{"slug":"xinjiang-poplar-hasselblad","title":"在新疆拍到了绝美胡杨林！哈苏20-35E新镜头实战~","author":"Thomas看看世界","date":"2024-09-10","wechat":"https://mp.weixin.qq.com/s?__biz=MzI4NDA5MzE5NQ==&mid=2247500724&idx=1&sn=2fedd0b51e2c59e5245eee8e07d577c7&chksm=eb823dd0dcf5b4c6873a0bc8279de49364c20cdf62c4a1fb47d46ebe0479d29d7d3fc8298787&scene=21#wechat_redirect","blocks":[{"t":"p","x":"在今天的摄影教程中，Thomas会和大家一起探索新疆库车依奇克里克，以及轮台塔里木胡杨林公园里的壮观胡杨秋色。","b":false,"xe":"In today's photography tutorial, Thomas takes you exploring Yiqikelike in Kuqa and the spectacular poplar autumn colors of the Tarim Poplar Forest Park in Luntai, Xinjiang."},{"t":"img","f":"img-01","w":1080,"h":810},{"t":"p","x":"这次拍摄过程中，Thomas也实战体验了哈苏X2D一亿像素中画幅相机，搭配20-35E超广角变焦镜头的画质表现力。","b":false,"xe":"During this shoot, Thomas also field-tested the image quality of the Hasselblad X2D 100MP medium-format camera paired with the 20-35E ultra-wide zoom lens."},{"t":"img","f":"img-02","w":1080,"h":1439},{"t":"h","x":"视频","xe":"Video"},{"t":"bili","bv":"BV1LypxeEE6C","bpic":"bili-1","bt":"在新疆拍到了绝美胡杨林！哈苏20-35E新镜头实战~"},{"t":"p","x":"这一篇是上面视频的图文整理。胡杨素有「生而一千年不死，死而一千年不倒，倒而一千年不朽」的说法。11 月，Thomas 与队友驱车前往新疆库车与巴州，在胡杨林色彩最绚烂的时刻记录它们顽强的生命力。全程使用哈苏 X2D 100C 中画幅相机搭配 XCD 20-35E 超广角变焦镜头，本文整理了视频中的完整拍摄思路与技巧。","xe":"This article is the illustrated companion to the video above: the poplar is said to live a thousand years without dying, stand a thousand years after death, and resist decay a thousand years more. In November Thomas and his team drove to Kuqa and Bazhou in Xinjiang to record the trees at their most brilliant. Shot throughout on the Hasselblad X2D 100C medium-format camera with the XCD 20-35E ultra-wide zoom, the video's complete field techniques are collected here.","b":false},{"t":"p","x":"先看一段成片。金色的胡杨、遒劲的树干与渺小的人物——超广角下的胡杨林既有细节层次，又有生命的张力（视频 0:35 处）。","xe":"A finished frame first: golden foliage, weathered trunks and a tiny human figure — under the ultra-wide lens the poplar forest carries both layered detail and the tension of life (at 0:35).","b":false},{"t":"img","f":"v01","w":852,"h":480},{"t":"h","x":"01 雅丹峡谷：干净的背景与夸张的前景","xe":"01 The Yardang Canyons: Clean Backgrounds, Bold Foregrounds"},{"t":"p","x":"旅途第一站是天山南麓的依奇克里克——一个巨大的油田遗址。Thomas 通过卫星地图，在沟壑纵横的峡谷之中发现了一片生命的绿洲：爬进雅丹地貌的深处，里面竟藏着一片胡杨林（视频 1:00 处）。","xe":"The first stop is Yiqikelik at the southern foot of the Tianshan mountains — the site of a vast oilfield. Using satellite maps, Thomas spotted an oasis of life in the gully-carved canyons: deep inside the yardang terrain hides a stand of poplars (at 1:00).","b":false},{"t":"p","x":"胡杨林很容易拍得杂乱，所以 Thomas 最注重干净背景：要么以雅丹地貌的纹理作背景，要么让主体与后面的胡杨林拉开距离、形成层次；同时不断寻找前景——比如一片红色的灌木。他把脚架收到最低，离前景特别近，用 X2D 加 20-35E 拍出非常夸张的灌木丛透视效果；而且机位越低，杂乱的沙地越少，天空也更干净（视频 1:25 处）。","xe":"Poplar forest easily turns messy, so Thomas prioritizes a clean background: either the textured yardangs themselves, or distance between subject and the far grove for layering; meanwhile he hunts for foregrounds — like a patch of red shrubs. With the tripod at its lowest and the lens almost touching the plants, the X2D plus 20-35E renders a boldly exaggerated foreground perspective; and the lower the camera, the less messy ground and the cleaner sky in frame (at 1:25).","b":false},{"t":"img","f":"v02","w":852,"h":480},{"t":"img","f":"v03","w":852,"h":480},{"t":"p","x":"离前景非常近时，对焦也是个问题：需要把 X2D 设置成对焦包围模式，连续拍摄五张，每张的焦点依次变化，后期再合成出前后都清晰的照片（视频 2:18 处）。","xe":"With the lens this close, focus becomes an issue: set the X2D to focus bracketing and fire five frames in a row, each focused a step further, then blend them for front-to-back sharpness (at 2:18).","b":false},{"t":"h","x":"02 光比与月亮：日出日落与夜","xe":"02 Contrast and Moonlight: Dawn, Dusk and Night"},{"t":"p","x":"运用同样的技巧，Thomas 在日出日落时分拍摄了更多峡谷中的胡杨树。更多时候前景并不是必须的——胡杨树本身已经足够上镜。遇到逆光机位：中间一棵树、叶子被照得闪闪发亮、下方被水冲出的痕迹与几丛小草形成 S 型前景，超广角的透视会让效果非常好；但因为光比大，要设置三张包围曝光（视频 2:49 处）。","xe":"Applying the same craft, Thomas shot more canyon poplars at sunrise and sunset. Often the foreground is optional — the tree itself is photogenic enough. One backlit spot offered a tree whose leaves glowed, an S-curve of water-carved sand and grass below; the ultra-wide perspective does it justice, but with high contrast comes a three-frame bracket (at 2:49).","b":false},{"t":"img","f":"v04","w":852,"h":480},{"t":"img","f":"v05","w":852,"h":480},{"t":"p","x":"另一个场景几乎完美对称：上面是月亮，下面是山峰与一棵树。因为想把月亮的细节也记录下来，同样设置包围曝光（视频 3:20 处）。而在更早的晚上，正好利用月光把树木照亮，他用五张两档的包围曝光记录下了梦幻的画面（视频 3:39 处）。","xe":"Another scene is almost perfectly symmetrical: moon above, peak and tree below. Wanting to keep detail in the moon itself, he brackets again (at 3:20). And earlier that night, using moonlight to illuminate a tree, a five-frame two-stop bracket captured the dreamlike scene (at 3:39).","b":false},{"t":"img","f":"v06","w":852,"h":480},{"t":"img","f":"v07","w":852,"h":480},{"t":"p","x":"夜晚拍摄时，大家还幸运且意外地遇见了神舟十六号载人飞船返回舱返回大气层的瞬间——夜空中划过一道亮痕，被相机记录了下来（视频 3:56 处）。","xe":"During the night shoot the team was lucky enough to witness — and capture — the return capsule of Shenzhou-16 reentering the atmosphere, a bright streak scratched across the night sky (at 3:56).","b":false},{"t":"img","f":"v08","w":852,"h":480},{"t":"h","x":"03 塔里木：燃烧的胡杨林","xe":"03 Tarim: A Forest on Fire"},{"t":"p","x":"之后一行人驱车前往巴州轮台县的塔里木胡杨林森林公园。这里的胡杨林生长在塔里木河周边，漫山的胡杨仿佛在燃烧一样，布满了整个大地（视频 4:43 处）。","xe":"The team then drove to the Tarim Huyanglin Forest Park in Luntai, Bazhou. Here the poplars grow along the Tarim River, blazing like fire across the land (at 4:43).","b":false},{"t":"img","f":"v09","w":852,"h":480},{"t":"img","f":"v14","w":852,"h":480},{"t":"img","f":"v10","w":852,"h":480},{"t":"h","x":"04 蒲公英的巧思：人造前景与时间合成","xe":"04 The Dandelion Trick: Made Foregrounds and Time Blends"},{"t":"p","x":"超广角镜头非常讲究画面的层次感。Thomas 在公园里找到一大片蒲公英：这个角度正好是侧逆光方向，蒲公英作为前景、胡杨林作为背景，都会被逆光的光线照亮。参数上他设置 F11 保证足够的景深，A 档，因为太阳就在树木斜上方增加了 0.7 的曝光补偿，默认曝光时间 1/200 秒（视频 5:38 处）。","xe":"Ultra-wide photography lives on layered compositions. In the park Thomas found a field of dandelions: backlit from the side, dandelions in front and poplars behind both catch the light. Settings: F11 for depth of field, aperture priority, +0.7 EV because the sun sits just above the trees, metering 1/200 s (at 5:38).","b":false},{"t":"img","f":"v11","w":852,"h":480},{"t":"p","x":"微风下蒲公英的絮已经漫天飘舞，但 Thomas 觉得还不够——他捡起地上落在各处的蒲公英，看准风向，人为地往前一撒制造前景，然后抓拍（视频 5:57 处）。等会还可以用时间合成的方式把多张叠加，做出漫天飞舞的蒲公英效果。","xe":"A light breeze already carries the seeds through the air, but Thomas wanted more — he gathered fallen dandelions, checked the wind, threw them forward to build a foreground by hand, and fired bursts (at 5:57). Later, time-blending several frames produces a scene full of floating seeds.","b":false},{"t":"img","f":"v12","w":852,"h":480},{"t":"h","x":"05 框架构图与一镜俱全","xe":"05 Natural Frames and One Do-It-All Zoom"},{"t":"p","x":"广角镜头也经常要寻找生活中的框架。两棵树正好形成一个非常好的圆弧形框架，远处还有一棵比较大的树——拍出来就是胡杨树之间相互生长、相互呼应的关系（视频 6:32 处）。日出时分太阳从背后打过来非常漂亮；为了让照片更有故事性，还可以安排一个人站在树下仰望，形成人与自然的呼应。参数：35mm、F16，对焦到前面的框架树，后面的树也会是实的；A 档，1/25 秒，ISO200。","xe":"Wide lenses also seek out natural frames: two trees here form an arc, with a larger tree beyond — the frame speaks of poplars growing and answering each other (at 6:32). At sunrise the backlight is lovely; for more story, place a figure beneath the trees looking up — humans answering nature. Settings: 35mm, F16 focused on the framing tree so the far tree stays sharp; aperture priority, 1/25 s, ISO 200.","b":false},{"t":"img","f":"v13","w":852,"h":480},{"t":"p","x":"这次携带 XCD 20-35E 镜头的一大好处就是超广角变焦、一镜俱全：搭配出色的光学设计，各个焦距均能达到高水准的成像，旅途中的风景几乎都能被它记录（视频 7:25 处）。","xe":"The great benefit of carrying the XCD 20-35E is the ultra-wide zoom's versatility: with excellent optics, every focal length delivers high-grade rendering, ready for nearly any scenery on the road (at 7:25).","b":false},{"t":"quote","x":"1. 胡杨怕杂乱：干净的背景、不断寻找的前景、最低的机位，是超广角拍好它的三板斧；2. 离前景太近用对焦包围连拍五张，光比太大用多张包围曝光，月光夜景用五张两档包围；3. 前景可以人造：顺风撒出蒲公英再抓拍，配合时间合成就是漫天飞舞；4. 找到圆弧形的天然框架，再安排一个人与胡杨呼应，照片就有了人与自然的故事。","xe":"1. Poplars turn messy fast: a clean background, relentless foreground hunting and the lowest camera position are the ultra-wide trifecta; 2. Too close means focus bracketing (five frames); high contrast means exposure brackets; moonlit night, a five-frame two-stop bracket; 3. Foregrounds can be made: throw dandelions downwind, fire bursts, then time-blend a sky full of seeds; 4. Find an arched natural frame, add a figure answering the trees — and the photo gains a story of people and nature."},{"t":"h","x":"Thomas样图","xe":"Thomas's sample images"},{"t":"img","f":"img-03","w":1080,"h":720},{"t":"img","f":"img-04","w":1080,"h":1439},{"t":"img","f":"img-05","w":1080,"h":1439},{"t":"img","f":"img-06","w":1080,"h":1439},{"t":"img","f":"img-07","w":1080,"h":810},{"t":"img","f":"img-08","w":1080,"h":810},{"t":"img","f":"img-09","w":1080,"h":1439},{"t":"img","f":"img-10","w":1080,"h":720},{"t":"img","f":"img-11","w":1080,"h":810},{"t":"img","f":"img-12","w":1080,"h":810},{"t":"img","f":"img-13","w":1080,"h":1439},{"t":"img","f":"img-14","w":1080,"h":810},{"t":"img","f":"img-15","w":1080,"h":802},{"t":"img","f":"img-16","w":1080,"h":810},{"t":"img","f":"img-17","w":1080,"h":810},{"t":"img","f":"img-18","w":1080,"h":1439},{"t":"img","f":"img-19","w":1080,"h":810},{"t":"img","f":"img-20","w":1080,"h":810},{"t":"img","f":"img-21","w":1080,"h":810}],"titleEn":"Stunning Poplar Forests in Xinjiang! Field Test of the Hasselblad 20-35E"}