{"slug":"three-color-masters","title":"​什么神仙调色！推荐3位色彩舒服的风景摄影师~","author":"Thomas看看世界","date":"2022-12-25","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247496750&idx=1&sn=de1bd7399a20f1a50c4006278865d775&chksm=eb820a4adcf5835c26b099ee00b0f290c3df3b7ffe47ca649f7320202a86bee2a39769fdad22&scene=21#wechat_redirect","blocks":[{"t":"p","x":"色彩，是一张照片视觉表现力的灵魂。","b":false,"xe":"Color is the soul of a photo's visual expressiveness."},{"t":"p","x":"相似的颜色，色相、饱和度、明度的微小差异，就能带来画面效果的巨大不同。","b":false,"xe":"For similar colors, tiny differences in hue, saturation, and brightness can bring huge differences in the frame's effect."},{"t":"p","x":"在今天的摄影师推荐中，Thomas就会介绍3位色彩舒服的国外风景摄影师，我们也能从他们的调色风格中学到很多！","b":false,"xe":"In today's photographer recommendation, Thomas will introduce 3 foreign landscape photographers with comfortable colors. We can also learn a lot from their color grading styles!"},{"t":"img","f":"img-01","w":1080,"h":1284},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1ND4y1E7zh","bpic":"bili-1","bt":"什么神仙调色！推荐3位色彩舒服的风景摄影师~"},{"t":"p","x":"这一篇是上面视频的完整图文整理。相似的颜色，色相、饱和度、明度的微小差异，就能带来画面效果的巨大不同——这期摄影师推荐，Thomas 带来了三位调色功力深厚的国外风景摄影师：来自巴基斯坦的 Khumais、英国湖区的 black.sail（Chris），以及苏格兰的 Jack Anstey。下面配上视频关键帧截图，看看他们各自的用色之道。","xe":"This is the fully illustrated companion to the video above. Near-identical colors can produce wildly different images through tiny shifts in hue, saturation and luminance. For this edition of photographer recommendations, Thomas brings three foreign landscape photographers with superb palettes: Khumais from Pakistan, black.sail (Chris) from England's Lake District, and Jack Anstey from Scotland. Keyframe screenshots below reveal each one's approach to color."},{"t":"p","x":"第一位是来自巴基斯坦的 Khumais。他最迷人的，是对「单色调」的驾驭。","xe":"The first is Khumais from Pakistan, and what mesmerizes most is his command of the monochrome palette."},{"t":"img","f":"v01","w":768,"h":480},{"t":"h","x":"01 Khumais：单色调的高级感","xe":"01 Khumais: The Sophistication of Monochrome"},{"t":"p","x":"他的很多照片拍摄时只是普通的阴天——直接按自动白平衡拍下来就是一个灰白的场景；但他会在后期给画面附加一种青蓝色，一方面非常符合阴天的冷调气氛，另一方面看起来也极为舒服。蓝调时刻的照片，则被统一成一种蓝紫色调；夜景照片附加上青色调之后，感觉同样出色（视频 0:48 处）。","xe":"Many of his frames began as ordinary overcast days — shot on auto white balance they would read as plain gray; instead he overlays a cyan-blue in post that both suits the cold mood and looks remarkably soothing. Blue-hour images get unified into a violet-blue, and night scenes into a touch of cyan — each works beautifully (at 0:48 in the video)."},{"t":"img","f":"v02","w":768,"h":480},{"t":"img","f":"v03","w":768,"h":480},{"t":"p","x":"甚至一张普通下午拍的照片，被统一成浓浓的暖橙色调之后，也一下子变得好看起来。当然，单色调照片非常考验构图和照片本身的明暗层次：比如他那张山景，前景是虚化的，中间雪山的纹理清晰实焦，从前到后由黑过渡到亮——即使转成黑白都好看，再附加上单色调就格外舒服。另一张夜景里，一盏路灯起到了点睛之笔的作用（视频 1:48 处）。","xe":"Even an ordinary afternoon frame turns striking once unified into a deep warm orange. Monochrome work, of course, demands solid composition and tonal layering: in his mountain scene the foreground falls into blur, the mid-ground snow ridge stays razor sharp, and tones glide from black to bright — beautiful even in black and white, and exquisite with a single hue laid over it. In another night frame, a lone streetlamp supplies the finishing touch (at 1:48 in the video)."},{"t":"img","f":"v05","w":768,"h":480},{"t":"p","x":"他也会玩「双色」：沙漠照片明显做了分区处理——下面的沙漠保留金黄色，上面覆盖成较亮的青色调，青色与橙色正是最经典的冷暖对比。另一张则是相似色的搭配：下方黄绿色的饱和度并不高，摄影师把饱和度和注意力都留给了背景的冷色调。整体而言他的饱和度都不高，非常养眼、非常耐看（视频 3:00 处）。","xe":"He plays with two-color schemes as well: a desert photo is clearly processed by zones — the sand below keeps its golden yellow while the sky above turns a lighter teal, and teal against orange is the classic warm-cool pairing. Another frame uses analogous colors: the yellow-greens below stay subdued, with saturation and attention reserved for the cool background. Overall his saturation is restrained — easy on the eye and rewarding on repeat viewing (at 3:00 in the video)."},{"t":"img","f":"v06","w":768,"h":480},{"t":"img","f":"v07","w":768,"h":480},{"t":"h","x":"02 black.sail：高饱和的青橙对比","xe":"02 black.sail: High-Saturation Teal and Orange"},{"t":"p","x":"第二位是英国湖区的 Chris，网名 black.sail，又是另一种调色风格。看他的照片你很难想象原图是一个难看的阴天——后期相当于给画面重新赋予了色调：整体施加冷色调（阴天本来就适合冷调），但他每张照片必会通过前期取景和后期调色，留下一些橙黄色的元素。比如那张岩石照片，原本整块岩石都是金黄色的，他通过选区构造把这一块保留成金黄，其余部分覆盖上与背景一致的冷色温——冷暖对比非常精彩（视频 4:17 处）。","xe":"The second, Chris from the Lake District who shoots as black.sail, works in yet another style. You would never guess his frames came from dreary overcast days — in post he essentially re-colors the image: a cool cast overall (which overcast suits anyway), while through deliberate framing and grading he always preserves some orange-yellow elements. In his rock photo the boulder was originally golden throughout; a constructed selection keeps that section golden while the rest takes on the scene's cool temperature — a brilliant warm-cool contrast (at 4:17 in the video)."},{"t":"img","f":"v09","w":768,"h":480},{"t":"img","f":"v10","w":768,"h":480},{"t":"p","x":"他的整体饱和度比较高——无论蓝色还是橙色——但依然有搭配的讲究：蓝色的亮度更低、饱和度稍稍收敛，橙色的饱和度和亮度都更高。除了冷暖搭配之外，明度和饱和度也形成了搭配，画面因此特别舒服。像那张金黄的草从蓝色背景中脱颖而出的照片，靠的正是选区工具、可选颜色、色彩范围这些工具做分区处理——毕竟白平衡整体调蓝之后，黄色草必然跟着变成青蓝（视频 6:17 处）。","xe":"His saturation runs high in both blues and oranges, yet the pairing is deliberate: blues sit darker and slightly muted, oranges brighter and more saturated. Beyond warm-cool, luminance and saturation are paired too, which makes the image hum. The photo of golden grass leaping out of a blue background relies on selections — Selective Color, Color Range and friends — to grade zones separately, since a global blue white balance would drag the grass blue as well (at 6:17 in the video)."},{"t":"p","x":"他还会在前期就为色彩埋下伏笔：雪山攀登的照片里，帐篷、被阳光照亮的石头都会被用来制造金色，与背后天空的青色形成对比；有的照片只是通过人物衣服的一小块颜色，就完成了点缀色的互补搭配。人与自然场面宏大的雪山攀登照片，配上这样的调色，真正称得上神仙级（视频 7:32 处）。","xe":"He even plans color at the shooting stage: in his mountaineering series, tents and sunlit boulders are planted to manufacture gold against the teal sky, and sometimes a small patch of clothing color alone completes a complementary accent. Grand alpine climbing frames plus this grading — genuinely god-tier color work (at 7:32 in the video)."},{"t":"img","f":"v11","w":768,"h":480},{"t":"h","x":"03 Jack Anstey：低饱和的绘画质感","xe":"03 Jack Anstey: Painterly, Low-Saturation Palettes"},{"t":"p","x":"最后一位是之前推荐过的 Jack Anstey（目前在苏格兰创作）。他也用青橙对比——国外摄影师非常喜欢这种干净舒服的搭配，很多胶片色彩本质上就是青色调加橙色调——但他的用法完全不同：整体饱和度非常低，与 black.sail 的高饱和形成了鲜明对比，却依然搭配得非常舒服（视频 8:39 处）。","xe":"The last is Jack Anstey (featured in an earlier recommendation, now working from Scotland). He also uses teal-orange — the clean, comfortable pairing foreign photographers adore, and the backbone of many film emulation looks — but in a completely different way: overall saturation sits very low, a striking contrast with black.sail's vividness, and the result is just as harmonious (at 8:39 in the video)."},{"t":"img","f":"v12","w":768,"h":480},{"t":"img","f":"v13","w":768,"h":480},{"t":"p","x":"雨雾天气里，他会把背景做成冷色调，再利用画面中本来就暖的元素——动物的皮毛、枯黄的草、车灯的灯光、人物的衣着——把冷暖对比进一步拉开，后期处理起来事半功倍。他的构图也值得风景摄影师学习：第一人称带入感强、非常有故事感。他最经典的一批照片，都是大片的青色背景中留出一小部分暖色或金色作为对比（视频 9:36 处）。","xe":"In rainy, misty weather he cools the background, then widens the warm-cool gap with elements that are naturally warm — animal fur, dried grass, the glow of headlights, a figure's clothing — making the grade half done in advance. His compositions offer lessons for landscape shooters too: strong first-person immersion and a real sense of story. His most classic frames all reserve a small island of warmth or gold against sweeping teal (at 9:36 in the video)."},{"t":"p","x":"他对「度」的把握尤其精彩：比如那张照片，青色的天空被处理得非常淡、非常亮——天空亮起来之后，与较暗的地面形成极好的明暗层次；同时这种低饱和的淡青，搭配下面浓郁的橙色，谁也不抢谁的风头。若天空也处理得又暗又高饱和，就会和地面的金黄混作一团。正是这种克制，让画面有了绘画般的质感，充满几何构成与古典色彩搭配的味道（视频 10:36 处）。","xe":"His sense of degree is exquisite: in one frame the teal sky is rendered very pale and bright — once the sky is light, it sets up superb tonal layers against the darker ground, and the low-saturation teal lets the rich orange below shine without competition. Had the sky been equally dark and saturated, the two would blur into a single mass. That restraint gives his images a painterly quality, rich in geometric composition and classical color pairing (at 10:36 in the video)."},{"t":"img","f":"v14","w":768,"h":480},{"t":"quote","x":"1. 单色调不是随便套色：构图和明暗层次先过关，转成黑白依然好看，再上单色才高级；2. 同是青橙搭配，明度与饱和度的配比决定风格——black.sail 高饱和低明度的蓝配高明度橙，Jack Anstey 反其道而行之；3. 冷暖对比可以人为制造：选区分色、前期取景埋伏笔、一块衣服的点缀色都算数；4. 天空要亮就亮得彻底——明度差和饱和度差，是画面分出主次的隐形推手。","xe":"1. A monochrome look is never a one-click overlay: composition and tonal layering must first pass the black-and-white test — only then does a single hue elevate the image; 2. In every teal-orange pairing, the ratio of luminance and saturation defines the style — black.sail pairs deep, saturated blues with bright oranges, Jack Anstey inverts the formula; 3. Warm-cool contrast can be manufactured: zoned selections, color planted at the shooting stage, even a small accent of clothing counts; 4. If the sky is meant to be bright, take it all the way — differences in luminance and saturation are the invisible hands that rank a picture's elements."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1ND4y1E7zh/","b":false,"xe":"https://www.bilibili.com/video/BV1ND4y1E7zh/"},{"t":"h","x":"照片推荐","xe":"Photo Recommendations"},{"t":"img","f":"img-02","w":1080,"h":540},{"t":"img","f":"img-03","w":1080,"h":1337},{"t":"img","f":"img-04","w":1080,"h":1350},{"t":"img","f":"img-05","w":1080,"h":1343},{"t":"img","f":"img-06","w":1080,"h":1350},{"t":"img","f":"img-07","w":1080,"h":1350},{"t":"img","f":"img-08","w":1080,"h":1345},{"t":"img","f":"img-09","w":1080,"h":1171},{"t":"img","f":"img-10","w":1080,"h":770},{"t":"img","f":"img-11","w":1080,"h":1349},{"t":"img","f":"img-12","w":1080,"h":1350},{"t":"img","f":"img-13","w":1080,"h":1250},{"t":"img","f":"img-14","w":1080,"h":1344},{"t":"img","f":"img-15","w":1080,"h":770},{"t":"img","f":"img-16","w":1080,"h":1217},{"t":"img","f":"img-17","w":1080,"h":1350},{"t":"img","f":"img-18","w":1080,"h":1343},{"t":"img","f":"img-19","w":1080,"h":770},{"t":"img","f":"img-20","w":1080,"h":1337},{"t":"img","f":"img-21","w":1080,"h":1269},{"t":"img","f":"img-22","w":1080,"h":1266},{"t":"img","f":"img-23","w":1080,"h":1343},{"t":"img","f":"img-24","w":1080,"h":1312},{"t":"img","f":"img-25","w":1080,"h":442},{"t":"img","f":"img-26","w":1080,"h":1350},{"t":"img","f":"img-27","w":1080,"h":1350},{"t":"img","f":"img-28","w":1080,"h":1350},{"t":"img","f":"img-29","w":1080,"h":1350},{"t":"img","f":"img-30","w":1080,"h":1350},{"t":"img","f":"img-31","w":1080,"h":1350},{"t":"img","f":"img-32","w":1080,"h":1350},{"t":"img","f":"img-33","w":1080,"h":1350},{"t":"img","f":"img-34","w":1080,"h":1343},{"t":"img","f":"img-35","w":1080,"h":1349},{"t":"img","f":"img-36","w":1080,"h":1350},{"t":"img","f":"img-37","w":1080,"h":1350},{"t":"img","f":"img-38","w":1080,"h":1348},{"t":"img","f":"img-39","w":1080,"h":1350},{"t":"img","f":"img-40","w":1080,"h":1350},{"t":"img","f":"img-41","w":1080,"h":1350},{"t":"img","f":"img-42","w":1080,"h":1350},{"t":"img","f":"img-43","w":1080,"h":1350},{"t":"img","f":"img-44","w":1080,"h":1350},{"t":"img","f":"img-45","w":1080,"h":1350},{"t":"img","f":"img-46","w":1080,"h":1350},{"t":"img","f":"img-47","w":1080,"h":489},{"t":"img","f":"img-48","w":1080,"h":1350},{"t":"img","f":"img-49","w":1080,"h":1350},{"t":"img","f":"img-50","w":1080,"h":1350},{"t":"img","f":"img-51","w":1080,"h":1350},{"t":"img","f":"img-52","w":1080,"h":1350},{"t":"img","f":"img-53","w":1080,"h":1350},{"t":"img","f":"img-54","w":1080,"h":1350},{"t":"img","f":"img-55","w":1080,"h":1350},{"t":"img","f":"img-56","w":1080,"h":1350},{"t":"img","f":"img-57","w":1080,"h":1350},{"t":"img","f":"img-58","w":1080,"h":1350},{"t":"img","f":"img-59","w":1080,"h":1350},{"t":"img","f":"img-60","w":1080,"h":1347},{"t":"img","f":"img-61","w":1080,"h":1347},{"t":"img","f":"img-62","w":1080,"h":1350},{"t":"img","f":"img-63","w":1080,"h":1350},{"t":"img","f":"img-64","w":1080,"h":1349},{"t":"img","f":"img-65","w":1080,"h":1350},{"t":"img","f":"img-66","w":1080,"h":1350},{"t":"img","f":"img-67","w":1080,"h":1350},{"t":"img","f":"img-68","w":1080,"h":1348},{"t":"img","f":"img-69","w":1080,"h":1350},{"t":"img","f":"img-70","w":1080,"h":1350},{"t":"img","f":"img-71","w":1080,"h":1347},{"t":"img","f":"img-72","w":1080,"h":1350}],"titleEn":"What Godly Color Grading! 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