{"slug":"vignetting-tutorial","title":"​摄影后期最简单却最出效果的操作：加暗角！详细教程来啦","author":"Thomas看看世界","date":"2023-01-15","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247496945&idx=1&sn=436652d2892a2a96170937fd2695c8af&chksm=eb820a95dcf583839e7cd49032dbf692833a2d2d3335406c3840d44a84cb405a60d3541690c7&scene=21#wechat_redirect","blocks":[{"t":"p","x":"加暗角晕影，应该是很多摄影师很喜欢用的一种后期技术了，操作简单效果却立竿见影。","b":false,"xe":"Adding a vignette must be one of photographers' favorite post-processing techniques — simple to apply, with an immediate effect."},{"t":"p","x":"不过哪些照片适合加暗角，哪些不太适合？暗角有哪些作用？","b":false,"xe":"But which photos suit a vignette, and which don't? And what does a vignette actually do?"},{"t":"p","x":"这些我都会在今天的教程中详细分析，以及分享3种最好用的后期加暗角工具。","b":false,"xe":"I will analyze all of this in detail in today's tutorial, and share the three best tools for adding vignettes in post."},{"t":"img","f":"img-01","w":1080,"h":720},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1XA411d7KR","bpic":"bili-1","bt":"摄影后期最简单最出效果也易翻车的操作：加暗角！详细教程来啦~"},{"t":"p","x":"这一篇是上面视频的图文整理。暗角是摄影后期里最简单、最出效果、也最容易翻车的一步操作——Thomas 用自己的十张作品做例子，讲清楚了暗角的三大作用、哪些照片适合加暗角哪些容易弄巧成拙，以及三种好用的加暗角工具与参数，全程配有关键帧截图。","xe":"This is the fully illustrated companion to the video above. Vignetting is the simplest, most effective and most easily botched move in photo editing. Using ten of his own photos, Thomas explains the three functions of a vignette, which photos suit it and which it ruins, plus three handy tools and their settings — with keyframe screenshots throughout.","b":false},{"t":"p","x":"先看总结卡。视频 0:22 处的要点页把整期内容分成了三部分：暗角的作用、哪些照片适合加暗角哪些不适合、以及三种好用的暗角处理工具——下文逐一展开。","xe":"Start with the summary card. The slide at 0:22 in the video splits the episode into three parts: what a vignette does, which photos take one well and which do not, and three handy vignetting tools — each unpacked below.","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"h","x":"01 暗角的三大作用","xe":"01 What a Vignette Does"},{"t":"p","x":"作用一：视觉引导（视频 1:04 处）。暗角最大的作用是把视线引向画面中央——雪山也好、布达拉宫也好，当画面的重心在中央或者中央三分之一处时，周边压暗、中间变亮，我们的眼睛就会自然而然地被推到那些兴趣点上，引导作用非常强。","xe":"Function one: visual guidance (at 1:04 in the video). A vignette's chief job is pulling the eye toward the center of the frame — a snow mountain or the Potala Palace, when the subject sits at the center or the central third, darker edges and a brighter middle push the eye straight onto those points of interest.","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"p","x":"作用二：增加画面的明暗纵深感（视频 1:36 处）。比如这张中间带太阳的照片，原图上你不可能在这么小的范围里看到太阳光的衰减；但加上暗角之后，中间被照亮、周边慢慢变暗，仿佛阳光在照片里真实地衰减开来，一下子整张照片就更立体、更有空间感。","xe":"Function two: depth through luminance (at 1:36 in the video). Take the photo with the sun at its center — in the original you could never see sunlight falling off across such a small span; with a vignette, the middle glows and the edges fade, as if light genuinely decayed within the photo, and the whole frame suddenly gains body and space.","b":false},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"作用三：遮蔽杂乱的物体（视频 2:09 处）。画面边缘的电线、杂物、干扰物，都可以用暗角悄悄压进阴影里——这也是它在风光后期里「出效果」的重要原因。后文会用到布达拉宫前太阳能热水器的例子来演示这一点。","xe":"Function three: hiding clutter (at 2:09 in the video). Wires, debris and distractions at the frame's edge can all be pressed quietly into shadow — a big reason vignettes \"work\" in landscape editing. The solar water heaters before the Potala Palace will demonstrate this later.","b":false},{"t":"h","x":"02 哪些照片适合、哪些容易翻车","xe":"02 Which Photos Take a Vignette — and Which Do Not"},{"t":"p","x":"暗角更适合暗调的照片（视频 2:24 处）：暗角本来就隐藏在暗调里，所以可以加得比较猛，也不显得不自然。第二，重要元素在画面中间或中央区域的照片——比如三颗流星、居中的布达拉宫；框架式构图也特别适合，因为四周的框天然会过渡到中间的主体（2:41-3:04 处）。有明暗层次对比的画面里，暗角效果也更好。","xe":"Vignettes suit dark-toned photos best (at 2:24 in the video): the effect hides inside the shadows, so it can be pushed hard without looking fake. Second, photos whose key subject sits in the middle — three meteors, a centered Potala; frame-within-frame compositions are ideal too, since the surrounding frame already leads inward (at 2:41-3:04 in the video). Images with existing light-dark layering take vignettes even better.","b":false},{"t":"p","x":"反过来，三类照片要小心（视频 3:17 处）。一是非中心结构：一张左右对称的冰面，加上暗角后本来干净一片的冰面会出现莫名的明暗过渡，看着非常不舒服。二是高调照片：稍微加一点暗角都特别明显，幅度一定要小，甚至干脆不加。三是画面从上到下展开的结构——由外到内的暗角会和构图方向直接冲突（3:37-4:08 处）。","xe":"Three cases demand caution (at 3:17 in the video). Non-centered structures: on a symmetric sheet of ice, a vignette injects a strange luminance gradient into what was a clean expanse. High-key photos: even a touch of vignette is glaring — keep it tiny or skip it. And compositions that unfold top-to-bottom clash head-on with an outside-in vignette (at 3:37-4:08 in the video).","b":false},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"所以在动手之前，先对着照片做现场分析：它适合加暗角吗？加多少？不适合还硬加，就会弄巧成拙（视频 4:08 处）。","xe":"So before touching the sliders, analyze the photo on its own terms: does it take a vignette, and how much? Forcing one where it does not belong only backfires (at 4:08 in the video).","b":false},{"t":"h","x":"03 三种加暗角的工具与参数","xe":"03 Three Tools and Their Settings"},{"t":"p","x":"工具一：Camera Raw 效果面板里的「晕影」（视频 4:24 处），最简单也最好用。数量往左是加暗角、往右是加亮角；羽化值一般给 50-100，越大过渡越自然，为 0 时会变成一个明暗分明的框；圆度默认 0 是椭圆形、100 是正圆形、-100 接近长方形，保持 0 即可；中点往左收向中心、往右推向边缘，一般往中间收一点（4:39-5:38 处）。","xe":"Tool one: the Effects panel's Vignette in Camera Raw (at 4:24 in the video) — simplest and best. Amount left darkens, right brightens; Feather usually 50-100, the higher the smoother — at zero you get a hard-edged box; Roundness 0 is an ellipse, 100 a circle, -100 near-rectangular — just leave it at 0; Midpoint slides the falloff toward center or edge, and it usually wants to come slightly inward (at 4:39-5:38 in the video).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"p","x":"「高光」滑块一般不去动它（视频 5:43 处）：它的作用是让暗角区域里原本较亮的物体恢复亮度。但大多数时候，边缘的高光物体正是我们要遮掉的——比如布达拉宫照片边缘那些太阳能热水器，和宫殿的神圣感放在一起瞬间减分，直接用暗角把它们遮住就好（6:07-6:27 处）。","xe":"Leave the Highlights slider alone as a rule (at 5:43 in the video): it restores brightness to bright objects inside the vignetted zone — yet those edge highlights are usually exactly what we want gone. The solar water heaters at the edge of the Potala photo, for instance, instantly cheapen the palace's sacred air; a vignette swallows them whole (at 6:07-6:27 in the video).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"p","x":"工具二：Nik Collection 的 Color Efex Pro 滤镜「变亮变暗中心点」（视频 6:32 处）。风光摄影师基本都会装 Nik，用其他滤镜时顺手就能做暗角。它比效果面板强在三点：除了四周变暗，中央还能提亮；形状可以调整；最重要的是中心点不必在画面正中央，可以放在任意位置——比如格陵兰那张太阳在三分之一处的照片，把中心点放在三分之一处与中心之间，看起来就自然得多（6:53-7:29 处）。","xe":"Tool two: the \"Brighten/Darken Center\" filter in Nik Collection's Color Efex Pro (at 6:32 in the video). Landscape photographers almost all own Nik, so the vignette can ride along with other filters. It beats the effects panel in three ways: besides darkening the edges it can brighten the center; its shape adjusts; and above all its center point can sit anywhere — for the Greenland frame with the sun in the upper third, placing the point between that third and the center reads far more naturally (at 6:53-7:29 in the video).","b":false},{"t":"img","f":"v10","w":852,"h":480},{"t":"p","x":"工具三：最自由最强大的，还是 Camera Raw 里的局部滤镜——径向滤镜（视频 7:38 处）。拉出一个径向渐变，中心直接提亮即可；羽化值 0 到 100 控制过渡区域。要加常规暗角，就把径向滤镜的蒙版反向，对周边压一点曝光；也可以只压阴影——只影响原本就暗的区域、不动整体亮度；或者只把周边的高光降下来，让它们别那么扎眼（7:45-8:58 处）。","xe":"Tool three, the freest and mightiest: Camera Raw's local filters — the Radial Filter (at 7:38 in the video). Draw a radial gradient and simply lift the center; feather from 0 to 100 controls the transition. For a standard vignette, invert the radial mask and pull exposure down around the edges; or lower only the shadows — touching what was already dark without shifting overall brightness; or just drag the edge highlights down so they stop shouting (at 7:45-8:58 in the video).","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"径向滤镜的位置、羽化、形状都可以任意改，有时还会配合渐变滤镜一起用——比如照片的下半部分需要压得更暗时，用渐变滤镜只压底部、不动上部，比单纯的暗角更灵活（视频 9:13-9:34 处）。当然，大多数情况下并不需要动用这把「核武器」：效果面板里把晕影稍微一拉，效果就出来了（9:01 处）。","xe":"The radial filter's position, feather and shape are all freely adjustable, and it often teams up with the Graduated Filter — when the bottom of a frame needs to sink into darkness while the top stays untouched, a gradient is nimbler than a plain vignette (at 9:13-9:34 in the video). Most of the time, though, you will not need this nuclear option: a small tug on the Vignette slider already does the job (at 9:01 in the video).","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"p","x":"归根结底，加暗角是为了两件事（视频 9:37 处）：把视觉引导到画面中心，以及增强整体的光线层次——布达拉宫被阳光照亮，在暗角的包围下更加突出；地面上杂乱的屋顶和热水器被压进阴影，仿佛沐浴在暗处看不到，画面恢复了干净（9:48-10:16 处）。这就是暗角的意义。","xe":"In the end, a vignette serves two purposes (at 9:37 in the video): guiding the eye to the center and strengthening the photo's luminance structure — the sunlit Potala Palace stands prouder inside its ring of shadow, while the cluttered rooftops and water heaters below sink into darkness as if bathed in shade, restoring the frame's cleanliness (at 9:48-10:16 in the video). That is what a vignette is for.","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"quote","x":"1. 暗角三大作用：视觉引导到中心、增加明暗纵深感、遮蔽边缘杂乱物体；2. 暗调、中心构图、框架结构的照片适合加暗角，左右对称、高调、自上而下结构的照片要小心弄巧成拙；3. 日常用 Camera Raw 晕影就够——羽化 50-100、圆度 0、中点稍向中心收、高光不恢复；4. 需要更自由时用 Nik「变亮变暗中心点」或径向滤镜加渐变滤镜，位置形状随心而变。","xe":"1. A vignette guides the eye inward, deepens the luminance structure, and buries clutter at the edges; 2. Dark-toned, center-composed and frame-within-frame photos take vignettes well; symmetric, high-key and top-down structures can easily backfire; 3. Day to day, Camera Raw's Vignette is enough — feather 50-100, roundness 0, midpoint slightly inward, highlights untouched; 4. For more freedom, use Nik's Brighten/Darken Center or a radial filter paired with a gradient — position and shape at will."}],"titleEn":"The Simplest Yet Most Effective Post Move: Vignetting — A Detailed Tutorial"}