{"slug":"two-photographers-same-scene","title":"策划思路与拍摄过程揭秘，两位摄影师拍同一场景有何不同？","author":"Thomas看看世界","date":"2020-12-27","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247492471&idx=1&sn=78863eb35e6ed389dc08db0c2c719e1b&chksm=eb821d13dcf594059230f64f5c3df6970a00861d2d9d01e5ff0fc669e782f67432a5a00c442c&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"对于摄影而言，除了拍摄参数和后期处理外，其实拍摄前的想法和规划也很重要。","b":false,"xe":"For photography, beyond camera settings and post-processing, the ideas and planning before shooting are also crucial."},{"t":"p","x":"在同一个场景，人像摄影师无限TX和我的思路会有什么不一样呢？本周教程，我们就会分享我们在西北的拍摄策划思路和探索过程。","b":false,"xe":"In the same scene, how would the thinking of portrait photographer Wuxian TX differ from mine? In this week's tutorial, we share our planning ideas and exploration process for shooting in Northwest China."},{"t":"h","x":"视频教程","xe":"Video Tutorial"},{"t":"bili","bv":"BV1sV411b7EX","bpic":"bili-1","bt":"人像与风光摄影师拍同一场景？思路和过程有何不同？"},{"t":"p","x":"这一篇是上面视频的图文整理。Thomas 与人像摄影师无限TX一同前往敦煌的沙漠，面对同一片场景——一位把沙漠当主体，一位把沙漠当背景。本期视频记录了两人拍摄前的策划思路与现场过程，本文按采访顺序配上关键帧截图，看看两种摄影思维如何各自展开。","xe":"This is the fully illustrated companion to the video above. Thomas and portrait photographer WuxianTX traveled together to the desert of Dunhuang to face the same scene — one treating the desert as subject, the other as backdrop. The video records their planning and on-location process; keyframe screenshots follow in order, showing how two photographic minds unfold.","b":false},{"t":"h","x":"01 风光思路：寻找沙漠的特征","xe":"01 The Landscape Eye: Finding the Desert's Character"},{"t":"p","x":"在人像摄影里，沙漠可能只是背景、用来衬托人物（视频 0:58 处）；但对风光摄影而言，沙漠就是主体本身。所以 Thomas 的第一步是寻找沙漠的特征——它最具表现力的地方、最具当地地理与地貌特点的元素（1:10 处）。","xe":"In portrait work the desert may serve merely as a backdrop to set off the model (at 0:58 in the video); for a landscape photographer, the desert is the subject itself. So Thomas's first step is hunting the desert's character — its most expressive aspects, the features that speak of local geography and landform (at 1:10 in the video).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"风塑造了沙漠丰富的层次与细致的纹理，因此他常利用光线与特写去表现沙丘的层次、细节与质感（视频 1:24 处）；日落时分的光影把沙脊线勾勒得格外清晰（1:41 处）。","xe":"Wind sculpted the desert into rich layers and fine textures, so Thomas uses light and close frames to render the dunes' layering, detail and grain (at 1:24 in the video); at dusk the raking light traces every ridge line with clarity (at 1:41 in the video).","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"img","f":"v06","w":852,"h":480},{"t":"p","x":"另一个打动他的细节：敦煌的沙漠并非毫无生机，沙丘之间生活着许多坚强倔强的植物（视频 1:47 处）。他想表现沙漠中的生命力——比如一张照片里，前景是植物的光合作用，背景是敦煌的光热发电站，同样在利用光线产生能量，这是人类对自然光线的利用，与植物形成有趣的呼应（2:02-2:19 处）。","xe":"Another detail moved him: Dunhuang's desert is not lifeless — tough, stubborn plants live between the dunes (at 1:47 in the video). He wanted to show the desert's vitality: in one frame, a plant photosynthesizes in the foreground while the Dunhuang solar-thermal power station stands behind, also turning light into energy — humanity's use of natural light answering the plant's (at 2:02-2:19 in the video).","b":false},{"t":"p","x":"现场拍摄中，Thomas 会精心选择角度：比如把前景的一条河、中景的棱线与远处的一棵树组织到一起，把树放在中间，后接隆起沙丘形成高调的效果（视频 2:48-3:00 处）。参数上他用 ISO200、F16、1/500 秒——光圈收到 F16 保证远近都清晰，也防止沙面反光导致过曝，多拍几张保险（3:02-3:18 处）。","xe":"On location Thomas composes deliberately: a river in the foreground, a dune edge mid-frame and a distant tree placed at center, the rising dune behind pushing the frame toward a high-key look (at 2:48-3:00 in the video). His settings: ISO 200, f/16, 1/500 s — the small aperture keeps everything sharp and guards against overexposure from the reflective sand, with extra frames for safety (at 3:02-3:18 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"h","x":"02 人像思路：干净背景里的善与恶","xe":"02 The Portrait Eye: Good and Evil on a Clean Backdrop"},{"t":"p","x":"无限TX 的主题是「两面」（视频 4:11 处）：他想拍出人性中善与恶的对立与统一。选择敦煌的沙漠，是因为这里能提供足够干净的元素——让主题本身被凸显出来。造型上他让搭配师准备了黑色与白色的西装，去表达善与恶的对立面（4:17-4:36 处）。","xe":"WuxianTX's theme is \"Two Faces\" (at 4:11 in the video): the opposition and unity of good and evil in human nature. He chose the Dunhuang desert for its clean, minimal elements that let the theme speak; the stylist prepared black and white suits to stage that opposition (at 4:17-4:36 in the video).","b":false},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"拍摄场景的选择也讲究：整体相对干净、又不失丰富（视频 4:37 处）。表现手法上，有人物两面的角色互换、两人共存的特写、用镜子表达两面的对立关系，以及纠缠在一起的身体——把内心的善恶纠缠可视化（4:49-5:22 处）。","xe":"Scene selection follows the same logic: relatively clean yet not empty (at 4:37 in the video). The vocabulary of the shoot includes role-swapping between the two sides of a character, close-ups of their coexistence, mirrors expressing the opposition of two faces, and entangled bodies — making the inner struggle between good and evil visible (at 4:49-5:22 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"img","f":"v11","w":852,"h":480},{"t":"h","x":"03 同一场景，两种答案","xe":"03 One Scene, Two Answers"},{"t":"p","x":"这次敦煌之行呈现的，是两位摄影师在按下快门之前的想法、思路与准备（视频 5:40 处）。照片在拍摄之前，其实有非常多的准备和思考工作——风光摄影师在找地貌与光线，人像摄影师在找主题与造型，同一片沙漠因此长出了两组完全不同的作品。","xe":"This Dunhuang trip reveals what happens before the shutter: the ideas, thinking and preparation of two photographers (at 5:40 in the video). A photo carries far more pre-work and thought than it shows — the landscape photographer hunting landforms and light, the portrait photographer hunting theme and styling — and one desert thus grows two utterly different bodies of work.","b":false},{"t":"p","x":"本次拍摄与后期全程使用戴尔 XPS 17 新款大屏笔记本完成（视频 6:11 处），兼顾屏幕素质、性能与便携性，是旅行修图的得力工具。片尾也要感谢各赞助商与观众对活动的支持（5:57 处）。","xe":"Shooting and post for the project ran entirely on the new large-screen Dell XPS 17 (at 6:11 in the video) — a machine balancing display quality, performance and portability, a capable companion for editing on the road. Thanks as well to the sponsors and audience for supporting the event (at 5:57 in the video).","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"quote","x":"1. 风光与人像的本质差异在「主体」——风光以景为主体重找特征，人像以人为主体把环境化作衬托；2. 表现风光先抓地貌特征：层次、纹理与光线，再加上生命力这样的叙事元素；3. 人像创作从主题出发，用造型、道具与场景的「干净」服务表达；4. 好照片拍之前就有大量准备与思考——思路决定同一个场景的不同答案。","xe":"1. The core difference between landscape and portrait is the subject — one hunts the land's character, the other lets the environment serve the person; 2. To express a landscape, capture its features first: layers, texture and light, then narrative elements like life in the sands; 3. Portrait work starts from a theme, with styling, props and a clean scene all serving that expression; 4. A good photo carries immense preparation and thought before the shutter — mindset decides how one scene yields different answers."},{"t":"h","x":"无限TX作品","xe":"Works by Wuxian TX"},{"t":"img","f":"img-02","w":1080,"h":720},{"t":"img","f":"img-03","w":1080,"h":1619},{"t":"img","f":"img-04","w":1080,"h":1620},{"t":"img","f":"img-05","w":1080,"h":1620},{"t":"img","f":"img-06","w":1080,"h":720},{"t":"img","f":"img-07","w":1080,"h":720},{"t":"h","x":"Thomas作品","xe":"Works by Thomas"},{"t":"img","f":"img-09","w":690,"h":460},{"t":"img","f":"img-10","w":690,"h":486},{"t":"img","f":"img-11","w":690,"h":892},{"t":"img","f":"img-12","w":690,"h":421},{"t":"img","f":"img-13","w":690,"h":460},{"t":"img","f":"img-14","w":690,"h":922},{"t":"img","f":"img-15","w":690,"h":460},{"t":"img","f":"img-16","w":690,"h":452},{"t":"img","f":"img-17","w":690,"h":460},{"t":"h","x":"欢迎关注托马斯的旅行与摄影攻略","xe":"Follow Thomas for more travel & photography tips"}],"titleEn":"Two Photographers, One Scene: Planning and Shooting Process Revealed"}