{"slug":"wb-calibration-color-grading","title":"只用两个PS工具，调出百种流行后期色调？！白平衡+三原色工具组合调色教程","author":"Thomas看看世界","date":"2020-10-25","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247491771&idx=1&sn=f3833229a1a7b3e3ec789ee10f8f17e5&chksm=eb821edfdcf597c94da62e91589ba5c341a216858ea14cd8d162d3b04d55fe4615e4c637015f&scene=21#wechat_redirect","blocks":[{"t":"h","x":"Thomas看看世界","xe":"Thomas Chu Photo"},{"t":"p","x":"在《风光摄影后期基础》一书中，我总结过流行后期色调的三大规律：主色调强烈，色相较为统一，以及色相互补搭配。","b":false,"xe":"In my book \"Foundations of Landscape Photography Post-Processing,\" I summarized three rules behind popular color grades: a strong dominant color, a fairly unified palette, and complementary color pairings."},{"t":"p","x":"而Photoshop中的色温色调滑块（白平衡工具），以及Camera Raw校准面板里的三原色滑块，就可以起到统一色调、赋予主色、增加冷暖对比的作用。","b":false,"xe":"The Temp/Tint sliders in Photoshop (the White Balance tool) and the Primaries sliders in Camera Raw's Calibration panel can unify a palette, establish a dominant color, and add warm-cool contrast."},{"t":"p","x":"因此这两个滑块，在很多网红色调调色中都有应用，今天Thomas就会和大家深入浅出的进行讲解。","b":false,"xe":"These two sets of sliders appear in many trending color grades, and today Thomas explains them in an accessible, in-depth way."},{"t":"h","x":"视频教程","xe":"Video Tutorial"},{"t":"bili","bv":"BV1iz4y1C7cm","bpic":"bili-1","bt":"只用两个PS工具，调出上百种流行后期色调？！三原色+色温色调工具调色教程"},{"t":"p","x":"这一篇是上面视频的完整图文整理。Thomas 只用两个工具——基础面板的色温色调（白平衡）滑块，加校准面板的三原色滑块——现场把一张南京路夜景调成蓝调、橙青、赛博朋克紫，又把一片沙漠变成粉色、巧克力色和蓝色。流行色调背后的秘密，全都藏在这两组滑块里。全文配视频关键帧截图，先看图看懂逻辑，再去视频里跟练。","xe":"This is the fully illustrated companion to the video above. Using just two tools — the Temp/Tint (white balance) sliders in the Basic panel and the Primaries sliders in the Calibration panel — Thomas turns a Nanjing Road night shot into blue, orange-teal and cyberpunk purple, and morphs one desert into pink, chocolate and blue. The secret behind trending color lives in these two slider groups. Keyframe screenshots accompany the text: read here for the logic, then follow along in the video.","b":false},{"t":"img","f":"v05","w":768,"h":480},{"t":"h","x":"01 色温色调：给全片罩一层底色","xe":"01 Temp and Tint: Draping the Whole Frame in a Base Color"},{"t":"p","x":"理解两个工具最快的方法，是用一张中间为中灰色的色相环做实验（视频 0:33 处）。色温滑块往左移，整张照片笼罩上一层蓝色，原本鲜艳的红橙黄都被「垫」了一层冷色，不再扎眼；往右移则整片偏暖偏橙，冷色调失去冷峻，变得柔和温暖。","xe":"The fastest way to understand these tools is to experiment on a color wheel with neutral gray at its center (at 0:33 in the video). Drag Temp left and the whole photo gets veiled in blue — vivid reds, oranges and yellows suddenly look muted, as if padded with a cool layer; drag it right and everything leans warm and orange, the cold tones losing their edge and turning soft.","b":false},{"t":"img","f":"v01","w":768,"h":480},{"t":"img","f":"v02","w":768,"h":480},{"t":"p","x":"色调滑块则是另一组方向：往左整张照片偏绿，往右偏紫。把两者组合，你可以让照片偏向几乎任何一种颜色——比如想要整体偏红，黄色加紫色可以混出红色，所以色温、色调同时往右移即可（视频 1:38-2:12 处）。色温色调滑块的使命，就是给照片铺上一层统一的主色调，做出调色的「基地」。","xe":"Tint works along another axis: left shifts everything green, right shifts it purple. Combined, the two sliders can bias a photo toward almost any color — for an overall red cast, remember yellow mixed with violet makes red, so push Temp and Tint right together (at 1:38-2:12 in the video). The job of Temp/Tint is to lay down a unified dominant color — the base layer of your grade.","b":false},{"t":"img","f":"v03","w":768,"h":480},{"t":"h","x":"02 三原色：把色相拉成互补色对","xe":"02 Calibration Primaries: Pulling Hues into Complementary Pairs"},{"t":"p","x":"校准面板里的红、绿、蓝原色滑块更巧妙。以最经典的蓝原色为例：色相往左移，所有暖色往橙红方向偏移，所有冷色往青蓝方向偏移——色相被统一，但不是统一向一个颜色，而是统一成「橙+青」这对最常用的互补色（视频 2:33-2:59 处）；往右移则统一成黄绿与紫。红原色色相往右移，又会拉出黄橙配蓝色的经典搭配（视频 3:27 处）。","xe":"The Red, Green and Blue Primary sliders in the Calibration panel are cleverer still. Take the classic Blue Primary: drag its Hue left and every warm color shifts toward orange-red while every cool color shifts toward cyan-blue — hues get unified, but not into one color; they split into the beloved orange-plus-teal complementary pair (at 2:33-2:59 in the video). Drag it right and they unify toward yellow-green and violet. And pushing the Red Primary's hue right yields the classic yellow-orange-and-blue pairing (at 3:27 in the video).","b":false},{"t":"img","f":"v04","w":768,"h":480},{"t":"p","x":"注意一个细节：校准滑块对中性灰、黑色、白色是不起作用的。所以必须先用色温色调给中灰一个基本偏色，之后再移动三原色，这些被「罩」上冷色的中间调才会跟着偏移——这也是为什么白平衡工具总是打头阵（视频 6:22-6:50 处）。","xe":"One detail matters: the Calibration sliders do not act on neutral gray, black or white. That's why white balance always goes first — give the midtones a basic cast with Temp/Tint, and only then will the primaries drag those tinted grays along with the rest of the colors (at 6:22-6:50 in the video).","b":false},{"t":"p","x":"回头看《风光摄影后期基础》第 99 页总结的三大规律——主色调强烈、色相较为统一、色相互补搭配——正好对应这两个工具的能力：色温色调统一色相、奠定氛围；三原色一步做出「一暖一冷」的双主色调，天生就是互补搭配（见开头书页截图，视频 4:15 处）。","xe":"Look back at the three rules summarized on page 99 of \"Foundations of Landscape Photography Post-Processing\" — a strong dominant color, a fairly unified palette, and complementary pairings — and you'll see they map exactly onto these two tools: Temp/Tint unifies the hue and sets the mood, while the Primaries build a dual dominant of one warm and one cool color, inherently complementary (see the book page at the top, at 4:15 in the video).","b":false},{"t":"h","x":"03 实战一：南京路夜景的百变灯光","xe":"03 Practice I: Reinventing a Nanjing Road Night Shot"},{"t":"p","x":"第一张演示照片是上海南京路的夜景，直出效果非常普通。想要那种很晚很黑也能拍出的「蓝调」？很简单：色温滑块往左移，全片罩上偏蓝的基底（视频 5:34-5:58 处）。先做这一步还有个好处——中灰有了偏色，接下来校准滑块才有的放矢。","xe":"The first demo is a night shot of Nanjing Road in Shanghai, and straight out of camera it's thoroughly ordinary. Want that \"blue hour\" look even when you shot long after dark? Simple: drag Temp left and the whole frame gains a blue base (at 5:34-5:58 in the video). This step has a bonus — once the neutrals carry a cast, the Calibration sliders finally have something to push against.","b":false},{"t":"img","f":"v06","w":768,"h":480},{"t":"p","x":"有了冷色基地，再把蓝原色色相往左移一拉，著名的「橙青色调」一下就出来了：灯光变金、阴影泛青，冷暖各归其位（视频 6:13 处）。","xe":"With the cool base in place, pull the Blue Primary's hue left and the famous orange-teal grade appears at once: the lights turn golden, the shadows lean cyan, and warmth and coolness each find their place (at 6:13 in the video).","b":false},{"t":"img","f":"v07","w":768,"h":480},{"t":"p","x":"想玩赛博朋克？把蓝原色色相往右移，照片立刻偏成紫调（视频 6:56 处）；再配合红原色色相往右移——它把暖色偏黄、冷色偏蓝紫，黄蓝对比随之而来。Thomas 这张最后取了个折中：偏蓝而稍带青的阴影，配一点偏橙的灯光，用两个原色滑块组合出想要的中间色（视频 7:06-7:45 处）。","xe":"Chasing a cyberpunk look? Push the Blue Primary's hue right and the photo instantly turns purple (at 6:56 in the video); pair it with the Red Primary pushed right — warms go yellow, cools go blue-violet — and you get the yellow-blue contrast. For this shot Thomas chose a middle path: blue shadows with a touch of cyan, plus slightly orange lights, mixing his own intermediate colors from the two primary sliders (at 7:06-7:45 in the video).","b":false},{"t":"img","f":"v08","w":768,"h":480},{"t":"h","x":"04 实战二：一片沙漠调出四种颜色","xe":"04 Practice II: One Desert, Four Colors"},{"t":"p","x":"最近一组粉红、蓝色、绿色的沙漠照片特别火，其实用这两个工具全能调出来。粉色沙漠：蓝原色色相往左移，暖色的沙漠自然而然往红橙方向偏移，再往粉的方向走一步就到了（视频 8:13-8:25 处）。","xe":"A recent set of pink, blue and green desert photos went viral, and both tools can produce them all. Pink desert: drag the Blue Primary's hue left, and the warm sand naturally drifts toward red-orange — one more nudge lands it in pink (at 8:13-8:25 in the video).","b":false},{"t":"img","f":"v09","w":768,"h":480},{"t":"p","x":"巧克力色沙漠：蓝原色往左其实已经有点巧克力味，只是太偏红——而巧克力是个黄色非常多的颜色（想想家里的巧克力），所以把色温往右移，浓烈的巧克力色就出来了；再把曝光降低一点，深色巧克力的「味儿」就更足了（视频 8:30-9:05 处）。","xe":"Chocolate desert: dragging the Blue Primary left already hints at chocolate, but it's too red — and chocolate is a heavily yellow color (think of the bar in your kitchen), so push Temp right and the rich chocolate tone emerges; drop the exposure a touch and it tastes even more like dark chocolate (at 8:30-9:05 in the video).","b":false},{"t":"img","f":"v10","w":768,"h":480},{"t":"p","x":"冷调沙漠最简单：色温往左移，蓝色沙漠就出来了。如果蓝色不够好看，可以再用原色滑块微调——红原色色相往右移，蓝色会更纯粹；饱和度不够就把色温再往左一点点，最终得到那种舒服、和谐的高亮度蓝色（视频 9:09-9:49 处）。","xe":"The cool desert is the easiest: Temp left, and a blue desert appears. If the blue doesn't look right, fine-tune with the primaries — the Red Primary pushed right purifies the blue; if saturation falls short, nudge Temp a little further left, landing on that comfortable, harmonious, high-key blue (at 9:09-9:49 in the video).","b":false},{"t":"img","f":"v11","w":768,"h":480},{"t":"quote","x":"1. 色温色调滑块负责「铺底」：统一色相、罩上主色调，也让中灰带上偏色，为校准滑块铺路；2. 校准三原色负责「分流」：把全片色相拉向一对互补色——橙青、黄蓝或黄绿紫，一步形成双主色调；3. 顺序很关键：先白平衡后三原色，因为校准滑块对中灰黑白不起作用；4. 网红色调的公式＝强烈主色调＋统一色相＋互补搭配，两个工具恰好各管一半。","xe":"1. Temp/Tint lays the base: it unifies hues, drapes on a dominant color, and tints the neutrals to prepare for Calibration. 2. The Primaries split the field: they pull all hues toward a complementary pair — orange-teal, yellow-blue or yellow-green-violet — building a dual dominant in one move. 3. Order matters: white balance first, primaries second, because Calibration ignores neutral gray, black and white. 4. The formula behind trending grades = strong dominant + unified hues + complementary pairing, and these two tools each cover half of it.","b":false},{"t":"h","x":"欢迎关注托马斯的旅行与摄影攻略","xe":"Follow Thomas for more travel and photography tips"}],"titleEn":"Hundreds of Popular Color Looks from Just Two PS Tools: White Balance + Calibration Primaries"}