{"slug":"three-quiet-tone-photographers","title":"低饱和照片也很美！推荐3位静谧色调风景摄影师（审美拓展）","author":"Thomas看看世界","date":"2022-11-20","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247496446&idx=1&sn=d840a4450c343dd71a5fdfde2984dcf8&chksm=eb820c9adcf5858c1dc69a3d7df45af1953b65ce5fa27972386d0862ad7e76f5d546640e02ad&scene=21#wechat_redirect","blocks":[{"t":"p","x":"今天的摄影教程中，Thomas会推荐3位国外风景摄影师。","b":false,"xe":"In today's photography tutorial, Thomas will recommend 3 foreign landscape photographers."},{"t":"p","x":"他们的照片风格非常的静谧和谐，用低饱和度的色彩搭配出了非常耐看的照片，相信对我们的前期构图和后期调色也会很有启发！","b":false,"xe":"Their photos are very serene and harmonious, using low-saturation colors to create very timeless-looking photos. I believe this will be very inspiring for our shooting composition and post-processing color grading!"},{"t":"img","f":"img-01","w":1080,"h":608},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1244y1Q7Zu","bpic":"bili-1","bt":"低饱和照片也很美！推荐3位静谧色调风景摄影师（审美拓展）"},{"t":"p","x":"这一篇是上面视频的图文整理。这期审美拓展里，Thomas 推荐了三位风格静谧和谐的低饱和摄影师，并拆解了这类照片耐看的底层逻辑——影调、形状与线条的支撑，以及点缀色的巧妙搭配。视频后半段是纯音乐的照片欣赏，本文把三位摄影师的主页与代表作也一并截图整理，方便按图索骥。","xe":"This is the illustrated companion to the video above. In this aesthetic-expansion episode, Thomas recommends three photographers with a serene, harmonious low-saturation style and unpacks why these photos reward long looking — the support of tonality, shapes and lines, plus the deft use of accent colors. The second half of the video is a music-only photo showcase; screenshots of each photographer's profile and representative works are collected here as well, so you can follow up on them easily.","b":false},{"t":"p","x":"先看一个开胃例子。下面这张照片几乎接近黑白，但雪山、草地、汽车与人物层次分明——车和人的小主体在低饱和环境里反而格外显眼，画面从近到远由黑到亮，层次感非常清楚（视频 0:49 处）。","xe":"Start with an appetizer. The photo below is nearly black and white, yet the snowy mountains, grassland, car and figure are all clearly separated — the small subject of car and person stands out all the more in a low-saturation setting, and the frame graduates from black in the near field to bright in the distance, with unmistakable layering (at 0:49 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"h","x":"01 低饱和的底子：影调与线条","xe":"01 The Foundation of Low Saturation: Tonality and Lines"},{"t":"p","x":"为什么很多照片一降饱和就发灰发闷？视频 0:20 处给出了答案：这些摄影师的低饱和，是建立在丰富的影调与图形之上的。无论是拍城市的、拍街头的，还是拍自然风景的，他们的画面里明暗对比、形状与线条都非常丰富——色彩只是锦上添花的那一层。","xe":"Why do so many photos turn dull and flat the moment saturation drops? The video answers at 0:20: these photographers' low saturation rests on rich tonality and graphics. Whether shooting cities, streets or natural landscapes, their frames are full of light-dark contrast, shapes and lines — color is merely the icing on the cake.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"p","x":"比如这张雾林照片：树木的形状、人物的渺小、由深到浅的空间过渡，都在色彩退场后显得更加清晰。眼睛不再被鲜艳的颜色吸引，转而阅读画面的结构与明暗（视频 0:42 处）。","xe":"Take this misty-forest photo: the shapes of the trees, the smallness of the figure, the transition from dark to light in depth all become clearer once color steps aside. The eye is no longer drawn to vivid hues but reads the structure and the light instead (at 0:42 in the video).","b":false},{"t":"h","x":"02 点缀色：低饱和不等于全灰","xe":"02 Accent Colors: Low Saturation Is Not All Gray"},{"t":"p","x":"低饱和的照片并不是整张都灰。视频 0:59 处强调，它们经常保留一处高饱和的点缀——比如黑石滩上穿红衣的人，一小块鲜艳就打破了整个环境的低饱和，形成点睛之笔（视频 1:11 处）。","xe":"Low-saturation photos are not gray throughout. The video stresses at 0:59 that they often keep one saturated accent — like the red-clad figure on the black-rock beach, where a single small patch of vivid color breaks the muted surroundings and becomes the finishing touch (at 1:11 in the video).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"夜景的搭配思路同理：整体环境是低饱和的青蓝色，而灯光透出饱和度适中的橙色和红色，冷暖与高低饱和互相衬托，画面就显得格外和谐（视频 1:22 处）。","xe":"Night scenes follow the same logic: the environment stays a low-saturation cyan-blue while the lights emit moderately saturated oranges and reds — cool against warm, muted against vivid, each setting the other off (at 1:22 in the video).","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"h","x":"03 高地与雾林：两位风景摄影师","xe":"03 Highlands and Mist: Two Landscape Photographers"},{"t":"p","x":"第一位是 Jack Anstey，一位目前常驻苏格兰高地的自由摄影师。他的照片以雾、水与低垂的光线为标志，色温偏冷、饱和度克制，呈现出典型的「静谧感」（视频 1:40 处）。","xe":"The first is Jack Anstey, a freelance photographer currently based in the Scottish Highlands. His photos are marked by mist, water and low-slung light — cool-toned and restrained in saturation, the very picture of quietness (at 1:40 in the video).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"海面上的灯塔、雾中孤树、暮色下的雪原，他的画面常常只保留一两个极简的主体，让大面积的低饱和环境去烘托氛围（视频 1:52 处）。","xe":"A lighthouse on the sea, a lone tree in fog, a snowfield at dusk — his frames often keep just one or two minimal subjects, letting the wide low-saturation surroundings carry the mood (at 1:52 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"第二位是 Gareth Llewelyn，一位常驻北威尔士斯诺登尼亚的摄影师兼电影制作人。他的作品同样低沉静谧，但多了山地与河谷的野性，层次过渡非常柔和（视频 2:25 处）。","xe":"The second is Gareth Llewelyn, a photographer and filmmaker based in Snowdonia, North Wales. His work is equally muted and serene, but with the wildness of mountains and river valleys, and remarkably soft tonal transitions (at 2:25 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"04 城市夜景与街头：J.Cabral","xe":"04 City Nights and Streets: J.Cabral"},{"t":"p","x":"第三位是 J.Cabral，一位常驻葡萄牙波尔图的摄影师，主页 ID 是 jccabral_color（视频 3:09 处）。他专注城市夜景与街头，正是前面「青蓝底 + 橙红灯光」搭配思路的最佳示范——钢桥下的车灯、雾中的行人，都被低饱和的环境压得温柔而克制。","xe":"The third is J.Cabral, a Portuguese photographer based in Porto whose handle is jccabral_color (at 3:09 in the video). He specializes in city nights and street scenes — the best living example of the \"cyan-blue base plus orange-red lights\" pairing described earlier: headlights under steel bridges, figures in fog, all softened and restrained by the low-saturation environment.","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"他的街头照片也值得细看：雾气把远景压成一片灰蓝，孤零零的行人成为画面里唯一的高对比点。这就是低饱和风格的另一种用法——不做色彩的盛宴，而是给情绪留出空间（视频 3:44 处）。","xe":"His street photos reward a closer look too: fog flattens the distance into a sheet of gray-blue, and a solitary pedestrian becomes the only high-contrast point in the frame. This is the other use of the low-saturation style — not a feast of color, but room left for emotion (at 3:44 in the video).","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"quote","x":"1. 低饱和照片的耐看，靠影调、形状与线条支撑，而不是色彩本身；2. 低饱和不等于全程灰暗——一个鲜艳人物、一盏橙红灯光，都是打破沉闷的点睛之笔；3. 城市夜景可用低饱和青蓝打底，让饱和度适中的橙红灯光成为视觉焦点；4. 审美拓展可以多看静谧风景、氛围街头与城市夜景三类摄影师，对构图与调色都有启发。","xe":"1. Low-saturation photos endure through the support of tonality, shapes and lines, not through color itself; 2. Low saturation does not mean gray everywhere — a vividly dressed figure or an orange-red lamp can be the finishing touch that breaks the dullness; 3. For city nights, lay down a low-saturation cyan-blue base and let moderately saturated orange-red lights become the focal point; 4. For aesthetic expansion, look at serene landscape, atmospheric street and urban-night photographers — they inspire both composition and color grading."},{"t":"h","x":"高清视频：","xe":"HD video:"},{"t":"p","x":"https://www.bilibili.com/video/BV1244y1Q7Zu/","b":false,"xe":"https://www.bilibili.com/video/BV1244y1Q7Zu/"},{"t":"h","x":"照片推荐","xe":"Photo Recommendations"},{"t":"img","f":"img-02","w":1080,"h":521},{"t":"img","f":"img-03","w":1080,"h":1350},{"t":"img","f":"img-04","w":1080,"h":1347},{"t":"img","f":"img-05","w":1080,"h":1350},{"t":"img","f":"img-06","w":1080,"h":1349},{"t":"img","f":"img-07","w":1080,"h":1349},{"t":"img","f":"img-08","w":1080,"h":1349},{"t":"img","f":"img-09","w":1080,"h":1350},{"t":"img","f":"img-10","w":1080,"h":1350},{"t":"img","f":"img-11","w":1080,"h":1350},{"t":"img","f":"img-12","w":1080,"h":1348},{"t":"img","f":"img-13","w":1080,"h":1350},{"t":"img","f":"img-14","w":1080,"h":1350},{"t":"img","f":"img-15","w":1080,"h":1350},{"t":"img","f":"img-16","w":1080,"h":1311},{"t":"img","f":"img-17","w":1080,"h":1350},{"t":"img","f":"img-18","w":1080,"h":1350},{"t":"img","f":"img-19","w":1080,"h":1350},{"t":"img","f":"img-20","w":1080,"h":1350},{"t":"img","f":"img-21","w":1080,"h":1350},{"t":"img","f":"img-22","w":1080,"h":435},{"t":"img","f":"img-23","w":1080,"h":1349},{"t":"img","f":"img-24","w":1080,"h":1348},{"t":"img","f":"img-25","w":1080,"h":1347},{"t":"img","f":"img-26","w":1080,"h":1350},{"t":"img","f":"img-27","w":1080,"h":1350},{"t":"img","f":"img-28","w":1080,"h":1350},{"t":"img","f":"img-29","w":1080,"h":1350},{"t":"img","f":"img-30","w":1080,"h":1350},{"t":"img","f":"img-31","w":1080,"h":1350},{"t":"img","f":"img-32","w":1080,"h":1349},{"t":"img","f":"img-33","w":1080,"h":1350},{"t":"img","f":"img-34","w":1080,"h":1349},{"t":"img","f":"img-35","w":1080,"h":1350},{"t":"img","f":"img-36","w":1080,"h":1349},{"t":"img","f":"img-37","w":1080,"h":1350},{"t":"img","f":"img-38","w":1080,"h":1349},{"t":"img","f":"img-39","w":1080,"h":1349},{"t":"img","f":"img-40","w":1080,"h":1349},{"t":"img","f":"img-41","w":1080,"h":1349},{"t":"img","f":"img-42","w":1080,"h":1349},{"t":"img","f":"img-43","w":1080,"h":392},{"t":"img","f":"img-44","w":1080,"h":1620},{"t":"img","f":"img-45","w":1080,"h":1350},{"t":"img","f":"img-46","w":1080,"h":1350},{"t":"img","f":"img-47","w":1080,"h":1350},{"t":"img","f":"img-48","w":1080,"h":1351},{"t":"img","f":"img-49","w":1080,"h":1351},{"t":"img","f":"img-50","w":1080,"h":1350},{"t":"img","f":"img-51","w":1080,"h":1350},{"t":"img","f":"img-52","w":1080,"h":1350},{"t":"img","f":"img-53","w":1080,"h":1351},{"t":"img","f":"img-54","w":1080,"h":1350},{"t":"img","f":"img-55","w":1080,"h":1350},{"t":"img","f":"img-56","w":1080,"h":1350},{"t":"img","f":"img-57","w":1080,"h":1350},{"t":"img","f":"img-58","w":1080,"h":1350},{"t":"img","f":"img-59","w":1080,"h":1350},{"t":"img","f":"img-60","w":1080,"h":1350},{"t":"img","f":"img-61","w":1080,"h":1350},{"t":"img","f":"img-62","w":1080,"h":1350},{"t":"img","f":"img-63","w":1080,"h":1351},{"t":"h","x":"相关教程：","xe":"Related tutorials:"},{"t":"p","x":"《风光摄影后期进阶系列课》","b":false,"xe":"\"Landscape Photography Post-Processing Advanced Series Course\""},{"t":"p","x":"《这3位ins摄影师镜头下的中国，也太酷了吧！》","b":false,"xe":"\"The China Under These 3 Instagram Photographers' Lenses Is So Cool!\""},{"t":"p","x":"《500px上最值得关注的5位风光摄影师》","b":false,"xe":"\"The 5 Landscape Photographers Most Worth Following on 500px\""},{"t":"p","x":"《值得持续关注的5位风光摄影师，他们的近作太震撼了吧！》","b":false,"xe":"\"5 Landscape Photographers Worth Continuing to Follow — Their Recent Works Are Too Stunning!\""},{"t":"p","x":"《你天天看的大片，其实只是风光摄影的冰山一角》","b":false,"xe":"\"The Masterpieces You Watch Every Day Are Actually Just the Tip of the Iceberg of Landscape Photography\""},{"t":"p","x":"《没有红云就不知道怎么拍？不妨关注一下这3位风光摄影师~》","b":false,"xe":"\"Don't Know How to Shoot Without Red Clouds? 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