1b144ccf089601ab56555ee2a1cd9a5307c5173e4f7afc27&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在今天的摄影师推荐教程中，Thomas会和大家一起赏析街头摄影师Joakim Möller的照片。","b":false,"xe":"In today's photographer recommendation tutorial, Thomas will appreciate the photos of street photographer Joakim Möller with everyone."},{"t":"img","f":"img-01","w":1080,"h":728},{"t":"p","x":"将视觉上有联系的照片进行并置，竟可以产生1+1>2的化学反应！","b":false,"xe":"Juxtaposing visually connected photos can surprisingly produce a chemical reaction of 1+1>2!"},{"t":"p","x":"同时摄影师对于符号、剪影、道具、模糊等特效的应用，也让黑白照片氛围感十足！","b":false,"xe":"At the same time, the photographer's use of effects like symbols, silhouettes, props, and blur also gives the black-and-white photos a full sense of atmosphere!"},{"t":"img","f":"img-02","w":1080,"h":660},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1Xy4y1A79a","bpic":"bili-1","bt":"街头摄影这么拍，氛围和创意太绝啦！"},{"t":"p","x":"这一篇是上面视频的图文整理。Thomas 这次带大家赏析街头摄影师 Joakim Möller 的黑白作品：他拍的不过是老人、小孩、鸽子这些人人都在拍的题材，成品却截然不同。本文整理了他两大法宝——把照片「并置」起来的创意编辑，以及用符号、剪影、道具和模糊制造黑白氛围感的技巧，并配上视频关键帧截图。","xe":"This is the illustrated companion to the video above, in which Thomas reviews the black-and-white street work of photographer Joakim Möller: his subjects are the elderly, children and pigeons that everyone photographs, yet the results are utterly different. This article organizes his two great strengths — creative editing that juxtaposes photographs, and the use of symbols, silhouettes, props and blur to build black-and-white atmosphere — paired with keyframe screenshots from the video."},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"先看总览。下面这张要点卡截自视频 0:56 处：并置编辑的核心是对页、三联图等共同呈现形式，让图片之间在对象、视觉和内涵上产生呼应，产生 1+1>2 的效果——这正是整期内容的骨架。","xe":"Start with the overview. This summary card, captured at 0:56 in the video, states the core of juxtaposed editing: presenting images together as spreads, triptychs and their variants so they echo one another in subject, visual form and meaning, creating a 1+1>2 effect — the skeleton of the whole episode."},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 并置：1+1>2 的编辑创意","xe":"01 Juxtaposition: Editing Where 1+1>2"},{"t":"p","x":"Möller 最值得学的第一点，是编辑呈现可以更有创意。我们平时发图要么单张、要么九宫格，而他借用画册里常见的对页形式和三联图（视频 0:58 处）。下面这组就是典型：左边飞翔的大雁与右边一根鸟的羽毛，既有意义上的联系，又是一阴一阳——左图白底黑元素，右图黑底白元素（视频 1:44 处）。","xe":"The first lesson from Möller is that presentation itself can be more creative. Where most of us post single images or a nine-grid, he borrows the diptych spread common in photo books, along with triptychs (at 0:58 in the video). The pair below is typical: flying wild geese on the left and a single feather on the right, linked in meaning and in negative — a white ground with black elements on the left, a black ground with white elements on the right (at 1:44 in the video)."},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"这类并置的妙处在于：遮住任何一边，单张都是好照片，但还没有那种「绝」的感觉；两张并排放在一起，才会让人惊叹怎么会有这么好的呈现（视频 2:02 处）。再如下面这组，树、飞机划过天空的痕迹、路灯——三个都是生活中最常见、最常被拍的元素，组合在一起，再通过明暗交错，效果就完全不同了（视频 2:18 处）。","xe":"The magic of such pairing: cover either side and you still have a good photograph, but not that stunning feeling; only side by side does the viewer marvel at the presentation (at 2:02 in the video). Below is another: a tree, the contrail of a plane crossing the sky, and a street lamp — three of the most common, most-photographed elements in daily life, yet combined and interlaced in light and dark, the effect becomes something else entirely (at 2:18 in the video)."},{"t":"img","f":"v04","w":852,"h":480},{"t":"h","x":"02 错位与重压：后期里的呼应","xe":"02 Dislocation and Weight: Echoes in Post"},{"t":"p","x":"并置不一定要对称。有的组合靠上下画面的视觉错位产生趣味，有的靠同一形式语言——比如两张都是黑色背景、白色主体、主体居中，形式相似又各有不同（视频 2:56 处）。更有想法的是这类：左图一个人，通过后期把头部埋没在阴影里，而头顶本该是头部的位置，恰好是一只鸟——人与鸟产生了丰富的视觉呼应（视频 2:49 处）。","xe":"Juxtaposition need not be symmetrical. Some pairs play on visual dislocation between top and bottom; others share a formal language — both a black background with a centered white subject, similar in form yet different in substance (at 2:56 in the video). Even more inventive is this one: a figure whose head, through post-processing, is buried in shadow, while exactly where the head should be perches a bird — a rich visual echo between person and bird (at 2:49 in the video)."},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"他也敢做「重后期」。像这张在火车上等车的人，周边所有杂乱的东西全部用黑色隐掉，最终仿佛人的头发里飘出了一串灯，特别有意思（视频 3:59 处）。并置也不一定是左右对称：有的下面一张树占掉百分之八九十，上面只取一个人，趣味反而更强（视频 4:35 处）。","xe":"He is also bold with heavy post-processing. In this frame of a man waiting on a train, every cluttered element around him is swallowed into black, until a string of lamps seems to drift out of the man's hair — wonderfully odd (at 3:59 in the video). And juxtaposition is not always left-right symmetric: sometimes a tree takes up eighty or ninety percent of the lower frame with just a fragment of a person above, and the playfulness grows stronger for it (at 4:35 in the video)."},{"t":"img","f":"v06","w":852,"h":480},{"t":"h","x":"03 符号与剪影：黑白氛围的基础","xe":"03 Symbols and Silhouettes: The Base of B&W Mood"},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"必须承认，即使把并置拆开，他的单张照片也极具氛围感——而它们是纯黑白的，没有色彩可用。黑白照片的氛围只能靠前期的光影捕捉与后期调整（视频 5:57 处）。他的符号库非常固定：人、鸟，以及十字架这类特殊意象，大量用剪影呈现。像下面这组雕像与鸽子，甚至产生了一种流动般的视觉呼应（视频 5:56 处）。","xe":"It must be granted that even untangled from their pairs, his single images are thick with atmosphere — and they are pure black and white, with color unavailable. In monochrome, atmosphere can only come from capturing light and shadow in the field plus adjustments in post (at 5:57 in the video). His symbol bank is fixed: people, birds, and special images like the cross, rendered largely as silhouettes. The pair below — a statue and pigeons — even creates a flowing visual echo (at 5:56 in the video)."},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"制造大量「黑」是他另一件利器。平时很难拍好的大片鸟群、老鹰、花坛里的花，他把画面里其他一切全部压黑隐去，只留下主体（视频 8:16 处）。这种大面积极简的暗部，让照片立刻与众不同。","xe":"Mass-produced darkness is another of his tools. Big flocks of birds, eagles, flowers in a bed — subjects that are hard to photograph well — he reduces by pressing everything else into black, leaving only the subject (at 8:16 in the video). This vast, minimal darkness instantly sets the photograph apart."},{"t":"img","f":"v09","w":852,"h":480},{"t":"h","x":"04 道具与质感：塑料纸、模糊与颗粒","xe":"04 Props and Texture: Plastic, Blur and Grain"},{"t":"p","x":"前期的道具制造特别效果：塑料纸、玻璃、镜子、水瓶、喷雾，放在镜头前都可能产生非常特别的画面（视频 6:25 处）。比如用车窗或车身反射，让正常世界与扭曲世界同时出现在一张照片里（视频 7:27 处）；再比如镜头前放塑料纸，结合雨天玻璃上的水珠，形成非常复杂的空间视觉结构（视频 7:41 处）。","xe":"Props in front of the lens manufacture special effects: plastic sheets, glass, mirrors, water bottles, spray — any of them can yield remarkable pictures (at 6:25 in the video). Reflections in car windows or bodywork let the normal world and a distorted world coexist in one frame (at 7:27 in the video); a plastic sheet over the lens, combined with raindrops on glass, builds an intricate spatial structure (at 7:41 in the video)."},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"后期再来一层：加颗粒、脏点、划痕、反射、模糊——模糊尤其擅长制造迷离梦幻的效果（视频 6:41 处）。像十字架与群鸟这张，前期用闪光灯打亮，后期进一步加强明暗对比，氛围感非常强烈（视频 8:45 处）。这些手法与拼贴并置叠加使用，让成品格外独特——他也把这种方式坚持到了整个 Instagram 主页的呈现里，非常值得多去尝试。","xe":"Then another layer in post: grain, dirty specks, scratches, reflections and blur — blur above all conjures a hazy, dreamlike mood (at 6:41 in the video). In the cross-and-birds frame, a flash lights the subject in the field and the contrast is pushed further in post, producing overwhelmingly strong atmosphere (at 8:45 in the video). Stacked with collage and juxtaposition, these treatments make the work unmistakably his — a practice carried through his entire Instagram presentation, and well worth experimenting with yourself."},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 编辑呈现本身就能创意十足：对页、三联图让照片在对象、视觉与内涵上互相呼应，1+1>2；2. 并置不必对称，错位、大小悬殊、后期埋黑都能制造趣味；3. 黑白照片的氛围来自前期光影与后期调整：符号（人、鸟、十字架）、剪影与大面积留黑是基础；4. 塑料纸、玻璃、镜子、喷雾等道具结合模糊、颗粒、划痕，是制造迷离质感的捷径。","xe":"1. Presentation itself can be creative: diptychs and triptychs let images echo in subject, form and meaning — 1+1>2; 2. Juxtaposition need not be symmetric — dislocation, extreme size contrast and post-production darkness all create interest; 3. Black-and-white atmosphere comes from light captured in the field and finished in post: symbols (people, birds, crosses), silhouettes and vast areas of black are the foundation; 4. Props — plastic, glass, mirrors, spray — combined with blur, grain and scratches are the shortcut to hazy, textured moods."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1Xy4y1A79a/","b":false,"xe":"https://www.bilibili.com/video/BV1Xy4y1A79a/"},{"t":"h","x":"PPT","xe":"PPT"},{"t":"img","f":"img-03","w":1080,"h":608},{"t":"img","f":"img-04","w":1080,"h":608},{"t":"img","f":"img-05","w":1080,"h":608},{"t":"img","f":"img-06","w":1080,"h":608},{"t":"img","f":"img-07","w":1080,"h":608},{"t":"img","f":"img-08","w":1080,"h":608},{"t":"img","f":"img-09","w":1080,"h":608},{"t":"img","f":"img-10","w":1080,"h":608},{"t":"img","f":"img-11","w":1080,"h":608},{"t":"img","f":"img-12","w":1080,"h":608},{"t":"img","f":"img-13","w":1080,"h":608},{"t":"img","f":"img-14","w":1080,"h":608},{"t":"img","f":"img-15","w":1080,"h":608},{"t":"img","f":"img-16","w":1080,"h":608},{"t":"img","f":"img-17","w":1080,"h":608},{"t":"img","f":"img-18","w":1080,"h":608},{"t":"img","f":"img-19","w":1080,"h":608},{"t":"img","f":"img-20","w":1080,"h":608},{"t":"img","f":"img-21","w":1080,"h":608},{"t":"img","f":"img-22","w":1080,"h":608},{"t":"img","f":"img-23","w":1080,"h":608},{"t":"img","f":"img-24","w":1080,"h":608},{"t":"img","f":"img-25","w":1080,"h":608},{"t":"img","f":"img-26","w":1080,"h":608},{"t":"img","f":"img-27","w":1080,"h":608},{"t":"img","f":"img-28","w":1080,"h":608},{"t":"img","f":"img-29","w":1080,"h":608},{"t":"img","f":"img-30","w":1080,"h":608},{"t":"img","f":"img-31","w":1080,"h":608},{"t":"img","f":"img-32","w":1080,"h":608},{"t":"img","f":"img-33","w":1080,"h":608},{"t":"img","f":"img-34","w":1080,"h":608},{"t":"img","f":"img-35","w":1080,"h":608},{"t":"img","f":"img-36","w":1080,"h":608},{"t":"img","f":"img-37","w":1080,"h":608},{"t":"img","f":"img-38","w":1080,"h":608},{"t":"img","f":"img-39","w":1080,"h":608},{"t":"img","f":"img-40","w":1080,"h":608},{"t":"img","f":"img-41","w":1080,"h":608},{"t":"p","x":"扫描上面二维码或点击文末“阅读原文”","b":false,"xe":"Scan the QR code above or click \"Read More\" at the end of the article"}],"titleEn":"Shoot Street Photography Like This, the Atmosphere and Creativity Are Amazing!"}